Harry Potter and the Half-Blood Prince
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Harry Potter and the Half-Blood Prince

by

J.K. Rowling

(Author)

4.9

-

79,302 ratings


There it was, hanging in the sky above the school: the blazing green skull with a serpent tongue, the mark Death Eaters left behind whenever they had entered a building... wherever they had murdered...

When Dumbledore arrives at Privet Drive one summer night to collect Harry Potter, his wand hand is blackened and shrivelled, but he does not reveal why. Secrets and suspicion are spreading through the wizarding world, and Hogwarts itself is not safe. Harry is convinced that Malfoy bears the Dark Mark: there is a Death Eater amongst them. Harry will need powerful magic and true friends as he explores Voldemort's darkest secrets, and Dumbledore prepares him to face his destiny...

Having become classics of our time, the Harry Potter eBooks never fail to bring comfort and escapism. With their message of hope, belonging and the enduring power of truth and love, the story of the Boy Who Lived continues to delight generations of new readers.

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ISBN-10

1338299190

ISBN-13

978-1338299199

Print length

688 pages

Language

English

Publisher

Pottermore Publishing

Publication date

December 07, 2015

Dimensions

5.25 x 1.3 x 8 inches

Item weight

1.25 pounds



Popular Highlights in this book

  • “I am not worried, Harry,” said Dumbledore, his voice a little stronger despite the freezing water. “I am with you.”

    Highlighted by 13,834 Kindle readers

  • And now, Harry, let us step out into the night and pursue that flighty temptress, adventure.

    Highlighted by 13,065 Kindle readers

  • The trouble is, the other side can do magic too, Prime Minister.

    Highlighted by 8,661 Kindle readers


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ASIN :

B019PIOJZE

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Editorial Reviews

J.K. Rowling is the author of the enduringly popular Harry Potter books. After the idea for Harry Potter came to her on a delayed train journey in 1990, she plotted out and started writing the series of seven books and the first was published as Harry Potter and the Philosopher’s Stone in the UK in 1997. The series took another ten years to complete, concluding in 2007 with the publication of Harry Potter and the Deathly Hallows.

To accompany the series, J.K. Rowling wrote three short companion volumes for charity, Quidditch Through the Agesand Fantastic Beasts and Where to Find Them, in aid of Comic Relief and Lumos, and The Tales of Beedle the Bard, in aid of Lumos. She also collaborated on the writing of a stage play, Harry Potter and the Cursed Child, which was published as a script book.

Her other books for children include the fairy tale The Ickabog and The Christmas Pig, which were published in 2020 and 2021 respectively and have also been bestsellers. She is also the author of books for adults, including a bestselling crime fiction series.

J.K. Rowling has received many awards and honors for her writing. She also supports a number of causes through her charitable trust Volant and is the founder of the children’s charity Lumos.

To find out more about J.K. Rowling visit jkrowlingstories.com.

Brian Selznick’s books have sold millions of copies, garnered countless awards worldwide, and been translated into more than 35 languages. He broke open the novel form with his innovative and genre-defying thematic trilogy, beginning with the Caldecott Medal-winning #1 New York Times bestseller The Invention of Hugo Cabret, adapted into Martin Scorsese's Oscar-winning movie Hugo. He followed that with the #1 New York Times bestseller, Wonderstruck, adapted into the eponymous movie by celebrated filmmaker Todd Haynes, with a screenplay by Selznick, and the New York Times bestseller, The Marvels. Selznick’s two most recent books for young people, Baby Monkey, Private Eye, an ALA Notable Book co-written with his husband David Serlin, and Kaleidoscope, a New York Times Notable Children’s Book of 2021, were both New York Times bestsellers as well. He also illustrated the 20th anniversary edition covers of J.K. Rowling's Harry Potter series. Selznick and Serlin divide their time between Brooklyn, New York and La Jolla, California. Learn more at thebrianselznick.com and mediaroom.scholastic.com/brianselznick.

Mary GrandPré has illustrated more than twenty beautiful books, including The Noisy Paint Box by Barb Rosenstock, which received a Caldecott Honor; Cleonardo, the Little Inventor, of which she is also the author; and the original American editions of all seven Harry Potter novels. Her work has also appeared in the New Yorker, the Atlantic Monthly, and the Wall Street Journal, and her paintings and pastels have been shown in galleries across the United States. Ms. GrandPré lives in Sarasota, Florida, with her family.


Sample

CHAPTER ONE

THE OTHER MINISTER

It was nearing midnight and the Prime Minister was sitting alone in his office, reading a long memo that was slipping through his brain without leaving the slightest trace of meaning behind. He was waiting for a call from the President of a far distant country, and between wondering when the wretched man would telephone, and trying to suppress unpleasant memories of what had been a very long, tiring, and difficult week, there was not much space in his head for anything else. The more he attempted to focus on the print on the page before him, the more clearly the Prime Minister could see the gloating face of one of his political opponents. This particular opponent had appeared on the news that very day, not only to enumerate all the terrible things that had happened in the last week (as though anyone needed reminding) but also to explain why each and every one of them was the government’s fault.

The Prime Minister’s pulse quickened at the very thought of these accusations, for they were neither fair nor true. How on earth was his government supposed to have stopped that bridge collapsing? It was outrageous for anybody to suggest that they were not spending enough on bridges. The bridge was fewer than ten years old, and the best experts were at a loss to explain why it had snapped cleanly in two, sending a dozen cars into the watery depths of the river below. And how dare anyone suggest that it was lack of policemen that had resulted in those two very nasty and well-publicized murders? Or that the government should have somehow foreseen the freak hurricane in the West Country that had caused so much damage to both people and property? And was it his fault that one of his Junior Ministers, Herbert Chorley, had chosen this week to act so peculiarly that he was now going to be spending a lot more time with his family?

“A grim mood has gripped the country,” the opponent had concluded, barely concealing his own broad grin.

And unfortunately, this was perfectly true. The Prime Minister felt it himself; people really did seem more miserable than usual. Even the weather was dismal; all this chilly mist in the middle of July. . . . It wasn’t right, it wasn’t normal. . . .

He turned over the second page of the memo, saw how much longer it went on, and gave it up as a bad job. Stretching his arms above his head he looked around his office mournfully. It was a handsome room, with a fine marble fireplace facing the long sash windows, firmly closed against the unseasonable chill. With a slight shiver, the Prime Minister got up and moved over to the window, looking out at the thin mist that was pressing itself against the glass. It was then, as he stood with his back to the room, that he heard a soft cough behind him.

He froze, nose to nose with his own scared-looking reflection in the dark glass. He knew that cough. He had heard it before. He turned very slowly to face the empty room.

“Hello?” he said, trying to sound braver than he felt.

For a brief moment he allowed himself the impossible hope that nobody would answer him. However, a voice responded at once, a crisp, decisive voice that sounded as though it were reading a prepared statement. It was coming — as the Prime Minister had known at the first cough — from the froglike little man wearing a long silver wig who was depicted in a small, dirty oil painting in the far corner of the room. “To the Prime Minister of Muggles. Urgent we meet. Kindly respond immediately. Sincerely, Fudge.”

The man in the painting looked inquiringly at the Prime Minister.

“Er,” said the Prime Minister, “listen. . . . It’s not a very good time for me. . . . I’m waiting for a telephone call, you see . . . from the President of —”

“That can be rearranged,” said the portrait at once. The Prime Minister’s heart sank. He had been afraid of that.

“But I really was rather hoping to speak —”

“We shall arrange for the President to forget to call. He will telephone tomorrow night instead,” said the little man. “Kindly respond immediately to Mr. Fudge.”

“I . . . oh . . . very well,” said the Prime Minister weakly. “Yes, I’ll see Fudge.”

He hurried back to his desk, straightening his tie as he went. He had barely resumed his seat, and arranged his face into what he hoped was a relaxed and unfazed expression, when bright green flames burst into life in the empty grate beneath his marble mantelpiece. He watched, trying not to betray a flicker of surprise or alarm, as a portly man appeared within the flames, spinning as fast as a top. Seconds later, he had climbed out onto a rather fine antique rug, brushing ash from the sleeves of his long pin-striped cloak, a lime-green bowler hat in his hand.

“Ah . . . Prime Minister,” said Cornelius Fudge, striding forward with his hand outstretched. “Good to see you again.”

The Prime Minister could not honestly return this compliment, so said nothing at all. He was not remotely pleased to see Fudge, whose occasional appearances, apart from being downright alarming in themselves, generally meant that he was about to hear some very bad news. Furthermore, Fudge was looking distinctly careworn. He was thinner, balder, and grayer, and his face had a crumpled look. The Prime Minister had seen that kind of look in politicians before, and it never boded well.

“How can I help you?” he said, shaking Fudge’s hand very briefly and gesturing toward the hardest of the chairs in front of the desk.

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About the authors

J.K. Rowling

J.K. Rowling

J.K. Rowling is the author of the enduringly popular, era-defining Harry Potter book series, as well as several stand-alone novels for adults and children, and a bestselling crime fiction series written under the pen name Robert Galbraith.

The Harry Potter books have now sold over 600 million copies worldwide, been translated into 85 languages and made into eight blockbuster films. They continue to be discovered and loved by new generations of readers.

Alongside the Harry Potter series, J.K. Rowling also wrote three short companion volumes for charity: Quidditch Through the Ages and Fantastic Beasts and Where to Find Them, in aid of Comic Relief, and The Tales of Beedle the Bard, in aid of her international children’s charity, Lumos. The companion books and original series are all available as audiobooks.

In 2016, J.K. Rowling collaborated with playwright Jack Thorne and director John Tiffany to continue Harry’s story in a stage play, Harry Potter and the Cursed Child, which opened in London, and is now thrilling audiences on four continents. The script book was published to mark the plays opening in 2016 and instantly topped the bestseller lists.

In the same year, she made her debut as a screenwriter with the film Fantastic Beasts and Where to Find Them. Inspired by the original companion volume, it was the first in a series of new adventures featuring wizarding world magizoologist Newt Scamander. The second, Fantastic Beasts: The Crimes of Grindelwald, was released in 2018 and the third, Fantastic Beasts: The Secrets of Dumbledore was released in 2022.

The screenplays were published to coincide with each film’s release: Fantastic Beasts and Where to Find Them - The Original Screenplay (2016), Fantastic Beasts: The Crimes of Grindelwald - The Original Screenplay (2018) and Fantastic Beasts: The Secrets of Dumbledore - The Complete Screenplay (2022).

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Reviews

Customer reviews

4.9 out of 5

79,302 global ratings

illgmkeanedu

illgmkeanedu

5

Spoilers Galore; My Review.

Reviewed in the United States on July 17, 2005

Verified Purchase

Half-Blood Prince is easily one of the better books in the Harry Potter series, though each is a masterpiece. But the 6th installment of a 7-part series is bound to be full of great moments in the story. There remains a great deal unanswered in this book, however, and the 7th will surely need to be no smaller than an average encyclopedia. Somehow as I was reading this book, I felt that I was learning more and at a quicker rate than in Order of the Phoenix, but so many of Harry's problems and questions took so long to reach any sort of answer or resolution that I still ended up not knowing many of the secrets I expected to be revealed in this book. It must be that Rowling, in her grand scheme, is saving much for the last book. One thing seems to be for certain, though, and that is that Rowling will never lose that special touch, that supreme and genuine interest in the story and its characters that makes the writing so engrossing. After completing this book, I was in a state of total shock and to this moment I wish only to read the seventh book.

Half-Blood Prince is dark; I mean far darker than the last. This is the time I have always known was inevitable in the Harry Potter world, at last we are seeing chaos and war and battles break out within the walls of Hogwarts itself. Several of the chapters are particularly well-written, with great suspense and imagery; an example would be the time Harry and Dumbledore spent in the cave. Relationships blossom in this book at last, including Harry suddenly falling in love' with Ginny Weasley, Ron dating Lavender Brown, Pansy and Draco clearly going out, and some serious hinting at a possible romance between Ron and Hermione when he gets rid of Lavender. Some of the focus on their teenage jealousies and squabbles, and their newfound interest in dating and snogging,' was a cute touch, but admittedly not what I was exactly looking for. After all, it was more fluff than anything else, and certainly none of it was real love. Then, the useless couple of Tonks and Lupin was introduced in the end; all well and good, I suppose, but again not something that overjoyed me. The end of the book is very sad indeed, yet, I was not crying--I was merely shocked, flabbergasted at the circumstances. A Snapeless, Dumbledoreless Hogwarts that Harry Potter is not intending to return to next year? Yes, you heard right. Harry wants to go off and find all of Voldemort's remaining Horcruxes and face the final battle on his own.

Much of the book is devoted to Harry witnessing important memories in the Pensieve with Dumbledore so that he can gain a greater understanding of his enemy, the Dark Lord. Now, I have long been a fan of Severus Snape. I admit I love him. Most of my reasons for loving Harry Potter center on him. And while much was learned about him in this book, much is still unknown, and what we do now know is shocking. To begin with, we learn the names of his parents, muggle Tobias Snape and witch Eileen Prince (yes, Snape is the Half-Blood Prince.) It is also known that Snape overheard the prophecy regarding Harry & Voldemort and told the Dark Lord about it; however, supposedly he showed enough remorse after Voldemort used the information to kill Harry's parents that Dumbledore forgave and entrusted him. Many are accusing Dumbledore of naivety for this, but I believe that they are only looking at what is plainly on the surface of this book and forgetting many things. I will explain later why, amazing as it may seem, my love for and faith in Snape remain unshaken despite the fact that this book, from its beginning, seems to be saying that he is still on Voldemort's side. I believe it's too simple for Rowling to be writing that he is, after all, evil. To me it seems a set-up. Additionally, I was expecting a surprising reason for Dumbledore to trust Snape, not a simple apology. There must still be more to this than meets the eye.

Before I explain my case about Snape, I'll mention some of the things that remain a mystery after this book. Sev's patronus and greatest fear don't come up (in fact, while Tonks' patronus is revealed, Boggarts don't receive any mention.) Some interesting information is supposedly going to be divulged regarding both Lily and Petunia, but neither of them played much of a role in book 6.

So on to my favorite character, who ends up being the Prince mentioned in the title. When I first finished this book, I was somewhat upset because while I still loved Snape, I was aware that what he'd just done was not steering in the direction of redemption, as I had hoped to see him going. I also knew that, at least until some point in Book 7, almost everyone (in the books and in real life) would turn against Snape and regard him as a treacherous dog. Yet, after composing myself and reviewing what I'd read, I realized that I just cannot accept him as truly evil, or Dumbledore as an old fool.

Now, before reading this book, if I had to make a list of impossible things that could never happen...Snape killing the Headmaster and fleeing the school with a bunch of Death Eaters, would have been right at the top of the list. But, I'd have been wrong. I had a very strong feeling that Dumbledore would be the one to die in this book. But I never saw the way it happened coming. In the beginning of the story, Snape came in rather quickly. Once Harry was at school, Snape finally got the Defense Against the Dark Arts post he'd longed for. I was cheering. (Yes, he is no longer Potions Master.) But it turned out not to matter. In the second chapter, Narcissa Malfoy and her sister, Bellatrix Lestrange, visit the home of Sev and he makes with Narcissa (possibly out of love) an Unbreakable Vow--that Snape will help her son Draco carry out a task ordered of him by Voldemort, and will complete it himself should Draco prove unable. The task, it seems in the end, was to kill Dumbledore. Draco does prove unable, and Snape carries it out. Yet, it cannot be this simple. Dumbledore may have been aware of the task, and the Vow. From the moment Dumbledore returns from the cave, weakened, having drunk an unknown potion set by Voldemort to guard a Horcrux, he says he needs Severus. He never says what for, never asks to be healed. When Snape arrives Dumbledore calls his name and says 'please' (pleading for his life, as everyone assumes, or something else?) before Snape aims the curse at him that kills him.

This seems twisted, monstrous, unforgivable, no? Exactly: No. Not in my opinion, at least. I do not think it was Snape's choice to kill Dumbledore, but that the Headmaster had at least one reason for telling him that he must do this horrible deed. Of course from Harry's perspective (Harry, who has inherited, as Lupin says, a prejudice against Sev) it was cold-blooded murder and betrayal and he now wants to destroy Snape as much as Voldemort. But this too is far too simple; clearly, as the book ends on this note, there are things Harry does not understand about what has happened. He has forgotten, for instance, about the argument overheard by Hagrid, between Snape and Dumbledore. This point never was addressed again, yet amidst all the turmoil, who can blame it for being overlooked? Consider it. Dumbledore telling Snape he must do something that Snape does not wish to do. For several reasons I can think of (mainly involving the Death Eaters and the Malfoys), this argument connects directly to the death of Albus. And what of the mysterious order given Snape at the end of "Goblet of Fire," at which he turned pale? Clearly he is being asked to do things most difficult, to make great sacrifices; how can the most enigmatic person turn out to be clear-cut evil? Read carefully and you'll see that Snape has hatred and revulsion etched into his face when he performs the fatal Avada Kedavra. I see these emotions not as directed at his target, which Harry naturally assumes, but stemming from the act he is about to commit. It never really occurs to Harry that Sev may have been feeling the same things he'd been feeling when he was bound by his promise to force-feed the convulsing Dumbledore, does it? Probably far worse. Snape acts rather outrageously for the remainder of his time in the story, not shockingly, yet he refuses to allow any harm to come to Harry (clearly Dumbledore would've wanted that). He seems to be in pain and becomes furious at the mere suggestion that he is a coward--because he has just done the most difficult and least cowardly thing ever asked of him. Dumbledore has repeatedly stated that Harry's life is more important than his own, and that Harry understands less than he. And the facts remain that he has in the past done much good despite his suspicious nature, & that not everything he told Bellatrix about staying loyal to Voldemort can be true. My final point has to do with the words Dumbledore cried while drinking the potion in the cave. I don't know why, but I feel these words are important, and that after the escapade Dumbledore may have known the end was near.

Thus I rest my case. Avid Harry Potter readers will want to dive into this one, I'm certain, and those who haven't yet discovered it should do so. Only possible complaints? 1) Too short; 2) Not enough anticipated answers given, yet new questions raised, 3) Disturbing ending leaves you frustrated waiting for the next book.

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214 people found this helpful

Kindle Customer

Kindle Customer

5

Learned so much more from reading.

Reviewed in the United States on May 29, 2024

Verified Purchase

The writing of this book was very good and interesting. I learned so much more about this story line than the movies could ever have taught me. Thanks for the beautiful writing and the intriguing story.

Venkatapraveen

Venkatapraveen

5

HARRY POTTER AND THE HALF BLOOD PRINCE

Reviewed in the United States on June 1, 2024

Verified Purchase

I LOVE THAT THIS BOOK BECAUSE IT IS A MIX OF HORROR AND EXCITEMENT. I WOULD RECOMMEND THIS BOOK TO ALL AGES THIS IS A GOOD NIGHT READ AND A TALE OF IMAGINATION I LOOK FORWARD TO MORE BOOKS BY JK ROWLING

Cory John Stoker

Cory John Stoker

5

(No Spoilers)If You Didn't Notice By Now...

Reviewed in the United States on July 21, 2005

Verified Purchase

...this book will drive the point home. The Harry Potter series is not merely children's fiction... no more than Lord of the Rings is merely a fantasy tale. This is full fledged literature. Stephen King's blurb on the book said as much, and I've been thinking that since I finished book 4.

I am a recent Potter devotee, I read the series about six months before this book came out. I watched all the hype unfold around book five and thought "for a kid's book?" And with that rather close-minded outlook I went about my business... until I found a first edition of "The Philosopher's Stone" that somehow found it's way into my Mom's house in Tennessee. That book, I thought was a delightful (I choose my words carefully) romp... every bit worthy young reader's fiction. I picked up the second book in paperback and had similar thoughts, but found that the character development increased very much.

Already long story short, and already over-long point at it's crux... these books and characters age with the readers who grow up with them. And for those of us who went through these ages already, we glean even more understanding. Rowling has matured the books with the age of their characters. And she has done it brilliantly. These books are geared toward young readers AT THE START, but that is because she knows that young people grow up, and as they do they crave more and more creative plots, and more creative and intriguing characters. The books increase in complexity, density (in a good way), sheer brilliance as they go on. Each book is essentially five times better than the last. As amazing as a claim that is... it's true. Find out if you havn't by now!

With the Half-Blood Prince I wasn't expecting much more than the first half of the finish of this (hopefully not the only in this world's) series. I got that and much more. (as I mentioned I will give NO MAJOR spoilers, indeed they may not come as spoilers at all) Character development within this rich world is at it's finest here since it has been in Goblet of Fire (my favorite). We get not only MUCH greater insight into Dumbledore... but into how Lord Voldemort came to be. We get into Voldemort's mind, and we find out how and why we ticks. We see some very clevar development for (What I guessed since book 2) what the main character's love interests would be. Though many see it coming, it's because we've watched the relationships unfold. That part isn't meant to shock us.

Truly this is Harry Potter's last youthful romp I'm afraid... he does a lot of maturing in this book, and rightfully so, he faces more dangers and challenges than ever... and not even in the most obvious forms. Along the way a character we are meant to mistrust from the beginning, but somehow trust all along shows his true color... at least we think so. And one we've hated since the beginning shows his... and it's shocking as well. Rowling at this point, like all genius authors, uses what you know about her and her books against you. She layers the usual form of her book with extra layers that you have to read VERY deeply to understand. The narrative can literally, somehow impossibly, let you know what is REALLY going on without ever putting it on the page. You can FEEL what is going on before being told, sometimes you are proven right, sometimes wrong... and sometimes even more right that you first imagined.

To all of those complaining that Rowling is drawing the series out, I say that she's planned on seven books from the start, and you've known that all along... if you were expecting book six to be the end, and seven to be the prologue, you've not been paying attention to her style. After seeing what the author pulled off in each concurrent book, upping the ante, the class, and sheer brilliance in each and every narrative and story... I'm fully confident in saying that I KNOW that book seven will do just as each other book before it has done... it will only get better. I'm ready NOW to pre-order book seven by God... and I'm quite sure that Rowling wouldn't even have begun it yet! (The only other authors who can claim that of me are Neil Gaiman and Dan Simmons)

The only bad thing about this book is finishing it and realizing that there is only one more book to go... I do not want this story to end, but I cannot wait to see how it will finally wrap up. Especially after this thrilling volume. It becomes more painful with each reading of each book to know that it just has to end.

to J.K. Rowling... welcome to the list of legendary authors... you are truly one of the greats now, and the books that you've written will live on as long as there are people to read them. Here's hoping you don't stop with book seven. And here's to you, one of the greatest authors of my time. It is my honor to read your works.

And as for the review summary... Well I'll just say that the prose is fluid, and the story runs and winds like a swiss watch. It would be a shame for ANYONE to miss out on this book. Do yourself a favor if you've not yet fallen into the Harry Potter series... buy them all. I'll be passing them along my family. True literature is so hard to come by, but Rowling makes it seem like it comes effortlessly.

Five out of Five stars... and if there was a higher rating, I'd give it that.

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14 people found this helpful

BarJo

BarJo

5

it keeps getting better

Reviewed in the United States on May 27, 2024

Verified Purchase

If it’s possible in a series for each book to get better, this is it. Book 6 does not disappoint, in fact it’s strong motivation to get to the next and the last of the tale. Loving these even more the second time round.

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Tell Me Your Life Story, Mom: A Mother’s Guided Journal and Memory Keepsake Book (Tell Me Your Life Story® Series Books)

4.7

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5,107

$11.24