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Thirteen “dazzling” (Associated Press) and “wonderfully wicked” (USA TODAY) stories from #1 New York Times bestselling author Stephen King.
A book salesman with a grievance picks up a mute hitchhiker, not knowing the silent man in the passenger seat listens altogether too well. An exercise routine on a stationary bicycle takes its rider on a captivating—and then terrifying—journey. A blind girl works a miracle with a kiss and the touch of her hand. A psychiatric patient’s irrational thinking might create an apocalyptic threat in the Maine countryside…or keep the world from falling victim to it.
These are just some of the tales to be found in the #1 bestselling collection Just After Sunset. Call it dusk or call it twilight, it’s a time when human intercourse takes on an unnatural cast, when the imagination begins to reach for shadows as they dissipate to darkness and living daylight can be scared right out of you. It’s the perfect time for master storyteller Stephen King.
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ISBN-10
1501197657
ISBN-13
978-1501197659
Print length
560 pages
Language
English
Publisher
Scribner
Publication date
January 22, 2018
Dimensions
5.5 x 1.2 x 8.38 inches
Item weight
1.08 pounds
Reality is a mystery, Dr. Bonsaint, and the everyday texture of things is the cloth we draw over it to mask its brightness and darkness.
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As infants, our first victory comes in grasping some bit of the world, usually our mothers’ fingers. Later we discover that the world, and the things of the world, are grasping us, and have been all along.
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There’s a gate in our heads, too—that’s what I think. One that keeps the insanity in all of us from flooding our intellects. And at critical moments, it swings open and all kinds of weird shit comes flooding through.
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Have you ever read ‘The Great God Pan,’ by Arthur Machen?
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Like the man said, we learn by doing. And we learn even more by trying and failing.
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B0015DYKU2
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"Wonderfully wicked." -- Carol Memmott, USA Today
"King is as sharp and versatile as ever." -- Erica Noonan, Boston Globe
"Quietly dazzling." -- Ted Anthony, Associated Press
"King continues to be dedicated to giving his readers a luxuriant experience, the basic pleasure of getting lost in a book." -- Charles Taylor, New York Times Book Review
"King lets the reader put the book down at night after one story, knowing another horrific treat awaits the next day." -- Amanda St. Amand, St. Louis Post Dispatch
"King is as sharp and disgusting as ever... Haunting." -- People magazine
"King reminds us again of his power to unhinge with a single line or image. A master of the storytelling craft, he gets his ghastly fingernails right beneath the skin." -- John Marks, Salon.com
"In these 13 newly collected stories, we see a master craftsman at the top of his game and clearly enjoying himself.... Each story is a treat not just for King fans but for any fan of good fiction." -- Salem Macknee, Charlotte Observer
"A master storyteller... Haunting." -- Karen Sandstrom, Cleveland Plain Dealer
Not a very nice man.
One afternoon not long after July became August, Deke Hollis told her she had company on the island. He called it the island, never the key.
Deke was a weathered fifty, or maybe seventy. He was tall and rangy and wore a battered old straw hat that looked like an inverted soup bowl. From seven in the morning until seven at night, he ran the drawbridge between Vermillion and the mainland. This was Monday to Friday. On weekends, "the kid" took over (said kid being about thirty). Some days when Em ran up to the drawbridge and saw the kid instead of Deke in the old cane chair outside the gatehouse, reading Maxim or Popular Mechanics rather than The New York Times, she was startled to realize that Saturday had come around again.
This afternoon, though, it was Deke. The channel between Vermillion and the mainland -- which Deke called the thrut (throat, she assumed) -- was deserted and dark under a dark sky. A heron stood on the drawbridge's Gulf-side rail, either meditating or looking for fish.
"Company?" Em said. "I don't have any company."
"I didn't mean it that way. Pickering's back. At 366? Brought one of his 'nieces.'" The punctuation for nieces was provided by a roll of Deke's eyes, of a blue so faded they were nearly colorless.
"I didn't see anyone," Em said.
"No," he agreed. "Crossed over in that big red M'cedes of his about an hour ago, while you were probably still lacin' up your tennies." He leaned forward over his newspaper; it crackled against his flat belly. She saw he had the crossword about half completed. "Different niece every summer. Always young." He paused. "Sometimes two nieces, one in August and one in September."
"I don't know him," Em said. "And I didn't see any red Mercedes." Nor did she know which house belonged to 366. She noticed the houses themselves, but rarely paid attention to the mailboxes. Except, of course, for 219. That was the one with the little line of carved birds on top of it. (The house behind it was, of course, Birdland.)
"Just as well," Deke said. This time instead of rolling his eyes, he twitched down the corners of his mouth, as if he had something bad tasting in there. "He brings 'em down in the M'cedes, then takes 'em back to St. Petersburg in his boat. Big white yacht. The Playpen. Went through this morning." The corners of his mouth did that thing again. In the far distance, thunder mumbled. "So the nieces get a tour of the house, then a nice little cruise up the coast, and we don't see Pickering again until January, when it gets cold up in Chicagoland."
Em thought she might have seen a moored white pleasure craft on her morning beach run but wasn't sure.
"Day or two from now -- maybe a week -- he'll send out a couple of fellas, and one will drive the M'cedes back to wherever he keeps it stored away. Near the private airport in Naples, I imagine."
"He must be very rich," Em said. This was the longest conversation she'd ever had with Deke, and it was interesting, but she started jogging in place just the same. Partly because she didn't want to stiffen up, mostly because her body was calling on her to run.
"Rich as Scrooge McDuck, but I got an idea Pickering actually spends his. Probably in ways Uncle Scrooge never imagined. Made it off some kind of computer thing, I heard." The eye roll. "Don't they all?"
"I guess," she said, still jogging in place. The thunder cleared its throat with a little more authority this time.
"I know you're anxious to be off, but I'm talking to you for a reason," Deke said. He folded up his newspaper, put it beside the old cane chair, and stuck his coffee cup on top of it as a paperweight. "I don't ordinarily talk out of school about folks on the island -- a lot of 'em's rich and I wouldn't last long if I did -- but I like you, Emmy. You keep yourself to yourself, but you ain't a bit snooty. Also, I like your father. Him and me's lifted a beer, time to time."
"Thanks," she said. She was touched. And as a thought occurred to her, she smiled. "Did my dad ask you to keep an eye on me?"
Deke shook his head. "Never did. Never would. Not R. J.'s style. He'd tell you the same as I am, though -- Jim Pickering's not a very nice man. I'd steer clear of him. If he invites you in for a drink or even just a cup of coffee with him and his new 'niece,' I'd say no. And if he were to ask you to go cruising with him, I would definitely say no."
"I have no interest in cruising anywhere," she said. What she was interested in was finishing her work on Vermillion Key. She felt it was almost done. "And I better get back before the rain starts."
"Don't think it's coming until five, at least," Deke said. "Although if I'm wrong, I think you'll still be okay."
She smiled again. "Me too. Contrary to popular opinion, women don't melt in the rain. I'll tell my dad you said hello."
"You do that." He bent down to get his paper, then paused, looking at her from beneath that ridiculous hat. "How're you doing, anyway?"
"Better," she said. "Better every day." She turned and began her road run back to the Little Grass Shack. She raised her hand as she went, and as she did, the heron that had been perched on the drawbridge rail flapped past her with a fish in its long bill.
Three sixty-six turned out to be the Pillbox, and for the first time since she'd come to Vermillion, the gate was standing ajar. Or had it been ajar when she ran past it toward the bridge? She couldn't remember -- but of course she had taken up wearing a watch, a clunky thing with a big digital readout, so she could time herself. She had probably been looking at that when she went by.
She almost passed without slowing -- the thunder was closer now -- but she wasn't exactly wearing a thousand-dollar suede skirt from Jill Anderson, only an ensemble from the Athletic Attic: shorts and a T-shirt with the Nike swoosh on it. Besides, what had she said to Deke? Women don't melt in the rain. So she slowed, swerved, and had a peek. It was simple curiosity.
She thought the Mercedes parked in the courtyard was a 450 SL, because her father had one like it, although his was pretty old now and this one looked brand-new. It was candy-apple red, its body brilliant even under the darkening sky. The trunk was open. A sheaf of long blond hair hung from it. There was blood in the hair.
Had Deke said the girl with Pickering was a blond? That was her first question, and she was so shocked, so fucking amazed, that there was no surprise in it. It seemed like a perfectly reasonable question, and the answer was Deke hadn't said. Only that she was young. And a niece. With the eye roll.
Thunder rumbled. Almost directly overhead now. The courtyard was empty except for the car (and the blond in the trunk, there was her). The house looked deserted, too: buttoned up and more like a pillbox than ever. Even the palms swaying around it couldn't soften it. It was too big, too stark, too gray. It was an ugly house.
Em thought she heard a moan. She ran through the gate and across the yard to the open trunk without even thinking about it. She looked in. The girl in the trunk hadn't moaned. Her eyes were open, but she had been stabbed in what looked like dozens of places, and her throat was cut ear to ear.
Em stood looking in, too shocked to move, too shocked to even breathe. Then it occurred to her that this was a fake dead girl, a movie prop. Even as her rational mind was telling her that was bullshit, the part of her that specialized in rationalization was nodding frantically. Even making up a story to backstop the idea. Deke didn't like Pickering, and Pickering's choice of female companionship? Well guess what, Pickering didn't like Deke, either! This was nothing but an elaborate practical joke. Pickering would go back across the bridge with the trunk deliberately ajar, that fake blond hair fluttering, and --
But there were smells rising out of the trunk now. They were the smells of shit and blood. Em reached forward and touched the cheek below one of those staring eyes. It was cold, but it was skin. Oh God, it was human skin.
There was a sound behind her. A footstep. She started to turn, and something came down on her head. There was no pain, but brilliant white seemed to leap across the world. Then the world went dark. Copyright © 2008 by Stephen King
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Stephen King
Stephen King is the author of more than fifty books, all of them worldwide bestsellers. His first crime thriller featuring Bill Hodges, MR MERCEDES, won the Edgar Award for best novel and was shortlisted for the CWA Gold Dagger Award. Both MR MERCEDES and END OF WATCH received the Goodreads Choice Award for the Best Mystery and Thriller of 2014 and 2016 respectively.
King co-wrote the bestselling novel Sleeping Beauties with his son Owen King, and many of King's books have been turned into celebrated films and television series including The Shawshank Redemption, Gerald's Game and It.
King was the recipient of America's prestigious 2014 National Medal of Arts and the 2003 National Book Foundation Medal for distinguished contribution to American Letters. In 2007 he also won the Grand Master Award from the Mystery Writers of America. He lives with his wife Tabitha King in Maine.
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Customer reviews
4.5 out of 5
4,194 global ratings
Nancy Burner
5
It's Stephen King story time!!
Reviewed in the United States on July 10, 2024
Verified Purchase
I am still reading this wonderful book of stories. Can't put it down! I have been reading Stephen King stories for years and he never disappoints me! What an imagination and story telling wizard .
Joan Sangimino
5
Steady enjoyment, suspense, and even revulsion!
Reviewed in the United States on June 22, 2024
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Heh, this one ended with a story about a porta potty. And for those of you who gag easily, it might not be for you. But the ending is so worth all the grossness. You might even read abbrevisted passages to your late teenager to see who grosses out the most! Very satisfying read.
2 people found this helpful
Gary Griffiths
5
Still King
Reviewed in the United States on November 25, 2008
Verified Purchase
I'm a bit surprised - disappointed even - in the rather mediocre average review score for Stephen King's anthology, "Just After Sunset." While this collection of short stories is not steeped in the sensational terror and gore of King's earlier works (most of which I thought were terrific), "Sunset" reflects a more mature King - the master of words relying less on horror and more on the subtleties of ordinary people in extraordinary situations. I always found King a keen observer of culture and society - one of the best at capturing the most mundane details of ordinary life, and in King's case, weaving them into a dark fabric of fear that lures one from the familiarity of (a pet, a car, and friendly neighbor...) into unsettled and disturbing worlds, and epic battles of good vs. malevolence. All of which are reflected in this baker's dozen of darkness - twelve new and the "bonus" of "The Cat from Hell" - an early King tale that made it to the big screen in the 1990 movie "Tales from the Darkside". To the point, the contrast in style between the graphic and simple story lines of "Hell Cat", and the cleverly drawn irony of "Mute" could not be more pronounced. Both frightening, engaging, and entertaining reads, but where "Cat" is pretty much gothic horror, "Mute" is a cleverly drawn, sophisticated tale of suspense and murder that would fit well in a collection of Hitchcock.
I didn't find a bad story in the lot, but if I were to pick my favorites, in addition to the fiendish "Mute", I'd place the diabolically gross "A Very Tight Place" near the top of the list. Or the poignant "The New York Times at Special Bargain Rates" - an oft-told tale in many respects, but never replayed more beautifully than here. Another from that dimension into which we may pass after death is the opener, "Willa", a story that takes a few pages to get into, and may have you scratching your head at first. But when it delivers, it delivers a punch more sorrowful than it is terrifying. But perhaps the defining effort is "N.", a frightening drama that recalls earlier King themes, but twists them around into a gripping and thoughtful thriller bridging Stonehenge and crop circles with pastoral Maine landscapes.
Events like King's near-fatal accident in 1999 and 9/11 clearly had a huge impact on the author's life, and the imprint of these seminal events are very evident in these pages. If there is a common theme between these pages, it is individual reaction to unthinkable tragedy, tempered by King's own passage from near death. While King chose "horror" as his literary path to follow, I'm certain the strength of his prose would have placed him near the top of any genre. Not unlike Poe, King's "Cold damp winds, white skies and fleeing crows" evoke disturbing but familiar images - places we'd prefer not to be but revel in reading. So while this may not be "The Stand", it is not "Cell" either, but a collection of dark little gems that will again remind us how fortunate we are to have King, the rare author as talented as he is prolific.
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