A Dance with Dragons: A Song of Ice and Fire: Book Five
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A Dance with Dragons: A Song of Ice and Fire: Book Five

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#1 NEW YORK TIMES BESTSELLER • THE BOOK BEHIND THE FIFTH SEASON OF THE ACCLAIMED HBO SERIES GAME OF THRONES

NAMED ONE OF PASTE’S BEST FANTASY BOOKS OF THE DECADE

Here is the fifth book in the landmark series that has redefined imaginative fiction and become a modern masterpiece.

A DANCE WITH DRAGONS

In the aftermath of a colossal battle, Daenerys Targaryen rules with her three dragons as queen of a city built on dust and death. But Daenerys has thousands of enemies, and many have set out to find her. Fleeing from Westeros with a price on his head, Tyrion Lannister, too, is making his way east—with new allies who may not be the ragtag band they seem. And in the frozen north, Jon Snow confronts creatures from beyond the Wall of ice and stone, and powerful foes from within the Night’s Watch. In a time of rising restlessness, the tides of destiny and politics lead a grand cast of outlaws and priests, soldiers and skin-changers, nobles and slaves, to the greatest dance of all.

A GAME OF THRONES • A CLASH OF KINGS • A STORM OF SWORDS • A FEAST FOR CROWS • A DANCE WITH DRAGONS

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ISBN-10

055338595X

ISBN-13

978-0553385953

Print length

1056 pages

Language

English

Publisher

Bantam

Publication date

October 28, 2013

Dimensions

6.13 x 1.73 x 9.15 inches

Item weight

2.14 pounds



Popular Highlights in this book

  • The fisherman drowned, but his daughter got Stark to the Sisters before the boat went down. They say he left her with a bag of silver and a bastard in her belly. Jon Snow, she named him, after Arryn.

    Highlighted by 5,406 Kindle readers

  • You could make a poultice out of mud to cool a fever. You could plant seeds in mud and grow a crop to feed your children. Mud would nourish you, where fire would only consume you, but fools and children and young girls would choose fire every time.

    Highlighted by 4,260 Kindle readers

  • Knowledge is a weapon, Jon. Arm yourself well before you ride forth to battle.

    Highlighted by 2,543 Kindle readers


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Editorial Reviews

“Epic fantasy as it should be written: passionate, compelling, convincingly detailed and thoroughly imagined.”—The Washington Post

“Long live George Martin . . . a literary dervish, enthralled by complicated characters and vivid language, and bursting with the wild vision of the very best tale tellers.”—The New York Times

“One of the best series in the history of fantasy.”—Los Angeles Times

“Martin has produced—is producing, since the series isn’t over—the great fantasy epic of our era . . . His skill as a crafter of narrative exceeds that of almost any literary novelist writing today.”—Lev Grossman, Time

“By turns thrilling, funny, scary, emotionally devastating, oddly inspirational, and just plain grand . . . Grade: A”—Entertainment Weekly

“A taut and relentless masterpiece that reaffirms the reader’s obsession with the panoply of unforgettable characters that Martin has created, and the brutal, glittering, terrible world in which these novels are set . . . Machiavelli, you have met your match in Martin.”—The Daily Beast


Sample

Tyrion

He drank his way across the narrow sea. The ship was small and his cabin smaller, and the captain would not allow him abovedecks. The rocking of the deck beneath his feet made his stomach heave, and the wretched food they served him tasted even worse when retched back up. Besides, why did he need salt beef, hard cheese, and bread crawling with worms when he had wine to nourish him? It was red and sour, very strong. He sometimes heaved the wine up too, but there was always more. "The world is full of wine," he muttered in the dankness of his cabin. His father had never had any use for drunkards, but what did that matter? His father was dead. He ought to know; he'd killed him. A bolt in the belly, my lord, and all for you. If only I was better with a crossbow, I would have put it through that cock you made me with, you bloody bastard.

Below decks there was neither night nor day. Tyrion marked time by the comings and goings of the cabin boy who brought the meals he did not eat. The boy always brought a brush and bucket too, to clean up. "Is this Dornish wine?" Tyrion asked him once, as he pulled a stopper from a skin. "It reminds me of a certain snake I knew. A droll fellow, till a mountain fell on him."

The cabin boy did not answer. He was an ugly boy, though admittedly more comely than a certain dwarf with half a nose and a scar from eye to chin. "Have I offended you?" Tyrion asked the sullen, silent boy, as he was scrubbing. "Were you commanded not to talk to me? Or did some dwarf diddle your mother?"

That went unanswered too. This is pointless, he knew, but he must speak to someone or go mad, so he persisted. "Where are we sailing? Tell me that." Jaime had made mention of the Free Cities, but had never said which one. "Is it Braavos? Tyrosh? Myr?" Tyrion would sooner have gone to Dorne. Myrcella is older than Tommen, by Dornish law the Iron Throne is hers. I will help her claim her rights, as Prince Oberyn suggested.

Oberyn was dead, though, his head smashed to bloody ruin by the armored fist of Ser Gregor Clegane. And without the Red Viper to urge him on, would Doran Martell even consider such a chancy scheme? He may clap me in chains instead, and hand me back to my sweet sister. The Wall might be safer. Old Bear Mormont said the Night's Watch had need of men like Tyrion. Mormont may be dead, though. By now Slynt may be the Lord Commander. That butcher's son was not like to have forgotten who sent him to the Wall. Do I really want to spend the rest of my life eating salt beef and porridge with murderers and thieves? Not that the rest of his life would last very long. Janos Slynt would see to that.

The cabin boy wet his brush and scrubbed on manfully. "Have you ever visited the pleasure houses of Lys?" the dwarf inquired. "Might that be where whores go?" Tyrion could not seem to recall the Valyrian word for whore, and in any case it was too late. The boy tossed his brush back in his bucket and took his leave.

The wine has blurred my wits. He had learned to read High Valyrian at his maester's knee, though what they spoke in the Nine Free Cities... well, it was not so much a dialect as nine dialects on the way to becoming separate tongues. Tyrion had some Braavosi and a smattering of Myrish. In Tyrosh he should be able to curse the gods, call a man a cheat, and order up an ale, thanks to a sellsword he had once known at the Rock. At least in Dorne they spea the Common Tongue. Like Dornish food and Dornish law, Dornish speech was spiced with the flavors of the Rhoyne, but a man could comprehend it. Dorne, yes, Dorne for me. He crawled into his bunk, clutching that thought like a child with a doll.

Sleep had never come easily to Tyrion Lannister. Aboard that ship it seldom came at all, though from time to time he managed to drink sufficient wine to pass out for a while. At least he did not dream. He had dreamt enough for one small life. And of such follies: love, justice, friendship, glory. As well dream of being tall. It was all beyond his reach, Tyrion knew now. But he did not know where whores go.

"Wherever whores go," his father had said. His last words, and what words they were. The crossbow thrummed, Lord Tywin sat back down, and Tyrion Lannister found himself waddling through the darkness with Varys at his side. He must have clambered back down the shaft, two hundred and thirty rungs to where orange embers glowed in the mouth of an iron dragon. He remembered none of it. Only the sound the crossbow made, and the stink of his father's bowels opening. Even in his dying, he found a way to shit on me.

Varys had escorted him through the tunnels, but they never spoke until they emerged beside the Blackwater, where Tyrion had won a famous victory and lost a nose. That was when the dwarf turned to the eunuch and said, "I've killed my father," in the same tone a man might use to say, "I've stubbed my toe." The master of whisperers had been dressed as a begging brother, in a moth-eaten robe of brown roughspun with a cowl that shadowed his smooth fat cheeks and bald round head. "You should not have climbed that ladder," he said reproachfully.

"Wherever whores go." Tyrion warned his father not to say that word. If I had not loosed, he would have seen my threats were empty. He would have taken the crossbow from my hands, as once he took Tysha from my arms. He was rising when I killed him. "I killed Shae too," he confessed to Varys.

"You knew what she was."

"I did. But I never knew what he was."

Varys tittered. "And now you do."

I should have killed the eunuch as well. A little more blood on his hands, what would it matter? He could not say what had stayed his dagger. Not gratitude. Varys had saved him from a headsman's sword, but only because Jaime had compelled him. Jaime... no, better not to think of Jaime.

He found a fresh skin of wine instead, and sucked at it as if it were a woman's breast. The sour red ran down his chin and soaked through his soiled tunic, the same one he had been wearing in his cell. He sucked until the wine was gone. The deck was swaying beneath his feet, and when he tried to rise it lifted sideways and smashed him hard against a bulkhead. A storm, he realized, or else I am even drunker than I knew. He retched the wine up and lay in it a while, wondering if the ship would sink.

Is this your vengeance, Father? Have the Father Above made you his Hand? "Such are the wages of the kinslayer," he said as the wind howled outside. It did not seem fair to drown the cabin boy and the captain and all the rest for something he had done, but when had the gods ever been fair? And around about then, the darkness gulped him down

When he stirred again, his head felt like to burst and the ship was spinning round in dizzy circles, though the captain was insisting that they'd come to port. Tyrion told him to be quiet, and kicked feebly as a huge bald sailor tucked him under one arm and carried him squirming to the hold, where an empty wine cask awaited him. It was a squat little cask, and a tight fit even for a dwarf. Tyrion pissed himself in his struggles, for all the good it did. He was up crammed face first into the cask with his knees pushed up against his ears. The stub of his nose itched horribly, but his arms were pinned so tightly that he could not reach to scratch it. A palanquin fit for a man of my stature, he thought as they hammered shut the lid and hoisted him up. He could hear voices shouting as he was jounced along. Every bounce cracked his head against the bottom of the cask. The world went round and round as the cask rolled downward, then stopped with a sudden crash that made him want to scream. Another cask slammed into his, and Tyrion bit his tongue.

That was the longest journey he had ever taken, though it could not have lasted more than half an hour. He was lifted and lowered, rolled and stacked, upended and righted and rolled again. Through the wooden staves he heard men shouting, and once a horse whickered nearby. His stunted legs began to cramp, and soon hurt so badly that he forgot the hammering in his head.

It ended as it had begun, with another roll that left him dizzy and more jouncing. Outside strange voices were speaking in a tongue he did not know. Someone started pounding on the top of the cask and the lid cracked open suddenly. Light came flooding in, and cool air as well. Tyrion gasped greedily and tried to stand, but only managed to knock the cask over sideways and spill himself out onto a hard-packed earthen floor.

Above him loomed a grotesque fat man with a forked yellow beard, holding a wooden mallet and an iron chisel. His bedrobe was large enough to serve as a tourney pavilion, but its loosely knotted belt had come undone, exposing a huge white belly and a pair of heavy breasts that sagged like sacks of suet covered with coarse yellow hair. He reminded Tyrion of a dead sea cow that had once washed up in the caverns under Casterly Rock.

The fat man looked down and smiled. "A drunken dwarf," he said, in the Common Tongue of Westeros.

"A rotting sea cow." Tyrion's mouth was full of blood. He spat it at the fat man's feet. They were in a long dim cellar with barrel-vaulted ceilings, its stone walls spotted with nitre. Casks of wine and ale surrounded them, more than enough drink to see a thirsty dwarf safely through the night. Or through a life.

"You are insolent. I like that in a dwarf." When the fat man laughed, his flesh bounced so vigorously that Tyrion was afraid he might fall and crush him. "Are you hungry, my little friend? Weary?"

"Thirsty." Tyrion struggled to his knees. "And filthy."

The fat man sniffed. "A bath first, just so. Then food and a soft bed, yes? My servants shall see to it." His host put the mallet and chisel aside. "My house is yours. Any friend of my friend across the water is a friend to Illyrio Mopatis, yes."

And any friend of Varys the Spider is someone I will trust just as far as I can throw him.

The fat man made good on the promised bath, at least... though no sooner did Tyrion lower himself into the hot water and close his eyes than he was fast asleep.

He woke naked on a goosedown featherbed so deep and soft it felt as if he were being swallowed by a cloud. His tongue was growing hair and his throat was raw, but his cock felt as hard as an iron bar. He rolled from the bed, found a chamberpot, and commenced to filling it, with a groan of pleasure.

The room was dim, but there were bars of yellow sunlight showing between the slats of the shutters. Tyrion shook the last drops off and waddled over patterned Myrish carpets as soft as new spring grass. Awkwardly he climbed the window seat and flung shudders open to see where Varys and the gods had sent him.

Beneath his window six cherry trees stood sentinel around a marble pool, their slender branches bare and brown. A naked boy stood on the water, poised to duel with a bravo's blade in hand. He was lithe and handsome, no older than sixteen, with straight blond hair that brushed his shoulders. So lifelike did he seem that it took the dwarf a long moment to realize he was made of painted marble, though his sword shimmered like true steel.

Across the pool stood stood a brick wall twelve feet high, with iron spikes along its top. Beyond that was the city. A sea of tiled rooftops crowded close around a bay. He saw square brick towers, a great red temple, a distant manse upon a hill. In the far distance sunlight shimmered off deep water. Fishing boats were moving across the bay, their sails rippling in the wind, and he could see the masts of larger ships poking up along the bay shore. Surely one is bound for Dorne, or for Eastwatch-by-the-Sea. He had no means to pay for passage, though, nor was he made to pull an oar. I suppose I could sign on as a cabin boy and earn my way by letting the crew bugger me up and down the narrow sea. He wondered where he was. Even the air smells different here. Strange spices scented the chilly autumn wind, and he could hear faint cries drifting over the wall from the streets beyond. It sounded something like Valyrian, but he did not recognize more than one word in five. Not Braavos, he concluded, nor Tyrosh. Those bare branches and the chill in the air argued against Lys and Myr and Volantis as well.

When he heard the door opening behind him, Tyrion turned to confront his fat host. "This is Pentos, yes?"

"Just so. Where else?"

Pentos. Well, it was not King's Landing, that much could be said for it. "Where do whores go?" he heard himself ask.

"Whores are found in brothels here, as in Westeros. You will have no need of such, my little friend. Choose from among my serving women. None will dare refuse you."

"Slaves?" the dwarf asked pointedly.

The fat man stroked one of the prongs of his oiled yellow beard, a gesture Tyrion fond remarkably obscene. "Slavery is forbidden in Pentos, by the terms of the treaty the Braavosi imposed on us a hundred years ago. Still, they will not refuse you." Illyrio gave a ponderous half-bow. "But now my little friend must excuse me. I have the honor to be a magister of this great city, and the prince has summoned us to session." He smiled, showing a mouth full of crooked yellow teeth. "Explore the manse and grounds as you like, but on no account stray beyond the walls. It is best that no man knows that you were here."

"Were? Have I gone somewhere?"

"Time enough to speak of that this evening. My little friend and I shall eat and drink and make great plans, yes?"

"Yes, my fat friend," Tyrion replied. He thinks to use me for his profit. It was all profit with the merchant princes of the Free Cities. "Spice soldiers and cheese lords," his lord father called them, with contempt. Should a day ever dawn when Illyrio Mopatis saw more profit in a dead dwarf than a live one, he would find himself packed into another wine cask by dusk. It would be well if I were gone before that day arrives. That it would arrive he did not doubt; Cersei was not like to forget him, and even Jaime might be vexed to find a quarrel in Father's belly.

A light wind was riffling the waters of the pool below, all around the naked swordsman. It reminded him of how Tysha would riffle his hair during the false spring of their marriage, before he helped his father's guardsmen rape her. He had been thinking of those guardsmen during his flight, trying to recall how many there had been. You would think he might remember that, but no. A dozen? A score? A hundred? He could not say. They had all been grown men, tall and strong... though all men were tall to a dwarf of thirteen years. Tysha knew their number. Each of them had given her a silver stag, so she would only need to count the coins. A silver for each and a gold for me. His father had insisted that he pay her too. A Lannister always pays his debts.

"Wherever whores go," he heard Lord Tywin say once more, and once more the bowstring thrummed.

The magister had invited him to explore the manse. He found clean clothes in a cedar chest inlaid with lapis and mother-of-pearl. The clothes had been made for a small boy, he realized as he struggled into them. The fabrics were rich enough, if a little musty, but the cut was too long in the legs and too short in the arms, with a collar that would have turned his face as black as Joffrey's had he somehow contrived to get it fastened. At least they do not stink of vomit.

Tyrion began his explorations with the kitchen, where two fat women and a pot boy watched him warily as he helped himself to cheese, bread, and figs. "Good morrow to you, fair ladies," he said with a bow. "Do you perchance know where the whores go?" When they did not respond, he repeated the question in High Valyrian, though he had to say courtesan in place of whore. The younger fatter cook gave him a shrug that time.

He wondered what they would do if he took them by the hand and dragged them to his bedchamber. None will dare refuse you, Illyrio claimed, but somehow Tyrion did not think he meant these two. The younger woman was old enough to be his mother, and the older was likely her mother. Both were near as fat as Illyrio, with teats that were larger than his head. I could smother myself in flesh, he reflected. There were worse ways to die. The way his lord father had died, for one. I should have made him shit a little gold before expiring. Lord Tywin might have been niggardly with his approval and affection, but he had always been open-handed when it came to coin. The only thing more pitiful than a dwarf without a nose is a dwarf without a nose who has no gold.

Tyrion left the fat women to their loaves and kettles and went in search of the cellar where Illyrio had decanted him the night before. It was not hard to find. There was enough wine there to keep him drunk for a hundred years; sweet reds from the Reach and sour reds from Dorne, pale Pentoshi ambers, the green nectar of Myr, three score casks of Arbor gold, even wines from the fabled east, from Meereen and Qarth and Asshai by the Shadow. In the end, Tyrion chose a cask of strongwine marked as the private stock of Lord Runceford Redwyne, the grandfather of the present Lord of the Arbor. The taste of it was languorous and heady on the tongue, the color a purple so dark that it looked almost black in the dim-lit cellar. Tyrion filled a cup, and a flagon for good measure, and carried them up to gardens to drink beneath those cherry trees he'd seen.

As it happened, he left by the wrong door and never found the pool he had spied from his window, but it made no matter. The gardens behind the manse were just as pleasant, and far more extensive. He wandered through them for a time, drinking. The walls would have shamed any proper castle, and the ornamental iron spikes along the top looked strangely naked without heads to adorn them. Tyrion pictured how his sister's head might look up there, with tar in her golden hair and flies buzzing in and out of her mouth. Yes, and Jaime must have the spike beside her, he decided. No one must ever come between my brother and my sister.

With a rope and a grapnel he might be able to get over that wall. He strong arms and he did not weigh much. With a rope he should he able to reach the spikes and clamber over. I will search for a rope on the morrow, he resolved.

He saw three gates during his wanderings; the main entrance with its gatehouse, a postern by the kennels, and a garden gate hidden behind a tangle of pale ivy. The last was chained, the others guarded. The guards were plump, their faces as smooth as a baby's bottom, and every man of them wore a spiked bronze cap. Tyrion knew eunuchs when he saw them. He knew their sort by reputation. They feared nothing and felt no pain, it was said, and were loyal to their masters unto death. I could make good use of a few hundred of mine own, he reflected. A pity I did not think of that before I became a beggar.

He walked along a pillared gallery and through a pointed arch, and found himself in a tiled courtyard where a woman was washing clothes at a well. She looked to be his own age, with dull red hair and a broad face dotted by freckles. "Would you like some wine?" he asked her. She looked at him uncertainly. "I have no cup for you, we'll have to share." The washerwoman went back to wringing out tunics and hanging them to dry. Tyrion settled on a stone bench with his flagon. "Tell me, how far should I trust Magister Illyrio?" The name made her look up. "That far?" Chuckling, he crossed his stunted legs and took a drink. "I am loathe to play whatever part the cheesemonger has in mind for me, yet how can I refuse him? The gates are guarded. Perhaps you might smuggle me out under your skirts? I'd be so grateful, why, I'll even wed you. I have two wives already, why not three? Ah, but where would we live?" He gave her as pleasant a smile as a man with half a nose could manage. "I have a niece in Sunspear, did I tell you? I could make rather a lot of mischief in Dorne with Myrcella. I could set my niece and nephew at war, wouldn't that be droll?" The washerwoman pinned up one of Illyrio's tunics, large enough to double as a sail. "I should be ashamed to think such evil thoughts, you're quite right. Better if I sought the Wall instead. All crimes are wiped clean when a man joins the Night's Watch, they say. Though I fear they would not let me keep you, sweetling. No women in the Watch, no sweet freckly wives to warm your bed at night, only cold winds, salted cod, and small beer. Do you think I might stand taller in black, my lady?" He filled his cup again. "What do you say? North or south? Shall I atone for old sins or make some new ones?"

The washerwoman gave him one last glance, picked up her basket, and walked away. I cannot seem to hold a wife for very long, Tyrion reflected. Somehow his flagon had gone dry. Perhaps I should stumble back down to the cellars. The strongwine was making his head spin, though, and the cellar steps were very steep. "Where do whores go?" he asked the wash flapping on the line. Perhaps he should have asked the washerwoman. Not to imply that you're a whore, my dear, but perhaps you know where they go. Or better yet, he should have asked his father. "Wherever whores go," Lord Tywin said. She loved me. She was a crofter's daughter, she loved me and she wed me, she put her trust in me. The empty flagon slipped from his hand and rolled across the yard.

Grimacing, Tyrion pushed himself off the bench and went to fetch it, but as he did he saw some mushrooms growing up from a cracked paving tile. Pale white they were, with speckles, and red ribbed undersides as dark as blood. The dwarf snapped one off and sniffed it. Delicious, he thought, or deadly. But which? Why not both? He was not a brave enough man to take cold steel to his own belly, but a bite of mushroom would not be so hard. There were seven of the mushrooms, he saw. Perhaps the gods were trying to tell him something. He picked them all, snatched a glove down from the line, wrapped them carefully, and stuffed them down his pocket. The effort made him dizzy, though, so afterward he crawled back onto the bench, curled up, and shut his eyes.

When he woke again, he was back in his bedchamber, drowning in the goosedown featherbed once more while a blond girl shook his shoulder. "My lord," she said, "your bath awaits. Magister Illyrio expects you at table within the hour."

Tyrion propped himself against the pillows, his head in his hands. "Do I dream, or do you speak the Common Tongue?"

"Yes, my lord. I was bought to please the king." She was blue-eyed and fair, young and willowy.

"I am sure you did. I need a cup of wine."

She poured for him. "Magister Illyrio said that I am to scrub your back and warm your bed. My name – "

" – is of no interest to me. Do you know where whores go?"

She flushed. "Whores sell themselves for coin."

"Or jewels, or gowns, or castles. But where do they go?"

The girl could not grasp the question. "Is it a riddle, m'lord? I'm no good at riddles. Will you tell me the answer?"

No, he thought. I despise riddles, myself. "I will tell you nothing. Do me the same favor." The only part of you that interests me is the part between your legs, he almost said. The words were on his tongue, but somehow never passed his lips. She is not Shae, the dwarf told himself, only some little fool who thinks I play at riddles. If truth be told, even her cunt did not interest him much. I must be sick, or dead. "You mentioned a bath? Show me. We must not keep the great cheesemonger waiting."

As he bathed, the girl washed his feet, scrubbed his back, and brushed his hair. Afterward she rubbed sweet-smelling ointment into his calves to ease the aches, and dressed him once again in boy's clothing, a musty pair of burgundy breeches and a blue velvet doublet lined with cloth-of-gold. "Will my lord want me after he has eaten?" she asked as she was lacing up his boots.

"No. I am done with women." Whores.

The girl took that disappointment entirely too well for his liking. "If m'lord would prefer a boy, I can have one waiting in his bed."

M'lord would prefer his wife. M'lord would prefer a girl named Tysha. "Only if he knows where whores go."

The girl's mouth tightened. She despises me, he realized, but no more than I despise myself. That he had fucked many a woman who loathed the very sight of him, Tyrion Lannister had no doubt, but the others had at least the grace to feign affection. A little honest loathing might be refreshing, like a tart wine after too much sweet.

"I believe I have changed my mind," he told her. "Wait for me abed. Naked, if you please, I expect I'll be a deal too drunk to fumble at your clothing. Keep your mouth shut and your thighs open and the two of us should get on splendidly." He gave her a leer, hoping for a taste of fear, but all she gave him was revulsion. No one fears a dwarf. Even Lord Tywin had not been afraid, though Tyrion had held a crossbow in his hands. "Do you moan when you are being fucked?" he asked the bedwarmer.

"If it please m'lord."

"It might please m'lord to strangle you. That's how I served my last whore. Do you think your master would object? Surely not. He has a hundred more like you, but no one else like me." This time, when he grinned, he got the fear he wanted.

Illyrio was reclining on a padded couch, gobbling hot peppers and pearl onions from a wooden bowl. His brow was dotted with beads of sweat, his pig's eyes shining above his fat cheeks. Jewels danced when he moved his hands; onyx and opal, tiger's eye and tourmeline, ruby, amethyst, sapphire, emerald, jet and jade, a black diamond and a green pearl. I could live for years on his rings, Tyrion mused, though I'd need a cleaver to claim them.

"Come and sit, my little friend." Illyrio waved him closer.

The dwarf clambered up onto a chair. It was much too big for him, a cushioned throne intended to accomodate the magister's massive buttocks, with thick sturdy legs to bear his weight. Tyrion Lannister had lived all his life in a world that was too big for him, but in the manse of Illyrio Mopatis the sense of disproportion assumed grotesque dimensions. I am a mouse in a mammoth's lair, he mused, though at least the mammoth keeps a good cellar. The thought made him thirsty. He called for wine.

"Did you enjoy the girl I sent you?" Illyrio asked.

"If I had wanted a girl I would have asked for one. I lack a nose, not a tongue."

"If she failed to please... "

"She did all that was required of her."

"I would hope so. She was trained in Lys, where they make an art of love. And she speaks your Common Tongue. The king enjoyed her greatly."

"I kill kings, hadn't you heard?" Tyrion smiled evilly over his wine cup. "I want no royal leavings."

"As you wish. Let us eat." Illyrio clapped his hands together, and serving men came running.

They began with a broth of crab and monkfish, and cold egg lime soup as well. Then came quails in honey, a saddle of lamb, goose livers drowned in wine, buttered parsnips, and suckling pig. The sight of it all made Tyrion feel queasy, but he forced himself to try a spoon of soup for the sake of politeness, and once he had tasted he was lost. The cooks might be old and fat, but they knew their business. He had never eaten so well, even at court.

As he was sucking the meat off the bones of his quail, he asked Illyrio about the morning's summons. The fat man shrugged. "There are troubles in the east. Astapor has fallen, and Meereen. Ghiscari slave cities that were old when the world was young." The suckling pig was carved. Illyrio reached for a piece of the crackling, dipped it in a plum sauce, and ate it with his fingers.

"Slaver's Bay is a long way from Pentos," said Tyrion, as he speared a goose liver on the point of his knife. No man is as cursed as the kinslayer, he reminded himself, smiling.

"This is so," Illyrio agreed, "but the world is one great web, and a man dare not touch a single strand lest all the others tremble." He clapped his hands again. "Come, eat."

The serving men brough out a heron stuffed with figs, veal cutlets blanched with almond milk, creamed herring, candied onions, foul-smelling cheeses, plates of snails and sweetbreads, and a black swan in her plumage. Tyrion refused the swan, which reminded him of a supper with his sister. He helped himself to heron and herring, though, and a few of the sweet onions. And the serving men filled his wine cup anew each time he emptied it.

"You drink a deal of wine for such a little man."

"Kinslaying is dry work. It gives a man a thirst."

The fat man's eyes glittered like the gemstones on his fingers. "There are those in Westeros who would say that killing Lord Lannister was merely a good beginning."

"They had best not say it in my sister's hearing, or they will find themselves short a tongue." The dwarf tore a loaf of bread in half. "And you had best be careful what you say of my family, magister. Kinslayer or no, I am a lion still."

That seemed to amuse the lord of cheese no end. He slapped a meaty thigh and said, "You Westerosi are all the same. You sew some beast upon a scrap of silk, and suddenly you are all lions or dragons or eagles. I can bring you to a real lion, my little friend. The prince keeps a pride in his menagerie. Would you like to share a cage with them?"

The lords of the Seven Kingdoms did make rather much of their sigils, Tyrion had to admit. "Very well," he conceded. "A Lannister is not a lion. Yet I am still my father's son, and Jaime and Cersei are mine to kill."

"How odd that you should mention your fair sister," said Illyrio, between snails. "The queen has offered a lordship to the man who brings her your head, no matter how humble his birth."

It was no more than Tyrion had expected. "If you mean to take her up on it, make her spread her legs for you as well. The best part of me for the best part of her, that's a fair trade."

"I would sooner have mine own weight in gold." The cheesemonger laughed so hard that Tyrion feared he was about to rupture and drown his guest in a gout of half-digested eels and sweetmeats. "All the gold in Casterly Rock, why not?"

"The gold I grant you," he said, "but the Rock is mine."

"Just so." The magister covered his mouth and belched a mighty belch. "Do you think King Stannis will give it to you? I am told he is a great one for the law. He may well grant you Casterly Rock, is that not so? Your brother wears the white cloak, so you are your father's heir by all the laws of Westeros."

"Stannis might grant me the Rock," Tyrion admitted, "but there is also the small matter of regicide and kinslaying. For those he would shorten me by a head, and I am short enough as I stand. But why would you think I mean to join Lord Stannis?"

"Why else would you go the Wall?"

"Stannis is at the Wall?" Tyrion rubbed at his nose. "What in seven bloody hells is Stannis doing at the Wall?"

"Shivering, I would think. It is warmer down in Dorne. Perhaps he should have sailed that way."

Tyrion was beginning to suspect that a certain freckled washerwoman knew more of the Common Speech than she pretended. "My niece Myrcella is in Dorne, as it happens. And I have half a mind to make her a queen."

Illyrio smiled, as his serving men spooned out bowls of black cherries in sweetcream for them both. "What has this poor child done to you, that you would wish her dead?"

"Even a kinslayer is not required to slay all his kin," said Tyrion, wounded. "Queen her, I said. Not kill her."

The cheesemonger spooned up cherries. "In Volantis they use a coin with a crown on one face and a death's head on the other. Yet it is the same coin. To queen her is to kill her. Dorne might rise for Myrcella, but Dorne alone is not enough. If you are as clever as our friend insists, you know this."

Tyrion looked at the fat man with new interest. He is right on both counts. To queen her is to kill her. And I knew that. "Futile gestures are all that remain to me. This one would make my sister weep bitter tears, at least."

Magister Illyrio wiped sweetcream from his mouth with the back of a fat hand. "The road to Casterly Rock does not go through Dorne, my little friend. Nor does it run beside the Wall. Yet there is such a road, I tell you."

"I am an attainted traitor, a regicide and kinslayer." This talk of roads annoyed him. Does he think this is a game? "What one king does another may undo. In Pentos we have a prince, my friend. He presides at ball and feast and rides about the city in a palanquin of ivory and gold. Three heralds go before him with the golden scales of trade, the iron sword of war, and the silver scourge of justice. On the first day of each new year he must deflower the maid of the fields and the maid of the seas." Illyrio leaned forward, elbows on the table. "Yet should a crop fail or a war be lost, we cut his throat to appease the gods, and choose a new prince from amongst the forty families."

Tyrion snorted through the stump of his nose. "Remind me never to become the Prince of Pentos."

"Are your Seven Kingdoms so different? There is no peace in Westeros, no justice, no faith... and soon enough no food. When men are starving and sick of fear, they look for a savior."

"They may look, but if all they find is Stannis – "

"Not Stannis. Nor Myrcella. Another." The yellow smile widened. "Another. Stronger than Tommen, gentler than Stannis, with a better claim than the girl Myrcella. A savior come from across the sea to bind up the wounds of bleeding Westeros."

"Fine words." Tyrion was unimpressed. "Words are wind. Who is this bloody savior?"

"A dragon." The cheesemonger saw the look on his face at that, and laughed. "A dragon with three heads."

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About the authors

George R. R. Martin

George R. R. Martin

George R.R. Martin is the globally bestselling author of many fine novels, including A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, and A Dance with Dragons, which together make up the series A Song of Ice and Fire, on which HBO based the world’s most-watched television series, Game of Thrones. Other works set in or about Westeros include The World of Ice and Fire, and A Knight of the Seven Kingdoms. His science fiction novella Nightflyers has also been adapted as a television series; and he is the creator of the shared-world Wild Cards universe, working with the finest writers in the genre. He lives in Santa Fe, New Mexico.

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Reviews

Customer reviews

4.6 out of 5

48,583 global ratings

Cory John Stoker

Cory John Stoker

5

Deep Breath.

Reviewed in the United States on July 27, 2011

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Deep, deep breath. I have been among the legion of fans who have had to sit the entire wait of YEARS for this book. I got A Feast for Crows on day one, and on day one many years later came A Dance With Dragons. I really, really didn't want to read it. Bare with me, a review is coming, but to understand the hate and vitriol in the other interviews this explanation is necessary. Before AFfC, Martin's brilliant novels were running on fewer, tighter plotlines, and a major revelation awaited in each one. Often more than one major revelation actually. Then AFfC came out, and despite being warned, we all cried foul to see that many of our favorite characters simply weren't involved. So there we were, having finished a book that seemed to have shorted us a bit, with a promise of the next book to be delivered after a short wait. Six years later we get what is essentially AFfC part 2, with an addendum containing the beginning of the next book.

We started this leg of the journey very angry with AFfC, and over the years, and delays, we became more angry. We began to lose hope that the series would finish at all. And if nothing else, that sort of passion and hopelessness should let you know just how amazing this series is at connecting directly into you. Expectations were high. Just four months shy of six years after AFfC it's here: A Dance with Dragons. And that six years is the problem...

A Dance with Dragons brings back the missing characters from AFfC, and as it begins there is nothing to complain about. Taken as a whole the book is clearly the middle of the road between acts two and three of the story entire. Having that in mind I think you'll enjoy it very much. Especially if you are a true fan of the series. So those of you who are, and who may be thinking about not buying (you know you will eventually), go ahead and buy it. It's Martin. It's his writing, it's his characters, and it's the same world you fell in love with over the rest of the four books. Stories as long as this have parts that may not seem to do much, but that's because the major consequences of the things that happen in A Dance wont be fully known until the start of the NEXT book. Dance is the literary equivalent of the story slowing down to stretch it's legs for the sprint. But it being written by Martin, as long as you keep that in mind, you can take a longer view and realize exactly what it is he's setting up. And what he's setting up is a MASSIVE shake-up in nearly every political, religious, and even supernatural facet of the world he's made. He's laying the path for events that will change things to such an extent that I think it may turn out to be unprecedented in fantasy literature.

Let that sink in for a bit.

A Dance With Dragons features less epic style action, and more personal, small conflicts. It takes the characters away from what they know, and it puts them in the thick of places they might not even belong. It's a growing experience for each and every character in the book. The problem is that these new paths are not the end of old paths.

You see we as fans have wanted conclusions to some very major story points, we collectively assumed that Martin wouldn't be expanding his story any further, only staying with what he'd begun and starting to wrap it up. He didn't do that. So all of us who were reading with baited breath to find out, for instance, about Jon's parents were left in the dark. We end a Jon chapter and find that a new character is being introduced, and it seemingly has nothing at all to do with what was hinted at before. This makes us angry.

But take a deep breath. The reason we were all here in the first place is precisely because of Martin's writing. This man, undoubtedly, knows what he's doing. He's 5 of 7 into what I think is going to be recognized as possibly THE fantasy series for mature audiences. We should not be angry that he didn't write what WE would have written. It's not our story to finish. It's his. And you can even take it a bit further. Re-read the first books and you'll notice how many small hints are dropped about Valyria, then come back to Dance to find that there is now a journey TO Valyria. I believe he's trying to tie up more than just the stories of the great houses we've been following. I think he's trying to tie up the bulk of his entire mythos by the end. And read more. Notice that until Dance with Dragons we had no idea that there would be a SINGLE commander of the white walkers and the things beyond the wall (and that it may be the very one who is training Bran). We didn't know the people of the forests were alive.

No, I think Martin is right on track. I think he's doing brilliantly. I think I'm more than happy to give my patience and trust in him not leaving us in a lurch.

A Song of Ice and Fire will have an ending. Please just take a deep breath and realize how stupid it would have been of him to start tying off all those incredible loose ends with two more books to go. Westeros just took a deep breath (and I took one with it), the next book will be the beginning of the plunge, and the last will be the plunge itself.

But this book. This one stands as a worthy addition to the story. It didn't go precisely where all of us wanted, in fact it spent a lot of time in a place that was as unpleasant for us as it was for a few of the characters in it. But there is a real sense of the slow beginnings of inertia near the end. When even more characters start popping in and when the dual storylines running parallel in AFfC and ADwD finally do end... you can feel it start to move. By the end I was left feeling that all of that spreading out of story and plotlines and character arcs was about to start converging. Dance, along with Feast, are very singular events in publishing. They only came about because we, the fans, demanded Martin not skip forward several years. We wanted to know what happened. And he gave it to us. The last two books were those written precisely so that we wouldn't feel cheated. Martin cared so much about fan outcry that he wrote two extra books. I for one am greatful. The more I read from him about this world the better.

For five books now we've said it along with all the Starks: "Winter is Coming." By the end of this book... winter is here. And NOW the fun begins. Just don't take another decade to finish this George. Please.

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7 people found this helpful

Nate

Nate

5

Better than night soil!

Reviewed in the United States on December 9, 2011

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To preface this review, I wanted to inform you that this is a review of the unabridged audio-book version of A Dance With Dragons (ADWD). Every word of the book is read to the listener in an unabridged reading with the actor changing his voice slightly for different characters and using a neutral voice for narration. I have listened to all of a A Song Of Ice And Fire (ASOIF) in audio-book format as I simply don't have time to sit down and read such lengthy novels. I highly recommend this type of "reading" for people who have to commute a lot or spend lots of time working with their hands on mindless tasks (for me this entails renovating my 1850 home and landscaping the backyard).

Not wanting to write a spoiler review, let me just say "wow, I did not see that coming!" I think you will be shocked toward the end of the book - I was both saddened and very curious to know more. I can't say more than that without spoiling it. A Dance With Dragons is better than night soil!

In regards to how long it took for Martin to write this book, I agree with Brent Weeks' opinion post that George's readers probably shouldn't have to wait almost 6 years for the release of a book, but on the other-hand I can understand why it would take so long to write a book like ADWD. It seems to me the average author takes one to two years to write a book. ADWD is fully twice the length of the average novel that comes out - it is truly epic in both scope and words. In addition, George was working on other books in that time-frame as well as dealing with the HBO adaptation of A Game Of Thrones. With these considerations, I see how it could take between three and six years to write the sequel (or in this case parallel) to A Feast For Crows (AFFC). Still, I just wish it didn't have to take that long. Now that the initial push with HBO is done, with all the publicity and now Hollywood behind him, and a horde of new fans bugging him, I think we can expect to see the next book in the Song coming along within two years - but really, who am I to say?

All that out of the way, now onto the meat of the review. ADWD is an exquisitely written gritty tale, peppered throughout with colorful terms such as "night soil" pulling its readers a little deeper into George's imagination with every page turned. Simply stated, Martin is just an excellent writer and his huge world is highly organized. The scope is vast with so many plot-lines, sub plot-lines, and side plot-lines keeping the reader entertained and always guessing. His story contains many players - both main and side characters - and you never really know which ones are going to die next. George revisits some of the characters that we didn't see in AFFC just enough to keep us up to date on what is going on in their lives, while he focuses more on other characters and developing their stories more fully. You will find yourself falling in love with characters you hated in previous books, and you will despise some characters even more! George does a great job with getting us to know his characters, understand what is in their minds and hearts, what motivates them and gets them to do the things they do and even why they repent. It is a joy to watch martin break his characters both mentally and physically as he does it so fantastically. George really knows how to tell a tale and ADWD will leave every epic fantasy reader satisfied that they got their money's worth.

This tale stretches across two continents and really beings to bring the whole story we've been reading thus far together. And the dragons, wow! These are some ferocious beasts. These creatures are not the little dragonlings that were crawling on Daenerys' shoulder on the HBO version of A Game Of Thrones. These creatures are huge behemoths that can spout large gouts of flame effortlessly and endlessly to consume their prey and foes. These dragons are nasty, nasty creatures - there is not much controlling them as they are truly wild beasts.

As with the other stories in the Song, ADWD does move along rather slowly compared to many other authors out there. You are however rewarded with richer detail, but not so much as some authors I've read who make you want to skip five pages just to find out what is going on. George balances description with plot very well - perhaps balanced more on the description side, but not too much that he keeps you from wanting to read further. It is a page turner and you won't want to put it down.

The only true downfall I can put on this book is that it is actually only half of a story. A Feast For Crows and A Dance With Dragons are mostly written parallel to one another as the scope of the series has become so vast, Martin simply can't capture a section of a timeline in one book. While I knew this before I even started ADWD, I ended up missing my favorite characters like Samwell, Brienne, and of course Jaime. We do catch snippets of them, but I miss reading them especially after we've been waiting more than 5 years. ADWD and AFFC being the whole of a single book also begs the question, will ASOIAF be eight books long now (previously the series was estimated to be 7)?

George seems to be holding true to his philospohy that evil always triumphs over good, chaos over order, falsehood over truth, and darkness over light. But as always he leaves the door open just a crack so that at the end of this series (however long it may be) the good guys could still possibly win out and may indeed triumph. But time is running out. Winter is here. It is a fact that can now be seen even on the Dothraki Sea. Are the dragons going to be the power that defeats the mysterious god of ice we've barely heard mention of? Who is Varys actually working for? Lots of questions arise from reading ADWD and hopefully they will begin to be answered in the next book.

Recently ADWD was voted on goodreads.com to be the best fantasy novel of the year by readers like you and I. This is definitely deserved. I voted for Patrick Rothfuss' The Wise Man's Fear and even after having finished ADWD I would not change my vote. It was a tough year for Pat going against George. I am sure Wise Man would have won had there not been the media hog (deservedly so) that ADWD has become because of HBO. I'd bet 80% of the votes for ADWD would have gone to Rothfuss had ADWD not been in the running, putting it probably on the top, closely contested with Erin Morgenstern's breakout novel (which is definitely now in my to-read list). But those are the breaks - they WERE released the same year and even if both ADWD and TWMF are excellent stories deserving of the number one spot, "there can be only one"! I am very happy to give A Dance With Dragons 5 out of 5 stars!

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12 people found this helpful

The Harpo Marxist

The Harpo Marxist

5

Things to know before you read this Dance

Reviewed in the United States on July 29, 2011

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This book is controversial now among fans. Some love it, some hate it. So I've decided to break down my review in a fashion that should be useful for someone who hasn't read it but is a fan of the series. I won't provide any major spoilers, but there will be some minor ones alluded to (hopefully very subtley.) I mainly want to talk about what I think is the best way to approach the book.

In my opinion, some of the people who giving this novel one star are reacting to the fact that this is not the book they imagined. This is not to say that there aren't valid criticisms to be made and issues to discuss, but I feel that many who are vehemently upset are a bit blinded by what they perceive to be the arc of the story vs. how it is now trajecting. A lot of people had certain expectations about the direction of the plot, and Martin does what he always does - he subverts expectations.

I feel as though many fans have fantasized / romanticized what this book was going to be like and instead of seeing what it is; they are only seeing how it is different from what they spent several years imagining it would be. Things they wanted to happen didn't. New and unexpected things did. The scope of the world increases even more, with new characters and new locations. If you come at this book from the point of view that the only part of the world you're interested in Westeros, then you aren't going to like Dance With Dragons. In my opinion, you're also going to miss out on some of the most compelling sections of the entire series.

The thing that separates Song of Ice and Fire from other fantasy series is that the scope of the world - the sheer size and the depth of the history of it - is beyond tremendous. We've got HUNDREDS and HUNDREDS of characters both in the past and present, who are all brought to life. We've got not just one continent, but an entire world. It is a world that is constantly growing richer and richer.

With each book the series expands. I've often found this to be the source of a lot of frustration for some readers throughout the series. For example, people got pissed off about the Iron Islands chapters in the second book, and bored with Dorne in the fourth. Honestly though, there is HUGE payoff for all of that in this novel. Now I can't imagine not having the Iron Islands in the story, and I'm grateful he took us there in the second book.

My advice is twofold - read this book next to Feast For Crows and also shake off what you think is going to happen. Don't get married to the ideas you might have had about the direction of the series - but also don't be afraid. You're in good hands with Martin. Trust them. He's giving you a story bigger in scope than anything else out there. If you come into Dance With Dragons expecting him to "refocus" you're going to hate it. Because it doesn't. It does progress the story a great deal (despite people claiming otherwise - I honestly have no idea how to respond to people who say nothing happens in this book. I wonder if we've even read the same thing.)

By the end of the book I feel like we've gotten to a major crux in the story. Not only has a TON happened, but the events of the final two books have all been nicely set up. Knowing Martin, the obvious isn't guaranteed to happen, but the way the board is set up now is certainly intriguing... The cliffhangers, though too numerous, are all on their own extremely fascinating and discussion-provoking.

There is a love interest for Dany which isn't all that interesting or well written. Aside from that, I think there is a lot to like here. People have been howling about how Dany's entire arc is awful, which I disagree with. I think of all the POVs, it is probably the least well crafted and to a certain extent Martin's struggles with "The Mereenese knot" are apparent. But honestly, it is the type of the thing that immediately becomes more fascinating when you think about it side by side with Cersei chapters in A Feast for Crows. There seems to be a deliberate comparison of what it means to be a good queen here and in many ways it is actually quite masterfully structured / thought out. There are all sorts of echoes and clearly deliberate parallel situations occuring that each queen handles in a completely different way.

Likewise, Martin is a genius at subverting how we feel about a character. There is someone you probably hated throughout the series who you will suddenly be rooting for with every fiber of your being. Not many writers can pull that off even once, but Martin does it time and time again. He even takes characters we've cheered for throughout and effortlessly grays them.

This is a masterful book, in the middle of a masterpiece series. To enjoy it best embrace the scope, embrace the new characters (rather the bemoaning the somewhat abbreviated time you spend with the old ones) and let go of what you think you want to happen. There are game-changers here, but just because you're invested in what the game was doesn't mean you shouldn't be invested in what it has become (if that makes sense.) In other words, clear your head, sit back, and enjoy. This one is a wild ride.

I'd also like to take a moment to remind people that the question Amazon asks isn't "do you agree with the amount of stars I've given this book?" They ask "Is this review helpful?" What I've tried to do here is present a review that is helpful for someone who hasn't read this book. If you disagree with my opinion in terms of the book's quality, I'd love to discuss if you're up for a friendly debate, but I'm not interested in bashing your amazon rating (or having you bash mine.) Please be considerate to what the question is actually asking, and if you do find that my review is not helpful, let me know why it isn't and I'll do my best to adjust.

Thanks everyone! Enjoy the Dance!

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757 people found this helpful

Cary

Cary

5

imaginative, epic

Reviewed in the United States on August 21, 2011

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I'm not sure anyone will read my review since it's coming in after something like 850 entries, but just in case, I wanted to put my two cents in because all the almost hysterical anti-DWD rants may actually discourage people from buying the book, and I think that would be a mistake.

Here's my take on way people are so enraged (some general non-specific spoilers)

  1. They genuinely care about the book and want it to be the brilliant once-in-fifty-years fantasy it has promised to be. They are afraid it won't, particularly since GRRM has taken 10 years to produce Books 4 & 5 (which could really be one book). GRRM, like all of us, is mortal, so people are worried, God forbid, he will not have enough time to finish the books at all and/or he lacks the discipline and well power to do so.

(By the way, anyone who tosses out bizarre insults about GRRM-he's lazy, he's arrogant, etc - I dismiss out of hand. If you have such little respect for him, don't read his stuff.)

  1. BOoks 4 & 5 are 'middle' books, much as the second book in the LOTR trilogy was. GRRM deliberately decides to have his characters go in circles and for nothing to 'happen' - that is part of his point here. Such books are much easier to read when there is a Book 6 & 7 to read immediately, or when you are confident Books 6 & 7 will be on their way shortly. People are not confident of this.

  2. The world of the pseudo Near East was poorly imagined, not as realistic as the Western Westeros. In particular, Dany's world was not fully fleshed out--it is entirely corrupt & despotic, with no positive traits. Yet the slave world of, say, Egypt, also had greatness--religion the arts, etc. This Western stereotype of an Egypt=like state made Dany's stay there very hard to bear because in addition to the one-dimensional world, Dany herself was behaving really really one-dimensionally.

Spoiler ** QUESTION---Did anyone else pick up the possibility that Dany was being bespelled by the wizards and that was the reason she locked her dragons and lost her way? There are numerous hints in the book.

  1. Finally, the books could have used editing. Indeed, with good editing, Books 4 & 5 could have been one book of about 800 pages max. Nearly all of the Brienne chapters of Book 4, for instance, could have been omitted. In this book, several Dany chapters could have been omitted with zero negative repercussions.

Positives: So what's good about this book?

The tone, scope and breadth of this book was outstanding. If you view this as a tale in which Westeros and the outside world are CHARACTERS themselves, the story becomes much more interesting.

GRRM, I believe, is attempting to make this a story about a whole world rather than a mere story about Westeros. Because he decided to do this, he had to follow several story strands he didn't anticipate he would follow. This is also primarily a story about power---how to get it, how to lose it, what you do when you have it and what exactly it is. In this case, the story centers mostly on the 'how to use it,' with Jon and Dany really struggling.

As with all great writers, GRRM takes story arcs and goes FAR past the predictable--Tyrion kills his father. But the story doesn't end at all. Dany frees the slaves. Then what? Jon gets power. Then what? Arya trains. But now what? Bran finds the Children of the Forest. Now what?

What I find particularly great about the book is how GRRM refuses to categorize good or evil (with the exception of a truly evil person like the Bolton thing). Even with the Others it is not clear entirely what their purpose is, or what they are. Is the 'kind man' Arya trains with evil or good? Does it matter? Which of the religions are 'true'? All? None? Are they really one?

These questions are examined in even more detail and depth in this book than in others.

It is a 'dance' and the dance goes nowhere. That is part of the point.

I may be wrong, but I think GRRM had the most difficulty writing these books, 4 & 5, because he didn't originally anticipate having to write them--they are mostly a bridge between 'here' and 'there,' both of which he seems to have mapped out. It's the bridge part he's had trouble with, figuring out just how to get the characters from here to there, and what the point of the journey was. I do think the next two books will come quicker and will have a lot more action now that all the chess pieces are in place.

I would definitely recommend reading this, particularly if, like me, you know ahead of time that it's not extremely action packed (although it definitely has its moments). Worth your time.

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24 people found this helpful

Amazon Customer

Amazon Customer

4

A Dance with Dragons

Reviewed in the United States on July 29, 2012

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Fans have been looking forward to this one for a LONG time. A Dance with Dragons completes the story begun six years ago, when A Feast for Crows was published in October, 2005. In Feast, fans were given the full story, but only for half the characters. Fan favorites like Tyrion Lannister, Jon Snow and Daenarys Targaryen were noticeably missing from the chapters of the book. Martin's now-infamous claim that Dance would be finished within a year ended up haunting him relentlessly until the day that A Dance with Dragons fell into everyone's eager hands. A Dance with Dragons not only completes the story of that missing half, but also continues the story forward. In fact, Dance is the largest book in the series, weighing in at 1,040 pages.

So how does this fifth entry in the Song of Ice and Fire series match up to the rest? Read on to find out.

Note: It's presumed you've read the series up to the ending of A Feast for Crows, so if you haven't, don't read on.

The Prologue certainly draws comparisons to that in A Game of Thrones, taking place far north of the Wall, and giving us glimpses of the White Walkers. This serves to continue the inexorable march of the undead towards the rest of Westeros. Martin is most certainly taking his time drawing out the inevitable confrontation with the Others, however, and some readers may wonder if he'll ever be able to complete this saga, much less in the two books he claims remain. Nevertheless, it's a promising start to the novel.

TYRION LANNISTER

Finally, after ten long years, fans get new Tyrion material. His story begins perfectly in Dance and we see the Imp wallowing in self-pity and taking careless chances, his life no longer important to him. It doesn't take long for that attitude to change, with the help of some unlikely allies, and rather unexpected revelations.

Tyrion sees his ups and downs in this novel, and his luck continues to hold, especially near the end. He's matched up with another dwarf, but where this pairing is going is hard to say. Tyrion's line that he has a heart for "cripples, bastards and broken things," is never so apt as in this novel. His story does wander a bit, and he's not as endearing as in his previous forays, but he's still very much Tyrion Lannister, and he entertains us nonetheless.

DAENARYS TARGARYEN

Unfortunately, Daenarys Targaryen's return after a decade-long hiatus does not go as well as the dwarf's. She is certainly a willful young woman, but she borders on annoying and insolent throughout the novel. She seems to disregard every piece of advice her advisers give her, always questioning herself, but then stubbornly refusing to reconsider. Though she's the mother of dragons, we unfortunately see very little of them until the latter parts of the book, which is frustrating, considering how integral they seem they must be to the series.

There are some truly exciting portions of the novel in this book, however; One scene in particular seems to be what fans have been waiting for since the moment the dragons were brought to life in the burning embers of Khal Drogo's funeral pyre. It should bring a chill to readers' spines, and was perfectly written-leaving the reader wondering about the fate of the character, of course.

JON SNOW

Jon arguably has the best plot line in the novel, both fleshing out his character further, as well as one of the most surprising final chapters of the book. Strange how the Starks all seem to have the best stories.

There's also an early scene where Jon dispenses justice Eddard-style. It's an unexpectedly welcome scene, not only makes for good reading, but also draws the reader back into the story, which until then founders a little bit.

DAVOS SEAWORTH

In A Feast for Crows we learn that Davos is dead. Since Dance takes place during the same timeframe, we get to see his actual situation play out. Without spoiling things, let's just say that Davos' parts are rather boring, most of the time, though Martin leaves things sufficiently appropriate for Davos Seaworth.

THEON GREYJOY

It's been 13 years since we last got into the head of Theon Greyjoy, all the way back in the second book of the series, A Clash of Kings, published in 1998. Martin seemingly killed off the young kraken, but readers have heard bits and pieces about him throughout the series. In A Dance with Dragons, fans finally learn the fate of Theon. Theon's storyline is one of the most interesting of the book, second only to that of Jon Snow.

BRAN STARK

Bran has a very interesting story in the novel, but one that seems to end much too quickly. His almost feels like a dropped story thread, and fans will wonder what's happening with him later in the book without ever finding out. This is presumably one of the characters who will see more time in the next entry in the saga.

QUENTIN MARTELL

Quentin Martell is the son of the Prince of Dorne, and fans are given quite a bit of time with this character. Ultimately, his part doesn't feel that important to the story, and one is left wondering why he is even a part of it. The importance of Dorne's storyline is becoming more apparent throughout Dance, but it still feels like it's late to the party.

ARYA STARK

Still very much in Braavos, Arya was left blind in her last outing. Hers is one of the most involved stories in all of the Ice and Fire saga, and it continues to be no less enveloping in this latest entry. It's still unclear exactly where her thread is leading her, but fans shouldn't be disappointed by her brief appearances in Dance.

VICTARION GREYJOY

It's not very clear how Victarion will ultimately play into the saga, but his parts are not at all dull.

JAMIE LANNISTER

When the book finally catches up to the end of A Feast for Crows readers are reunited with Jamie, and his quest to unite the riverlands. He only appears in one chapter in Dance, but it's a fantastic one, with a very suitable cliffhanger ending.

CERSEI LANNISTER

Fans will be very pleased with Cersei's chapters in A Dance with Dragons. The queen has already been brought low, and will sink even further before things are through. Fans may even begin to feel sympathy for her in this round, though they'd be hard-pressed to ever forgive her. Cersei has been the character that fans love to hate, so Dance is all the more shocking for making her seem more human.

BRIENNE OF TARTH

Another character that only appears once, and not as a viewpoint character. Fans won't get a lot of information about what's been happening with her, or what her ultimate fate is, but her presence is crucial to the chapter, feels unexpected, and is perfect.

THE RED PRIESTESS MELISANDRE

Readers are welcomed into the mind of Melisandre for the first time in A Dance with Dragons and given a look at what her plans might be. It's revealed that she's not infallible, and can doubt herself after all. There are some reasonably surprising events revolving around Melisandre in this novel as well.

STANNIS BARATHEON

Readers have still not seen events from the viewpoint of the truly legitimate King, and after A Dance with Dragons, it's uncertain if it will ever happen. Indeed, Stannis has a lot to do in this book, with very little to show for it. He appears a few times early in the book, then mostly those that surround him allude to him for the remainder. It's fitting that readers should spend more time with his subjects than with the King himself, however.

SER BARRISTAN SELMY

Selmy is still with Daenarys and serves as the sole member of her Queensguard. Throughout the saga, he's been a bit of a secondary character, but with A Dance with Dragons, he leapfrogs right into major character status. His parts are interesting, treacherous, and fitting for the aged knight. Fans will have much more respect for Ser Barristan before the Dance is through.

VARYS THE EUNUCH

Appears only once, and very briefly, but is the most shocking and enjoyable chapter in the book.

MISSING CHARACTERS

Ultimately, there are a few characters that do not appear in the novel, their fate uncertain.

  • Catelyn Stark
  • Rickon Stark
  • Sansa Stark
  • Samwell Tarly
  • Peter Baelish (Littlefinger)

SUMMARY

A Dance with Dragons does indeed feel much like A Feast for Crows did, though is certainly a better novel; it feels dark and gritty. Winter is most certainly coming, as evidenced by Martin's use of the weather throughout the book. Once it snows in King's Landing, it's quite clear how winter is going to affect events in the series.

Once Dance catches up to the ending of Feast, things move along a little faster, but this book still doesn't live up to the greatness of A Clash of Kings and the chaos that was A Storm of Swords. There are moments that drag along, and there are characters included that feel unnecessary or confusing. Fortunately, Martin moves the story along nicely in this book, and it truly feels like there's an end-game coming, though it's still unclear what exactly that is.

The author has stated that there are at least two more books left in the saga, currently titled The Winds of Winter and A Dream of Spring. Though those titles are intriguing, A Dream of Spring doesn't sound like the title of a book that would wrap up this amazing series. It seems like in a song of Ice and Fire, things should end in a blazing inferno, and fire should be a part of the title. Mayhaps there will be another entry in the series. Time will tell, of course, but with the delay between these books growing longer, let's hope not too much time is necessary.

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