Night of the Living Rez by undefined
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Night of the Living Rez

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4.3

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975 ratings


NATIONAL BESTSELLER

Winner of the PEN/Robert W. Bingham Prize, National Book Critics Circle John Leonard Prize, American Academy of Arts & Letters Sue Kaufman Prize, The New England Book Award, and the National Book Foundation 5 Under 35 Honoree

A Finalist for the Andrew Carnegie Medal for Fiction, the Chautauqua Prize 2023, and Barnes & Noble Discover Book Prize

Named a Best Book of the Year by The New York Times, NPR, Esquire, Oprah Daily, and more

Set in a Native community in Maine, Night of the Living Rez is a riveting debut collection about what it means to be Penobscot in the twenty-first century and what it means to live, to survive, and to persevere after tragedy.

In twelve striking, luminescent stories, author Morgan Talty―with searing humor, abiding compassion, and deep insight―breathes life into tales of family and a community as they struggle with a painful past and an uncertain future. A boy unearths a jar that holds an old curse, which sets into motion his family’s unraveling; a man, while trying to swindle some pot from a dealer, discovers a friend passed out in the woods, his hair frozen into the snow; a grandmother suffering from Alzheimer’s projects the past onto her grandson; and two friends, inspired by Antiques Roadshow, attempt to rob the tribal museum for valuable root clubs.

A collection that examines the consequences and merits of inheritance, Night of the Living Rez is an unforgettable portrayal of an Indigenous community and marks the arrival of a standout talent in contemporary fiction.

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ISBN-10

195353418X

ISBN-13

978-1953534187

Print length

296 pages

Language

English

Publisher

Tin House

Publication date

July 04, 2022

Dimensions

5.6 x 0.9 x 8.5 inches

Item weight

2.31 pounds


Product details

ASIN :

B09NH4DJBP

File size :

1060 KB

Text-to-speech :

Enabled

Screen reader :

Supported

Enhanced typesetting :

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Not Enabled

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Enabled


Editorial Reviews

"Magnificent." ― Lily King, The New York Times

"Remarkable. . . . An electric, captivating voice. . . . Talty has assured himself a spot in the canon of great Native American literature." ― The New York Times

"Captivating." ― TIME

"A perfect mix of funny, sad, timely, and intense, this one has something for everyone." ― The Boston Globe

"A blazing new talent." ― Oprah Daily

"Memorable." ― The Wall Street Journal

"Astounding. . . . Talty is an important new writer to watch." ― Esquire

"Talty’s book haunted and thrilled me in its raw explorations of inheritance, grief and survival, imbued with humor and warmth." ― NPR Books

"Etched with humor, violence, tenderness, and insight, these braided stories burn bright." ― Orion

"Unearths grace amid strife. . . . Talty, with his ear for natural, almost musical dialogue, compels you to keep listening." ― Vulture

"Emotionally pitch-perfect, immersive, and beautifully nuanced, Talty has gifted readers with a stunning debut that shows the interconnectedness of family, community, and ultimately who we are and what we can become. . . . devastating, satisfying, and heart-stopping." ― Shondaland

"Gorgeous." ― Cosmopolitan

"Powerful." ― BuzzFeed

"Searing, devastating and often darkly funny." ― Good Housekeeping

"As tender as anything you’ll read this year." ― High Country News

"These stories took me in the same way Denis Johnson’s Jesus’ Son did when I first read it. The comparison here is meant in every way to praise Talty as a writer, and I’m sure I won’t be the only one who says so, partially because of his emotional precision, his stark, unflinching, droll, intoxicating style, and also because of a certain drug/addiction element at play here. But as I got deeper into the work, into the book, and came to understand these lives and this community, the further away it felt from my initial comparison with Johnson, and the more familiar it felt―our Native communities being bound by countless common threads, strengths and afflictions both―and only then did I understand the distinct brilliance of Talty’s voice as its own, and ours. I knew and felt for these people. Wanted to and knew I couldn’t help them, even as they did me. There is so much brutal, raw, and beautiful power in these stories. I kept wanting to read and know more about these peoples’ lives, how they ended up where they ended up, how they would get out, how they wouldn’t. It is difficult to be so honest, and funny, and sad, at once, in any kind of work. Reading this book, I literally laughed and cried." ― Tommy Orange, author of There There

"Morgan Talty's Night of the Living Rez is a beautifully crafted, raw and intimate book about youth, friendship, and family on the reservation. These stories are profoundly moving and essential, rendered with precision and intimacy. Talty is a powerful new voice in Native American fiction." ― Brandon Hobson, National Book Award finalist and author of The Removed

"Flawless. . . . a masterwork by a major talent." ― The Star Tribune

"Uses humor and heartache to tell the interconnected stories of a menagerie of Indigenous characters." ― The Philadelphia Inquirer

"An inspired debut." ― Daily Beast

"A triumph of fiction that values each and every one of its flawed characters deeply and that spins its stories in such a way that invites an immediate reread." ― The Portland Press Herald

"Accomplished. . . . It was the only book of 2022 that I read twice." ― San Diego Union-Tribune

"Remarkable." ― Ms. Magazine

"Woven together with the care and intimacy of a family heirloom." ― Chicago Reivew of Books

"Compassionate and insightful." ― WBUR, NPR Affiliate

"Incendiary." ― WBEZ, NPR Affiliate

"Stunning." ― LitHub

"Tender, searing insight tempered with humor and compassion. This is a book to sink into." ― The Rumpus

"A masterful debut. . . . filled with grit and has heaps of heart to spare." ― Isaac Fitzgerald, Electric Lit

"It’s so damn good. After reading the last sentence of the final short story, I just sat there feeling stunned." ― Joseph Han, author of Nuclear Family, The Millions

"Shouldn’t be missed." ― Boston.com

"Unforgettable. . . . manages to assert that hope and forgiveness are possible." ― PureWow

"The best collection I have read all year." ― Ploughshares

"Beautiful." ― Downeast Magazine

"Exceptional. . . . [Talty] is a tremendously gifted writer, thoughtful and thought-provoking." ― The Maine Edge

"Reflects the complexity, irony and humor of what it means to love and be loved, and how love itself is often an imperfect thing, even in its purest forms." ― Observer

"Demands to be read, then read again." ― Fiction Writers Review

"If you only read one short story collection this year, make it Night of the Living Rez." ― Book Riot

"Remarkable. . . . Clear-eyed and compassionate." ― Booklist

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Sample

BURN

Winter, and I walked the sidewalk at night along banks of hard snow. I’d come from Rab’s apartment off the reservation. Rab—this white guy with a wide mouth and eyes that closed up when he laughed—sold pot. He was all no-bullshit too. I had asked for a gram, and after he weighed it and put it in a plastic baggie and held it out to me, I reached into my pants and jacket pockets looking for the cash among the cigarette wrappers and pocketknife, and he didn’t believe me as I acted the part and kept saying, “Shit shit shit, it must’ve fell out on the walk over here.” He shook his head, took the weed out of the baggie, and put it back into his mason jar. “I ain’t smokin’ you up,” he said, and so then I said, “Fuck you, Rab, I really did lose the money, you’ll see, watch when I come back here in thirty minutes with the money I dropped, you’ll feel stupid then.” He shrugged a Sorry, man, and I slammed his door shut as I left.

At the bridge to the reservation, the river was still frozen, ice shining white-blue under a full moon. The sidewalk on the bridge hadn’t been shoveled since the last nor’easter crapped snow in November, and I walked in the boot prints everyone made who walked the walk to Overtown to get pot or catch the bus to wherever it was us skeejins had to go, which wasn’t anywhere because everything we needed—except pot—was on the rez. Well, except Best Buy or Bed Bath & Beyond, but those Natives who bought 4K Ultra DVDs or fresh white doilies had cars, wouldn’t be taking the bus like me or Fellis did each day to the methadone clinic. That was another thing the rez didn’t have: a methadone clinic. But we had sacred grounds where sweats and peyote ceremonies happened once a month, except since I had chosen to take methadone, I was ineligible to participate in Native spiritual practice, according to the doc on the rez.

Natives damning Natives.

The roads on the rez were quiet, trees bending under the weight of snow, and when I passed the frozen swamp a voice moaned out. I stopped walking. Nothing, so I kept on going on the sparkling road until I heard it again.

“Who’s that?” I yelled. The moan came again. It was a man, somewhere in the swamp. I got closer, listening. There it was: a low and breathy noise, and with my cold ear I followed it.

The swamp was frozen solid, the snow blown in piles, and so I slid over the ice, looking for the source of the noise. Moonlight through bare tree limbs lit the swamp, and caught among the tree stumps and solid snow was a person sprawled out on the ground. He was trying to sit up but kept falling back, like he’d just done one thousand crunches and was too sore to do just one more.

It was Fellis.

“Fellis?” I said, standing over him.

He tried to sit up, but something pulled him back down. “Fuck you,” Fellis said. “Help me.” He groaned, shivered.

He didn’t say how to help him, so I had to squat down to get a better look. I flicked my lighter and his purple lip quivered.

“Hurry,” he said.

“Fellis, I can’t help you if I don’t know what’s a matter with you.”

“My hair,” he said.

I looked at it with the lighter’s flame. “Holy,” I said, and I laughed. Instead of the tight braid that shined, Fellis’s hair had come undone, and it was frozen into the snow.

“Get me out, Dee,” he said. “Dee, get me out.”

At first I tried to pull the hair out from the snow, tried to chip the snow away. But his hair wouldn’t come loose, so I yanked, and Fellis screamed.

“Lift your head up,” I said. I opened my pocketknife, and at the click of the blade Fellis spoke.

“Wait, wait,” he said. “Don’t cut it.”

“What do you want me to do? Tell the ice to let go?”

Fellis spit. “Go to my house and get boiling water.”

I closed the pocketknife. “Fellis, by the time I got back here the water would be chilled.”

He was quiet. As if something walked around or among us, the ice cracked and echoed somewhere in the swamp. The moon shone bright, and I looked. There was nobody but us.

“I have to cut it,” I said. “You ain’t getting out if I don’t.”

Fellis asked if I had a cigarette, and when I told him no, he cursed. “Fucking bullshit, fucking goddamn winter, what the fuck.”

I laughed.

“It ain’t funny, Dee.”

“Look,” I said. “You want me to cut my braid too?”

Fellis took a deep breath, and he coughed and gagged. “No,” he said. “Just cut it. I gotta get home. I’m sick.”

I opened the pocketknife again, grabbed his hair in a fistful, and cut. When I got through the last bit of hair, Fellis rolled over and away from where he’d been stuck. He rubbed his head like he just woke up.

I helped him stand, and we slipped all over the ice on our way out of the swamp. Through dry heaves, Fellis said he’d missed the bus this morning to the methadone clinic—“No shit,” I said, because I didn’t see him on the bus or at the clinic—and he thought some booze would be good before he got sick from not having any methadone. He’d had a bit of booze left that afternoon when he decided to go see Rab to get some pot, and on the way he’d stopped off in the swamp to feel the quiet that came with too much drinking, and when he plopped down in the snow he’d dozed right off. When he woke up, his hair was frozen in the snow.

I got him to his mom’s, Beth’s, where he still lived. He walked fine by himself to the door, but I walked with him up the steps.

“I never thought I’d scalp a fellow tribal member,” I said.

“Fuck off,” he said. He fumbled in his pocket for his house key.

“You wanna smoke?” I said.

“Didn’t you listen? I didn’t make it to Rab’s.” He unlocked the door.

“I’ll go for you,” I said. “Give me the cash.”

Fellis looked at me.

“Twenty minutes,” I said. “I’ll run there and back while you warm up your pretty bald head.”

He gave me thirty bucks, and I didn’t ask where he got it from. Yesterday he said he didn’t have any money.

“Twenty bag,” Fellis said. “And stop at Jim’s and get some tall boys and a bag of chips. Any kind but Humpty Dumpty chips.”

Down Fellis’s driveway I imagined the look on Rab’s face when I gave him the money. What I tell you? How about that gram?

“Dee!” Fellis yelled. “One more thing. Bring me my hair, so we can burn it. Don’t want spirits after us.”

“We’re damned anyway,” I said. “But I guess I’ll get your hair.”

I kept going, wondering, Hair or pot first? Pot made the most sense. It would look strange having to set the hair and ice down like a soaked mop on the counter at Jim’s while I reached in my pocket for Fellis’s money. Jim—that old wood booger—would say, “We don’t take those anymore.” I’d look him square in his sagging face and say, “I ain’t trading no hair, you old fucker,” and I’d smack down on the counter a ten-dollar bill for the tall boys and chips. With the change jingling in my pocket, I’d walk to Rab’s and he’d say, “Get that hair out of here, it’s dripping on my floor,” and I’d have to plop the hair on the muddy white floor in the hallway while Rab reweighed the same nugs he’d weighed for me earlier.

No. I’d grab Fellis’s hair from the swamp on my way home. With Fellis on his unmade bed, me on a torn beanbag in the corner, each of us with a tall boy and the pot smoke hazing gray the room, we’d keep poking and squeezing the hair, waiting for it to dry, waiting to burn it.

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About the authors


Reviews

Customer reviews

4.3 out of 5

975 global ratings

Carey Calvert

Carey Calvert

5

Blown away ...

Reviewed in the United States on August 27, 2022

Verified Purchase

A collection of previously published short stories combine to make a mesmerizing and horrific narrative in debut author Morgan Talty’s tantalizing Night of the Living Rez. I was lucky enough to obtain an advanced reader’s copy and you will be amazed at the timing, pacing and the novel’s exquisite language and structure.

Night of the Living Rez will be published on July 5th.

Talty, a citizen of the Penobscot Indian Nation weaves tales of anguish, hopelessness, and ultimately hope centered around the life of David (“It had everything to do with me.”), and his family, to include sister Paige, his mother (“Mom had this way to make you want to die”), and his mother’s boyfriend, Frick.

David’s grandmother’s cameo appearances provide the novel’s lifeblood; even in declining health and advancing stages of dementia, at times she appears the most grounded.

“When I sat down my grandmother was smiling at me, smirking almost, like she knew the totality of my life, knew where I came from, where I was presently, and where I was going.”

Drugs, addiction (“But I can’t not take them … the world without them feels too muggy. Too stuffy. Like I can’t breathe.”), and the perennial lack of money continue to plague the family, near and far.

David’s father whom he rarely visits “sent the money the other day.”

Money – it was everywhere but nowhere.

It is sister Paige however, who provokes her mother’s ire, and along with Frick, create the most tension.

“Paige was like that: time and time again she slowly sank into some darkness and then when it got no brighter she’d pack up and leave as if to chase the sun so it could never set. She always returned, though, and I liked to imagine that she’d gone around the world, never letting the sun dip below the horizon and out of her sight, until she finally made it around the globe and home again and was full of the light she’d chased.”

Talty, a graduate of Dartmouth and Prose Editor at The Massachusetts Review, whose work has appeared in LitHub, The Georgia Review, Shenandoah, TriQuarterly, and elsewhere will make you laugh, cry, and consider zombie as metaphor.

Zombies don’t run off too easily, do they?

They come for you all slow like.

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10 people found this helpful

B'sMom

B'sMom

5

The Best Book I've Read in a Long Time

Reviewed in the United States on July 19, 2022

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I was a little hesitant to pick this book up because it said "stories" but it reads like a novel. The different perspectives/chapters are continuations of the same few people over time. Many times you see reviews for books that say things like "It made me laugh and cry", and I always roll my eyes at that. While I didn't cry, I certainly felt its sorrow, and I actually did laugh out loud at least a couple times. What really is an injustice is how this isn't a bestseller. It certainly deserves to be, more than many other books that have recieved that honor. This author is a true talent and a gifted writer. Now I'm going to have to anger read some other book because I know I'll have to wait to get my hands on any other works by Morgan Talty.

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12 people found this helpful

Nikki Barnes

Nikki Barnes

5

About a boy

Reviewed in the United States on January 8, 2024

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Seeing through his eyes you understand rez life for a boy on the daily. Nothing and everything miraculous. Life, liberty and the pursuit of "it" is the question. Simple, likable, loyal to sister, mother and grandmother, he is the victim, the villian, and the hero of his own story. Highly recommend it for its humor & intensity.

JoAnn G.

JoAnn G.

5

Interesting

Reviewed in the United States on July 2, 2024

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An entertaining read, excellent condition.

JP Ballinger

JP Ballinger

5

Minimalist Fiction That Cuts to the Bone

Reviewed in the United States on March 18, 2023

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Talty has a keen talent for picking just the right details in his stories to both intrigue and bring characters to life. His prose is lean in a style not unlike Cormac McCarthy or Raymond Chandler, honing down to brittle emotions and leaving the environment room to breathe. This collection of stories chronicling modern life on the Rez is almost post-post apocalyptic, but not without hope and humor. Highly recommended for anyone interested in Indigenous literature or simply well-told tales about what it means to survive when there's only five dollars in your pocket and bread heels in the cupboard.

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8 people found this helpful

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