Olive, Again: A Novel (Olive, 2) by Elizabeth Strout
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Olive, Again: A Novel (Olive, 2)

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NEW YORK TIMES BESTSELLER • OPRAH’S BOOK CLUB PICK • Pulitzer Prize winner Elizabeth Strout continues the life of her beloved Olive Kitteridge, a character who has captured the imaginations of millions.

“Strout managed to make me love this strange woman I’d never met, who I knew nothing about. What a terrific writer she is.”—Zadie Smith, The Guardian

“Just as wonderful as the original . . . Olive, Again poignantly reminds us that empathy, a requirement for love, helps make life ‘not unhappy.’”—NPR

ONE OF PEOPLE’S TEN BEST BOOKS OF THE YEAR   Prickly, wry, resistant to change yet ruthlessly honest and deeply empathetic, Olive Kitteridge is “a compelling life force” (San Francisco Chronicle). The New Yorker has said that Elizabeth Strout “animates the ordinary with an astonishing force,” and she has never done so more clearly than in these pages, where the iconic Olive struggles to understand not only herself and her own life but the lives of those around her in the town of Crosby, Maine. Whether with a teenager coming to terms with the loss of her father, a young woman about to give birth during a hilariously inopportune moment, a nurse who confesses a secret high school crush, or a lawyer who struggles with an inheritance she does not want to accept, the unforgettable Olive will continue to startle us, to move us, and to inspire us—in Strout’s words—“to bear the burden of the mystery with as much grace as we can.”

A BEST BOOK OF THE YEAR: Time, Vogue, NPR, The Washington Post,Chicago Tribune, Vanity Fair, Entertainment Weekly, BuzzFeed, Esquire, Real Simple, Good Housekeeping, The New York Public Library, The Guardian, Evening Standard, Kirkus Reviews, Publishers Weekly, BookPage

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ISBN-10

0812986474

ISBN-13

978-0812986471

Print length

320 pages

Language

English

Publisher

Random House Publishing Group

Publication date

November 02, 2020

Dimensions

5.2 x 0.69 x 7.93 inches

Item weight

2.31 pounds


Popular highlights in this book

  • People either didn’t know how they felt about something or they chose never to say how they really felt about something.

    Highlighted by 2,976 Kindle readers

  • I do not have a clue who I have been. Truthfully, I do not understand a thing.

    Highlighted by 1,762 Kindle readers

  • But it’s never starting over, Cindy, it’s just continuing on.

    Highlighted by 1,756 Kindle readers


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B07NCPLS2R

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3893 KB

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Editorial reviews

Amazon.com Review

An Amazon Best Book of October 2019: She’s baaaaack. Elizabeth Strout’s 2008 novel, Olive Kitteridge, won the Pulitzer Prize and spawned a hit HBO miniseries starring Frances McDormand and Bill Murray. In Olive, Again she resurrects the endearing curmudgeon from Crosby, Maine in thirteen interconnected stories that remind us that you’re never too old to grow up. As the book opens, Olive is being wooed, in a manner of speaking, by fellow widow Jack Kennison. Even he is at a loss to explain the precise reasons for his affection for her, but as we see Olive fumbling through everyday life—still grappling with its disappointments and mysteries—we recognize a kindred soul. Olive, Again is not what you would call a page-turner. There are the none of the requisite heart-racing moments, but a steady beat of ordinary magic (which ends up being not so ordinary at all). --Erin Kodicek, Amazon Book Review

Review

“Return to the wonderful world of Strout’s unforgettable Pulizer Prize–winning novel, Olive Kitteridge, with Olive, Again. Strout weaves together the stories of the different characters populating Crosby, Maine, in her inimitable voice, all tied together by Olive. . . . Lose yourself in the world of Olive, Again. You’ll be so glad you did.”—PopSugar

“Strout dwells with uncanny immediacy inside the minds and hearts of a dazzling range of ages: the young (with their confusion, wonder, awakening sexuality), the middle-aged (envy, striving, compromise), the old (failing bodies, societal shunning, late revelations). . . . I have long and deeply admired all of Strout’s work, but Olive, Again transcends and triumphs. The naked pain, dignity, wit and courage these stories consistently embody fill us with a steady, wrought comfort.”—Washington Post

“The lovable, irascible Olive Kitteridge is back in this sequel to the charming (but also casually devastating) 2008 novel that won a Pulitzer Prize and spawned an HBO miniseries. Strout sticks to her winning formula: interrelated short stories linked by the presence of familiar faces. . . . In this novel—set against the backdrop of a rapidly changing Maine, ravaged by opioid addiction and economic neglect—Strout wields great pathos out of life and all its attendant tragedies.”—BuzzFeed

“In thirteen poignant interconnected stories, Strout follows the cantankerous, truth-telling Mainer as she ages, experiencing a joyful second marriage and the evolution of her difficult relationship with her son. In her blunt yet compassionate way, Olive grapples with loneliness, infidelity, mortality and the question of whether we can ever really know someone—ourselves included.”—People (Book of the Week)

“It is precisely the complicated mixture of emotions she inspires that makes Olive such an endlessly fascinating and irresistibly endearing heroine. Olive, Again is bleaker, sadder, more achingly beautiful than its predecessor, and a magnificent achievement on its own terms. . . . We see Olive acquiring a view of herself, and coming to recognize as valuable the other people who grant that vision. In the process, she shares in the alchemy that she continues to perform for us and elicits our unexpected, abiding love.”—The Boston Globe

“Strout aims the spotlight on her wry heroine and the characters of Crosby, Maine, in another book that’s sure to have you flipping pages long into the night.”—Bustle

“Olive, Again returns to Olive and the town of Crosby to do what Strout does best: find meaning in the tiniest and most mundane details of everyday life.”—Vox

“Olive Kitteridge, the deliciously funny and unforgettable miserabilist at the heart of Elizabeth Strout’s Pulitzer Prize–winning 2008 novel that bore her name, fully deserves the sensitive and satisfying follow-up that Strout has written about her. . . . [Strout] is exquisitely attuned to the subtleties of her beloved character’s innermost thoughts; she makes us feel for Olive, giving us an intimate, multifaceted and touching portrait of someone suffering alone.”—The New York Times Book Review

About the Author

Elizabeth Strout is the #1 New York Times bestselling author of Olive Kitteridge, winner of the Pulitzer Prize; Olive, Again, an Oprah’s Book Club pick; Anything Is Possible, winner of the Story Prize; My Name is Lucy Barton, longlisted for the Man Booker Prize; The Burgess Boys, named one of the best books of the year by The Washington Post and NPR; Abide with Me, a national bestseller; and Amy and Isabelle, winner of the Los Angeles Times Art Seidenbaum Award for First Fiction and the Chicago Tribune Heartland Prize. She has also been a finalist for the National Book Critics Circle Award, the PEN/Faulkner Award for Fiction, the International Dublin Literary Award, and the Orange Prize. Her short stories have been published in a number of magazines, including The New Yorker and O: The Oprah Magazine. Elizabeth Strout lives in New York City.

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Sample

Labor

Two days earlier, Olive Kitteridge had delivered a baby.

She had delivered the baby in the backseat of her car; her car had been parked on the front lawn of Marlene Bonney’s house. Marlene was having a baby shower for her daughter, and Olive had not wanted to park behind the other cars lined up on the dirt road. She had been afraid that someone might park behind her and she wouldn’t be able to get out; Olive liked to get out. So she had parked her car on the front lawn of the house, and a good thing she had, that foolish girl—her name was Ashley and she had bright blond hair, she was a friend of Marlene’s daughter—had gone into labor, and Olive knew it before anyone else did; they were all sitting around the living room on folding chairs and she had seen Ashley, who sat next to her, and who was enormously pregnant, wearing a red stretch top to accentuate this pregnancy, leave the room, and Olive just knew.

She’d gotten up and found the girl in the kitchen, leaning over the sink, saying, “Oh God, oh God,” and Olive had said to her, “You’re in labor,” and the idiot child had said, “I think I am. But I’m not due for another week.”

Stupid child.

And a stupid baby shower. Olive, thinking of this as she sat in her own living room, looking out over the water, could not, even now, believe what a stupid baby shower that had been. She said out loud, “Stupid, stupid, stupid, stupid.” And then she got up and went into her kitchen and sat down there. “God,” she said.

She rocked her foot up and down.

The big wristwatch of her dead husband, Henry, which she wore, and had worn since his stroke four years ago, said it was four o’clock. “All right then,” she said. And she got her jacket—it was June, but not warm today—and her big black handbag and she went and got into her car—which had that gunky stuff still left on the backseat from that foolish girl, although Olive had tried to clean it as best she could—and she drove to Libby’s, where she bought a lobster roll, and then she drove down to the Point and sat in her car there and ate the lobster roll, looking out at Halfway Rock.

A man in a pickup truck was parked nearby, and Olive waved through her window to him but he did not wave back. “Phooey to you,” she said, and a small piece of lobster meat landed on her jacket. “Oh, hell’s bells,” she said, because the mayonnaise had gotten into the jacket—she could see a tiny dark spot—and would spoil the jacket if she didn’t get it to hot water fast. The jacket was new, she had made it yesterday, sewing the pieces of quilted blue-and-white swirling fabric on her old machine, being sure to make it long enough to go over her hind end.

Agitation ripped through her.

The man in the pickup truck was talking on a cellphone, and he suddenly laughed; she could see him throwing his head back, could even see his teeth as he opened his mouth in his laughter. Then he started his truck and backed it up, still talking on his cellphone, and Olive was alone with the bay spread out before her, the sunlight glinting over the water, the trees on the small island standing at attention; the rocks were wet, the tide was going out. She heard the small sounds of her chewing, and a loneliness that was profound assailed her.

It was Jack Kennison. She knew this is what she had been thinking of, that horrible old rich flub-dub of a man she had seen for a number of weeks this spring. She had liked him. She had even lain down on his bed with him one day, a month ago now, right next to him, could hear his heart beating as her head lay upon his chest. And she had felt such a rush of relief—and then fear had rumbled through her. Olive did not like fear.

And so after a while she had sat up and he had said, “Stay, Olive.” But she did not stay. “Call me,” he had said. “I would like it if you called me.” She had not called. He could call her if he wanted to. And he had not called. But she had bumped into him soon after, in the grocery store, and told him about her son who was going to have another baby any day down in New York City, and Jack had been nice about that, but he had not suggested she come see him again, and then she saw him later (he had not seen her) in the same store, talking to that stupid widow Bertha Babcock, who for all Olive knew was a Republican like Jack was, and maybe he preferred that stupid woman to Olive. Who knew? He had sent one email with a bunch of question marks in the subject line and nothing more. That was an email? Olive didn’t think so.

“Phooey to you,” she said now, and finished her lobster roll. She rolled up the paper it had come in and tossed it onto the backseat, where that mess still showed in a stain from that idiot girl.

“I delivered a baby today,” she had told her son on the telephone.

Silence.

“Did you hear me?” Olive asked. “I said I delivered a baby today.”

“Where?” His voice sounded wary.

“In my car outside Marlene Bonney’s house. There was a girl—” And she told him the story.

“Huh. Well done, Mom.” Then in a sardonic tone he said, “You can come here and deliver your next grandchild. Ann’s having it in a pool.”

“A pool?” Olive could not understand what he was saying.

Christopher spoke in a muffled tone to someone near him.

“Ann’s pregnant again? Christopher, why didn’t you tell me?”

“She’s not pregnant yet. We’re trying. But she’ll get pregnant.”

Olive said, “What do you mean, she’s having it in a pool? A swimming pool?”

“Yeah. Sort of. A kiddie pool. The kind we had in the backyard. Only this one is bigger and obviously super clean.”

“Why?”

“Why? Because it’s more natural. The baby slides into the water. The midwife will be here. It’s safe. It’s better than safe, it’s the way babies should be born.”

“I see,” said Olive. She didn’t see at all. “When is she having this baby?”

“As soon as we know she’s pregnant, we’ll start counting. We’re not telling anyone that we’re even trying, because of what just happened to the last one. But I just told you. So there.”

“All right then,” Olive said. “Goodbye.”

Christopher—she was sure of this—had made a sound of disgust before he said, “Goodbye, Mom.”

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About the authors

Elizabeth Strout

Elizabeth Strout

Elizabeth Strout is the author of the New York Times bestseller Olive Kitteridge, for which she was awarded the Pulitzer Prize; the national bestseller Abide with Me; and Amy and Isabelle, winner of the Los Angeles Times Art Seidenbaum Award and the Chicago Tribune Heartland Prize. She has also been a finalist for the PEN/Faulkner Award and the Orange Prize in London. She lives in Maine and New York City.

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Reviews

Customer reviews

4.4 out of 5

24,861 global ratings

Anthony Conty

Anthony Conty

5

Get to Know Olive

Reviewed in the United States on January 15, 2020

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“Olive, Again” by Elizabeth Strout has a lot to say and a very unique way to do so. Olive Kitteridge came on the scene with a bang in 2008 as one of the most idiosyncratic characters in literature. Here, shocking things happen around her in Crosby, Maine and we recognize her inability to understand what it all means. The web describes Kitteridge as a “well-meaning misanthrope” which makes her difficult to predict. You would think that writing about what she doesn't understand would lack depth but it does not.

Having not read the original, I was shocked by the aging motif. Olive and her husband, Jack, look back on their lives, dwell on memories of affairs and failed marriages, and still struggle to find out what it all means now. A part about a man on antidepressants and the struggles of marital compromise hit home with me the most. Mrs. Kitteridge floats in and out of others' lives, knowing as a teacher that she has had a profound effect on everyone whether she tried to do so or otherwise.

It often challenges me to read about protagonists of demographics different from my own. Olive, as an individual works because we see how she views others and watch her learn about her preconceived notions. No one will mistake Olive for a perfect woman but we feel for her just the same, especially when she starts to look back on life with regret, confusion, and self-doubt. She has made mistakes but we question whether or not she deserves her lot in life after she helps others so much.

So much of the novel comes with our understanding of Olive and how we perceive her. It almost makes me not want to watch the mini-series with Frances McDormand and Bill Murray since I had my own vision of the people. Hollywood would work its usual magic in aging all of the actors gradually but capturing their essence may work better on paper. Strout creates a lot of personalities in a limited amount of time in the short story format but you grow to enjoy each of them in their own context.

When I review books, I often warn you if the book is not to everyone's taste. "Olive, Again" deals mostly with human nature and deals with events and not necessarily action or shock. This made it my kind of novel. It will make you want to tell others how you feel and appreciate the time you have with them. Even those who find themselves disgruntled with those around them will relate to Olive at her most irritable. You will grow frustrated with her at times but remain glad that you met her.

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3 people found this helpful

Reading woman

Reading woman

5

thought provoking

Reviewed in the United States on September 19, 2024

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Meeting Olive I feel as though I have a new friend. I too am in my eighties and we have so much in common and so much to discuss. I loved this book

Timothy J. Bazzett

Timothy J. Bazzett

5

filled with humor, sadness, wisdom - a modern masterpiece

Reviewed in the United States on February 25, 2020

Verified Purchase

Only FIVE stars? C'mon! Ya need TEN stars for a book like this! At least! I think I might have felt the same way when I read Elizabeth Strout's OLIVE KITTERIDGE ten-plus years ago. I've seen numerous comments in various early reactions to OLIVE, AGAIN that the sequel is even better than the original. Well, those folks were right. I was so completely caught up in these new stories of Olive and other denizens of the small coastal town of Crosby, Maine, that I barely surfaced until I'd turned the last page.

We meet again the characters from the first Olive book, but here are the Burgess brothers and their sister too, as well as Amy and Isabelle, the complex and compelling characters from other Strout books. But none are nearly as good as the blunt, outspoken Olive herself, who ages another dozen years, well into her eighties, in this collection of finely interwoven stories, finally reduced to the indignities of Depends, which she characteristically calls her "foolish poopie panties," which caused me to laugh out loud and nearly weep for her simultaneously.

OLIVE, AGAIN is a book filled with humor, sadness, humanity and hard-won wisdom, telling us that life is strange, hard, filled with wonder, and finite. It is, in my estimation, nothing less than a modern masterpiece of the human condition. Bravo, Ms Strout. My very highest recommendation.

  • Tim Bazzett, author of the memoir, BOOKLOVER

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