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NEW YORK TIMES BESTSELLER • BOOKER PRIZE FINALIST • The Pulitzer Prize–winning author of Olive Kitteridge and My Name is Lucy Barton explores the mysteries of marriage and the secrets we keep, as a former couple reckons with where they’ve come from—and what they’ve left behind. ONE OF THE TEN BEST BOOKS OF THE YEAR: Maureen Corrigan, NPR’s Fresh Air
“Elizabeth Strout is one of my very favorite writers, so the fact that Oh William! may well be my favorite of her books is a mathematical equation for joy. The depth, complexity, and love contained in these pages is a miraculous achievement.”—Ann Patchett, author of The Dutch House
I would like to say a few things about my first husband, William.
Lucy Barton is a writer, but her ex-husband, William, remains a hard man to read. William, she confesses, has always been a mystery to me. Another mystery is why the two have remained connected after all these years. They just are.
So Lucy is both surprised and not surprised when William asks her to join him on a trip to investigate a recently uncovered family secret—one of those secrets that rearrange everything we think we know about the people closest to us. There are fears and insecurities, simple joys and acts of tenderness, and revelations about affairs and other spouses, parents and their children. On every page of this exquisite novel we learn more about the quiet forces that hold us together—even after we’ve grown apart. A BEST BOOK OF THE YEAR: The New York Times Book Review, The Washington Post, Time, Vulture, She Reads
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ISBN-10
0812989449
ISBN-13
978-0812989441
Print length
256 pages
Language
English
Publisher
Random House Trade Paperbacks
Publication date
April 25, 2022
Dimensions
5.09 x 0.56 x 7.97 inches
Item weight
2.31 pounds
This authority was why I had fallen in love with William. We crave authority. We do. No matter what anyone says, we crave that sense of authority. Of believing that in the presence of this person we are safe.
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Whenever I don’t know what to do, I watch what I am doing. And what I was doing that year was leaving, even though I had not yet left.
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People are lonely, is my point here. Many people can’t say to those they know well what it is they feel they might want to say.
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ASIN :
B08PYR4X94
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1136 KB
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Review
“One proof of Strout’s greatness is the sleight of hand with which she injects sneaky subterranean power into seemingly transparent prose. Strout works in the realm of everyday speech, conjuring repetitions, gaps and awkwardness with plain language and forthright diction, yet at the same time unleashing a tidal urgency that seems to come out of nowhere even as it operates in plain sight.”—The New York Times Book Review
“So much intimate, fragile, desperate humanness infuses these pages, it’s breathtaking. Almost every declaration carries the force of revelation.”—The Washington Post
“For all the depths of anger and despair they uncover, and the bitterness they attest to, Strout’s works insist on the su- perabundance of life, the unrealized bliss always immanent in it.”—The New York Review of Books
“Being privy to the innermost thoughts of Lucy Barton—and, more to the point, deep inside a book by Strout—makes readers feel safe. We know we’re in good hands.”—NPR
“Strout’s simple declarative sentences contain continents. Who is better at conveying loneliness, the inability to communicate, to say the deep important things? Who better to illustrate the legacies of imperfect upbringings, of inadequate parents? When William explains that what attracted him to Lucy was her sense of joy, the reader can only agree. This brilliant, compelling, tender novel is—quite simply—a joy.”—The Boston Globe
“Strout doesn’t dress language up in a tuxedo when a wool sweater will suffice. Other novelists must berate themselves when they see what Strout pulls off without any tacky pyrotechnics.”—Los Angeles Times
“The miraculous quality of Strout’s fiction is the way she opens up depths with the simplest of touches, and this novel ends with the assurance that the source of love lies less in understanding than in recognition—although it may take a lifetime to learn the difference.”—The Guardian
“At the core of . . . Strout’s best-selling fiction are characters grappling with huge questions about love, loss and family through seemingly ordinary moments. The domestic dramas that fill her books lead to startling revelations about the complexities that accompany marriage, parenthood and growing old. Her new novel is no exception.”—Time
“[Strout] invests us deeply in Lucy’s epiphany: Even though we are fueled by presumptions and believe what we want to believe, the truth is always within our sight.”—Star Tribune
“[Oh William!] serves as a gentle reminder to be emotionally generous with our loved ones and as physically present as possible each and every day of our lives.”—San Francisco Chronicle
“Keenly observed and rich with illuminating insight, Strout’s tender mercies continue to astound.”—Esquire
“The Pulitzer Prize–winning [Oprah’s Book Club] author reprises her literary avatar, Lucy Barton, in this radiant—if melancholy—contemplation of marriage, mortality, and love’s complexities.”—Oprah Daily
About the Author
Elizabeth Strout is the #1 New York Times bestselling author of Olive, Again; Anything Is Possible, winner of the Story Prize; My Name Is Lucy Barton; The Burgess Boys; Olive Kitteridge, for which she was awarded the Pulitzer Prize; Abide with Me; and Amy and Isabelle, winner of the Los Angeles Times Art Seidenbaum Award and the Chicago Tribune Heartland Prize. She has also been a finalist for the PEN/Faulkner Award and the Orange Prize in London. She lives in Maine.
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I would like to say a few things about my first husband, William.
William has lately been through some very sad events—many of us have—but I would like to mention them, it feels almost a compulsion; he is seventy-one years old now.
My second husband, David, died last year, and in my grief for him I have felt grief for William as well. Grief is such a—oh, it is such a solitary thing; this is the terror of it, I think. It is like sliding down the outside of a really long glass building while nobody sees you.
But it is William I want to speak of here.
His name is William Gerhardt, and when we married I took his last name, even though at the time it was not fashionable to do so. My college roommate said, “Lucy, you’re taking his name? I thought you were a feminist.” And I told her that I did not care about being a feminist; I told her I did not want to be me anymore. At that time I felt that I was tired of being me, I had spent my whole life not wanting to be me—this is what I thought then—and so I took his name and became Lucy Gerhardt for eleven years, but it did not ever feel right to me, and almost immediately after William’s mother died I went to the motor vehicle place to get my own name back on my driver’s license, even though it was more difficult than I had thought it would be; I had to go back and bring in some court documents; but I did.
I became Lucy Barton again.
We were married for almost twenty years before I left him and we have two daughters, and we have been friendly for a long time now—how, I am not sure exactly. There are many terrible stories of divorce, but except for the separation itself ours is not one of them. Sometimes I thought I would die from the pain of our separating, and the pain it caused my girls, but I did not die, and I am here, and so is William.
Because I am a novelist, I have to write this almost like a novel, but it is true—as true as I can make it. And I want to say—oh, it is difficult to know what to say! But when I report something about William it is because he told it to me or because I saw it with my own eyes.
So I will start this story when William was sixty-nine years old, which is less than two years ago now.
A visual:
Recently William’s lab assistant had taken to calling William “Einstein,” and William seemed to get a real kick out of that. I do not think William looks like Einstein at all, but I take the young woman’s point. William has a very full mustache with gray in its whiteness, but it is sort of a trimmed mustache and his hair is full and white. It is cut, but it does stick out from his head. He is a tall man, and he dresses very well. And he does not have that vaguely crazy look that Einstein, to my mind, seemed to have. William’s face is often closed with an unyielding pleasantness, except for once in a very great while when he throws his head back in real laughter; I have not seen him do that for a long time. His eyes are brown and they have stayed large; not everyone’s eyes stay large as they get older, but William’s eyes have.
Now—
Every morning William would rise in his spacious apartment on Riverside Drive. Picture him—throwing aside the fluffy quilt with its dark blue cotton cover, his wife still asleep in their king-size bed, and going into the bathroom. He would, every morning, be stiff. But he had exercises and he did them, going out into the living room, lying on his back on the large black-and-red rug with the antique chandelier above him, pedaling his legs in the air as though on a bicycle, then stretching them this way and that. Then he’d move to the large maroon chair by the window that looked out over the Hudson River, and he would read the news on his laptop there. At some point Estelle would emerge from the bedroom and wave to him sleepily and then she would wake their daughter, Bridget, who was ten, and after William took his shower the three of them had breakfast in the kitchen at the round table; William enjoyed the routine of this, and his daughter was a chatty girl, which he liked as well; it was as though listening to a bird, he once said, and her mother was chatty also.
After he left the apartment he walked across Central Park and then took the subway downtown, where he got off at Fourteenth Street and walked the remaining distance to New York University; he enjoyed this daily walking even though he noticed that he was not as fast as the young people who bumped past him with their bags of food, or their strollers with two kids, or their spandex tights and earbuds in their ears, their yoga mats on a piece of elastic slung over their shoulders. He took heart in the fact that he could pass many people—the old man with a walker, or a woman who used a cane, or even just a person his age who seemed to move more slowly than he did—and this made him feel healthy and alive and almost invulnerable in a world of constant traffic. He was proud that he walked more than ten thousand steps a day.
William felt (almost) invulnerable, is what I am saying here.
Some days on these morning walks he would think, Oh God I could be that man—! over there in the wheelchair sitting in the morning sun in Central Park, an aide on a bench typing on her cellphone as the man’s head dropped forward to his chest, or he could be that one—! with an arm twisted from a stroke, a gait uneven— But then William would think: No, I am not those people.
And he was not those people. He was, as I have said, a tall man, to whom age had not added extra weight (except for a small potbelly you could barely see with his clothes on), a man who still had his hair, white now but full, and he was—William. And he had a wife, his third, twenty-two years younger than he was. And that was no small thing.
But at night, he often had terrors.
William told me this one morning—not quite two years ago—when we met for coffee on the Upper East Side. We met at a diner on the corner of Ninety-first Street and Lexington Avenue; William has a lot of money and he gives a lot of it away and one place he gives it to is a hospital for adolescent children near where I live, and in the past when he had an early-morning meeting there he would call me and we would meet briefly for coffee on this corner. On this day—it was March, a few months before William was to turn seventy—we sat at a table in the corner of this diner; on the windows were painted shamrocks for St. Patrick’s Day, and I thought—I did think this—that William looked more tired than usual. I have often thought that William gets better-looking with age. The full white hair gives him an air of distinction; he wears it a little bit longer than he used to and it rises slightly from his head, with his big drooping mustache to counter it, and his cheekbones have emerged more, his eyes are still dark; and it is a tiny bit odd, because he will watch you fully—pleasantly—but then every so often his eyes become briefly penetrating. So what is he penetrating with that look? I have never known.
That day in the diner, when I asked him “So how are you, William?,” I expected him to answer as he always does, which is to say in an ironical tone “Why, I am perfectly fine, thank you, Lucy,” but this morning he just said “I’m okay.” He was wearing a long black overcoat, which he removed and folded over the chair next to him before sitting down. His suit was tailor-made, since meeting Estelle he had been having his suits tailor-made, and so it fit his shoulders perfectly; it was dark gray and his shirt was pale blue and his tie was red; he looked solemn. He folded his arms across his chest, which is what he often does. “You’re looking nice,” I said, and he said, “Thanks.” (I think William has never told me that I am looking good, or pretty, or even well, in all the times we have seen each other over the years, and the truth is that I have always hoped he will.) He ordered our coffee and his eyes flitted about the place while he tugged lightly on his mustache. He spoke about our girls for a while—he was afraid that Becka, the younger, was mad at him; she had been sort of—vaguely—unpleasant to him on the phone when he had simply called to chat with her one day, and I told him that he just had to give her space, she was settling herself into her marriage—we spoke like that for a bit—and then William looked at me and said, “Button, I want to tell you something.” He leaned forward briefly. “I’ve been having these awful terrors in the middle of the night.”
When he uses my pet name from our past it means that he is present in some way he is so often not, and I am always touched when he calls me that.
I said, “You mean nightmares?”
He cocked his head as though considering this and said, “No. I wake up. It’s in the dark when things come to me.” He added, “I’ve never had this sort of thing before. But they’re terrifying, Lucy. They terrify me.”
William leaned forward again and set his coffee cup down.
I watched him, and then I asked, “Is there some kind of different medication that you’re taking?”
He scowled slightly and said, “No.”
So I said, “Well, try taking a sleeping pill.”
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Elizabeth Strout
Elizabeth Strout is the author of the New York Times bestseller Olive Kitteridge, for which she was awarded the Pulitzer Prize; the national bestseller Abide with Me; and Amy and Isabelle, winner of the Los Angeles Times Art Seidenbaum Award and the Chicago Tribune Heartland Prize. She has also been a finalist for the PEN/Faulkner Award and the Orange Prize in London. She lives in Maine and New York City.
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Customer reviews
4.2 out of 5
22,498 global ratings
Eric Selby
5
Oh, Elizabeth, Thank You!
Reviewed in the United States on October 20, 2021
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I suspect a lot of readers are unaware that writing a sequel--"Oh, William! is a sequel to "My Name Is Lucy Barton"--the novelist cannot assume that the reader has read the prior novel. But, of course, it helps I think. I am a big fan of everything Elizabeth Strout has published including her earlier works. The style of "Oh, William!" remains the same as the pseudo autobiography (which is actually a novel), "My Name Is Lucy Barton." So the reader of that work will easily know the references made to Lucy's horrid life as a child. What this new pseudo autobiography does is expand on Lucy's marriage to William who is now in his early seventies, has been married three times, and has a ten-year-old daughter with his current wife. For those like myself who have been divorced, I found this newest creation very heart-warming and true to the character of wonderful Lucy Barton. Not all of Elizabeth Strout's characters are sweet. Who would want Olive Kitteridge living next door? But in a novel she is distant enough to find great satisfaction in knowing her. Lucy Barton, however, would be a delight living next door. The concept of writing about a former spouse is, I think, rather unique. So in my opinion, this is another "smash hit" by this amazing author.
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27 people found this helpful
Ann S. Epstein
5
A Spirit Who Steals People’s Hearts
Reviewed in the United States on December 15, 2021
Verified Purchase
Oh William! by Elizabeth Strout is nominally a short road trip that takes readers on a long journey. Ex-spouses but still good friends, Lucy Barton and William Gerhardt travel to Maine where he hopes to learn more about his late mother’s past. Lucy is grieving the loss of her beloved second husband, while William has had several head-spinning shocks of his own (which I’ll leave for the reader to discover). In their loneliness and sense of dislocation, they join for platonic companionship and comfort, a risky demand at best. Strout excavates the relationship between two people who know each other well, although not as fully as they believe. They fall into old patterns that get disrupted by new discoveries, about each other, and most important, about themselves. While William often remains hidden, guarded with others and not wholly trusted by readers, Lucy is open, honest, and thoroughly likeable. As William says to her, “You are a spirit. There has never been anyone in the world like you. You steal people’s hearts, Lucy.” He speaks the truth. However much William has gotten wrong in his life, in this he is correct. As a fiction writer (see my Amazon author page www.amazon.com/author/asewovenwords), I’m awed by the range of emotions that Strout expresses with the word “Oh.” She uses these two letters to convey deep sympathy, sharp pain, a dull ache, nudging insight, and utter surprise. From the book’s title to its final page, Strout deftly deploys deceptively simple language to bring readers another rich chapter in the life of the resilient Lucy Barton.
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6 people found this helpful
Redwood
5
Book 3 is gorgeous! Best of the 4 (skip book 2)
Reviewed in the United States on December 24, 2022
Verified Purchase
If you’re reading these four books, this one was my favorite… I immediately bought copies for my friends when I finished it. What an exquisite book! Book 1 was also lovely and book 4 was good enough (made better by 1 and 3).
But I wish I hadn’t read book 2 (Anything is Possible)… it left an ick in my body. Book 2 is the only book of the four where Lucy is barely included, and for me, it didn’t have enough beauty, grace, warmth or connection to make up for the swampy darkness of extreme mental illness.
[spoiler alert]
The creepiest Book 2 chapters were a rapist placing cameras and watching women with his wife and a lunatic trapping an old man in a room and scaring him so bad he had a heart attack.
[end spoiler alert]
Book 3 (Oh William), Book 1 (My Name is Lucy Barton), and Book 4 (Lucy by the Sea) all have pain, but there was enough beauty and tenderness to leave me with a sense of the exquisite wonder of being alive.
Of the four, the only ones I’ll keep and read again are 3 & 1. The four books don’t need to be read in order. For the most impact, I’d read them in this order: 3, 1, 4 (and skip 2).
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19 people found this helpful
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