3.9
-
25,146 ratings
AN INSTANT #1 NEW YORK TIMES BESTSELLER
Beautiful World, Where Are You is a new novel by Sally Rooney, the bestselling author of Normal People and Conversations with Friends .
Alice, a novelist, meets Felix, who works in a warehouse, and asks him if he’d like to travel to Rome with her. In Dublin, her best friend, Eileen, is getting over a break-up, and slips back into flirting with Simon, a man she has known since childhood.
Alice, Felix, Eileen, and Simon are still young—but life is catching up with them. They desire each other, they delude each other, they get together, they break apart. They have sex, they worry about sex, they worry about their friendships and the world they live in. Are they standing in the last lighted room before the darkness, bearing witness to something? Will they find a way to believe in a beautiful world?
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ISBN-10
1250859042
ISBN-13
978-1250859044
Print length
368 pages
Language
English
Publisher
Picador Paper
Publication date
June 06, 2022
Dimensions
5.3 x 1.2 x 8.15 inches
Item weight
11 ounces
And we hate people for making mistakes so much more than we love them for doing good that the easiest way to live is to do nothing, say nothing, and love no one.
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Maybe we’re just born to love and worry about the people we know, and to go on loving and worrying even when there are more important things we should be doing.
Highlighted by 2,022 Kindle readers
We can’t conserve anything, and especially not social relations, without altering their nature, arresting some part of their interaction with time in an unnatural way.
Highlighted by 1,325 Kindle readers
ASIN :
B08SHMB1NL
File size :
6103 KB
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Enabled
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Supported
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Enabled
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Enabled
Review
A September Indie Next Pick
“[Rooney’s] writing about sex is taut and direct. It’s a narrative style I associate with the films of Andrew Haigh and Joanna Hogg, two great visual poets of social anxiety and reticence. Rooney’s dialogue is frequently perfect . . . Beautiful World, Where Are You is Rooney’s best novel yet." ―Brandon Taylor, The New York Times Book Review
“A tour de force. The dialogue never falters, and the prose burns up the page.” ―Anne Enright, The Guardian
“The book moved me to tears more than once . . . Rooney’s best novel.” ―James Marriott, The Times (UK)
“It’s a testament to Rooney's curious, cerebral gifts as a writer that she not only draws her readers into tolerating long stretches of such ruminations but makes them so entertaining. We feel we’re in good company with our own end-time anxieties . . . In this ambitious novel of sentiment and ideas, which is so up to the minute in its global concerns, Rooney ironically reaches back to one of the oldest forms of the novel, the epistolary or letter form, to tell her story.” ―Maureen Corrigan, NPR’s Fresh Air
“Even more moving than Normal People or Conversations with Friends . . . Beautiful World, Where Are You is still very dialectical and Marxist and interested in political debates. Yet it is also a love letter to the novel as a form of art―and, by extension, to the ways in which human beings relate to one another . . . Beautiful World, Where Are You is a love letter to all of us, to all the ways we love.” ―Constance Grady, Vox
“Rooney hammers out the problems and promises of contemporary novels and contemporary life―all while reminding us of her distinctive style’s disarming intimacies . . . This is Rooney stepping into herself as a fully-formed artist, ready to defend the validity and originality of her methods . . . Beautiful World combines the intricacies of Rooney’s lightning-rod style, like her deep well of sympathy for her characters and her precise economy of language, with a growing maturity.” ―Adrienne Westenfeld, Esquire
“This is a book that insists on the power of enduring relationships and also on their difficulty . . . Beautiful World, Where Are You offers the same pleasures as Rooney’s previous novels, and, in the discursive emails that Alice and Eileen exchange, the additional pleasure of her voice as an essayist . . . A forceful case for caring about such seemingly insignificant matters as ‘whether people break up or stay together.’” ―Molly Fischer, The Cut
“Rooney’s strongest writing thus far . . . There is a touching honesty and truthfulness in these pages, along with a quiet brilliance.” ―Diana Evans, Financial Times
“Brilliantly done: gripping, steamy, unbearably sad.” ―Susannah Goldsbrough, The Telegraph
“Beautiful World, Where Are You is Rooney’s most buoyant and best work . . . Rooney gives her characters, herself, and the reader permission to feel the full range of the often-embarrassing emotions that come with loving and liking other people, despite impending doom, knowing that chaos and hope and stupidity all exist, messily, together.” ―Sophia June, Nylon
“Wise, romantic, and ultimately consoling . . . It’s a pleasure to read smart women courting each other’s love and admiration . . . Like any serious artist she takes whatever material she’s handed and makes meaning from it.” ―Hermione Hoby, 4Columns
“Reading the Rooney corpus in sequence feels like watching the characters grow up and mature into a life of complicated interpersonal relationships. Rooney’s special skill is the ability to place readers at eye level with her characters and plot, to sneak them into the world of her story as a participant in the room . . . She pulls the reader in with her famously unadorned sentences and creates an intimacy akin to peering over the characters’ shoulders.” ―Kyung Mi Lee, The Boston Globe
“Delightfully dirty at times and compulsively readable . . . Though it admittedly feels wickedly satisfying to be caught once again in Rooney’s web of friendship-courtship entanglements, the pining glances, wounded squabbles and even the raunchy, sexy scenes aren’t the reasons to read Beautiful World . . . Instead, it’s what Rooney does with the other chapters ― probing letters between Alice and Eileen―that feels so experimental and exciting.” ―Alexis Burling, San Francisco Chronicle
“In failing to look for the nation in these books, we fail to see Rooney’s stories in all their richness . . . The book’s Irishness is like its professional jealousies or its sexual tensions: bottled up for almost too long, then relieved in one moment . . . Rooney’s books happen in a particular place. Her study of relationships is all the more rewarding when you give that place a name. Its name is Ireland: Sally Rooney is Irish.” ―Sean O’Neill, Gawker
“[Sally Rooney’s] most overtly personal work yet . . . As someone drifting ever-nearer to 30 myself, Beautiful World resonated in a way that Rooney’s earlier works did not. That said, teetering on the cusp of your thirties is hardly a prerequisite for reading the novel . . . There's a weight, an urgency that grounds Alice and Eileen's narratives, and it's the same weight and urgency every one of us has been living with for the past 18 months.” ―Isabel Jones, InStyle
“Extremely well-written longing. Three novels in, and it’s still what Rooney does best: ensnare us over and over in the jet-fueled heat between good-looking (and supernaturally articulate) Irish youths . . . Each sentence builds like a brushstroke: on its own, any particular line can seem pedestrian. Assembled together, we get whole scenes of otherwise banal parties and bus rides, glances cast and bodies rearranged, all rendered to a storybook-like effect.” ―Delia Cai, Vanity Fair
“Fundamentally [Sally Rooney’s] books are pleasurable to read . . . Beautiful World, Where Are You contains enough innovation―stylistic playfulness, a new, more cerebral mode, a variation in perspective―to signal that she is trying new things.” ―Katie Roiphe, The Wall Street Journal
“[Sally Rooney’s] third consecutive banger after Normal People and Conversations with Friends, an intimate and piercingly smart story about sex and friendship . . . Rooney is masterful at finding profound meaning in the quotidian, in ramping up the tension and heightening the stakes in the most microscopic of interactions. The pages fly as fast as in any thriller to find out if these four young adults can figure out how and why to live.” ―Barbara VanDenburgh, USA Today
“I would gladly read any glimmer of [Rooney’s] thoughts refracted through a character . . . When you spend a lot of time thinking about how civilization is declining and Earth is burning, it becomes clear that there are some rare joys, and that horniness is one of them. Rooney would not write so carefully about sex if she didn’t see intrinsic value in pleasure, in gratifying the senses during our one spin on the planet.” ―Blythe Robertson, Bustle
“I abandon books like a drunken sailor and in another mood, I might have tossed Rooney overboard. But then, there it was, on page 40: a sentence of such exquisite bitterness that it cut my sweet summer day in half. Was there more where that came from? I simply had to know . . . Gentle, intense, emotional . . . The plot is pretty Austenian: A bunch of people become mutually enlightened about the true nature of themselves and each other.” ―Molly Young, Vulture
“In many ways, this book, a work of both philosophy and romantic tragicomedy about the ways people love and hurt one another, is exactly the type of book one would expect Rooney to write out of the political environment of the past few years. But just because the novel is so characteristic of Rooney doesn’t take anything away from its considerable power . . . A novel of capacious intelligence and plenty of page-turning emotional drama.” ―Kirkus (Starred)
"A cool, captivating story . . . Rooney establishes a distance from her characters’ inner lives, creating a sense of privacy even as she describes Alice and Eileen’s most intimate moments. It’s a bold change to her style, and it makes the illuminations all the more powerful when they pop. As always, Rooney challenges and inspires.” ―Publishers Weekly (Starred)
“Writing with her trademark truthfulness and wit, Rooney compels with both these meta-conversations and the actions of her characters’ lives: their enthralling, intimate, and consequential grappling with themselves, with one another, and with beauty, sex, and friendship. Rooney's first novel since Normal People, which became a popular and award-winning Hulu series, is steadily drawing excitement.” ―Booklist (Starred)
“Keen and tersely delivered observations about the follies of youth, sex, and friendships.” ―Adam Price, The Millions (Most Anticipated)
“As much as she resists the title, Rooney’s new book may just cement her status as a leading voice of the millennial generation. ―Harper’s Bazaar (Most Anticipated)
“Delicious.” ―Emily Temple, Lit Hub (Most Anticipated)
“Instead of latching onto hardships, digging through them until every last nuance has been overturned and all the trauma and tragedy has been exhausted, Rooney carries her readers and characters through them in realistic portrayals of the way time and life don’t wait for people to recover . . . For those who have yet to hop on the Sally Rooney bandwagon, it’s never too late.” ―Oriana Christ, Zyzzyva
About the Author
Sally Rooney is an Irish novelist. She is the author of Conversations with Friends; Normal People; and Beautiful World, Where Are You. She also contributed to the writing and production of the Hulu/BBC television adaptation of Normal People.
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Sally Rooney
SALLY ROONEY was born in the west of Ireland in 1991. Her work has appeared in The New Yorker, The New York Times, Granta and The London Review of Books. Winner of the Sunday Times Young Writer of the Year Award in 2017, she is the author of Conversations with Friends and the editor of the Irish literary journal The Stinging Fly.
Customer reviews
3.9 out of 5
25,146 global ratings
switterbug/Betsey Van Horn
5
Frank Schiller, "Schöne Welt, wo bist du?"
Reviewed in the United States on October 5, 2021
Verified Purchase
I was an early reader of Irish writer Sally Rooney, before she shot to stratospheric fame. I was offered an ARC of CONVERSATIONS WITH FRIENDS, not expecting to love it as I did. It’s not that I don’t enjoy stories about Millennials--it’s just that sometimes there’s too much navel gazing or whining and stuck-ness in issues that can make my eyes roll. But Sally Rooney? She’s a delight!
Navel gazing in Rooney’s book is organic and watchful. She writes her literary opuses as if they were screenplays. I’m not talking about just the filmic quality of the narrative. But in BEAUTIFUL WORLD, as in all three of her novels to date, you could pluck the breathtaking images right from the words themselves. The dialogue, characters, and story are three dimensional, and every scene pops and delivers and allows you to interpret on your own terms.
BEAUTIFUL WORLD touches on themes of beauty, celebrity, social media, mental health, friendship, love, the continuum between friendship and love, and the fluidity of attraction. As always, I feel that the author connects deeply with the reader as she writes. Even when the tone is wry, tense, or accusing between characters, I feel that Rooney’s people are always evolving and in motion. Rooney isn’t rigid but she is decisive. Her cast comes with an implied background of unease, or lofty principles that they themselves have problems achieving. They are searching for love and identity, and also a culture class that they can brandish or even hide behind. This new novel revolves around two best friends, Alice and Eileen, and the men most important in their lives at the time.
As in all Rooney’s books, one character is a writer (sometimes she has more than one). Alice has achieved literary fame after two novels (like Rooney, although I won’t make the mistake of thinking Alice is based on Rooney), and then had a mental breakdown. It is obvious that she isn’t that egocentric about her fame; in fact, she chooses a boyfriend much less intelligent than her who doesn’t even read books.
Her typical form of communication with her best friend, Eileen, is email. They contain some scintillating content and background info, and move both character and plot along, or give the reader a bridge between times. So when Eileen and Alice eventually see each other again (Eileen is living in Dublin, Alice by the sea), you just know there’s a climax coming. (Eileen is actually living in the house Alice abandoned when she went into treatment). You feel the tension.
And when I said that her novels are like cinema? I think this one is more theater, like a play. You’ll see when you read it, but the scenes usually include little details about the environment when a character is doing something, such as: “…sitting on her bed scrolling on her phone… On the floor, a discarded cardigan, her swimsuit with its straps tangled, sandals with the buckles hanging open. On the bedside table a lamp with a pleated pink shade.” The stage is set a particular way. It’s like seeing a play, where you are riveted to the stage, and the play and your life have merged.
Simon and Eileen have known each other since childhood (he’s 5 years older than her) and their relationship was Platonic for many years, although Simon has always been hard to pin down. Felix is Alice’s new boyfriend, and there are a few stunners of information about him that are revealed early.
If you are a Rooney fan, you’ve already read the book and are just checking out what other readers are saying. Is Alice really Sally? No, of course not, but it is a little bit meta-, as Alice does criticize people on Twitter for judging her life and her boyfriend, as if they know her. (I imagine many celebs feel this way.) Her readers do act on social media as if they are involved in Alice’s life--like her friend or cousin. Shows you how creepy we can be. We all do it sometimes--judge someone famous for making certain choices with their lives! But, Rooney doesn’t act superior when she writes a scene this way. Her nuanced portraits are unguarded, even when her characters are leery or calculating. Rooney mesmerizes when she points out their darker sides.
What I wanted to say is that if you are already a Rooney fan, then there’s nothing I can tell you other than to read it, and you won’t be disappointed. If you are new to her, prepare to love her or hate her. She writes her familiar geography--Dublin. Her characters are mostly about her age, and like her character, Alice, she writes about friends and lovers. Rooney does that SO WELL! That is why she is so beloved. Scenes are vivid, like her characters, and I become invested in them. So when they feel a cleaving, so will I. And most Rooney readers will, too. She is wise, piercing, and intuitive with the narrative form. Her stories are convincing because the texture feels like authentic material.
Rooney will follow a character into a murky tunnel and come out the other side with the bright sun shining or peeling off skin. She decides and we interpret. Or she can say it all in a few keen words, taking the context and subtexting the hell out of it. It’s almost always through the characters, like a play. Rooney doesn’t describe geography except to add mood/atmosphere to the story. Settings are in a room or a space, indoors or out, where you can feel the boundaries when they are crossed. Her characters are urgent with the world they live in, fearful and fearless simultaneously. And constantly thinking, feeling, desiring.
“It was like God had put his hand on my head and filled me with the most intense desire I had ever felt, not desire for another person, but desire to bring something into being that had never existed before…I knew what I had to do, and I did it, that was all.”
I’m so thrilled that Rooney has this talent to share with the world. I’m a superfan, a wide-eyed votary, so I can get away with saying…gulp…it’s a more beautiful world because Sally Rooney’s talent is in it.
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30 people found this helpful
avis.reads
5
millenial relationships while living in a hostile world
Reviewed in the United States on January 30, 2024
Verified Purchase
5/5 ⭐⭐⭐⭐⭐ #andreeareviews
This is my second Sally Rooney book (after which I bought everything she ever wrote). The book tackles the complexity of relationships and mental health while living in a system not meant to support our well-being.
The friendship between Alice Kelleher, a successful Irish novelist, and Eileen Lyon, an editor at a literary magazine, is at the centre of the book. After having a mental breakdown, Alice retreated out of the public eye to a vast rectory house on the Irish coast. Living on her own, Alice goes on a few dates with a local she met on Tinder, Felix, and the two start a relationship. They are an unexpected pair: Felix works in a shipping warehouse after making a mess of his life, barely making it from salary to salary; Alice is a wildly famous novelist. Their different social status appears in their conversations and interaction, being, at first, an area of conflict (and maybe a subtle sense of inferiority from Felix).
Meanwhile, Eileen lives in Dublin and has a complicated relationship with his long-time friend, Simon. Their current relationship can be best described as a complicated situationship. Eileen is recovering from a breakup in a long-term relationship by seeking solace in Simon’s company, who is her oldest friend. On the other hand, Simon has a habit of dating much younger women. Eileen and Simon have been friends since childhood. She considers the possibility of dating Simon, who has been by her side, supporting her through all her hardship since she was a teenager. However, she doesn’t want to endanger their friendship and deep connection.
The relationships between the four people grow throughout the book; the characters themselves grow and transform and find themselves or find meaning in their lives. There are deep conversations, difficulties in dealing with intimacy, socially tense situations, and even self-sabotage of own desires and relationships. There are fights, reconciliations, cold interactions, and emotionally charged situations.
The friendship between Alice and Eileen is complicated. They met in college, and while Eileen struggles to find meaning and passion in her writing, Alice has found fame. However, Alice also struggles with mental health issues and an inability to have a social life. Their interactions are filled with tension - Alice complaining about the side effects of success to a struggling Eileen, whose pay is ridiculous at her current job. They agree that our world is complicated and downright hostile from multiple perspectives (emotions and mental health, climate change, economics, and morality). While Alice is far from Dublin, they exchange numerous letters. However, Eileen only visits Alice months later. There is tension between them, hidden under their social criticism (they debate everything from politics to religion).
In the style that got me hooked in Conversation with Friends, Rooney continues her deep conversation and philosophical analysis of the current world. I enjoyed the correspondence between Alice and Eileen more than the plot of the book per se. They are beautiful prose, and raw, soul-baring self-dialogue, that tackle complex modern topics with utmost sincerity.
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3 people found this helpful
Kim Davis Cromwell
5
Good Read
Reviewed in the United States on September 28, 2024
Verified Purchase
This isn't my usual route of read, but i thoroughly enjoyed getting to know the characters and their lives, a little to personally at times. Smoothie read, a page turner. Not a dull moment!
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