4.7
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12,513 ratings
The #1 New York Times-bestselling author of Identity presents a suspenseful new novel of tragedy and trauma, love and family, and the evil that awaits.
As they do each June, the Foxes have driven the winding roads of Appalachia to drop off their children for a two-week stay at their grandmother’s. Here, twelve-year-old Thea can run free and breathe in the smells of pine and fresh bread and Grammie’s handmade candles. But as her parents head back to suburban Virginia, they have no idea they’re about to cross paths with a ticking time bomb.
Back in Kentucky, Thea and her grandmother Lucy both awaken from the same nightmare. And though the two have never discussed the special kind of sight they share, they know as soon as their tearful eyes meet that something terrible has happened.
The kids will be staying with Grammie now in Redbud Hollow, and thanks to Thea’s vision, their parents’ killer will spend his life in supermax. Over time, Thea will make friends, build a career, find love. But that ability to see into minds and souls still lurks within her, and though Grammie calls it a gift, it feels more like a curse―because the inmate who shattered her childhood has the same ability. Thea can hear his twisted thoughts and witness his evil acts from miles away. He knows it, and hungers for vengeance. A long, silent battle will be waged between them―and eventually bring them face to face, and head to head…
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ISBN-10
1250911036
ISBN-13
978-1250911032
Print length
432 pages
Language
English
Publisher
St. Martin's Griffin
Publication date
May 05, 2025
Dimensions
5.38 x 1 x 8.25 inches
Item weight
1 pounds
Sleep, peaceful sleep, be with me tonight, and stay with me till the morning light.
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Grieving takes its own ways, its own time. Whenever you need to cry, you cry. But you have to laugh, too. You have to eat and sleep and wash your face, brush your hair, and all that regular stuff.
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There would always be a before, and there would come an after. And this moment forever separated them.
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ASIN :
B0CGRYWVJD
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7839 KB
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"Fans of Roberts’ enticing brand of storytelling will find everything they crave in her latest polished thriller, including compelling characters, an evocative, richly realized setting, and a captivating plot enlivened a generous dash of romance and just the right measure of nerve-jangling, nail-biting suspense. You don’t have to be a mind reader to predict Roberts’ latest will soon be on reserve and best-seller lists all around the country." ―Booklist
"Roberts’ latest may move you to tears, or joy, or dread, or all three....A touching story of love and grief ends in an epic battle of good versus evil." ―Kirkus Reviews (starred)
"Die-hard Roberts fans will get what they came for: there’s no shortage of romance, [or] cliffhangers..." ―Publishers Weekly
Chapter One
For Thea, the very best part of summer started the second week of June. The last day of school earned a big red heart, and meant she could start swimming and splashing around in the backyard pool, which she loved. She could ride her bike and play with her friends every day. Though they didn’t call it playing anymore. Now they hung out.
She was twelve, after all.
She liked cookouts, and long summer days, and she especially liked no homework.
But every year, just about a week after that big red heart day, she piled in the car with her mom; her dad; her little brother, Rem; and their dog, Cocoa. They started the long drive from Fredericksburg, Virginia, to Redbud Hollow, Kentucky.
Her mom grew up there but had gone off to Virginia to college, where she met John Fox on the very first day in the very first class.
And the rest, like they said—or like her dad said—was history.
They married the summer after their sophomore year, and ten months, two weeks, and three days after, she’d come along. Not quite two years later, Rem popped out.
Now her dad designed houses and her mom decorated them. Their company, Fox and Fox Homes, did just fine.
She knew stuff. Grown-ups didn’t think kids knew much of anything important, but she did. She knew her grandparents, her dad’s parents, were rich and snooty, and didn’t think much of her mom—the girl from eastern Kentucky.
But her dad’s parents lived out in San Diego, so they didn’t have to see them much. Which was more than fine with Thea. She didn’t have to hear Grandmother—that was the snooty name they had to call her—think her thoughts about how her mom laughed too loud or would never shake the Appalachian dust off her shoes.
She could hear those thoughts if she tried hard enough, and when she had to visit Grandmother, she couldn’t seem to help it.
She thought so loud.
Grandmother and Grandfather didn’t seem to care that John and Cora Fox were happy, and even successful. That they all lived in a pretty house in a nice neighborhood. That Thea and Rem (or as they insisted, Althea and Remington) did even better than okay in school.
But Grammie cared. They all talked on the phone every week on Sunday, and at Christmastime, Grammie drove up with her truck full of presents she’d made. Most of the time her uncles Waylon and Caleb came, too, so they had a big family party, and the house was all full of music and lights and the smells of baking.
That was her second favorite time of the year.
But the best time, even though they had to drive for seven whole hours, and sometimes more, came in June.
They always left bright and early, and passed the time with Road Trip Bingo. Rem usually fell asleep, and sometimes she did, too, but they always gave a hoot and holler when they crossed the line into Kentucky.
They stopped for barbecue and hush puppies—that was tradition. She’d be hungry when they did, but always wished they could just keep going, keep going and get there.
Keep going over roads that started to twist and climb, over bridges that spanned rushing rivers.
She loved watching the mountains happen, those rolls and peaks of deep green that were somehow sort of blue, too. The plateaus and ridges, the forests and streams.
And when she was in it, deep in those rolls and peaks where the road wound and wound, she knew her pretty house and really nice neighborhood in Virginia could never compare.
She wondered how her mother could leave it all, and whenever she asked, Mom always said: “I had to meet your daddy, didn’t I? Or else you wouldn’t be here asking me.”
She knew it was more. She knew her mother had wanted that pretty house and nice neighborhood. Knew, in her heart, her mother had wanted to shake that Appalachian dust off her shoes.
She didn’t say so, or else Mom would get that look in her eye. She didn’t want Thea to know things, like when Dad said: “Where the hell did I put my keys this time?”
And she knew he’d tossed them on the kitchen counter, then laid some of his paperwork over them, even though she’d been outside when he did it.
So she knew regardless of the fact that her mother loved Grammie, she wanted something more than the house in the hollow and wanted less than what she’d left behind.
She didn’t think about that now, as they skirted around the mountain town of Redbud Hollow with its climbing streets and shops like Appalachian Crafts, where Grammie sold her soaps and candles and such.
Because at last, at last, they were almost there. The sun still shined bright. Through the sunroof she watched a hawk circle. Deer walked through the woods here. Sometimes she saw deer in the neighborhood yards back home, but it wasn’t the same!
Her mom always drove the last leg of the trip, along the roads she’d once walked as a girl. And when they rounded the last curve, Thea saw the house.
Painted blue as the sky, with shutters—real ones—and the posts of the long front porch green as the hills, it sat back from the skinny, snaking road. Azaleas and mountain laurel flowed along the front. Dozens of colorful bottles hung from the branches of a redbud tree.
Thea had never seen it blooming, except in pictures, because school, but she could imagine it.
In the back there would be gardens—flowers and vegetables and herbs—and the chicken coop where Grammie’s ladies clucked and pecked. The goat named Molly had a pen, the cow called Aster had two small fields where Grammie moved her from one to the other every few months.
There was a little barn and a garden shed. A stream meandered through and slid right into the woods.
And the hills rose up, all around.
Duck and Goose, Grammie’s two coonhounds, raced around the house toward the car.
In the car, Cocoa rose up to wag and whine.
The minute Thea opened the door, Cocoa leaped over and out. The three dogs began to sniff butts to reacquaint themselves.
The door of the house opened, and Lucy Lannigan stepped out on the wide front porch.
Her hair, the true black she’d passed to her daughter and granddaughter, had a thick white streak, like a wave, from the center down to the tip on the right side. She’d passed on the lapis-blue eyes as well with their long lids.
Her height, five-ten with a willow-stem frame, had missed Cora, but from the length of Thea’s and Rem’s legs, it wouldn’t miss her grandchildren.
In her faded jeans and simple white shirt, she threw open her arms.
“How many can I hug at once? Let’s find out.”
Like Cocoa, Thea and Rem jumped out, and they ran into the open arms of the woman who smelled like bread fresh from the oven.
Lucy said, “Mmm-mmm-mmm!” as she hugged and squeezed, then managed to gather in Cora and John. “Now my heart’s full to brimming. I’ve got all the love in the world and more right here on my front porch. I hope you’re hungry, ’cause I’ve fried up enough chicken for an army after a hard battle.”
“I’m starving,” Rem told her, and brought on her rolling laugh.
“I can always count on you for that. There’s fresh lemonade for some, and some damn good apple wine for others. Your rooms are all ready if you want to stow your bags away.”
“Let’s do that.” John kissed both Lucy’s cheeks. “Then I could sure go for that apple wine.”
The house always smelled so good. To Thea it smelled of the mountains and good cooking, of herbs and flowers.
She’d only been to Grammie’s house in the summer, so she’d never seen a fire crackling away in the living room with its big old blue couch and armchairs covered in what her grandmother called cabbage roses.
And there were flowers from the garden, and wildflowers from the hills, the candles Gram made herself, and always the latest school pictures of her and Rem in frames.
Her dad helped carry the bags up while her mom went into the kitchen with Grammie. Because, her dad always said, they liked a little mom-and-daughter time.
Thea didn’t mind because she’d have two whole weeks.
She loved her room here with its view of the mountains. Though it was smaller than her room at home, she didn’t mind that either.
She liked the old iron bed, painted white as snow, and the quilt covered with violets her grandmother’s grandmother had made. White daisies stood happy in a little glass pitcher on the dresser. Though the room had a tiny closet, it also had what Grammie called a chifforobe.
Thea liked it better than any closet.
And she liked knowing her mother had slept in that room as a girl.
Rem had the room right across—Uncle Waylon’s childhood bedroom—and then her parents would take Uncle Caleb’s old room for the night. One more bedroom Gram had set up for sewing and things, then she had the biggest room with the four-poster bed that had come down to her.
A bed she’d been born in.
Thea couldn’t quite imagine that one.
Because she wanted to feel like she was really here, she unpacked even when she heard Rem run back downstairs.
After she put her clothes away, the room became hers.
Downstairs, she took her time. The living room, then the parlor with its old TV and its much, much older big radio. The easy chair and divan, the books on shelves, the basket of yarn, the cuckoo clock on the wall.
Then the room with the upright piano, the banjo, the guitar, the mandolin, the dulcimer.
Grammie could pick up any of those if she had the mood and play. She knew Waylon could do the same, not only because Grammie said so, but he always brought a banjo or guitar to play at Christmastime.
Plus, he made his living playing them in Nashville, where he lived. Caleb could play, too, but he’d gone to college to study theater and acting and stuff, so he did that.
Her mom played sometimes, but Gram said Cora’s instrument was her voice. And Thea knew that for truth, as her mom—especially when she was happy—sang like an angel.
But in the whole house, the kitchen was her favorite.
It was massive—one of her current favorite words. Big enough for the kitchen table Gram’s grandpappy had built out of solid oak. It had a six-burner stove Gram bought when she’d made some changes, but she wouldn’t part with the table.
She called it the heart of her kitchen, and her kitchen the heart of her home. She had lots of cupboards and long, long counters, a whole wall of shelves holding pots and cookbooks of family recipes and glass jars of rice and oats and pasta and grits, beans, colorful jars of pickled beets and chowchow and peppers and apple butter and more.
Open to it, the craft kitchen with its big stove had sturdy work counters and shelves holding bottles and jars and tools. Grammie grew herbs in pots in the sunny windows and had more hanging to dry.
There she made her candles, her soaps, her lotions and medicinals for her business.
In what had been a pantry, Grammie kept a supply of what she’d made, in case she wanted to give a gift, or somebody came down from the hills to barter.
Always curious, Thea opened the door and breathed it all in as she looked at the shelves.
To her, it smelled like a garden planted in heaven.
Roses and lavender, rosemary and sage, heliotrope and pine, lemon and orange and fresh mown grass.
Grammie called her business Mountain Magic, and that’s how Thea thought of it.
She saw the apple stack cake still wrapped on the counter, so she’d keep room for dessert after fried chicken.
Outside, Rem already ran around with the dogs, while her parents and Grammie sat on the back porch with their apple wine.
Through the open windows she could hear the dogs barking, the chickens clucking, her grandmother’s laugh.
She made a picture of it in her head, one she could take out sometime when she felt lonely or sad about something.
“There’s that girl,” Lucy said when Thea came out. “Get yourself some lemonade before Rem sucks that pitcher dry. Being a boy of ten’s thirsty work.”
“Needs to run off being cooped up in the car.” Smiling, Cora reached over, brushed a hand down Thea’s arm. “All settled in?”
“Uh-huh. Can I go see the animals?”
“Sure you can.”
“A little later, you and Rem can give them their evening meal. Go on.” Lucy gave her a little pat on the butt. “Stretch those long legs. We’ll call when it’s time for supper.
“Growing like weeds,” Lucy murmured when Thea raced off. “Both of them. I’m so grateful you give them over to me for this time every summer.”
“They love you.” John reached for the jug, topped off their wine. “They love it here. And, I can’t lie, two weeks alone with my bride?” He winked at Cora. “That’s a gift.”
“And they’ll come home with half a million stories.” Cora leaned back in her rocking chair, relaxed as the travel fatigue, and the faint headache that came with it, drained away. “The fox the dogs chased away from the chicken coop, the fish they caught or almost caught, milking the cow, milking the goat, the old man leaning on his walking stick who came by for some ointment for his arthritis.”
“And,” John added, “they’ll bring home soap you helped them make, and ask why we never have buckwheat cakes for breakfast.”
“I love them to pieces and back again. One of these days, Waylon and Caleb are going to settle down and give me more grandbabies—since the two of you seem to be finished there.”
“We hit the grand prize with two.” John toasted her.
“Well, from where I sit you surely did. I’m hoping my boys and their ladies-to-come will be as generous as you, and give me the time to watch those babies grow. Means the world to me.”
“We’re never going to talk you into moving to Virginia, are we, Mama?”
Lucy just smiled out at the mountains.
“I’m an Appalachian woman, darling. I’d wither away if you planted me somewhere else. Now, I’m going to go make some buttermilk biscuits. No, you sit right there,” she ordered. “You’ve had a long drive, and I haven’t. Tonight I get to spoil my grown-up babies, too.”
“You spoil us all, Lucy, and we’re grateful you do, you will.”
When Lucy went inside, John reached over to squeeze Cora’s hand. “Go on in and talk to her about our compromise. See what she thinks while the kids are occupied.”
With a nod, Cora rose and went inside.
She sat at the island while Lucy grated butter she’d frozen into a bowl of flour.
“You got your something-to-talk-about face on.”
“I do, and we think it’s a good thing. I hope you will.”
“I’ve got my I’m-listening ears on, baby mine.”
“I miss you, Mama.”
Lucy’s hands stilled a moment, and her heart swam into her eyes. “Oh, my darling girl.”
“I know your home’s here, and you know I made mine in Virginia. But it’s not so big a distance, not really. I miss my brothers, too. Never thought that’d happen,” she added, and made Lucy laugh.
“They surely did dog their big sister. But they loved you, just like those two outside love each other. Brothers and sisters, they gotta squabble. It’s a job of work.”
“Well, we did our job of work, that’s for certain. Caleb’s moving to New York City.”
“He told me.” After tossing the butter and flour, Lucy set it in the refrigerator to chill a few minutes. “Just like he told me there was this newfangled invention called an airplane, and he could use it to come back to the homeplace and see me. And how I could do the same to go up there so he could take me to see a Broadway show.”
“It’s a chance for him to do what he loves, and what he wants, but we won’t see as much of him as we did when he lived in DC. And Waylon’s mostly in Nashville or traveling.”
“My minstrel man.”
“Mama, you know John’s family…” She trailed off, glanced out toward the back porch. “They don’t think much of us. Me anyway. And they’ve got no interest in the kids.”
“That’s their very great loss.” Lucy’s mouth tightened before she said something she shouldn’t. “I feel sorry for them and their closed-off hearts.”
Or she tried to.
“That man out there—the one running around with his children after driving all this way? If I could’ve imagined just the right husband for my girl, just the right daddy for my grandbabies, I couldn’t have imagined better than John Fox. He’s as dear a son to me as the ones I birthed. ”
“I know it. More, John knows it. And you’re more a mama to him than his own.”
“Another blessing for me. Another reason to feel sorry for the one who can’t see the gifts laid in front of her.”
Cora rose to make sure John was out of earshot. “You know what they did for Thea’s twelfth birthday? Sent her a card with twelve dollars inside. One for each year. It came a week late on top of that. It’s not the money, Mama,” she said quickly. “We don’t care they’ve got piles of it. We’re all doing fine. It was … The card said ‘Happy Birthday, Althea. Your Grandparents.’ That’s all it said.”
Lucy picked up her wine, took a small sip. “Did you have Thea write them a thank-you?”
“I didn’t have to. She sat down and wrote one: ‘Dear Grandparents, Thank you very much for the birthday wishes and the twelve dollars. I hope you both are well. Your granddaughter, Thea.’”
Lucy gave a nod of approval. “You’re raising her right.”
“As I was. It burned me inside, Mama, and it hurt John. He tries to not let it hurt, but it does. I don’t want our family to ever grow apart and careless like that.”
“We never could, darling.”
“But people get busy. You’re busy, Mama, with your home, your business. Caleb and Waylon are busy, and like you said, they’ll likely start families of their own and get busier yet. John and I, we’re busy raising the kids, with our business. And, Mama, twice a year, it’s not enough.”
She wandered as she spoke while Lucy watched and thought: my clever, restless girl.
“You made an apple stack cake,” Cora murmured.
“Of course I did. It’s John’s favorite.”
“I don’t know why things like an apple stack cake and flowers on the table mean more to me now than they did when I was a girl in this house, or why this house is more special to me now than it was when I was living in it.”
“You were looking ahead, and away, Cora.”