4.1
-
852 ratings
“Tender, riveting, and inventive is Clear, the newest offering and masterpiece from the brilliant Carys Davies. It will take your breath away…What a thrill.” —Sarah Jessica Parker
One of Vogue’s Best Books of the Year
A “daring and necessary…sophisticated and playful” (The New York Times) novel from an award-winning writer, Clear is the story of a minister dispatched to a remote island to “clear” its last remaining inhabitant—an unforgettable tale of resilience, change, and hope.
John, an impoverished Scottish minister, has accepted a job evicting the lone remaining occupant of an island north of Scotland—Ivar, who has been living alone for decades, with only the animals and the sea for company. Though his wife, Mary, has serious misgivings about the errand, he decides to go anyway, setting in motion a chain of events that neither he nor Mary could have predicted.
Shortly after John reaches the island, he falls down a cliff and is found, unconscious and badly injured, by Ivar who takes him home and tends to his wounds. “Clear chronicles the surprising bond that develops between these two men…pack[ing] a great deal of power into a compact tale” (The Wall Street Journal) about connection, home, and hope—in which John begins to learn Ivar’s language, and Ivar sees himself reflected through the eyes of another person for the first time in decades.
Unfolding during the final stages of the infamous Scottish Clearances—a period of the 19th century which saw whole communities of the rural poor driven off the land in a relentless program of forced evictions—this singular novel explores what binds us together in the face of insurmountable difference, the way history shapes our deepest convictions, and how the human spirit can endure despite all odds. Moving and unpredictable, “a love letter to the scorching power of language” (The Guardian), Clear is “a jewel of a novel” (The Washington Post)—a profound and unforgettable read.
Read more
Kindle
$12.99
Available instantly
Audiobook
$0.00
with membership trial
Hardcover
$16.99
Paperback
$17.99
Ships from
Amazon.com
Payment
Secure transaction
ISBN-10
1668030675
ISBN-13
978-1668030677
Print length
208 pages
Language
English
Publisher
Scribner
Publication date
March 03, 2025
Dimensions
5.25 x 0.72 x 8 inches
Item weight
7.5 ounces
ASIN :
B0C7RNW21K
File size :
1903 KB
Text-to-speech :
Enabled
Screen reader :
Supported
Enhanced typesetting :
Enabled
X-Ray :
Not Enabled
Word wise :
Enabled
"[A] gripping novel from Welsh novelist Carys Davis, Clear...feels a bit like a thriller set against a history lesson rendered fantastically vivid...raising questions of belonging, ownership, and how we forge the bonds between people and place that are really durable." —Vogue
"[Davies] writes epics in miniature…a tender, humane book." —Times (London)
"With her characteristically buoyant prose and brisk sense of plotting, Davies crafts a humane tale about individuals struggling to maintain dignity beneath competing systems of disenfranchisement...A deft and graceful yarn about language, love, and rebellion against the inhumane forces of history." —Kirkus (starred review)
"The sheer beauty of Clear—with its perfect sentences, its austere tenderness, and its quiet sense of disquiet—feels timeless ... A poignant, profound depiction of both solitude and connection. Carys Davies has written a masterful, discreetly sublime book." —Hernan Diaz, Pulitzer Prize-winning author of Trust and In the Distance
“This intriguing and inventive story escorts the reader to an unexpectedly joyous ending that hints at our contemporary interest in new ideas of what a family might be. The writing style is one of clarity and reserved sensibility punctuated with an end-game needle jab. Not to be missed.” —Annie Proulx, author of Barkskins
“Clear is a compact, taut and brilliant novel with an ingenious premise: one man is sent to evict another from his land, but suddenly requires the second man’s aid. Everything gets more complicated from there. The book is about belonging, a dying language, secrets, and a pistol in a box. I loved every page.” —Anthony Doerr, author of All the Light We Cannot See and Cloud Cuckoo Land
"Clear is a love letter to a vanished way of life, to a landscape, and to human relationships. Captivating, tender, and satisfying, this is a novel to be savoured." —Claire Fuller, author of Bitter Orange and The Memory of Animals
"A wonderfully humane and moving depiction of loneliness and the connections forged between strangers that transcend all barriers, even language." —Clare Chambers, author of Small Pleasures
"With Clear, Carys Davies has again done brilliantly what she does best - saying most by saying least. She has the rare gift of eloquent brevity — Clear is astute, moving, unexpected." —Penelope Lively, author of The Family Garden and Life in the Garden
“An exquisite, hopeful masterpiece ... my favorite book of 2024 and probably many more years to come.” —Rachel Joyce, author of Miss Benson's Beetle and The Unlikely Pilgrimage of Harold Fry
Selected Praise for Carys Davies
“This short, stunning novel taps into the mythos of the American frontier while offering a vivid tale of devotion and loss.” —San Francisco Chronicle
“Davies’s writing is so lovely throughout, her vision so interesting.” —The New York Times
“Luminous… Davies is a writer to watch--and to savor.” —O, The Oprah Magazine
“A lithe yet lyrical meditation on obsession, violence, and the yoke of family...Davies is an audaciously talented writer.” —Minneapolis Star-Tribune
“Enthralling… [a] jewel of a novel.” —The Observer
“One of the most haunting and beautifully crafted novels I have read in a long time… This is a gently seductive book, one that entrances right to its cleverly conceived end.” —The Sunday Times
“Davies' lapidary prose is a marvel – she creates worlds in a few deft pen strokes.” —The Times
“Brilliantly crafted...Having subtly prepared the ground, Davies finally springs the jaws of her plot, revealing, heartbreakingly...what kind of story this really is.” —The Daily Mail
“Beautifully crafted.” —The Bookseller, Editor’s Choice
“Lightly yet deftly crafted, hovering in tone somewhere between comedy, tragedy, and fable...Davies subtly synthesizes complex issues into a low-key yet compelling web of affecting destinies.” —Kirkus (starred review)
“I loved this… It’s pretty much perfect.” —Claire Fuller
Read more
1
He wished he could swim—the swimming belt felt like a flimsy thing and it had been no comfort to be told not to worry, the men couldn’t swim either.
Each time they rose he glimpsed the rocky shore, the cliffs, the absence of any kind of landing; each time they descended, the rocks vanished and were replaced by a liquid wall of gray.
He closed his eyes.
Thump.
Dear God.
He clung to the gunwale as they began to climb again and he saw, above the cliffs, a thousand birds soaring and wheeling. When the little boat tipped, and plunged into the hollow trough on the other side, he knew it would be for the last time.
But after an hour on what one of the men described later as “an uppity sea,” John Ferguson found himself safely deposited, along with his satchel and his box, on the narrow strip of sandy beach that turned out, in spite of appearances, to exist in the shadow of the monstrous cliffs.
Oh the relief of feeling solid ground beneath the soles of his soaking shoes!
Oh the relief of watching the water pour off his coat onto the hard-packed sand, and seeing, in the distance—as Strachan said he would—the Baillie house, pale and almost luminous in the silvery murk of the afternoon.
With freezing fingers he unbuckled the swimming belt and tossed it cheerfully into the boat. He loosened his neckcloth and wrung it out and put it back on again. He squeezed the sea, as best he could, out of the sleeves and pockets of his coat and jumped up and down a few times in his sodden footwear in an effort to warm up. He thanked God for his deliverance.
All that remained now, before the men pushed off back across the boisterous water to the Lily Rose, was for one of them to carry his box while he followed with his satchel, picking his way over the rocks like a tall, slightly undernourished wading bird, thin black hair blowing vertically in the persisting wind, silently talking to his absent wife:
“You see, Mary, it is all right. I am here. I have arrived. I am safe. You have no need to worry. I will do what I have come to do and before you know it, I will be home.”
2
The weather was calm and it rained softly.
Ivar worked hard all morning, laying new turf and straw in the places where the bad weather had torn up the roof, tying it all down with his gnarly weighted ropes. It gave him a good calm feeling to do the work—climbing up onto the roof and down again, trudging back and forth over the boggy soil and every so often pausing to sharpen his knife.
When evening came, he squatted close to the fire to cook his dinner, boiling the milk for a long time until it acquired the dark color and acrid taste he liked. When he finished eating he scraped the inside of the pot clean and wiped off the layer of soot on its underside, and after that he sat in his great chair with the cleaned pot in his lap because it was the time of year when the days are long and the nights are short and Ivar hardly ever bothered to lie down to sleep.
Outside, beyond the thick stone walls of his house, the island’s contours retreated briefly into darkness but without ever really disappearing, and soon, through the opening in the roof above the hearth, light began to fall in a slowly turning, glittering column of chaff and fish scales and wisps of floating wool.
It fell on the trodden clay floor and the edge of the low table and the pot in Ivar’s lap and on Ivar’s sleeping face, illuminating it and separating it from the surrounding gloom the way some paintings do—a lined and weatherworn face, heavy, with a kind of hewn quality; not an old face, but not a young one either.
His hair was the color of dirty straw, his beard darker, browner, full and perhaps unclean, with a patch of gray over his jaw on the left-hand side that stood out from the rest like a child’s handprint. Having no mirror, he had no clear picture in his mind of his own appearance beyond the uncertain reflections he sometimes saw in the island’s pools and puddles, though obviously he was conscious of himself in relation to his surroundings—that he was tall enough to have to stoop when he moved about inside the small, low-roofed house; that he was wide enough to fill the doorway when he ducked through it; that he was strong enough, in spite of his illness last winter, to accomplish all the tasks he needed to accomplish.
When it was fully dawn, he stepped outside.
The brook below the house had widened in the rain and everywhere the ground was sloppy. At the spring the mud lapped his feet.
He gave the old cow a drink of water and checked the knot on her tether, and then he went to find Pegi in the outfield and stayed talking to her for a while, patting her coarse and straggly mane with the flat of his hand. He called her an old cabbage and a silly, odd-looking person, and a host of other pet names he had for her in his language. In the early light her coat looked dusty and dull, a dirty-gray with a bluish-yellow tinge.
“Prus!” he said eventually, which was the word he used to tell her they had work to do and it was time they got going.
3
In the Baillie house, having unlocked the door and let himself in, John Ferguson emptied his satchel onto the narrow bed: his spare shirt and his second set of underwear; his comb and his soap; the blue ledger and his papers; his writing accoutrements and Mary’s picture in its tooled leather frame; the pistol, the powder, the ammunition.
It was not so snug as Strachan had led him to believe—if it had been comfortable once, it wasn’t anymore.
The narrow iron bed had no blanket, and the only other furniture was a low three-legged table and a single stool. He wondered if he might do better in the church, but when he walked down under a clearing sky to investigate, he found the little gray building was full of hay, and a good part of the roof had fallen in.
Well.
At least there was a cooking pot in the hearth, and on a ledge behind the house he found a small supply of peat. He also had his box, with Mary’s fruitcake and his other foodstuffs inside. All of these things were blessings, and for each one he mouthed a silent prayer of thanks.
He also reminded himself that he had survived a long and horrible journey and was, praise be, no longer seasick. He gave thanks for that, too, and as he sank down onto the little stool, he reminded himself, also, that he was being paid.
So.
He would make a fire in the hearth and dry out his clothes and cook himself something to eat and try and get a good night’s sleep, and in the morning he would have a little look around the island, spend the day getting his bearings, and after that he would go and find the man.
4
Ivar led Pegi down past the spring and around the base of the peaked hill. The empty baskets on her back creaked as they walked.
Steadily they plodded in the direction of the shore until they came within sight of a low-lying spit of ground below the white hill that was covered by the sea at flood tide but lay dry at the ebb.
It was dry now—a longish bank that formed a neck of land between the two low stretches of water on either side—and it was toward this slender piece of dry, rocky ground that Ivar, after leaving Pegi to graze, was walking, carrying the wooden box in which he collected and kept his bait.
There was hardly any wind, only a faint breeze toward the shore, gentle and steady against his body and his face, and for a moment he stood enjoying the sensation of the wind ruffling his hair. He’d been out very little this past spring, first because of his illness and then because of the bad weather when it had been too rough for much outdoor work, and impossible to fish off the rocks—the sea restless and unruly and wild, spindrift from the heavy breakers striking against the shore and forming a deep mist along the coast. He’d spent most of his time knitting, mainly sitting in his great chair next to the hearth but also sometimes on the stool in the byre with Pegi, occasionally talking to her but mostly just sitting in her company with a sock or a cap or whatever else he was making. Walking along the bank between the two low waters in the lightly moving wind, he thought about that, the pleasure of it—sitting with Pegi and quietly knitting; Pegi very still, his hands barely moving as they worked the needles; the only other motion a cobweb quivering in the atmosphere near the ground.
As he walked, he bent over the pools, knocking limpets off the rocks and dropping them into his bait box, and then he walked back along the beach to where Pegi was grazing and together they went round the side of the white hill and onto the tops of the cliffs, past the church where he kept his hay and along the wall that separated the burial ground from the pasture behind it. He carried on past the Baillie house and skirted the pool where his mother and his grandmother had drowned the pups, thinking he would carry on to the inlet to collect the grass for the cow’s evening fodder. But he was hungry now, after the cooked milk yesterday; tired after his short night dozing in his great chair. “You should go home, Ivar,” he told himself. “You’ll feel better after some breakfast.”
He’ll remember this, of course—that he paused for a moment above the Baillie house before making up his mind whether to go home or to carry on to the inlet for the grass; he’ll remember that he looked down at it and saw nothing unusual, no smoke, no open door, nothing he wouldn’t have expected to see.
5
In the Baillie house John Ferguson had been unable to light a fire and unable, therefore, to dry his clothes and cook himself any dinner.
The peats on the covered ledge at the back turned out to be full of clay and refused to burn, and in the end he’d eaten a slice of Mary’s fruitcake and spent a few cold and miserable hours lying in his damp clothes on the iron bed.
As soon as it was light he got up, telling himself briskly that at least he could wash himself and put a comb through his hair. According to Strachan, the nearest spring was only a short walk from the house. If the day warmed up he could spread his clothes out on the heather, and while he waited for them to dry he could perhaps begin making some preliminary notes and observations before he went to talk to the man.
The important thing was not to become dispirited—the important thing was to remember that this was a job, an errand: a means to a very important end.
He said a quick prayer and pushed his feet into his wet shoes, picked up the gun from the end of the bed and dropped it, along with the ammunition and the powder, into his box.
Everything else he returned to his satchel—his comb and his soap, his writing tin, Mary’s picture and the Lowrie ledger, his spare underwear and his second shirt, which were as damp after their dash across the turbulent water from the Lily Rose as the ones he stood up in—and then he set off, pulling the heavy, ill-fitting door closed behind him.
The day was clear with only a low line of cloud over the horizon, and if you’d been up in the sky that morning above the island with the gannets and the guillemots, the puffins and the cormorants and the oystercatchers, you would have seen his tiny black figure leaving the Baillie house and making its way across patches of pink thrift and lush green pasture. You’d have seen it pause when it reached the first expanse of heather, and you’d have seen it remove its clothes and lay them out, along with the spare ones from inside its satchel, to dry. You’d have seen it (ivory white now instead of black), splashing about in the reeds around the spring. You’d have seen it make a few notes in the dark blue ledger, and then you’d have seen it get up wearing nothing but its satchel and its half-dried shoes and make its curious way over to the edge of the cliff and take a step down onto the rocky, precipitous path. You’d have seen it flailing, briefly, on the slippery stone, arms windmilling like a clumsy skater’s, and when it vanished, you’d have seen its satchel arcing up and away and carried off over the water like some ungainly brown bird on an invisible current of cool northern air.
Read more
Carys Davies
www.carysdavies.net
Carys Davies’s debut novel West (2018) was shortlisted for the Rathbones Folio Prize, runner up for the Society of Authors' McKitterick Prize, and winner of the Wales Book of the Year for Fiction. Her second novel The Mission House was first published in the UK in 2020 where it was The Sunday Times 2020 Novel of the Year.
She is also the author of two collections of short stories, Some New Ambush and The Redemption of Galen Pike, which won the 2015 Frank O'Connor International Short Story Award and the 2015 Jerwood Fiction Uncovered Prize. She is the recipient of the Royal Society of Literature's V.S. Pritchett Prize, the Society of Authors' Olive Cook Short Story Award, a Northern Writers’ Award, a Cullman Fellowship at the New York Public Library, and is a member of the Folio Academy. Her fiction has been translated into nine languages.
Born in Wales, she grew up there and in the Midlands, lived and worked for twelve years in New York and Chicago, and now lives in Edinburgh.
Read more
Customer reviews
4.1 out of 5
852 global ratings
Cynthia Lewis
5
Scotland Lovers will love this gem.
Reviewed in the United States on June 6, 2024
Verified Purchase
I loved this book and enjoyed the writer’s descriptions of the wild Scottish weather, the seas, the lifestyle etc. I have also read “The Mission House” set in India and loved that too. Both books are shorter than average but very well written.
2 people found this helpful
Glynn Young
5
A beautiful, moving story about change, upheaval, and relationships
Reviewed in the United States on August 8, 2024
Verified Purchase
Two significant events of 19th century Scottish history form the backdrop to “Clear,” the wonderful and moving novel by British author Carys Davies. The first is the Disruption of 1843, when evangelicals broke with the Church of Scotland to form the Free Church of Scotland. The second is the second wave of what’s known as the Highland Clearances, when the great landowners of Scotland realized they could make more money from sheep than from tenant farmers – and drove them off the land.
John Ferguson is a Church of Scotland minister who joins the dissenting and departing ministers. The problem he faces is financial – how to support himself and his wife Mary until the new church is a going concern. Mary’s brother-in-law prevails upon a landowner to give John a position.
The job has one duty. John must travel to an island in the North Sea between Shetland and Norway and evict the last remaining tenant, a bear of a man named Ivar who leads something of a hardscrabble life with a few sheep, a blind cow, and an old horse. Ivar doesn’t speak English; his language is something between Gaelic and Norwegian. So Ferguson’s first need is to talk to a teacher in Lerwick who is said to know Ivar’s language.
The man doesn’t know the language, but John presses onward, finally reaching the island. His boat transportation will return in a month. He has to somehow explain to Ivar what is happening and convince him to leave.
John sets up in the baillie or old manager;’ house and then finds a spring to take a bath. He accidentally falls down a cliff and loses consciousness. Ivar finds him and carries him back to his own hut. Unconscious for days, John eventually regains consciousness and slowly recovers from his injuries. In the meantime, the two men have to find a way to communicate, and John has to explain what is to happen.
The story centers on the relationship the two men begin to build, and the words they teach each other. Back in Scotland, Mary begins to worry about how ill-prepared her husband was to undertake the assignment, and she decides to join him.
The story of the three is simply and beautifully told. Davies has a gift for placing the reader as a silent observer, experiencing the feelings, emotions, and growing affection the characters have for each other.
Davies has previously published the novels “West” and “The Mission House” and two short story collections, “Some New Ambush” and “The Redemption of Golden Pike.” Her novels and stories have received numerous awards, prizes, and recognitions, and she is a Fellow of the Royal Society of Literature. A native of Wales, she grew up there and in England, and she now lives in Edinburgh.
And with “Clear,” she’s written a terrific story.
Read more
Rosemary
5
Heartbreakingly beautiful
Reviewed in the United States on April 2, 2024
Verified Purchase
Such gorgeous prose and such a lovely story about three lonely people. I could never have imagined such a surprising ending, brought about by love. I wish this book was longer, I could have read her writing forever. Highly recommend!
7 people found this helpful
4.2
-
100,022
$8.39
4.3
-
155,575
$6.33
4.6
-
140,302
$13.49
4.3
-
88,556
$9.59
4.4
-
94,890
$11.66
4.3
-
154,085
$2.99
4.3
-
143,196
$9.47
4.1
-
80,003
$13.48
4.3
-
54,062
$14.99
4.4
-
59,745
$16.19
4.2
-
107,613
$8.99
4.4
-
94,673
$8.53