The Cruel Prince (The Folk of the Air, 1)

Jude and her two sisters are taken to Faerie to live with their mother's former Fae War General lover, growing up in a harsh world of magic and unfriendly Folk. Jude hates that she is mortal and covets many things about the fey. Her life becomes dangerously entangled as her desire for respect, power and adventure meets the attention of the royals...especially Cardan, the prince she hates above all.

THE GOOD

The world, the diversity, the sense of each character--even the side characters. We aren't entrenched in learning only about Jude and her relation to the world as the MC. Instead there is an array of well-developed and independently driven characters who leave little breadcrumbs about what they've been through, where they've been, and who they've been with. Because the Folk can't lie, they craft their sentences in a way that can leave things with a lot of ambiguity, but when it all starts to click...it is one heck of a ride.

From the first brutal pages, the author makes no apologies for the blood-driven power of Madoc, the true father of the eldest sister Vivienne, who has come to reclaim his daughter (and her younger sisters) from the mortal world. You can feel the immediate fear and reverence for the immortal. I love the way that Madoc is made; incredibly strong and strict, but also pliable and deferring to his daughters' whims and wills at times. And his family is, as you can imagine, is not a status quo, nuclear unit. His first wife is slain, his new wife is fey and has a son, and then he has Vivienne, Taryn and Jude. He loves, protects and educates all of them, but he is so much more than a father and the image he projects.

Faerie and the mortal world. Yes, you get two coinciding worlds in this beauty of a book. Instead of making the worlds geographically separated by a wall or continent or a magic parallel world, these worlds are overlapped the way you may have seen in early fairy tales. Vivi, while she is one of the folk, likes to travel back to the mortal world with her sisters, and by herself at times. Her rebellion against Madoc is to shun Faerie and enjoy all the human joys of malls, a secret human girlfriend, and indulging her sisters with coffee, candy and shopping. One of my favorite moments is when Jude gets to glimpse part of the mortal world while in Faerie. The description was fascinating and gorgeous. It made me feel how close they were, how far they were, and where Jude's real interest was in this world.

The royals are equally fascinating. We don't get to intimately understand all of them, however we learn just enough about each, chapter by chapter. The ailing king. The Crown Prince Dain, the "Cruel" Prince Cardan, the power-hungry Prince Balekin, and glimpses of the princesses and others, including royals from other courts. Cardan was by far my favorite, being deliciously complex and...well, I should move him to the next section.

THE GREAT

“He looks like a faerie lover stepped out of a ballad, the kind where no good comes to the girl who runs away with him.”

The anti-love interest. I know I am a huge fan of anti-heroes, but I didn't quite understand the anti-love interest until now. But now I get it. And it's glorious.

Cardan is Jude's main source of torment and her favorite thing to hate. So from this first introduction in the quote above, I'm sorry, but I couldn't help but to think of Rhysand from ACOTAR. The acknowledgment of an unworldly beauty that draws someone in, but also compels them in the other direction. They are satellites of each other in this book, much like Rhys and Feyre were in the first book...entangled by circumstance, but that is where the similarities end. Cardan is a tormentor to her. Jude is a disrespectful and unworthy human to him. Hence, their classmate and royal vs. human relationship statues hold magnificent tension. I don't want to spoil anything, but there are a few twists in this book for them.

“I love my parents' murderer; I suppose I could love anyone.”

Jude. Jude is the other great of this book. I loved her sisters, but I loved Jude the most because she is so incredibly flawed and aware of it. And what's better...she doesn't act like you would expect a heroine to act. Maybe because she isn't going to be a heroine, ultimately. Two more books to figure her out. She has some noble thoughts, but is also a jumble of envy, longing, rapid mood swings, sisterly love, sisterly hate, and a fair dose of scheming. She isn't described as particularly beautiful, which I think made me love her more because we are seeing her through her eyes. Jude comments on noticing things like her height and hips and the heavy weight of her breasts in comparison to the lithe fey bodies around her. She feels nearly gross with humanness, having to deal with things like deodorant and tampons. In short, she felt like a real teenager.

My favorite thing about Jude though? She doesn't know exactly what she's capable of. She has a gut-sense of what to do, but mostly she seems to be getting by on her training from school, from Madoc, and instincts. It feels like she could fall off the very narrow blade she walks on at any moment. And that really propelled the story forward.

BUY, BORROW OR PASS

BUY. Absolutely buy. This series has only started and the rest of the series became an insta-buy for me after the first chapter.

Oh Jude, you don't know what you've done. That ending is going to haunt me.

I used to never be a reader who gave into the hype and buzz a new book can sometimes bring along with it. But while Instagram has taken book marketing to an entirely different level, some books are becoming difficult to ignore. Literally thousands upon thousands of readers, reviewers, publicists, and enthusiasts are pushing the free marketing of books attached to hashtags and accompanied by beautiful and creative photography upon Instagram and other social media site purveyors daily. The Cruel Prince was one book that began to saturate my feed as readers latched on to the newest novel by fantasy maven Holly Black; their accolades and insistent cries that the book shattered them caught my interest and I decided to dive in.

The opening is brutal. Young Jude and her two sisters are enjoying a quiet afternoon at home, the TV lulling them into a comfortable slumber while their parents tinker about in other parts of their cozy home. Unbeknownst to them, this is the day that everything they have ever known will change, as the man watching their home from across the street decides to finally make his move. The stranger barges into their haven and shatters the idyllic scene by murdering both of Jude's parents in a quick and succinct fashion.

Whisked away to the land of Faerie, Jude and her sisters are forced into a life settled firmly on the borders of being outsiders. Her oldest sister, Vivi, being the cause of the disruption in their lives, is ironically the most unhappy with their new situation. She is only Jude's half-sister, the result of their mother faking her own death and spiriting herself and her pregnant belly back to the mortal world, with the help of a secret love. Previously attached to a brutal  war general of Faerie, Jude's mother committed the ultimate act of betrayal by hiding the child, and the result was her execution. By the laws vested in Faerie, General Madoc became responsible for the children of his wife the moment she died at his hand, and he takes his responsibilities very seriously.

Growing up in Faerie has had its difficulties, almost from day one. Jude is not one of them, not a member of the Fair Folk. She is human: dispensable and fragile; a veritable non-starter. Her saving grace, however, is that she is a member of the upper class and elite. Having been raised by Madoc garners her a touch of reverance. He is a man who commands respect and if he doesn't find it, he takes it by force. Having risen to become the right hand of the Faerie King by hook, crook, and buckets of blood, Jude is afforded a modicum of respect in Madoc's stead. But behind the scenes, she is taunted and ridiculed by her peers, looked at as a pretender, and as a frail human who has no real worth or talent. To say the situation is complicated is an understatement.

The worst of those who bully her is Cardan, the beautiful young Prince of Faerie who chooses to amuse himself by taunting her and putting her right onto the cusp of deathly danger before ripping her back. He skulks around the periphery of her life with his band of merry friends, waiting for any opportunity he can find to make her life miserable. Her twin sister Taryn also suffers the same fate of having her life soaked in nasty words and actions . . . but there is something different in the way Cardan treats Jude - almost as if he divines immense pleasure from making her bleed from within, from personally making her feel like less than human . . . and more like an animal.

Cardan is cruel, to say the least of it. But Jude has other things on her mind. She has to find a way to solidify her place in Faerie as the impending years of her adulthood begin to creep just over the horizon. She has some ideas on how to do this, but she finds that she's blocked at every turn by her pseudo-father, Madoc. He insists that he has her best interests at heart, and he has always treated her just the same as his true born daughter Vivi, but Jude is cloaked in a blanket of frustration and raw anger. She wants to fight. She's trained for it. So why won't he allow her her chance?

She's also finding herself strangely attracted to a member of Cardan's vicious pack, but the man in question seems to have secrets of his own, hidden within the endless depths of his mysterious soul and locked behind the doors of the expansive empty mansion on the outskirts of the forest that he calls home.

And then a proposition is brought to Jude, from the most unlikely of characters. The man most believed to become King after the current reign is over comes to her in secret, seeking an alliance. Prince Dain offers Jude her innermost heart's desires, in exchange for information. He wants her to become his spy, part of his Court of Shadows. And Jude must toe the thin line between safety and sure death to get the Prince what he demands.

But before Jude can achieve her goal and find her place in Faerie, everything begins to unravel like so much thread from a well-worn sweater. And on an evening that was supposed to be dedicated to a fresh new start, Jude will watch everything burn to the ground, leaving her to pick up the pieces and put them back together all on her own.

The Cruel Prince is the first book in the Folk of the Air trilogy, and before I recommend this to you let me say - you will be clamoring for more from the moment you turn the last page. This novel, set in the high-fantasy world of enigmatic Faerie, is sharp and deceptive, taking the reader on a roller coaster ride full of darkness and delight. The writing is masterful and faithful to the fictional world of Faerie as most high-fantasy readers know it. Sometimes YA books can come across as a bit corny, but this one was full of strong female characters and flawed systems. Nothing was obvious, and the plot was well-played. 

This is one book that lives up to the hype. Appropriate for readers ages 13+, fans of The Cruel Prince would be wise to look into the rest of Black's literary catalogue, as the worlds of her novels have finely tuned connections. Also, the cover art and a sneak peek excerpt has been dropped via Entertainment Weekly - both can be viewed on their website.