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When a perfect wedding is called off just days before the big event, it sends two people—and their families—reeling, in this poignant novel from the #1 New York Times bestselling author of Under the Tuscan Sun and Women in Sunlight
“A moving immersion in love and loss.”—People
A great marriage is an elusive thing, and only a few know the secret to making one.
Dara Willcox, in New York for a weekend, meets Austin Clarke at an art gallery. If love at first sight can happen, it happens to them. These two vivid, ambitious people are on different courses—he’s British, working temporarily in New York. She’s from North Carolina, set on law school. They don’t care. They will make their lives together happen. At their April engagement dinner at Dara’s family home, her mother, Lee, sets a beautiful table, and the family and close friends gather to celebrate. Rich, Dara’s father, raises a toast. Suddenly, Lee spills the wine, a brilliant red stain splashing onto the tablecloth and onto Austin.
Days later, Austin hears unsettling news from London that wrecks their plans. Dara abruptly cancels the wedding. She refuses to reveal the reason, not even to her best friends or her parents or grandmother, disrupting their family tradition of openness. As everyone knows, Lee and Rich have a great marriage, and Charlotte, her grandmother, had a colossal one, to the late Senator Mann. Charlotte literally wrote the book on the subject: She’s the author of international bestsellers on what makes a good or possibly a great marriage.
While Dara escapes to California and Indigo Island, South Carolina, Austin, back in London, faces a major tragedy, the consequences of which are life-altering. But it’s Lee, Dara’s mother, whose impulsive visit to London alters their fate.
With her signature warmth, humor, and incisive style, beloved author Frances Mayes creates a multigenerational probe into the complexity of love and the great mystery ride of marriage. A novel of casual choices and fateful consequences, A Great Marriage introduces two unforgettable families and the arrival of a stranger who rearranges their futures.
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ISBN-10
0593498984
ISBN-13
978-0593498989
Print length
320 pages
Language
English
Publisher
Ballantine Books
Publication date
August 12, 2024
Dimensions
6.4 x 1 x 9.5 inches
Item weight
2.31 pounds
ASIN :
B0CPV4Z3SN
File size :
3440 KB
Text-to-speech :
Enabled
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Supported
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Enabled
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Praise for A Great Marriage
“A grand love story with plenty of surprises . . . The pleasure of this book is in its rare combination of eloquent writing, human insights, and page-turning storytelling.”—Kirkus Reviews, starred review
“Mayes’ talent for creating engaging, empathetic characters coping with the challenges of modern love is on full display in this supremely satisfying escapist love story.”—Booklist
Praise for Frances Mayes
“Beautiful, thought-provoking.”—BookPage
“Vivid and heartfelt . . . [Mayes’s] writing is infused with this rare communal quality.”—Bookreporter
“Mayes delivers a soulful meditation. . . . Spellbinding . . . This rich testament to the pleasures of wanderlust and permanence is a gift.”—Publishers Weekly
“Tuscany may have found its own bard in Frances Mayes.”—The New York Times
“Those who want to find parts of themselves they didn’t know existed, take risks, have an adventure . . . and discover another culture altogether, with its different rhythms, tastes, smells, and ways of being human—those readers will find in Mayes a kindly, eager, tough-spirited guide.”—Houston Chronicle
“Mayes’s writing about Italy is the next best thing to a plane ticket.”—People
“Frances Mayes is, before all else, a wonderful writer. . . . She never loses sight of the fact that millenniums-old Tuscany, with its immemorial customs and folkways, is not to be domesticated or made familiar. Her Italy remains intransigently foreign, exotic, a continuing revelation of strangeness and unexpected beauties.”—Chicago Tribune
“Mayes displays a gift for conveying everyday life through her writing . . . perfect for those with the yen but not the means for a second home . . . [and] presents a simpler, less frantic version of how to live one’s life.”—USA Today
“Mayes [has] perfect vision. . . . She has, by the sweat of her brow and the strength of her vision, become a layer in the history of this place.”—Los Angeles Times
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1
The wine spilled. As I reached across the table, my sleeve grazed Austin’s glass and the big globe fell over, quickly spreading a circle of carmine red on the white tablecloth. Austin shot up fast, chair tipping backwards. He grabbed his napkin and spread it over the stain. I glanced at my daughter, bride-to-be Dara, her eyes widened, the slight quiver of her thin nostrils, a response Rich says she must have learned from her horse. She shot me a look—she knew I’d spent the afternoon lavishing my attention on every place card and dessert spoon. Rocco woke up from his nap by the door, barking and circling the table.
“Oh, no. Sorry!” I pressed my napkin into the dark stain, too, and moved the flowers and water carafe to cover it. Rich shooed Rocco out the door.
Austin dabbed at his tie with a cloth I grabbed from the kitchen. “Doesn’t matter, Lee—good as new,” he said. Austin’s unusual eyes—hazel, yes, but it’s the way he looks at you rather than their river-water color, as if he’s surprised to find you in front of him. But glad. (I’ve had the odd thought that he might say, I see you. Do you see me?) I rinsed his glass in the kitchen and Rich refilled. Austin raised it: “To Rich and Lee and Charlotte! I’m a lucky guy. Thank you for this feast, and thank you, Amit and Luke, for making the trip. And everyone,” he slightly bowed toward our friends, “I will be privileged to get to know you. Dara, you have my heart.” Nothing broke but the glasses all around clinked hard.
All solved, except not. Damn, the spilled wine seeped into the napkins.
For some moments, I just want perfection. Tonight was one, the intimate celebration—family and best friends—of my Dara’s imminent wedding to Austin. Dara, finally. After all her are-you-kidding-me romances—don’t think of the waiter with big buttons distending his ears, the modern dancer always slipping out of recovery, the too-blond scuba diver that time in Key West. Mama always said she’s glad of her granddaughter’s high spirits, but she’s one to overlook consequences. If we expressed misgivings, Dara always snapped, “Quit! Leave me alone. I’ve grown up in Hillston! And it’s not Thrillston here. I need life.” Many brief disasters, my bright bird, all soars and plunges. Now this opening into an exhilarating future. I was blessed, as they say around here, with meeting Rich, someone special. And now that’s her great fortune, too.
Her menu, my table—white linens monogrammed with Mama’s and her mother’s initials. The Waterford candlesticks we brought home from our honeymoon in Ireland, and two silver champagne urns (one borrowed from the florist) filled with apricot roses. Rich’s welcome-to-the-family toast, Mama on good behavior, for god’s sake, and Dara and Austin’s best friends, along with our dearest neighbors, Fawn and Charles, Elizabeth and Eric. Long and sparkling, two tables abutted, and the seam didn’t even show. Her intimate party: now marred. The night of the first photographs for the wedding albums—Jerry, our photographer friend, came for half an hour—to be pored over decades later, when I’m up floating in the clouds and they’re still walking the beach, paying taxes, and figuring out the great mystery ride that is marriage.
A small blip. No explosive political rants. As a state senator, Fawn can get going at times, and Eric, the town mayor, is often drawn into inflammatory discussions. Thankfully no oversharing or boring childhood anecdotes. A wine stain is not important. Rich is probably just mourning the waste of good Brunello.
Why am I careening in the sheets? Life right now seems a sweet unfolding. Dara’s radiance—her eyes, the aqua blue of the inside of a glacier, the only genetic gift from Rich’s overwound father. When she was small, I sometimes looked at her and wondered if she were an alien. Well, my cranky father-in-law did have those same eyes, but his were shaded by a burly monobrow, and his jaw was like the side of a meat cleaver, so you didn’t really notice the sublime aquamarine. Tonight, luminous, she looked at everyone with a vibrancy and joy I’ll never forget. We love Austin. Son we never got to raise? (My stillborn son when Dara was five. In thousands of moments I imagine our boy, Hawthorn Willcox, at six on a pony, at ten on the swim team, awkward at fourteen with peach fuzz. After all these years, I can barely say his name.) Is Austin my projection, is that why I attached to him from the start? The only solace for that lost oval face with faint blue-veined eyebrows and a fringe of eyelashes? I never saw his eyes but imagine them the color in that astronaut photo of Earth taken from space, swirling dark blue orbs.
Beside me, Rich sleeps like the newly dead. I almost laugh because his mouth in an O looks as if he’s about to blow a bubble. Just before he went to bed, he threw a few things in his bag for—where is he going? Investigating an environmental disaster in Alaska, I think he said. Oil. A spill. At least better than the last trip into Somalia, where the engine stalled and a gang of bandits tried to overtake the boat he and the photographer hired. Every night, as his head touches the pillow, he conks out for dreamless hours. I don’t envy him that—there’s something primitive about it—though my insomnia is crazy-making and something equally primitive lurks there, too. His snoring does make me laugh. Alpha bear guarding the cave entrance?
Rich hears the bedroom door creak, then click shut. She’s wandering, as usual. Lee often doesn’t know what sleep is. I left her a melatonin by her toothbrush before I signed off. This day lasted a week. I think the kids would have preferred to throw steaks on the grill, but I was told this had to be an occasion. Lee damned made sure it was. Dinner was memorable, those quail from our shoot down in Thomasville, near where Charlotte comes from. Odd to think of Lee’s mother as a South Georgia girl once upon some godforsaken time down in the pineys. At least the old bird behaved tonight. Unlike at Big Mann’s wake. Lord, when she stood by the casket at the funeral home and burst out with “The Night They Drove Old Dixie Down.” Flabbergasted the visitors who were there to offer condolences. And not only. She’d arranged for church bells to ring all over town after the service. Nothing grand enough for Big Mann. Rich smiled in the dark. A mother-in-law for the books. Someone should write a book. Her breed is disappearing—or never was. Who could write, Lee? Not me, no way. Being son-in-law is enough. Tomorrow—three flight changes to get to Fairbanks. A four-wheel waiting, the map in my backpack already marked. Lee will be alone, as much as she ever is, with Dara and Austin on their uncharted way and her mama heading south to her eagle’s nest at Indigo Island. Too damn bad Big Mann croaked. He was a right SOB, bigger than life.
Rich closes his eyes and lets himself travel around the table, looking at every guest, pegging each into the picture of Dara’s future. Best and brightest? Some of them. Moira, maybe not anymore. A future here in town writing for the Regulator News? So much for the Vanderbilt summa cum laude. Married to poker-face, frizzy-hair, what’s his name? Ear specialist in Lee’s dad’s old practice. Carleton, that’s it. Moira might turn into one of those who suck lemons for a living. He flashed on her and Dara bonding at nine over horse madness. Camps. Overwrought thoroughbreds snorting fog on winter mornings. Dara’s mess in the kitchen when she concocted grain and cereal mixes for the stable horses’ Christmas breakfast. Those tedious dressage shows. Hauling the horse in a wobbly trailer over to Winston and Charlotte. Dara, small on that beast Chelsea, sailing over jumps, trotting off with a big smile. Except when she didn’t. Two falls. Dislocated shoulder and jammed knee. Those gone days, thank you, Jesus. That horse we bought off the racetrack out to pasture somewhere. Mei Hwang, fragile. Thin as a straw. When I dropped off the dry cleaning, she was always there, little thing cutting out paper patterns, her parents taking in the shirts. Now she designs. Even making Dara’s wedding dress. Rich smiled again, remembering Dara telling him Mei used to try on the dresses and sweaters women brought in to be cleaned. Daringly wore some to high school games. Spunky girl. The two guys, Austin’s friends, arriving today, out tomorrow early. Big lives under way. Luke something, the American one, from Florida somehow got himself to Cambridge. Architect, too. All architects wear black and those thin glasses? Big smiles to match big lives, especially the Indian guy, Amit something. Luke seemed to lean toward the Hwang girl. Humble family, but this girl emerged with a cool natural dignity and poise.
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Frances Mayes
Frances Mayes's new novel A GREAT MARRIAGE (2024) tells the story of spirited Dara Willcox, a runaway bride, and of Austin Clarke, whose life must be reinvented after a shattering event. The aftershocks rattle the lives of three generations of women and men, causing an examination of the great mystery ride that is marriage and what it means when it's great, good, or time for the end.
(2023) PASTA VELOCE, 100 fast pasta recipes, was published, following (2020) ALWAYS ITALY, an intensive guide to the twenty regions of Italy. This won the SATWF Lowell Thomas Gold Medal Award, the Best Travel Book from NA Travel Journalists' Association, and for the German edition, The ITB Berlin Book Award.
Always attuned to the lure of travel and the equal pull of home, Frances explores both interests in A PLACE IN THE WORLD: FINDING THE MEANING OF HOME (2022). While A GREAT MARRIAGE explores "the unguessable country of marriage," (Angela Carter), A PLACE IN THE WORLD explores the equally unguessable meaning of home.
The novel WOMEN IN SUNLIGHT (2018) delves into possibilities and perceived impossibilities women face as they grow older. Three southern women become friends and decide to leap out of what is forecast for them and take on life in Italy. They've all had their share of loss but this is their year. Frances wrote the novel as a tribute to all the women she has met who have traveled to a foreign country in quest of enlightenment. The novel is in preproduction as a film by Water's End.
As is obvious from the above, Frances has a passionate interest in travel and houses. When she saw Bramasole, a neglected, 250-year-old Tuscan villa nestled in terraced olive groves, it was fate. Out of that instant infatuation came several international bestsellers: UNDER THE TUSCAN SUN, which remained on the New York Times bestseller list for 2 1/2 years. In succession came other memoirs: BELLA TUSCANY, EVERY DAY IN TUSCANY, and then three collaborations with her husband, poet Edward Mayes: IN TUSCANY, BRINGING TUSCANY HOME, and THE TUSCAN SUN COOKBOOK, "one of the best Italian cookbooks of all time." (Forbes) All are about taking chances, living in Italy, loving and renovating an old Italian villa, and the "voluptuousness of Italian life." The film UNDER THE TUSCAN SUN, starring Diane Lane as Frances, was released in 2003 and still enjoys world-wide popularity.
Frances finds that writing about travel doubles the pleasures of each. Her SEE YOU IN THE PIAZZA, travels to little-known places in Italy, and the travel memoir A YEAR IN THE WORLD: JOURNEYS OF A PASSIONATE TRAVELER examine the possibilities of feeling at home in a foreign country. Working with photographer Steven Rothfeld, she published SHRINES: IMAGES OF ITALIAN WORSHIP.
Coming from deep southern roots, Frances based her first novel, SWAN, a family saga, in her hometown, Fitzgerald, Georgia. UNDER MAGNOLIA, a memoir of her first twenty years, unwittingly caused the revelation of family secrets, one of which inspired THE GREAT MARRIAGE.
These books have been translated into over fifty foreign editions. Honorary citizen of Cortona and Arezzo, Frances has been awarded the Marco d'Oro prize, and the Premio Casato Prime Donne for a major contribution in the field of letters. She is a NEA Fellowship and a member of the Georgia Writers Hall of Fame.
Formerly a professor of creative writing at San Francisco State University, she directed The Poetry Center and chaired the Department of Creative Writing. Frances's first love is poetry. Prior to turning to prose, she was a widely published poet. Her books include: SUNDAY IN ANOTHER COUNTRY, AFTER SUCH PLEASURES, THE ARTS OF FIRE, HOURS, THE BOOK OF SUMMER and EX VOTO. From her teaching came THE DISCOVERY OF POETRY: A FIELD GUIDE TO READING AND WRITING POEMS.
Frances devotes herself to writing, traveling, and various restoration projects. She and her husband live in North Carolina and Cortona, Italy.
"Tuscany may have found its own bard in Frances Mayes."
-- The New York Times
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Customer reviews
4.1 out of 5
186 global ratings
Jane Lembeck Kuesel
5
Another
Reviewed in the United States on August 15, 2024
Verified Purchase
Another great book from Mayes, exploring ways creative people make their way through life, through marriages and family and friend relationships, but also through their work and their love of home and place. I am already hoping for a sequel! Brava!
CarolinaGirl
5
What makes a great marriage?
Reviewed in the United States on August 18, 2024
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Is it how you weather the storms? Partly, and so much more in between! A heartwarming story of the complexity of life and love and how to make it work! I highly recommend this book!
Kindle Customer
5
Loved this
Reviewed in the United States on August 15, 2024
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Another fabulous book. Another book I could not put down interesting characters twists and turns. Loved the ending but hated to leave the lives of these people. Great read
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