A Clash of Kings (A Song of Ice and Fire, Book 2) by George R. R. Martin
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A Clash of Kings (A Song of Ice and Fire, Book 2)

4.7

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42,210 ratings


THE BOOK BEHIND THE SECOND SEASON OF GAME OF THRONES, AN ORIGINAL SERIES NOW ON HBO.

Here is the second volume in George R.R. Martin magnificent cycle of novels that includes A Game of Thrones and A Storm of Swords. As a whole, this series comprises a genuine masterpiece of modern fantasy, bringing together the best the genre has to offer. Magic, mystery, intrigue, romance, and adventure fill these pages and transport us to a world unlike any we have ever experienced. Already hailed as a classic, George R.R. Martin stunning series is destined to stand as one of the great achievements of imaginative fiction.

A CLASH OF KINGS

A comet the color of blood and flame cuts across the sky. Two great leaders—Lord Eddard Stark and Robert Baratheon—who hold sway over an age of enforced peace are dead, victims of royal treachery. Now, from the ancient citadel of Dragonstone to the forbidding shores of Winterfell, chaos reigns. Six factions struggle for control of a divided land and the Iron Throne of the Seven Kingdoms, preparing to stake their claims through tempest, turmoil, and war. It is a tale in which brother plots against brother and the dead rise to walk in the night. Here a princess masquerades as an orphan boy; a knight of the mind prepares a poison for a treacherous sorceress; and wild men descend from the Mountains of the Moon to ravage the countryside. Against a backdrop of incest and fratricide, alchemy and murder, victory may go to the men and women possessed of the coldest steel...and the coldest hearts. For when kings clash, the whole land trembles.

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ISBN-10

0553381695

ISBN-13

978-0553381696

Print length

784 pages

Language

English

Publisher

Bantam

Publication date

May 27, 2002

Dimensions

6.14 x 1.26 x 9.2 inches

Item weight

1.65 pounds



Popular highlights in this book

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  • He is the prince that was promised, and his is the song of ice and fire.

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  • What good is this, I ask you? He who hurries through life hurries to his grave.

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Product details

ASIN :

B000FC1HBY

File size :

5114 KB

Text-to-speech :

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Editorial reviews

“Martin amply fulfills the first volume’s promise and continues what seems destined to be one of the best fantasy series ever written.”—The Denver Post

“A truly epic fantasy set in a world bedecked with 8,000 years of history, beset by an imminent winter that will last ten years and bedazzled by swords and spells wielded to devastating effect.”—Publishers Weekly, starred review

“High fantasy with a vengeance.”—The San Diego Union-Tribune

“Rivals T. H. White’s The Once and Future King.”—The Des Moines Register

“So complex, fascinating and well-rendered, readers will almost certainly be hooked by the whole series.”—The Oregonian

“The richness of this invented world and its cultures lends Mr. Martin’s novels the feeling of medieval history rather than fiction—except, of course, that he knows how to entertain.”—The Dallas Morning News


Sample

ARYA

At Winterfell they had called her "Arya Horseface" and she'd thought nothing could be worse, but that was before the orphan boy Lommy Greenhands had named her "Lumpyhead."

Her head felt lumpy when she touched it. When Yoren had dragged her into that alley she'd thought he meant to kill her, but the sour old man had only held her tight, sawing through her mats and tangles with his dagger. She remembered how the breeze sent the fistfuls of dirty brown hair skittering across the paving stones, toward the sept where her father had died. "I'm taking men and boys from the city," Yoren growled as the sharp steel scraped at her head. "Now you hold still, boy." By the time he had finished, her scalp was nothing but tufts and stubble.

Afterward he told her that from there to Winterfell she'd be Arry the orphan boy. "Gate shouldn't be hard, but the road's another matter. You got a long way to go in bad company. I got thirty this time, men and boys all bound for the Wall, and don't be thinking they're like that bastard brother o' yours." He shook her. "Lord Eddard gave me pick o' the dungeons, and I didn't find no little lordlings down there. This lot, half o' them would turn you over to the queen quick as spit for a pardon and maybe a few silvers. The other half'd do the same, only they'd rape you first. So you keep to yourself and make your water in the woods,alone. That'll be the hardest part, the pissing, so don't drink no more'n you need."

Leaving King's Landing was easy, just like he'd said. The Lannister guardsmen on the gate were stopping everyone, but Yoren called one by name and their wagons were waved through. No one spared Arya a glance. They were looking for a highborn girl, daughter of the King's Hand, not for a skinny boy with his hair chopped off. Arya never looked back. She wished the Rush would rise and wash the whole city away, Flea Bottom and the Red Keep and the Great Sept and everything, and everyone too, especially Prince Joffrey and his mother. But she knew it wouldn't, and anyhow Sansa was still in the city and would wash away too. When she remembered that, Arya decided to wish for Winterfell instead.

Yoren was wrong about the pissing, though. That wasn't the hardest part at all; Lommy Greenhands and Hot Pie were the hardest part. Orphan boys. Yoren had plucked some from the streets with promises of food for their bellies and shoes for their feet. The rest he'd found in chains. "The Watch needs good men," he told them as they set out, "but you lot will have to do."

Yoren had taken grown men from the dungeons as well, thieves and poachers and rapers and the like. The worst were the three he'd found in the black cells who must have scared even him, because he kept them fettered hand and foot in the back of a wagon, and vowed they'd stay in irons all the way to the Wall. One had no nose, only the hole in his face where it had been cut off, and the gross fat bald one with the pointed teeth and theweeping sores on his cheeks had eyes like nothing human.

They took five wagons out of King's Landing, laden with supplies for the Wall: hides and bolts of cloth, bars of pig iron, a cage of ravens, books and paper and ink, a bale of sourleaf, jars of oil, and chests of medicine and spices. Teams of plow horses pulled the wagons, and Yoren had bought two coursers and a half-dozen donkeys for the boys. Arya would have preferred a real horse, but the donkey was better than riding on a wagon.

The men paid her no mind, but she was not so lucky with the boys. She was two years younger than the youngest orphan, not to mention smaller and skinnier, and Lommy and Hot Pie took her silence to mean she was scared, or stupid, or deaf. "Look at that sword Lumpyhead's got there," Lommy said one morning as they made their plodding way past orchards and wheat fields. He'd been a dyer's apprentice before he was caught stealing, and his arms were mottled green to the elbow. When he laughed he brayed like the donkeys they were riding. "Where's a gutter rat like Lumpyhead get him a sword?"

Arya chewed her lip sullenly. She could see the back of Yoren's faded black cloak up ahead of the wagons, but she was determined not to go crying to him for help.

"Maybe he's a little squire," Hot Pie put in. His mother had been a baker before she died, and he'd pushed her cart through the streets all day, shouting "Hot pies! Hot pies!" "Some lordy lord's little squire boy, that's it."

"He ain't no squire, look at him. I bet that's not even areal sword. I bet it's just some play sword made of tin."

Arya hated them making fun of Needle. "It's castle-forged steel, you stupid," she snapped, turning in the saddle to glare at them, "and you better shut your mouth."

The orphan boys hooted. "Where'd you get a blade like that, Lumpyface?" Hot Pie wanted to know.

"Lumpyhead," corrected Lommy. "He prob'ly stole it."

"I did not!" she shouted. Jon Snow had given her Needle. Maybe she had to let them call her Lumpyhead, but she wasn't going to let them call Jon a thief.

"If he stole it, we could take it off him," said Hot Pie. "It's not his anyhow. I could use me a sword like that."

Lommy egged him on. "Go on, take it off him, I dare you."

Hot Pie kicked his donkey, riding closer. "Hey, Lumpyface, you gimme that sword." His hair was the color of straw, his fat face all sunburnt and peeling.

"You don't know how to use it."

Yes I do, Arya could have said. I killed a boy, a fat boy like you, I stabbed him in the belly and he died, and I'll kill you too if you don't let me alone. Only she did not dare. Yoren didn't know about the stableboy, but she was afraid of what he might do if he found out. Arya was pretty sure that some of the other men were killers too, the three in the manacles for sure, but the queen wasn't looking for them, so it wasn't the same.

"Look at him," brayed Lommy Greenhands. "I bet he's going to cry now. You want to cry, Lumpyhead?"

She had cried in her sleep the night before, dreaming of herfather. Come morning, she'd woken red-eyed and dry, and could not have shed another tear if her life had hung on it.

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About the authors

George R. R. Martin

George R. R. Martin

George R.R. Martin is the globally bestselling author of many fine novels, including A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, and A Dance with Dragons, which together make up the series A Song of Ice and Fire, on which HBO based the world’s most-watched television series, Game of Thrones. Other works set in or about Westeros include The World of Ice and Fire, and A Knight of the Seven Kingdoms. His science fiction novella Nightflyers has also been adapted as a television series; and he is the creator of the shared-world Wild Cards universe, working with the finest writers in the genre. He lives in Santa Fe, New Mexico.

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Reviews

Customer reviews

4.7 out of 5

42,210 global ratings

Tracy Falbe

Tracy Falbe

5

Powerful surprises and awesome characters

Reviewed in the United States on February 16, 2011

Verified Purchase

The bold omen of a comet "the color of blood and flame and sunsets" opens "A Clash Of Kings" the second novel in George R.R. Martin's epic fantasy series "A Song Of Ice And Fire." Published by Bantam Books in 1999, "A Clash Of Kings" is a gripping multi-layered saga filled with characters that are interesting, witty, loathsome, or sympathetic.

The title of this fantasy novel is entirely accurate. Following the suspicious death of King Robert Baratheon in the first novel, his Iron Throne that unites the Seven Kingdoms of Westeros is suddenly in dispute. Although Robert has three children and his eldest son, the adolescent and wholly reprehensible Joffrey, has ascended to the throne, the regency of his mother Queen Cersei is perceived as weak. More than one claimant seeks the Iron Throne and many kings clash as peace flees the land and challengers continue to scheme and multiply.

The Competing Monarchs Stannis Baratheon: A younger brother of the late King Robert, he declares himself the rightful heir of the kingdom. He dismisses the children of Robert by claiming (correctly) that they are bastards. Cersei conceived all three of the children with her twin brother Jaime Lannister with whom she has had an ongoing incestuous relationship. The allegation is so shocking however that it is not sufficient to topple the regency of Queen Cersei. Additionally, Stannis Baratheon is supported by the sorceress Melisandre who is a priestess of the Lord of Light R'hllor. She is aggressively spreading this religion in the Seven Kingdoms and her power is real. Stannis has attached himself to her power and his quest to take the throne is deadly serious.

Renly Baratheon: The younger brother of Stannis Baratheon also seeks the Iron Throne. Although he has no direct claim because of numerous heirs ahead of him, Renly is attractive and well-liked, which is not the case for the dour Stannis. Renly also has many important allies and supporters that make him militarily strong.

Robb Stark: The eldest son of Eddard Stark who was executed at the end of the first novel, Robb does not seek the Iron Throne. Instead, as the heir of the northern kingdom that had been united within the Seven Kingdoms, Robb has reverted to an independent state and been crowned the King of the North by his followers. He is young, only fifteen, but battles have made him grow up quickly, and with his pet dire wolf Grey Wind, he strikes a strong pose and has earned the loyalty of his men and knights.

As if a kingdom splintering into civil war were not sufficient, the plot of "A Clash Of Kings" is even thicker than good clam chowder and many more characters and subplots are woven into the story.

As in the first novel in the series, the Stark children hold a central role in the story, but now they are separated by multiple conflicts. Although the daughters Arya and Sansa take up a good portion of the novel, their brother Bran and half brother Jon Snow tend to have more interesting storylines. The crippled Bran remains in the Stark ancestral home of Winterfell. Since being pushed out a window by Jaime Lannister, Bran has begun to experience supernatural abilities now that his body is broken. He can join with his pet dire wolf during his dreams, but he is not quite sure what it all means.

Then the adventures of the bastard son of Eddard Stark, Jon Snow, with the Night's Watch on the Wall take him among the wildlings of the north. During his terrifying trek, Jon faces many trials and grows increasingly appealing as a character. He also learns about the gathering threats to the Seven Kingdoms in the wild lands.

The Lady Catelyn, the widow of Eddard Stark, is also an important figure in the novel. She wields a fair measure of authority as the mother of Robb, now King of the North, but her diplomatic efforts ceaselessly fail and her decisions always turn out to be bad.

Tyrion The Dwarf Of all the characters devised by the imagination of Martin, Tyrion Lannister, the reviled dwarf born of his noble family, draws the reader into his life with all the power that a novel can conjure. Despite being often scorned, disliked, and dismissed, Tyrion's power has been growing. He has cultivated a dependable group of cutthroat mercenaries to his side and in this novel his powerful father has installed him as the King's Hand, an important albeit thankless administrative position with the monarchy.

Redeeming qualities for Tyrion are his intelligence, sharp tongue, sarcastic aptitude, and political boldness. Along with these strong traits, he gains the devotion of the reader simply by prevailing as a small man in a big world. He always seems to slip away from death despite his lack of friends outside the influence of his ample Lannister purse. Also near the end of the novel, Tyrion joins the fighters defending King's Landing from the invasion of Stannis, and it is Tyrion's strategies that save the city from the inept and inattentive leadership of his sister and regent, Queen Cersei.

"A Clash Of Kings" presents fantasy readers with a robust and intelligent second novel of a series that thrives with complexity and political machinations. Some readers may be intimidated by the length and detail of Martin's fantasy novels, but the reader has little need to try to keep track of everything. Martin has the ability to endow characters with a fullness of life, emotion, ambition, and everything in between that is truly a gift to literature. Readers will care about the characters. Some you will want to throttle. Others you will want to save. While still others will awe you with their majesty, like Daenerys and her three hatchling dragons leading the remnants of her followers through a hostile desert as she seeks her destiny.

I graciously give Martin another five sword rating for A Clash of Kings. I wish all books could be so good.

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3 people found this helpful

Katrin von Martin

Katrin von Martin

5

Dark and Intriguing - A Perfect Follow Up to Game of Thrones

Reviewed in the United States on March 12, 2015

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After I finished "Game of Thrones," I immediately downloaded "Clash of Kings" and began reading, eager to continue the story that so fully captured my attention. This series is highly addicting, and I'm incredibly late reviewing this because it's impossible to stop reading after finishing a book to compose a review. Also, the second and third book sort of run together, which makes it difficult to review them separately. This is the perfect follow up to the first book - carries the momentum from the events introduced there and sets up its own story. It somehow manages to be darker and grittier than the first installment without stepping into the realm of being gratuitous . In fact, it's probably one of the best second novels I've read. Spoilers follow.

I usually give a brief summary of the novel's story in my review, but with "Clash of Kings," a brief summary simply isn't possible since there's so much going on in the book and a lot of it ties deeply to the events from the first novel. Instead, I'll supply a very brief overview. With Robert Baratheon dead and the legitimacy of his children brought into question, the Iron Throne is up for grabs and Westeros is plunged into civil war as (at least) four different people claim the Throne as theirs. Meanwhile, the Night's Watch in the North begins to investigate the people beyond the Wall, the Wildlings. In the East, Daenerys Targaryen moves forward with her plan to conquer the Seven Kingdoms for herself. Her following has dwindled after the death of her husband, but her three newborn dragons make her notorious. Though she refuses to give them away to secure aid, Daenerys hopes she can use her dragons to her advantage to reclaim what, in her mind, rightfully belongs to her family.

Martin sure knows how to tell a riveting story. I've read a fair bit of fantasy over the years and eventually had to take a break from the genre due to becoming bored with seeing the same clichés and tropes used over and over again. As I read "Clash of Kings," I found myself waiting to see the book fall into the same pattern of predictability that I've seen elsewhere. The first book was great in being unique and unpredictable, but could Martin really maintain that high standard throughout a second book? The joke's on me because he definitely can...and I've learned better than to doubt his originality. There isn't much in the way of resolution in this book, but that's ok since there are several more books that follow it. Instead, "Clash of Kings" serves to propel the ideas established in the first book. We see how events from "Game of Thrones" have unfolded and developed into something bigger and more widespread, and what we see is fascinating. It's also worth mentioning that there are a lot of big players in this war, but Martin manages to make all of them distinct. None are just thrown in to be there and all of them are fleshed out. This isn't a generic world filled with the normal trappings of the genre - Martin's Westeros is unique and fully realized. Reading about the different factions alone would be compelling...combine it with an intriguing plot and you've got one Hell of a good read!

It should also be noted that Martin pulls no punches when describing his dark, gritty world. If you're squeamish and prefer to read about characters that blush when thinking about kissing or battles that are over and done with relatively quickly and cleanly, this probably isn't your book. The big theme in "Clash of Kings" is the huge, ongoing civil war that has erupted across the entirety of Westeros, and no detail is spared. The full horrors of the battlefield - bones being crushed, flesh split, the gruesome results of someone being turned into a bloody pulp via being bludgeoned by a blunt object, soldiers being trampled by their own horses, pretty much any awful battle-related thing you can come up with - are portrayed in graphic detail. These fights aren't glorious; they're long, agonizing, and brutal, and Martin writes them so well that you'll find yourself on the battlefield alongside the characters (for better or worse, in some cases). He's done his research on the tools and tactics of the medieval period, and it definitely shows. He also doesn't hesitate to show us the other not-so-pleasant aspects of humanity. Sex (whether consensual or the spoils of war) is a common occurrence and it isn't portrayed in a nice, chaste manner. Like many other things in the books, it's blunt, realistic, and often uncomfortable...both for the characters and the reader. The people who populate Martin's world drink, curse, and entertain lewd, violent, or otherwise nasty thoughts. Sanitation is what you'd expect it to be in a war torn, medieval country. These things often aren't fun to read about, but they add a level of authenticity to the novel, and I personally find it refreshing to read an author who doesn't sugarcoat the realities of armed conflict. The details characterize the world and the people in it - if you read "Clash of Kings" and think "Wow, this person/event/place is awful!" then you're probably thinking what Martin intended with this characterization. Westeros is not a fun place to be, and Martin's attention to the dark, gritty, unpleasant details bring that into sharp focus.

Much like with "Game of Thrones," this book has several main characters with the point of view changing in each chapter. This continues to work well by providing different viewpoints of big events without becoming repetitive and tiresome. More importantly, it showcases Martin's talent for creating dynamic, three-dimensional, complex, fully realized characters. I've read a lot of novels lately that have been in first person point of view, but have ultimately failed to capture the essence of the character or put the reader in the protagonist's head. "Clash of Kings," though written in third person, doesn't have this problem. Each character's viewpoint is distinctly different with the characters' biases and backgrounds moving prominently to the forefront. Even better, with the figures' biases colouring events, you'll often wonder whose version of events is the correct version or if any of them are truly accurate. It makes of an interesting, unique reading experience, especially with the big events that unfold in this book.

It's also worth mentioning that although there are certain characters who are clearly protagonists and antagonists, whether or not you like them will be largely dependent on how you react to their characterization, not what their role in the story is. Since starting "A Song of Ice and Fire," I've noticed that everyone seems to like and dislike different characters - and what one person may like about a certain character may cause another person to dislike them. I think this demonstrates how realistic Martin has made his characterization. It's a lot like reading about an actual person: very few people are simply classified as good or bad - instead, they have numerous aspects to their personalities that resonate well with some people and act as turn-offs to others. The characters in this book are much the same...and with many of them doing or being witness to darker, nastier things in the second novel, there are plenty of opportunities for your opinions on certain characters to change.

On a random, character-related note, I'm pleased to see that Martin actually has a wide array of female characters. I'll be honest and say that the stereotypical female tropes that pop up in the fantasy genre bug the Hell out of me: women tend to be either delicate damsels or kickass warriors, neither of which has ever struck me as particularly interesting or realistic. In "Clash of Kings," we're treated both to some of our favourite women from the first book as well as new heroines. There are no stereotypes here and each character embodies her own strengths and flaws. Sure, there are women who fall in line with the traditional gender roles of a medieval wife and those who prefer a more warrior-esque life (as well as many who lie somewhere in between), but they're so wonderfully characterized that they never become predictably stereotypical, nor are they overlooked in favour of the male characters. A lot of authors could learn something from Martin: it's possible to write a varied female cast without them becoming stereotypes. Furthermore, it never feels like a character is included to provide "another female perspective" (or another male perspective, for that matter) - they all matter and they all provide valuable insight into Westeros, the war, and their unique situations.

While there isn't a "main character" per se, if I had to pick a point of view character that features most prominently, it would definitely be Tyrion. This is his book: how he rises to the lofty position of the King's Hand and how he uses his intellect and cunning to overcome his lack of physical prowess in a book that's largely about battles, knights, and their consequences. While Tyrion isn't my favourite character, his perspective is always interesting since he has to go about things in a vastly different way than the book's other figures. If you're a fan of Tyrion, this is your book!

"Clash of Kings" is a solid follow up to "Game of Thrones." It manages to be darker and grittier than its predecessor without coming off as gratuitous and continues the story without seeming like it's being unnecessarily dragged out. Martin's writing and characters are just as satisfying as they were in the first book, and I finished the novel feeling like I needed to start the next one immediately (and I did - thank goodness I didn't have to wait!). "A Song of Ice and Fire" is a truly unique and refreshing entry in the fantasy genre...and it's impossible to stop reading after one (or even two) books.

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17 people found this helpful

Janel Brunson

Janel Brunson

5

just as great as the series

Reviewed in the United States on June 5, 2024

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Loved this book so different from the show but also a masterpiece can’t wait to read the rest of the series

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