4.5
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15,626 ratings
#1 NEW YORK TIMES BESTSELLER • 50TH ANNIVERSARY EDITION WITH A NEW INTRODUCTION BY MARGARET ATWOOD • Stephen King's legendary debut, the bestselling smash hit that put him on the map as one of America's favorite writers • In a world where bullies rule, one girl holds a secret power. Unpopular and tormented, Carrie White's life takes a terrifying turn when her hidden abilities become a weapon of horror.
"Stephen King’s first novel changed the trajectory of horror fiction forever. Fifty years later, authors say it’s still challenging and guiding the genre." —Esquire “A master storyteller.” —The Los Angeles Times • “Guaranteed to chill you.” —The New York Times • "Gory and horrifying. . . . You can't put it down." —Chicago Tribune Unpopular at school and subjected to her mother's religious fanaticism at home, Carrie White does not have it easy. But while she may be picked on by her classmates, she has a gift she's kept secret since she was a little girl: she can move things with her mind. Doors lock. Candles fall. Her ability has been both a power and a problem. And when she finds herself the recipient of a sudden act of kindness, Carrie feels like she's finally been given a chance to be normal. She hopes that the nightmare of her classmates' vicious taunts is over . . . but an unexpected and cruel prank turns her gift into a weapon of horror so destructive that the town may never recover.
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ISBN-10
1984898108
ISBN-13
978-1984898104
Print length
336 pages
Language
English
Publisher
Knopf Doubleday Publishing Group
Publication date
December 30, 2018
Dimensions
5.16 x 0.68 x 7.97 inches
Item weight
2.31 pounds
But sorry is the Kool-Aid of human emotions. It's what you say when you spill a cup of coffee or throw a gutterball when you're bowling with the girls in the league. True sorrow is as rare as true love.
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Jesus watches from the wall, But his face is cold as stone, And if he loves me As she tells me Why do I feel so all alone?
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Nobody was really surprised when it happened, not really, not at the subconscious level where savage things grow.
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What none of them knew, of course, was that Carrie White was telekinetic.
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At sixteen, the elusive stamp of hurt was already marked clearly in her eyes.
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B001BANK2I
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Praise for Stephen King and Carrie
“A master storyteller.” —The Los Angeles Times
“Guaranteed to chill you.” —The New York Times
“Gory and horrifying.... You can't put it down.” —Chicago Tribune
“[The] most wonderfully gruesome man on the planet.” —USA Today
“Stephen King has built a literary genre of putting ordinary people in the most terrifying situations. . . . he’s the author who can always make the improbable so scary you'll feel compelled to check the locks on the front door.” —The Boston Globe
“Shivering, shuddery, macabre evil!” —Pittsburgh Post-Gazette
“Peerless imagination.” —The Observer (London)
“Eerie and haunting—sheer terror!” —Publishers Weekly
RAIN OF STONES REPORTED
It was reliably reported by several persons that a rain of stones fell from a clear blue sky on Carlin Street in the town of Chamberlain on August 17th. The stones fell principally on the home of Mrs. Margaret White, damaging the roof extensively and ruining two gutters and a downspout valued at approximately $25. Mrs. White, a widow, lives with her three-year-old daughter, Carietta.
Mrs. White could not be reached for comment.
Nobody was really surprised when it happened, not really, not at the subconscious level where savage things grow. On the surface, all the girls in the shower room were shocked, thrilled, ashamed, or simply glad that the White bitch had taken it in the mouth again. Some of them might also have claimed surprise, but of course their claim was untrue. Carrie had been going to school with some of them since the first grade, and this had been building since that time, building slowly and immutably, in accordance with all the laws that govern human nature, building with all the steadiness of a chain reaction approaching critical mass.
What none of them knew, of course, was that Carrie White was telekinetic.
Graffiti scratched on a desk of the Barker Street Grammar School in Chamberlain:
Carrie White eats shit.
The locker room was filled with shouts, echoes, and the subterranean sound of showers splashing on tile. The girls had been playing volleyball in Period One, and their morning sweat was light and eager.
Girls stretched and writhed under the hot water, squalling, flicking water, squirting white bars of soap from hand to hand. Carrie stood among them stolidly, a frog among swans. She was a chunky girl with pimples on her neck and back and buttocks, her wet hair completely without color. It rested against her face with dispirited sogginess and she simply stood, head slightly bent, letting the water splat against her fl esh and roll off. She looked the part of the sacrificial goat, the constant butt, believer in left-handed monkey wrenches, perpetual foul-up, and she was. She wished forlornly and constantly that Ewen High had individual—and thus private— showers, like the high schools at Westover or Lewiston. They stared. They always stared.
Showers turning off one by one, girls stepping out, removing pastel bathing caps, toweling, spraying deodorant, checking the clock over the door. Bras were hooked, underpants stepped into. Steam hung in the air; the place might have been an Egyptian bathhouse except for the constant rumble of the Jacuzzi whirlpool in the corner. Calls and catcalls rebounded with all the snap and flicker of billiard balls after a hard break.
“—so Tommy said he hated it on me and I—”
“—I’m going with my sister and her husband. He picks his nose but so does she, so they’re very—”
“—shower after school and—”
“—too cheap to spend a goddam penny so Cindi and I—”
Miss Desjardin, their slim, nonbreasted gym teacher, stepped in, craned her neck around briefly, and slapped her hands together once, smartly. “What are you waiting for, Carrie? Doom? Bell in five minutes.” Her shorts were blinding white, her legs not too curved but striking in their unobtrusive muscularity. A silver whistle, won in college archery competition, hung around her neck.
The girls giggled and Carrie looked up, her eyes slow and dazed from the heat and the steady, pounding roar of the water. “Ohuh?”
It was a strangely froggy sound, grotesquely apt, and the girls giggled again. Sue Snell had whipped a towel from her hair with the speed of a magician embarking on a wondrous feat and began to comb rapidly. Miss Desjardin made an irritated cranking gesture at Carrie and stepped out.
Carrie turned off the shower. It died in a drip and a gurgle.
It wasn’t until she stepped out that they all saw the blood running down her leg.
From The Shadow Exploded: Documented Facts and Specific Conclusions Derived from the Case of Carietta White, by David R. Congress (Tulane University Press: 1981), p. 34:
It can hardly be disputed that failure to note specific instances of telekinesis during the White girl’s earlier years must be attributed to the conclusion offered by White and Stearns in their paper Telekinesis: A Wild Talent Revisited—that the ability to move objects by effort of the will alone comes to the fore only in moments of extreme personal stress. The talent is well hidden indeed; how else could it have remained submerged for centuries with only the tip of the iceberg showing above a sea of quackery?
We have only skimpy hearsay evidence upon which to lay our foundation in this case, but even this is enough to indicate that a “TK” potential of immense magnitude existed within Carrie White. The great tragedy is that we are now all Monday-morning quarterbacks . . .
“Per-iod!”
The catcall came first from Chris Hargensen. It struck the tiled walls, rebounded, and struck again. Sue Snell gasped laughter from her nose and felt an odd, vexing mixture of hate, revulsion, exasperation, and pity. She just looked so dumb, standing there, not knowing what was going on. God, you’d think she never—
“PER-iod!”
It was becoming a chant, an incantation. Someone in the background (perhaps Hargensen again, Sue couldn’t tell in the jungle of echoes) was yelling, “Plug it up!” with hoarse, uninhibited abandon.
“PER-iod, PER-iod, PER-iod!”
Carrie stood dumbly in the center of a forming circle, water rolling from her skin in beads. She stood like a patient ox, aware that the joke was on her (as always), dumbly embarrassed but unsurprised.
Sue felt welling disgust as the first dark drops of menstrual blood struck the tile in dime-sized drops. “For God’s sake, Carrie, you got your period!” she cried. “Clean yourself up!”
“Ohuh?”
She looked around bovinely. Her hair stuck to her cheeks in a curving helmet shape. There was a cluster of acne on one shoulder. At sixteen, the elusive stamp of hurt was already marked clearly in her eyes.
“She thinks they’re for lipstick!” Ruth Gogan suddenly shouted with cryptic glee, and then burst into a shriek of laughter. Sue remembered the comment later and fitted it into a general picture, but now it was only another senseless sound in the confusion. Sixteen? She was thinking. She must know what’s happening, she—
More droplets of blood. Carrie still blinked around at her classmates in slow bewilderment.
Helen Shyres turned around and made mock throwing-up gestures.
“You’re bleeding!” Sue yelled suddenly, furiously. “You’re bleeding, you big dumb pudding!”
Carrie looked down at herself.
She shrieked.
The sound was very loud in the humid locker room.
A tampon suddenly struck her in the chest and fell with a plop at her feet. A red flower stained the absorbent cotton and spread.
Then the laughter, disgusted, contemptuous, horrified, seemed to rise and bloom into something jagged and ugly, and the girls were bombarding her with tampons and sanitary napkins, some from purses, some from the broken dispenser on the wall. They flew like snow and the chant became: “Plug it up, plug it up, plug it up, plug it—”
Sue was throwing them too, throwing and chanting with the rest, not really sure what she was doing—a charm had occurred to her mind and it glowed there like neon: There’s no harm in it really no harm in it really no harm— It was still flashing and glowing, reassuringly, when Carrie suddenly began to howl and back away, flailing her arms and grunting and gobbling.
The girls stopped, realizing that fission and explosion had finally been reached. It was at this point, when looking back, that some of them would claim surprise. Yet there had been all these years, all these years of let’s short-sheet Carrie’s bed at Christian Youth Camp and I found this love letter from Carrie to Flash Bobby Pickett let’s copy it and pass it around and hide her underpants somewhere and put this snake in her shoe and duck her King again, duck her again; Carrie tagging along stubbornly on biking trips, known one year as pudd’n and the next year as truck-face, always smelling sweaty, not able to catch up; catching poison ivy from urinating in the bushes and everyone finding out (hey, scratch-ass, your bum itch?); Billy Preston putting peanut butter in her hair that time she fell asleep in study hall; the pinches, the legs outstretched in school aisles to trip her up, the books knocked from her desk, the obscene postcard tucked into her purse; Carrie at the church picnic and kneeling down clumsily to pray and the seam of her old madras skirt splitting along the zipper like the sound of a huge wind-breakage; Carrie always missing the ball, even in kickball, falling on her face in Modern Dance during their sophomore year and chipping a tooth, running into the net during volleyball; wearing stockings that were always run, running, or about to run, always showing sweat stains under the arms of her blouses; even the time Chris Hargensen called up after school from the Kelly Fruit Company downtown and asked her if she knew that pig poop was spelled C- A- R- R- I- E: Suddenly all this and the critical mass was reached. The ultimate shit-on, gross-out, put-down, long searched for, was found. Fission.
She backed away, howling in the new silence, fat forearms crossing her face, a tampon stuck in the middle of her pubic hair.
The girls watched her, their eyes shining solemnly.
Carrie backed into the side of one of the four large shower compartments and slowly collapsed into a sitting position. Slow, helpless groans jerked out of her. Her eyes rolled with wet whiteness, like the eyes of a hog in the slaughtering pen.
Sue said slowly, hesitantly: “I think this must be the first time she ever— ”
That was when the door pumped open with a flat and hurried bang and Miss Desjardin burst in to see what the matter was.
From The Shadow Exploded (p. 41):
Both medical and psychological writers on the subject are in agreement that Carrie White’s exceptionally late and traumatic commencement of the menstrual cycle might well have provided the trigger for her latent talent.
It seems incredible that, as late as 1979, Carrie knew nothing of the mature woman’s monthly cycle. It is nearly as incredible to believe that the girl’s mother would permit her daughter to reach the age of nearly seventeen without consulting a gynecologist concerning the daughter’s failure to menstruate.
Yet the facts are incontrovertible. When Carrie White realized she was bleeding from the vaginal opening, she had no idea of what was taking place. She was innocent of the entire concept of menstruation.
One of her surviving classmates, Ruth Gogan, tells of entering the girls’ locker room at Ewen High School the year before the events we are concerned with and seeing Carrie using a tampon to blot her lipstick with. At that time Miss Gogan said: “What the hell are you up to?” Miss White replied: “Isn’t this right?” Miss Gogan then replied: “Sure. Sure it is.” Ruth Gogan let a number of her girl friends in on this (she later told this interviewer she thought it was “sorta cute”), and if anyone tried in the future to inform Carrie of the true purpose of what she was using to make up with, she apparently dismissed the explanation as an attempt to pull her leg. This was a facet of her life that she had become exceedingly wary of. . . .
When the girls were gone to their Period Two classes and the bell had been silenced (several of them had slipped quietly out the back door before Miss Desjardin could begin to take names), Miss Desjardin employed the standard tactic for hysterics: She slapped Carrie smartly across the face. She hardly would have admitted the pleasure the act gave her, and she certainly would have denied that she regarded Carrie as a fat, whiny bag of lard. A first-year teacher, she still believed that she thought all children were good.
Carrie looked up at her dumbly, face still contorted and working. “ M- M- Miss D- D- Des- D—”
“Get up,” Miss Desjardin said dispassionately.
“Get up and tend to yourself.”
“I’m bleeding to death!” Carrie screamed, and one blind, searching hand came up and clutched Miss Desjardin’s white shorts. It left a bloody handprint.
“I . . . you . . .” The gym teacher’s face contorted into a pucker of disgust, and she suddenly hurled Carrie, stumbling, to her feet. “Get over there!”
Carrie stood swaying between the showers and the wall with its dime sanitary-napkin dispenser, slumped over, breasts pointing at the floor, her arms dangling limply. She looked like an ape. Her eyes were shiny and blank.
“Now,” Miss Desjardin said with hissing, deadly emphasis, “you take one of those napkins out . . . no, never mind the coin slot, it’s broken anyway . . . take one and . . . damn it, will you do it! You act as if you never had a period before.”
“Period?” Carrie said.
Her expression of complete unbelief was too genuine, too full of dumb and hopeless horror, to be ignored or denied. A terrible and black foreknowledge grew in Rita Desjardin’s mind. It was incredible, could not be. She herself had begun menstruation shortly after her eleventh birthday and had gone to the head of the stairs to yell down excitedly: “Hey, Mum, I’m on the rag!”
“Carrie?” she said now. She advanced toward the girl. “Carrie?”
Carrie flinched away. At the same instant, a rack of softball bats in the corner fell over with a large, echoing bang. They rolled every which way, making Desjardin jump.
“Carrie, is this your first period?”
But now that the thought had been admitted, she hardly had to ask. The blood was dark and flowing with terrible heaviness. Both of Carrie’s legs were smeared and splattered with it, as though she had waded through a river of blood.
“It hurts,” Carrie groaned. “My stomach . . .”
“That passes,” Miss Desjardin said. Pity and self-shame met in her and mixed uneasily. “You have to . . . uh, stop the flow of blood. You—”
There was a bright flash overhead, followed by a flashgun-like pop as a lightbulb sizzled and went out. Miss Desjardin cried out with surprise, and it occurred to her
(the whole damn place is falling in)
that this kind of thing always seemed to happen around Carrie when she was upset, as if bad luck dogged her every step. The thought was gone almost as quickly as it had come. She took one of the sanitary napkins from the broken dispenser and unwrapped it.
“Look,” she said. “Like this—”
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Stephen King
Stephen King is the author of more than fifty books, all of them worldwide bestsellers. His first crime thriller featuring Bill Hodges, MR MERCEDES, won the Edgar Award for best novel and was shortlisted for the CWA Gold Dagger Award. Both MR MERCEDES and END OF WATCH received the Goodreads Choice Award for the Best Mystery and Thriller of 2014 and 2016 respectively.
King co-wrote the bestselling novel Sleeping Beauties with his son Owen King, and many of King's books have been turned into celebrated films and television series including The Shawshank Redemption, Gerald's Game and It.
King was the recipient of America's prestigious 2014 National Medal of Arts and the 2003 National Book Foundation Medal for distinguished contribution to American Letters. In 2007 he also won the Grand Master Award from the Mystery Writers of America. He lives with his wife Tabitha King in Maine.
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Customer reviews
4.5 out of 5
15,626 global ratings
C. Danese
5
Carrie is an excellent novel
Reviewed in the United States on March 18, 2022
Verified Purchase
The novel Carrie by Stephen King is centered around a sixteen year old girl, Carrie White. Her whole life she has been pushed around by both her mother, Margret, and her classmates, especially Chris. Margret is an extremely religious individual and forces that apon Carrie. Chris is one of the most popular girls in their high school, and has an unprovoked hatred towards Carrie. As a result of these things, Carrie is made fun of in school. Everyone believes she is a freak and plays jokes on her. After having no independence from her mother, and constantly being harassed at school, she reaches her breaking point. This happens at the school prom when Chris decides to sabotage Carrie’s night and goes too far. Carrie is finally pushed over the edge and chaos erupts.
While reading, I was able to connect to Carrie White. Throughout my life, I have never been popular at school and have been made fun of. This could be frustrating and sometimes made me angry. Though it was not the best choice, at times I would fire back at the people teasing me. Being as Carrie made the same decision, I was able to reach a deeper understanding of the book. I truly knew where Carrie was coming from and some of the things she may have been feeling. I also related to Sue in some ways. Just as Sue regretted bullying Carrie, I have regretted many of my actions in the past. For example, whenever I am unnecessarily cruel to my family, I feel remorse and wish to change my actions. This connection helped me to better grasp the novel and fully comprehend it.
In my opinion Carrie is an exceptional book. Stephen King is really able to illustrate the story with his words. He goes into great detail during the whole novel. With Stephen King, anything is a possibility, especially the unexpected. It was extremely refreshing to read this because it was not at all cliche. I have certainly never seen or heard of any story quite like this one. Behind every corner is a new twist, just when you think things couldn't get any crazier. I am not usually very interested in reading, but this book had me on the edge of my seat. I found myself constantly thinking about it and eager to continue learning about Carrie White’s tragic life. My personal favorite part of this novel is the very beginning. I remember how wide my eyes got as I turned to the third page. The book starts off with a strong hook that will definitely grab your attention. I was shocked at how bold the story started, and I absolutely loved it!
I would one hundred percent recommend this book to another person. It is thrilling and action packed, while still paying close attention to every component of the story. The characters are extremely well developed and very diverse. I believe that each and everyone could find at least one personal connection to one or more of the characters. With all of this, there is a strong and important message given throughout the novel. To me, this story really showed how your actions have a large impact on others. People who enjoy being frightened or taken on an adventure through the books they read would be the best audience for this novel. It also might be appealing to those who are sick and tired of Cinderella and other classics, people who are looking for something completely different. And finally, if you’re like me, and you are not the biggest fan of reading, this book might just change your mind.
~Sydney Danese, D Block English
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8 people found this helpful
H. George Parsons
5
Excellent buying experience
Reviewed in the United States on August 21, 2024
Verified Purchase
This special edition of Stephen King's CARRIE is very special. It arrived in perfect condition because it was well-packaged. It was exactly as advertised. I highly recommend AMAZON as a great company with whom to do business. FIVE STARS!!
Justin Meyer
5
Carrie: Beautiful, Interesting, and Incredibly Sad
Reviewed in the United States on August 19, 2019
Verified Purchase
Spoilers ahead:
As a huge fan of the 1976 film "Carrie," I decided to buy the book to read the story as first told. I figured a movie that made me feel so sad had needed to be looked into a little further to seek to understand it a little better. Maybe this way, I wouldn't feel as sad about Carrie's tragic life and ultimate end. However, the book made me feel just about as sad.
Carrie White is a student at Ewen High School. She is an outsider who is constantly bullied by her peers due to her unappealing appearance, her shyness, and her mother's erratic behavior. She also discovers that she has the incredible power of telekinesis. When she has her first period in the showers, her classmates mock her by telling her to "plug it up!" and by throwing sanitary towels and tampons at her rather than helping her. The terrified girl has no idea about what a woman's menstruation is and believes she is dying, as no one taught her about it. Her gym teacher Miss Desjardin helps Carrie through this and punishes the girls for their behavior, which is one week's detention with her. Chris Hargensen, who is the ringleader of the bullies, leaves detention early and is suspended, and ultimately forbidden to go to the Senior Prom. This, in her mind, is all Carrie's fault.
Meanwhile at home, Carrie's unstable and religious fanatic of a mother (Margaret White) punishes her for having her first period by locking her in a "prayer closet." This is something that is accustomed in the White household as the book explains Carrie sometimes spends days in the closet, leading to exhaustion and sleeping in her own waste. It's just so sad reading parts of the story like this.
One of the bullies, Sue Snell, feels sorry for what she did to Carrie so she asks her boyfriend (Tommy Ross) to take the girl to the prom. He asks Carrie to the prom, which unlike the movie, she accepts almost right away though awkwardly. Margaret is unhappy with this of course and tries to make Carrie stay home from prom, which she is unsuccessful at. Carrie and Tommy are elected prom king and queen as part of a plan devised by Chris Hargensen and her boyfriend Billy Nolan. Their plan is to dump pig's blood on both of them as a prank for getting Chris in trouble. Once the blood is dropped on both of them, the bucket falls on Tommy and kills him. Carrie runs out of the gym in humiliation as everyone yet again is laughing at her. She then remembers her telekinetic powers....
From outside, she locks all of the gym doors and what at first was a plan to just throw the prank back on all of the other students, turned into a massacre. Students and faculty are electrocuted, burned, and suffocated inside the school by the use of Carrie's powers. Unlike the 1976 movie, Carrie's vengeance continues throughout the town. She is able to use telepathy to communicate to the citizens of Chamberlain that she is in fact the one wreaking havoc on the town. Carrie visits a church to pray before going home, where her mother is there waiting there to kill her as she think that Carrie is using Satan's powers.
Margaret White stabs Carrie in the shoulder when she returns home. Carrie kills her mother by stopping her heart in self-defense. Carrie then travels to local bar called The Cavalier to confront Chris and Billy, who had been sleeping together there. She is able to kill both of them by slamming their car into the side of the building.
Sue Snell is able reach Carrie at the bar, who is dying. Carrie and Sue use telepathy to speak to each other. It is revealed to Carrie that Sue had good intentions all along and is forgiven by Carrie. As a last action before death, Carrie makes Sue miscarry her child that was conceived with Tommy as her period arrives. We then learn from the last few paragraphs that other people may in fact possess the great power of telekinesis.
This is a great book that I literally read in one setting. I couldn't put it down because it is so intriguing. Once again, like the 1976 movie, we can't help but feel compassion for Carrie. The story is just so tragic. A tortured girl who just wanted to fit in and be normal, but was never given the chance. Stephen King uses a lot of court room dialog and news articles to tell certain parts of the story, such as the time a very young Carrie created a rain of ice stones to fall on the White house after a confrontation with her mother. I thought this was an excellent way to tell the story by giving us many different points of view.
The book really makes you feel Carrie's isolation and sadness. The part that actually made me cry was the poem she wrote in her 7th grade class. The quote is posted on the picture I posted for this review. It's just so sad to think a child feels that helpless and alone. The description of the very small closet that she is forced to pray in also is unsettling.
Stephen King was at the top of his game with his first published novel "Carrie." It is a very well written book that fills the reader with emotion and makes us want to reread it. I now know why the 1976 movie was so great: the novel in which it was based upon was excellent.
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