4.5
-
6,124 ratings
“Quinn evocatively balances the outward cheerfulness of the 1950s with historical observations exploring racism, misogyny, homophobia and political persecution in this sharply drawn, gripping novel.” - People Magazine
The New York Times bestselling author of The Diamond Eye and The Rose Code returns with a haunting and powerful story of female friendships and secrets in a Washington, DC, boardinghouse during the McCarthy era.
Washington, DC, 1950. Everyone keeps to themselves at Briarwood House, a down-at-the-heels all-female boardinghouse in the heart of the nation’s capital where secrets hide behind white picket fences. But when the lovely, mysterious widow Grace March moves into the attic room, she draws her oddball collection of neighbors into unlikely friendship: poised English beauty Fliss, whose facade of perfect wife and mother covers gaping inner wounds; policeman’s daughter Nora, who finds herself entangled with a shadowy gangster; frustrated baseball star Beatrice, whose career has come to an end along with the women’s baseball league of WWII; and poisonous, gung-ho Arlene, who has thrown herself into McCarthy’s Red Scare.
Grace’s weekly attic-room dinner parties and window-brewed sun tea become a healing balm on all their lives, but she hides a terrible secret of her own. When a shocking act of violence tears the house apart, the Briar Club women must decide once and for all: who is the true enemy in their midst?
Capturing the paranoia of the McCarthy era and evoking the changing roles for women in postwar America, The Briar Club is an intimate and thrilling novel of secrets and loyalty put to the test.
A beautiful, foil cover, first edition.
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ISBN-10
0063359766
ISBN-13
978-0063359765
Print length
720 pages
Language
English
Publisher
William Morrow
Publication date
July 08, 2024
Dimensions
6 x 1.62 x 9 inches
Item weight
2.31 pounds
ASIN :
B0CKT8V7QD
File size :
3153 KB
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“Quinn evocatively balances the outward cheerfulness of the 1950s with historical observations exploring racism, misogyny, homophobia and political persecution in this sharply drawn, gripping novel.” — People
"Compulsively readable, The Briar Club will find eager readers in those who love woman-led historical fiction with rich, appealing characters." — Booklist (starred review)
“[A] compelling story. This powerful, unforgettable historical mystery is for fans of Mary Anna Evans’s Justine Byrne series and stories with strong women characters.” — Library Journal (starred review)
“A stellar historical mystery Quinn elegantly explores issues of race, class, and gender, and brings the paranoid atmosphere of McCarthy-era Washington to vivid life. For Quinn’s fans, this is a must.” — Publishers Weekly (starred review)
“Quinn’s latest continues to uphold her reputation for grasping the complexities, nuances, and dynamism of the past. Really, this book is perfect.” — Literary Hub
“Kate Quinn’s The Briar Club not only presents a thrilling mystery, but also, and perhaps more importantly, a cast of characters readers will adore.” — ELLE.COM
About the Author
Kate Quinn is the New York Times and USA Today bestselling author of historical fiction. A native of Southern California, she attended Boston University, where she earned bachelor’s and master’s degrees in classical voice. A lifelong history buff, she has written four novels in the Empress of Rome Saga and two books set in the Italian Renaissance before turning to the 20th century with The Alice Network, The Huntress, The Rose Code, and The Diamond Eye. All have been translated into multiple languages. She and her husband now live in California with three black rescue dogs.
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Dear Kitty,
Does the name “Briarwood House” sound auspicious? We shall see!
I wish you were here.
—Grace
June sunshine poured over the street, the sounds of a jazz saxophone drifted over from next door, somewhere on Capitol Hill Senator McCarthy was waving lists of card-carrying American Commies, and a new guest had come to the Briarwood boardinghouse. Her shadow fell across Pete where he knelt on the front stoop banging a nail into the flapping screen door, and he looked up to register a tall woman with a red beret over a tumble of golden-brown hair.
“Hello there,” she said in a soft midwestern drawl, nodding at the sign in the window. “I see you have rooms to rent?”
Pete scrambled upright, dropping his hammer. He’d thought he was being so alert: watching the street over his toolbox, eagle-eyed for any signs of a rumpus. Not that the square ever had much in the way of rumpus, but you never knew. What if some dirty no-good louse from the Warring gang shot up the Amber Club just off the square, making off with a bag of the long green? If that went down and the feds came sniffing, the word on the street would point to the shadowy figure across the way. You want the long and short, you talk to the shamus at Briarwood House. Nothing gets past Pistol Pete. And then Pete would rise, flicking his cigarette and straightening his battered trilby . . .
But instead a woman had walked right up to him while he was tacking down a screen, and he’d nearly dropped his hammer on her ribbon-laced espadrille.
“Mickey Spillane,” she said, nodding at the paperback copy of I, the Jury he’d set aside on the front stoop after his mother swooped in with a reminder about the screen door. “Your favorite?”
“I, uh. Yes, ma’am. I’m Pete,” he added hastily. “Pete Nilsson.”
Her wide mouth quirked, and she stooped to pick up his hammer. “Then maybe you could tell me how a lady can get a room here, Hammerin’ Pete.”
Just like that, Pete fell in love. He been falling in love an awful lot since turning thirteen—sometimes with the girls in his class at Gompers Junior High, mostly with Nora Walsh up in 4A with her soft Irish vowels, occasionally with Arlene Hupp and her bouncy ponytail in 3C—but this dame in the red beret was something special. She was maybe thirty-five or something (old enough to have an interesting past), with a worn suitcase swinging from one hand and a camel coat belted around the kind of figure Detective Mike Hammer (Pete’s hero) would have described as a mile of Pennsylvania highway.
And she’d called him Hammerin’ Pete. He junked Pistol Pete on the spot, wishing he could cock his trilby back on his head and drawl Let me show you the joint, ma’am but unfortunately he wasn’t wearing a trilby, just an old Senators cap, and from inside the house his mother’s voice snapped “Pete, who are you gabbing to? Have you finished with that door?”
“Someone’s come about the room, Mom. Mrs.—” He looked back, realizing he hadn’t asked the woman’s name.
“March.” Another of those slow, amused smiles. “Mrs. Grace March.”
Pete’s mother popped out, face pink and irritated over her quilted housecoat, and she gave the newcomer a once-over even as she introduced herself. “Mrs., you said?” Clearly trying to appraise if there was a wedding ring under Mrs. March’s white glove. “I run my boardinghouse for ladies only, if you and your husband—”
“I was widowed last year.” Mrs. March sounded remarkably composed about that fact, Pete thought.
“Children? Because it’s a small room, no space for more than—”
“No, only me.” Mrs. March stood swinging her suitcase, and Pete could tell his mother didn’t much like being half a head shorter than this prospective tenant.
“Well, I suppose you can leave your luggage in the kitchen and come up to see the room.” There was a tone in his mother’s voice that Pete heard quite a lot, halfway between grudging and avid—grudging because she didn’t trust new people, avid because new boarders meant money—and he knew he shouldn’t have uncharitable thoughts about his mother, but he wished she would sound a little more . . . well, welcoming when she asked someone into their home. Don’t you want the boarders to like you, Mom? he’d asked once, hearing her harangue the renter in 3B for leaving water spots in the sink, and his mother had tutted, Only patsies worry about being liked, Pete. The only thing that matters is whether they pay their rent on time. He hadn’t really had an answer to that—or rather, he knew better than to voice one. If he did, Mom would just let fly with a tight-lipped Well, don’t you sound just like your father when you take that tone. Hammerin’ Pete was a match for any hard case in the District, but one just-like-your-father from Mom and he shriveled like he’d been slapped in the puss. “Would you like a cup of coffee, ma’am?” he asked, opening the door for Mrs. March, and his mother shot him an irritable look.
“How kind”—another smile from the new arrival—“but I believe I’ll just see the room.”
It’s not much of a room, he wanted to tell her as she followed his mother up the stairs. A storage closet up at the top of the old brownstone, off the fourth-floor landing: Pete’s mother decided this year that she could cram a boarder in there, and Pete had spent his last break emptying out the junk, nailing down loose floorboards, and lugging up the tiny icebox so she could advertise there was a kitchenette. But he couldn’t honestly believe anybody would want to live in such a shoebox.
“She’ll take it,” his mother said ten minutes later, sailing down the stairs flushed and jubilant. “Six months paid up front, too, and she looks like a lady. Not that you can tell, these days. Here, before you take that up . . .” Popping the clasps on Grace March’s suitcase.
“Mom!” Pete hissed, feeling his ears burn. “I hate it when you do this—”
“Don’t be squeamish. You want a dope fiend or a floozy in the attic? Or a Communist. Better to snoop now before she digs herself in.” Mrs. Nilsson flipped through the tidily folded blouses and skirts with rapid, expert fingers, poked at a big glass mason jar apparently stuffed with nylons, examined the toiletries. Pete stood gnawing his lip, remembering how the English teacher at Gompers Junior High had said that the Latin root of the word mortification was “to die” and Pete could see why, because he was so mortified right now he wanted to drop dead here on the worn linoleum of his mother’s kitchen. Please don’t find anything, he prayed, watching her sift through the new boarder’s underwear (silky pink and peach stuff, he couldn’t help but notice with a burn of shame). The fourth-floor room had already nearly been rented out to a pleasant-looking spinster with a Jersey accent, but when Mom rummaged through her suitcase she found a package of what she called Those Things (the kind of rubber things the boys at Gompers boasted about stealing from their older brothers) and there had been an ugly scene before the woman from Jersey was kicked out, all before she even moved in, and without getting her just-paid deposit back, either.
Pete was already hoping Mrs. Grace March would be sticking around for a while.
“Well, take it on up.” Mrs. Nilsson closed the suitcase, looking vaguely disappointed there hadn’t been anything more sinister than a pink needle case. “Hurry back down, now. I need you to weed the tomato patch after you take your sister to the library.”
“Yes, Mom.” Pete sighed.
“You’re a good boy,” she said, giving his ear a pinch as he hauled the suitcase toward the first of three flights of stairs.
The door off the right side of the tiny fourth-floor landing stood ajar, but Pete knocked anyway. “Mrs. March?”
“Oh heavens, drop that Mrs. March business,” her voice floated out. “I keep looking around for my mother-in-law, and not having a mother-in-law anymore is one of the few advantages of being widowed.”
“Yes, Mrs. M— Um, Mrs. Grace.” He hauled her suitcase inside, embarrassed all over again by just how tiny the room was. A narrow twin bed against one wall, a rickety little bureau that doubled as a coffee table, one shabby armchair . . . and his mother might call it a kitchenette, but it was really just an icebox the size of a packing crate, with a hot plate balanced on top. Worst of all were the walls: chipped, tilting inward under the slanted roof, painted a faded but still bilious green. You agreed to live here? he thought—but Mrs. Grace was ignoring all that. She’d hung up the camel coat and unlaced the espadrilles, padding about in an old floral-printed skirt and what looked like a man’s shirt tied up at the waist, and she was heaving up the sash on the window at the end of the room so she could look out at the square below.
“Did my suitcase pass inspection?” she said without turning around, and Pete wanted to die all over again, but she aimed a mischievous smile over one shoulder. “There’s a glass mason jar in among my unmentionables. If I haul it out, can you tell me where to fill it up?” She was glancing around the room, which conspicuously lacked a sink.
“The bathroom’s on the landing. Sink and, um, toilet, anyway.” He felt his ears go red again, saying toilet to a lady. “If you want a bath, you’ll have to go to the third floor.” Where three women already competed for the tub and mirror between seven and eight in the morning. “A word of advice,” he found himself saying. “You do not want to get between Claire from 3B and Arlene from 3C when they start going at it over whose turn it is for the bathroom.”
“I’ll keep that in mind.” Mrs. Grace, having unlatched the suitcase, shook the mason jar free from a jumble of nylons and blouses. “Would you mind filling that up for me? Hot water, please.”
When he came back lugging the sloshing jar, she had unearthed a handful of tea bags, which promptly went into the water, along with the contents of a dozen little sugar packets clearly scavenged from a diner. “Sun tea,” she explained, seeing Pete’s puzzled expression as she carried the jar to the window and pushed it carefully through to sit on the sunny stone ledge. “Let it steep on a hot porch or warm windowsill for three hours, and you’ll never taste anything better. Old Iowa farm recipe.”
“Is that where you’re from? Iowa?”
“Originally.” She stood back, admiring the sun tea sparkling in its jar, but didn’t volunteer anything else. “Who’s the musician?” she asked, tilting her head as a mellow sax riff on “Sentimental You” waltzed through the window on the warm breeze.
“That’s Joe Reiss, next door. He plays at the Amber Club down the street—he’s always practicing.”
“How many boarders live here altogether?”
“Eight, if Mom’s got a full house.” He stuck his hands in his pockets, trying a tentative smile. “You’ll meet the rest at breakfast. That’s between seven and seven thirty every morning,” he recited. “Breakfast comes with your rent. Though a lot of our boarders prefer to get breakfast at the Crispy Biscuit on the other side of the square,” he felt compelled to add, in all honesty. His mother tried her best, of course she did, but her leathery scrambled eggs and undercooked bacon (slapped down on the dining room table at seven on the dot and removed at seven twenty-nine and fifty-eight seconds) weren’t exactly . . . well, the pancakes at the diner on Briar just couldn’t be beat, that was all.
“You’re quite the man of information, aren’t you?” Mrs. Grace took out a pack of Lucky Strikes and shook one out.
“My mother doesn’t allow smoking,” Pete couldn’t help saying.
“I know.” Calmly, Mrs. Grace struck a match, lit up, took a long inhale of smoke, and blew it out the open window. “What she doesn’t know won’t hurt her.”
“My mother knows everything,” Pete said feelingly. You could never hear her coming; in those house slippers she could pop out of the shadows like a jack-in-the-box. Always when you’ve left your coat on the floor, or are just thinking about putting your feet on the sofa, Pete had heard one of the boarders say. Nora Walsh from 4A, the pretty one with light-brown hair that gleamed in the sun. And Nora wasn’t wrong: a coat on the floor or a shoe print on a sofa was the kind of thing Pete’s mother couldn’t stand—ate her nerve ends raw, Mickey Spillane would have put it. “My mother’s had a difficult life,” he said loyally. “She just gets a little tense about rules. You know, times being hard and all.” Times were hard: the war only just receding into the past and the atom bomb waiting to blow the world to kingdom come and now Commies running all over making trouble. At least Senator McCarthy said so.
“It’ll be our secret.” Mrs. Grace tapped ash out the window, smiling. Even her eyes got in on the smile—golden-brown eyes, like her hair, and they had a way of staying half-lidded, as if she were looking at everything with sleepy amusement. “So, why is this place called Briarwood House?”
“Because we’re on the corner of Briar Avenue and Wood Street.” It sounds more refined, his mother had said when she hand-lettered the sign: BRIARWOOD HOUSE: BOARDING FOR LADIES. We’ll get a better class of boarder that way. But the house was just a house, Pete thought—a tall narrow brownstone on the nicer edge of Foggy Bottom, not some country manor out of a book like those Lord Peter Wimsey mysteries he’d read last summer.
“How long have you had boarders here, then?”
Pete looked at his shoes. “Since my dad left.” He waited for her to pounce on that. Adults always did. But Mrs. Grace just took another long drag off her Lucky Strike, looking around her new home: the lime-green paint, the slanted ceilings, the postage-stamp-size window seat. “It’s not much,” Pete felt compelled to apologize, but she shook her head.
“All of this”—she gestured with her cigarette, encompassing the sunny windowsill, the skeins of jazz, the clatter of feet on the stairs—“it has potential.”
“It does?” Pete felt like he heard that word a lot, generally when adults were telling you why you couldn’t do something now, maybe later. Look at your peach-fuzz chin in the mirror, and imagine the potential that one day you might need a shave; look at the cars cruising past and imagine the potential of someday driving one. To Pete, the word potential really just seemed to mean a long way off. Maybe never.
“This whole house has potential,” Mrs. Grace said, sounding very definite. “And so do you, Hammerin’ Pete.” She gave another smile, stubbing out her cigarette on the stone window ledge beside the mason jar. “Now scoot. Come back in about three hours—I’ll be unpacked, and you’ll get a glass of sun tea that’ll make you swear you were in heaven.”
But Pete was pretty sure he was already there. He swung out of 4B whistling, and he didn’t stop even when he looked through the half-open door of the landing bathroom and caught a glimpse of himself in the mirror over the sink. Hammerin’ Pete . . . maybe when he was the toughest gumshoe in town, he’d carry a hammer through his belt: the hammer that took a smash to the Warring gang, brought down the biggest crime family in the District. By then he’d be thirty, not thirteen; he’d have a dashingly blued growth of stubble instead of pimples; he’d have a battered trilby slashing across a cruel cliff of a brow, not a Washington Senators baseball cap.
Yes, he could almost see it. Because he had potential. The new boarder said so.
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Kate Quinn
Kate Quinn is the New York Times and USA Today bestselling author of historical fiction. A native of southern California, she attended Boston University where she earned a Bachelor’s and Master’s degree in Classical Voice. She has written four novels in the Empress of Rome Saga, and two books in the Italian Renaissance, before turning to the 20th century with “The Alice Network”, “The Huntress,” "The Rose Code," and "The Diamond Eye." All have been translated into multiple languages. Kate and her husband now live in San Diego with three rescue dogs.
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Customer reviews
4.5 out of 5
6,124 global ratings
Lesa Holstine
5
Women's Friendship During a Tumultuous Period
Reviewed in the United States on July 14, 2024
I’ll admit I sometimes bog down in the history in Kate Quinn’s novels, and I love history. Quinn is the author of The Diamond Eye and The Huntress, among other books. But, The Briar Club! I only slowed down toward the conclusion of this book because I didn’t want it to end. It’s one of the best books I’ve read this year.
On Thanksgiving, 1954, Briarwood House in Washington D.C. holds two bodies and seventeen suspects. The house itself is worried about the stories that will be told to the police. It’s a scary time to be involved with the police during the McCarthy era. And, every woman at Briarwood House has a secret.
Mrs. Nilsson is the owner and landlady of Briarwood. No one, including the house, likes her. She’s not welcoming to the women in her boardinghouse, and she squelches all joy or happiness to be found there, including in her own two children. But, when the widow Mrs. Grace March takes the last room there in June 1954, the atmosphere slowly begins to change.
Grace might have the tiniest room in the house, but she finds a way to bring the women together, from Fliss, the wife and mother whose doctor husband is overseas, leaving her with a fussy baby, then toddler, to Nora, a policeman’s daughter who falls for a man with a mysterious life. The women in the boardinghouse work in the National Archives, or as teachers, or in libraries. But, on Thursday nights, when Mrs. Nilsson plays cards, they gather in Grace’s room for makeshift dinners.
In four years, each woman has the chance to tell her story, revealing her secrets. But, they all come to together on a Thursday, Thanksgiving 1954. Will the last secrets crumble in the face of the police, or will the women hold themselves together in this terrifying tine?
The Briar Club is a story of women’s friendship set against the frightening backdrop of McCarthyism. Despite the number of people living in Briarwood House, each one has a distinct personality. Backgrounds are perfect to offer a variety of lifestyles and opinions during this difficult time. Quinn’s format offers each woman the chance to step into the spotlight, to share their voice. By the conclusion, when they have the chance to speak up, the reader waits with baited breath to see how their personalities will be reflected at a time of crisis.
As I said, one of the best books I’ve read this year.
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daschultz
5
Another winner from Ms. Quinn, character driven brillance!
Reviewed in the United States on July 9, 2024
This was a very different type of read from Ms. Quinn, but I loved it!! As always the characters shine, there is a very diverse group and how they all come together is a great story!!
Think the McCarthy era in Washington D.C. 1950. There are lots of people still having problems finding jobs and earning a decent living.
The opening quickly draws you into the novel as there is a murder in the house and the police are there trying to find out who the victims are and also who the killer might be.
We then travel back in time to find Pete, the son of the owner of Briarwood House, introducing Mrs. Grace March to his mother. She has come to look at the small attic room - she decides to take it.
The boarding house is home to an eclectic group of women.
**Grace - the mysterious widow in the attic room who draws everyone in to a night of food and fun every week.
**Nora a police officer's daughter who becomes involved with a gangster
**Bea ,a somewhat frustrated woman - who still longs for her days playing in the women’s baseball team, which ended along with the war.
**Arlene, a frustrated and unhappy woman who has bought into McCarthy’s Red Scare and sees a communist in every new person she meets
**Reka, an older Russian woman who is the last person to join the Thursday Night dinners held in Grace’s room.
**Fliss and her little girl, still a baby, who longs for her husband to come home. He is a doctor in the military.
All of these characters, of course, have secrets.
The pace of this novel is quite a bit slower than her WW11 spy novels and it took me longer to get through.
The ending is a great one that shows how a group of very diverse women can come to know each other, accept each other’s differences and form an alliance that helps them move forward in their lives.
**The author's notes are stellar and not to be missed!!
I can highly recommend this novel - but be prepared for a bit of a slow burn. It’s all worth it!!
I received an ARC of this novel from the publisher through Edelweiss. It was my pleasure to read and review this title.
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Sue Bellows
5
Great book!!
Reviewed in the United States on July 15, 2024
Verified Purchase
I enjoyed everything about this book, the character development was top-notch, the reader just gets sucked into the wonderful story lines!
Ian Acheson
5
Powerful story of female friendships in early 1950s Washington DC!
Reviewed in the United States on July 10, 2024
This is a wonderful story and I found myself disappointed that it came to an end.
The story is set in the early 1950s in a woman's only boarding house on the corner of Briar and Wood streets in Washington D.C. The house is affectionately dubbed Briarwood House for obvious reasons. We get to meet all the residents during the 4 years the story involves. Each of the seven residents get a chapter (a long one) to share their story. Quinn cleverly keeps the stories in sequential order so that we are always moving forward in time with the characters and not revisiting something we've already read through a separate set of eyes.
The woman are all fascinating in their own unique ways. We get to empathise, rage at, like, not like through Quinn's remarkable story telling. Grace March is perhaps my favourite. She's the captain of the ship, so to speak. She's the last to arrive and the one who establishes the Briar Club Thursday night dinners in her upstairs 4B room which becomes a weekly calendar marker for each of the ladies. They take turns supplying dinner and grow to trust each other through their camaraderie. Grace is a mystery. She doesn't reveal much about herself, and is a tremendous listener and problem solver for the other ladies. She is gutsy, streets mark and won't let someone play her.
It's a strange time in America. Post WWII, a war going on in Korea which no one cares about but there's agreeing fear about Communist Russia fuelled by Joe McCarthy's incessant badgering through the media. Women are discovering they can look after themselves, can gain employment and be in control of their relational needs. But misogyny is ever prevalent and we get to witness how our ladies grapple with it.
Each of the women are so different, I loved how Quinn brought us this vibrant collection of personalities and characters. It was wonderful. I enjoyed meeting them all. Yes, there were some that frustrated me and I struggled a little to like them but the way Quinn presents each woman we get to better understand their situation, background and their rationale for acting the way they do.
There are also some interesting male characters. Pete, the 13 year old who grows through his teens during the story, is a lovely demonstration of a young man having female role models who help shape him. His father deserted Pete and his younger sister, Lina, and their mother a few years back and he lacks for male modelling. But what he learns from the women will keep him in good stead as he matures.. Xavier Byrne, Nora's love interest is fascinating grappling with being born into a master's family.
Quinn introduces us to a tremendous microcosm of America in that period through the eyes of these women and the others who play a role, some small, some large, in their lives. It's historical (modern) fiction at its best.
I feel very fortunate having received access to the story via the Net Galley app by the publisher, however, this had no bearing on my review.
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7 people found this helpful
kris
5
Great book!
Reviewed in the United States on July 15, 2024
Verified Purchase
Lots of interesting characters and history. Great plot! I read in a few sittings- because it is good not short.
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