Night Shift by Stephen King
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Night Shift

by

Stephen King

(Author)

4.6

-

8,789 ratings


#1 BESTSELLER • A collection of bone-chilling, nail-biting tales from the undisputed master of horror that showcases the darkest depths of his brilliant imagination and will "chill the cockles of many a heart" (Chicago Tribune).• INCLUDES THE STORY “THE BOOGEYMAN” – NOW A MAJOR MOTION PICTURE FROM 20th CENTURY STUDIOS

Originally published in 1978, Night Shift is the inspiration for over a dozen acclaimed horror movies and television series, including Children of the Corn, Chapelwaite, and Lawnmower Man.

Night Shift is Stephen King's first collection of short stories--a perfect showcase of just how far King's dark imagination can go. Here we see mutated rats gone bad ("Graveyard Shift"); a cataclysmic virus that threatens humanity ("Night Surf," the basis for The Stand); a possessed, evil lawnmower ("The Lawnmower Man"); unsettling children from the heartland ("Children of the Corn"); a smoker who will try anything to stop ("Quitters, Inc."); a reclusive alcoholic who begins a gruesome transformation ("Gray Matter"); and many more. This is Stephen King at his horrifying best.

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ISBN-10

0307947297

ISBN-13

978-0307947291

Print length

384 pages

Language

English

Publisher

Anchor

Publication date

August 06, 2012

Dimensions

5.17 x 0.81 x 7.95 inches

Item weight

2.31 pounds


Popular highlights in this book

  • The thing under my bed waiting to grab my ankle isn't real. I know that, and I also know that if I'm careful to keep my foot under the covers, it will never be able to grab my ankle.

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  • Then you have to start knowing yourself so well that you begin to know other people. A piece of us is in every person we can ever meet.

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  • And the great appeal of horror fiction through the ages is that it serves as a rehearsal for our own deaths.

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  • I have a marketable obsession. There are madmen and madwomen in padded cells the world over who are not so lucky.

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Product details

ASIN :

B001BANK2S

File size :

2265 KB

Text-to-speech :

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Editorial reviews

“A master storyteller.” —Los Angeles Times

“[King] probably knows more about scary goings-on in confined, isolated places than anybody since Edgar Allan Poe.” —Entertainment Weekly

“Eerie. . . . Ought to chill the cockles of many a heart.” —Chicago Tribune

“The most wonderfully gruesome man on the planet.” —USA Today

“An undisputed master of suspense and terror.” —The Washington Post

“He’s the author who can always make the improbable so scary you’ll feel compelled to check the locks on the front door.” —The Boston Globe

“A master. . . . [King] will catch you in his web and reach you at an elemental level where there is no defense.” —Palm Beach Post

“Peerless imagination.” —The Observer (London)


Sample

JERUSALEM'S LOT

Oct. 2, 1850.

DEAR BONES,

How good it was to step into the cold, draughty hall here at Chapelwaite, every bone in an ache from that abominable coach, in need of instant relief from my distended bladder—and to see a letter addressed in your own inimitable scrawl propped on the obscene little cherry-wood table beside the door! Be assured that I set to deciphering it as soon as the needs of the body were attended to (in a coldly ornate downstairs bathroom where I could see my breath rising before my eyes).

I'm glad to hear that you are recovered from the miasma that has so long set in your lungs, although I assure you that I do sympathize with the moral dilemma the cure has affected you with. An ailing abolitionist healed by the sunny climes of slave-struck Florida! Still and all, Bones, I ask you as a friend who has also walked in the valley of the shadow, to take all care of yourself and venture not back to Massachusetts until your body gives you leave. Your fine mind and incisive pen cannot serve us if you are clay, and if the Southern zone is a healing one, is there not poetic justice in that?

Yes, the house is quite as fine as I had been led to believe by my cousin's executors, but rather more sinister. It sits atop a huge and jutting point of land perhaps three miles north of Falmouth and nine miles north of Portland. Behind it are some four acres of grounds, gone back to the wild in the most formidable manner imaginable—junipers, scrub vines, bushes, and various forms of creeper climb wildly over the picturesque stone walls that separate the estate from the town domain. Awful imitations of Greek statuary peer blindly through the wrack from atop various hillocks—they seem, in most cases, about to lunge at the passer-by. My cousin Stephen's tastes seem to have run the gamut from the unacceptable to the downright horrific. There is an odd little summer house which has been nearly buried in scarlet sumac and a grotesque sundial in the midst of what must once have been a garden. It adds the final lunatic touch.

But the view from the parlour more than excuses this; I command a dizzying view of the rocks at the foot of Chapelwaite Head and the Atlantic itself. A huge, bellied bay window looks out on this, and a huge, toadlike secretary stands beside it. It will do nicely for the start of that novel which I have talked of so long [and no doubt tiresomely].

To-day has been gray with occasional splatters of rain. As I look out all seems to be a study in slate—the rocks, old and worn as Time itself, the sky, and of course the sea, which crashes against the granite fangs below with a sound which is not precisely sound but vibration—I can feel the waves with my feet even as I write. The sensation is not a wholly unpleasant one.

I know you disapprove my solitary habits, dear Bones, but I assure you that I am fine and happy. Calvin is with me, as practical, silent, and as dependable as ever, and by midweek I am sure that between the two of us we shall have straightened our affairs and made arrangement for necessary deliveries from town—and a company of cleaning women to begin blowing the dust from this place!

I will close—there are so many things as yet to be seen, rooms to explore, and doubtless a thousand pieces of execrable furniture to be viewed by these tender eyes. Once again, my thanks for the touch of familiar brought by your letter, and for your continuing regard.

Give my love to your wife, as you both have mine.

CHARLES.

Oct. 6, 1850.

DEAR BONES,

Such a place this is!

It continues to amaze me—as do the reactions of the townfolk in the closest village to my occupancy. That is a queer little place with the picturesque name of Preacher's Corners. It was there that Calvin contracted for the weekly provisions. The other errand, that of securing a sufficient supply of cordwood for the winter, was likewise taken care of. But Cal returned with gloomy countenance, and when I asked him what the trouble was, he replied grimly enough:

"They think you mad, Mr. Boone!"

I laughed and said that perhaps they had heard of the brain fever I suffered after my Sarah died—certainly I spoke madly enough at that time, as you could attest.

But Cal protested that no-one knew anything of me except through my cousin Stephen, who contracted for the same services as I have now made provision for. "What was said, sir, was that anyone who would live in Chapelwaite must be either a lunatic or run the risk of becoming one."

This left me utterly perplexed, as you may imagine, and I asked who had given him this amazing communication. He told me that he had been referred to a sullen and rather besotted pulp-logger named Thompson, who owns four hundred acres of pine, birch, and spruce, and who logs it with the help of his five sons, for sale to the mills in Portland and to householders in the immediate area.

When Cal, all unknowing of his queer prejudice, gave him the location to which the wood was to be brought, this Thompson stared at him with his mouth ajaw and said that he would send his sons with the wood, in the good light of the day, and by the sea road.

Calvin, apparently misreading my bemusement for distress, hastened to say that the man reeked of cheap whiskey and that he had then lapsed into some kind of nonsense about a deserted village and cousin Stephen's relations—and worms! Calvin finished his business with one of Thompson's boys, who, I take it, was rather surly and none too sober or freshly-scented himself. I take it there has been some of this reaction in Preacher's Corners itself, at the general store where Cal spoke with the shop-keeper, although this was more of the gossipy, behind-the-hand type.

None of this has bothered me much; we know how rustics dearly love to enrich their lives with the smell of scandal and myth, and I suppose poor Stephen and his side of the family are fair game. As I told Cal, a man who has fallen to his death almost from his own front porch is more than likely to stir talk.

The house itself is a constant amazement. Twenty-three rooms, Bones! The wainscotting which panels the upper floors and the portrait gallery is mildewed but still stout. While I stood in my late cousin's upstairs bedroom I could hear the rats scuttering behind it, and big ones they must be, from the sound they make—almost like people walking there. I should hate to encounter one in the dark; or even in the light, for that matter. Still, I have noted neither holes nor droppings. Odd.

The upper gallery is lined with bad portraits in frames which must be worth a fortune. Some bear a resemblance to Stephen as I remember him. I believe I have correctly identified my Uncle Henry Boone and his wife Judith; the others are unfamiliar. I suppose one of them may be my own notorious grandfather, Robert. But Stephen's side of the family is all but unknown to me, for which I am heartily sorry. The same good humour that shone in Stephen's letters to Sarah and me, the same light of high intellect, shines in these portraits, bad as they are. For what foolish reasons families fall out! A rifled escritoire, hard words between brothers now dead three generations, and blameless descendants are needlessly estranged. I cannot help reflecting upon how fortunate it was that you and John Petty succeeded in contacting Stephen when it seemed I might follow my Sarah through the Gates—and upon how unfortunate it was that chance should have robbed us of a face-to-face meeting. How I would have loved to hear him defend the ancestral statuary and furnishings!

But do not let me denigrate the place to an extreme. Stephen's taste was not my own, true, but beneath the veneer of his additions there are pieces [a number of them shrouded by dust-covers in the upper chambers] which are true masterworks. There are beds, tables, and heavy, dark scrollings done in teak and mahogany, and many of the bedrooms and receiving chambers, the upper study and small parlour, hold a somber charm. The floors are rich pine that glow with an inner and secret light. There is dignity here; dignity and the weight of years. I cannot yet say I like it, but I do respect it. I am eager to watch it change as we revolve through the changes of this northern clime.

Lord, I run on! Write soon, Bones. Tell me what progress you make, and what news you hear from Petty and the rest. And please do not make the mistake of trying to persuade any new Southern acquaintances as to your views too forcibly—I understand that not all are content to answer merely with their mouths, as is our long-winded friend, Mr. Calhoun.

Yr. affectionate friend,

CHARLES.

Oct. 16, 1850.

DEAR RICHARD,

Hello, and how are you? I have thought about you often since I have taken up residence here at Chapelwaite, and had half-expected to hear from you—and now I receive a letter from Bones telling me that I'd forgotten to leave my address at the club! Rest assured that I would have written eventually anyway, as it sometimes seems that my true and loyal friends are all I have left in the world that is sure and completely normal. And, Lord, how spread we've become! You in Boston, writing faithfully for The Liberator [to which I have also sent my address, incidentally], Hanson in England on another of his confounded jaunts, and poor old Bones in the very lions' lair, recovering his lungs.

It goes as well as can be expected here, Dick, and be assured I will render you a full account when I am not quite as pressed by certain events which are extant here—I think your legal mind may be quite intrigued by certain happenings at Chapelwaite and in the area about it.

But in the meantime I have a favour to ask, if you will entertain it. Do you remember the historian you introduced me to at Mr. Clary's fund-raising dinner for the cause? I believe his name was Bigelow. At any rate, he mentioned that he made a hobby of collecting odd bits of historical lore which pertained to the very area in which I am now living. My favour, then, is this: Would you contact him and ask him what facts, bits of folklore, or general rumour—if any—he may be conversant with about a small, deserted village called JERUSALEM'S LOT, near a township called Preacher's Corners, on the Royal River? The stream itself is a tributary of the Androscoggin, and flows into that river approximately eleven miles above that river's emptying place near Chapelwaite. It would gratify me intensely, and, more important, may be a matter of some moment.

In looking over this letter I feel I have been a bit short with you, Dick, for which I am heartily sorry. But be assured I will explain myself shortly, and until that time I send my warmest regards to your wife, two fine sons, and, of course, to yourself.

Yr. affectionate friend,

CHARLES.

Oct. 16, 1850.

DEAR BONES,

I have a tale to tell you which seems a little strange [and even disquieting] to both Cal and me—see what you think. If nothing else, it may serve to amuse you while you battle the mosquitoes!

Two days after I mailed my last to you, a group of four young ladies arrived from the Corners under the supervision of an elderly lady of intimidatingly-competent visage named Mrs. Cloris, to set the place in order and to remove some of the dust that had been causing me to sneeze seemingly at every other step. They all seemed a little nervous as they went about their chores; indeed, one flighty miss uttered a small screech when I entered the upstairs parlour as she dusted.

I asked Mrs. Cloris about this [she was dusting the downstairs hall with grim determination that would have quite amazed you, her hair done up in an old faded bandanna], and she turned to me and said with an air of determination: "They don't like the house, and I don't like the house, sir, because it has always been a bad house."

My jaw dropped at this unexpected bit, and she went on in a kindlier tone: "I do not mean to say that Stephen Boone was not a fine man, for he was; I cleaned for him every second Thursday all the time he was here, as I cleaned for his father, Mr. Randolph Boone, until he and his wife disappeared in eighteen and sixteen. Mr. Stephen was a good and kindly man, and so you seem, sir (if you will pardon my bluntness; I know no other way to speak), but the house is bad and it always has been, and no Boone has ever been happy here since your grandfather Robert and his brother Philip fell out over stolen [and here she paused, almost guiltily] items in seventeen and eighty-nine."

Such memories these folks have, Bones!

Mrs. Cloris continued: "The house was built in unhappiness, has been lived in with unhappiness, there has been blood spilt on its floors [as you may or may not know, Bones, my Uncle Randolph was involved in an accident on the cellar stairs which took the life of his daughter Marcella; he then took his own life in a fit of remorse. The incident is related in one of Stephen's letters to me, on the sad occasion of his dead sister's birthday], there has been disappearance and accident.

"I have worked here, Mr. Boone, and I am neither blind nor deaf. I've heard awful sounds in the walls, sir, awful sounds—thumpings and crashings and once a strange wailing that was half-laughter. It fair made my blood curdle. It's a dark place, sir." And there she halted, perhaps afraid she had spoken too much.

As for myself, I hardly knew whether to be offended or amused, curious or merely matter-of-fact. I'm afraid that amusement won the day. "And what do you suspect, Mrs. Cloris? Ghosts rattling chains?"

But she only looked at me oddly. "Ghosts there may be. But it's not ghosts in the walls. It's not ghosts that wail and blubber like the damned and crash and blunder away in the darkness. It's—"

"Come, Mrs. Cloris," I prompted her. "You've come this far. Now can you finish what you've begun?"

The strangest expression of terror, pique, and-I would swear to it—religious awe passed over her face. "Some die not," she whispered. "Some live in the twilight shadows Between to serve—Him!"

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About the authors

Stephen King

Stephen King

Stephen King is the author of more than fifty books, all of them worldwide bestsellers. His first crime thriller featuring Bill Hodges, MR MERCEDES, won the Edgar Award for best novel and was shortlisted for the CWA Gold Dagger Award. Both MR MERCEDES and END OF WATCH received the Goodreads Choice Award for the Best Mystery and Thriller of 2014 and 2016 respectively.

King co-wrote the bestselling novel Sleeping Beauties with his son Owen King, and many of King's books have been turned into celebrated films and television series including The Shawshank Redemption, Gerald's Game and It.

King was the recipient of America's prestigious 2014 National Medal of Arts and the 2003 National Book Foundation Medal for distinguished contribution to American Letters. In 2007 he also won the Grand Master Award from the Mystery Writers of America. He lives with his wife Tabitha King in Maine.

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Reviews

Customer reviews

4.6 out of 5

8,789 global ratings

Own It

Own It

5

Night Shift - another great book by Stephen King.

Reviewed in the United States on August 28, 2024

Verified Purchase

A great collection of short stories by the master Stephen King—his first such collection. Definitely recommend. I like to break up reading his novels every once in a while with the short stories.

Joseph Boone

Joseph Boone

5

Outstanding collection of short stories

Reviewed in the United States on December 21, 2007

Verified Purchase

The Night Shift was the first collection of Stephen King short stories. Unlike most of the later collections, these are all true short stories. The longest is 34 pages and most are just 10-20 pages. As you might expect, some stories are more impressive than others, but almost all of them are good, and several are outstanding.

Jerusalem's Lot: It could be argued that this is a prequel of sorts, to

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13 people found this helpful

General Zombie

General Zombie

5

Superb

Reviewed in the United States on December 6, 2005

Verified Purchase

Of King's 4 collection of short stories, I'd have to say that I like 'Night Shift' the best. It's definitely the most consistently horror oriented of them, and the non-horror stories are particularly compelling. Also his tendency to overwrite hasn't displayed itself yet. It's got a few weaker stories, such as 'Gray Matter', 'I Know What You Need' and 'The Lawnmower Man', in particular, but the good ones more than make up for these few short comings. (It's too bad that 'Suffer the Children' got cut instead of 'Gray Matter'. 'Suffer the Children' would've been one of the better stories here, while 'Gray Matter' is probably the worst.) The tales also tend to be more straight forward and conventional than his later ones, but sometimes the older stories really are the best ones. (It still get pretty damn weird at times, no doubt about it, but it's got nothin' on the level of 'You Know They've Gotta Helluva Band' or 'The Moving Finger'.)

'Jerusalem's Lot' is unabashed Lovecraft homage. It can't quite match his best work, but it's excellent and manages not to be too utterly derivative. 'The Mangler' is a strange one, as it's about a possessed industrial dryer/folder thing. It's got an unintentionally black-comic vibe to it, along with perhaps the most gruesome, disturbing violence in anything I've read from him. (Being killed by one of those things would involve being crushed and scalded to death simultaneously. Not pleasant, I'm sure) 'The Graveyard Shift' which was made into an amusingly bad movie, is surprisingly effective. The story focuses more on the conflict between Hall and his supervisor, Warwick, and keeps the rat stuff in relatively small, if still fatal, doses. 'Sometimes They Come Back' is probably my favorite story here. It's puts a few new twists on the old revenge from beyond on the grave theme, and is just one of the most powerfully moody pieces King's ever written. 'Strawberry Spring', a story about a series of murders on a college campus, has a fairly predictable ending, but has enough atmosphere to be a fairly remarkable story anyway. 'Children of the Corn' and 'Trucks' were both made into ill-conceived films, but they work well as short stories. 'Children of the Corn' is the better of the two, focusing more on the desolate town than on the children themselves, and it also has some nice gruesome imagery towards the end. 'The Woman in the Room' is one of the non-horror stories, but it's still one of the darkest things here, and is really almost unbearably sad. (It's about a man's attempt to euthanize his fatally ill mother, and obviously reflects upon the slow death of King's mother.)

I weary of discussing these individually, but suffice to say that they're almost all excellent. In a modern world were the novel has completely supplanted the short story some major King fans may be hesitant to check out these works. Don't make thsi mistake. This is some of his best stuff.

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