The One Hundred Years of Lenni and Margot: A Novel by Marianne Cronin
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The One Hundred Years of Lenni and Margot: A Novel

by

Marianne Cronin

(Author)

4.5

-

16,323 ratings


**“A beautiful debut, funny, tender, and animated by a willingness to confront life’s obstacles and find a way to survive. . . . It celebrates friendship, finds meaning in difficulty and lets the reader explore dark places while always allowing for the possibility of light. Lenni and Margot are fine companions for all our springtime journeys.”—Harper’s Bazaar, UK **

A charming, fiercely alive and disarmingly funny debut novel in the vein of John Green, Rachel Joyce, and Jojo Moyes—a brave testament to the power of living each day to the fullest, a tribute to the stories that we live, and a reminder of our unlimited capacity for friendship and love.

An extraordinary friendship. A lifetime of stories.

Seventeen-year-old Lenni Pettersson lives on the Terminal Ward at the Glasgow Princess Royal Hospital. Though the teenager has been told she’s dying, she still has plenty of living to do. Joining the hospital’s arts and crafts class, she meets the magnificent Margot, an 83-year-old, purple-pajama-wearing, fruitcake-eating rebel, who transforms Lenni in ways she never imagined.

As their friendship blooms, a world of stories opens for these unlikely companions who, between them, have been alive for one hundred years. Though their days are dwindling, both are determined to leave their mark on the world. With the help of Lenni’s doting palliative care nurse and Father Arthur, the hospital’s patient chaplain, Lenni and Margot devise a plan to create one hundred paintings showcasing the stories of the century they have lived—stories of love and loss, of courage and kindness, of unexpected tenderness and pure joy.

Though the end is near, life isn’t quite done with these unforgettable women just yet.

Delightfully funny and bittersweet, heartbreaking yet ultimately uplifting, The One Hundred Years of Lenni and Margot reminds us of the preciousness of life as it considers the legacy we choose to leave, how we influence the lives of others even after we’re gone, and the wonder of a friendship that transcends time.

From the beautiful cover to the heart-warming story, The One Hundred Years of Lenni and Margot is a book that will touch your soul and make you appreciate the beauty of life. This literary fiction novel is one of the best books of all time, and it's perfect for anyone who loves novels about love, grief, and friendship.

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ISBN-10

0063017504

ISBN-13

978-0063017504

Print length

352 pages

Language

English

Publisher

Harper Perennial

Publication date

May 31, 2021

Dimensions

5.31 x 0.79 x 8 inches

Item weight

2.31 pounds


Popular highlights in this book

  • Somewhere, out in the world, are the people who touched us, or loved us, or ran from us. In that way we will live on.

    Highlighted by 242 Kindle readers

  • We want for people to know us, to know our story, to know who we are and who we will be. And after we’ve gone, to know who we were.

    Highlighted by 235 Kindle readers

  • ‘Dying isn’t brave,’ I said, ‘it’s accidental. I’m not brave, I’m just not dead yet.’

    Highlighted by 143 Kindle readers


Product details

ASIN :

B08F7SS35N

File size :

5421 KB

Text-to-speech :

Enabled

Screen reader :

Supported

Enhanced typesetting :

Enabled

X-Ray :

Enabled

Word wise :

Enabled


Editorial reviews

“With a sensibility that's as compassionate and quirky as those of her two indelible heroines, Marianne Cronin offers a deceptively lighthearted response to life’s heaviest questions. As Lenni and Margot leave their mark on one another, so too does this tearjerker of a book leave its mark on the reader.” — Kathleen Rooney, author of Lillian Boxfish Takes a Walk and Cher Ami and Major Whittlesey

“Graceful, intelligent, beautiful writing. Full of wisdom and kindness. It is just the kind of book I adore.” — Joanna Cannon, author of The Trouble with Goats and Sheep

“Sharp and funny, warm and wise, a remarkable friendship sparks two lifetimes of shared stories in one unforgettable book. I loved it.” — Jess Kidd, author of Himself

“Gorgeously poignant novel . . . unexpectedly funny, touching and so uplifting.” — Good Housekeeping

"A gorgeous, heartbreaking story readers won't soon forget." — Elle (Most Anticipated Books of 2021)

"With it's uplifting message, the story is both poignant and also comical." — Cosmopolitan (20 Book's You're Going to Want to Read this Summer)

“A beautiful debut, funny, tender, and animated by a willingness to confront life’s obstacles and find a way to survive. . . . It celebrates friendship, finds meaning in difficulty and lets the reader explore dark places while always allowing for the possibility of light. Lenni and Margot are fine companions for all our springtime journeys.” — Harper’s Bazaar, UK (Author of the Month)

"Cronin has just struck the right balance between sensitivity and sentimentality, making her one of those admirable writers who does exceptionally fine work both celebrating life and addressing death." — Booklist

“You need a hanky to hand for this exquisite story of friendship . . . Their story is the most beautifully written love letter to friendship, managing to make you laugh and cry uncontrollably. It’s quite simply brilliant!” — Woman & Home, UK

“This multi-generational novel about friendship is something special: moving, joyful, and life-affirming.” — Good Housekeeping, UK (Book of the Month)

“Glorious debut about friendship . . . Touching, honest, and funny.” — Prima (Book of the Month)

"A heart-warming story about how friendship can grow between people of different generations." — BBC

"A beautiful, tender ode to friendship, love and our chosen legacies." — Washington Post (Best Feel-Good Books of 2021)

“Cronin’s characters are fully drawn, and chime together to tell a sweet story about connection, loss, and living.” — Irish Times

"Cronin’s touching debut is a joyous celebration of friendship, love, and life." — Publishers Weekly

"Marianne Cronin’s first novel brims with so much life. . . . With love and tenderness on every page, this imaginative novel is a joy to read." — BookPage (starred review)

"After meeting in the terminal ward’s art class, two women (one 17 and one 83) bond through life, love and friendship in this Uplifting and heartstring-tugging story." — Parade (Ultimate Summer Reading List)

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Sample

Part One

Lenni

When people say “terminal,” I think of the airport.

I picture a wide check-in area with a high ceiling and glass walls, the staff in matching uniforms waiting to take my name and flight information, waiting to ask me if I packed my bags myself, if I’m traveling alone.

I imagine the blank faces of passengers checking screens, families hugging one another with promises that this won’t be the last time. And I picture myself among them, my suitcase wheeling behind me so effortlessly on the highly polished floor that I might be floating as I check the screen for my destination of choice.

I have to drag myself out of there and remember that that is not the type of terminal meant for me.

They’ve started to say “life-limiting” instead now. “Children and young people with life-limiting conditions . . .”

The nurse says it gently as she explains that the hospital has started to offer a counseling service for young patients whose conditions are “terminal.” She falters, flushing red. “Sorry, I meant life-limiting.” Would I like to sign up? I could have the counselor come to my bed, or I could go to the special counseling room for teenagers. They have a TV in there now. The options seem endless, but the term is not new to me. I have spent many days at the airport. Years.

And still, I have not flown away.

I pause, watching the upside-down rubber watch pinned to her breast pocket. It swings as she breathes.

“Would you like me to put your name down? The counselor, Dawn, she really is lovely.”

“Thank you, but no. I have my own form of therapy going on right now.”

She frowns and tilts her head to the side. “You do?”

Lenni and the Priest

I went to meet God because it’s one of the only things I can do here. People say that when you die, it’s because God is calling you back to him, so I thought I’d get the introduction over and done with ahead of time. Also, I’d heard that the staff are legally obliged to let you go to the hospital chapel if you have religious beliefs, and I wasn’t going to pass up the opportunity to see a room I’d not yet been in and meet the Almighty in one go.

A nurse I’d never seen before, who had cherry red hair, linked her arm through mine and walked me down the corridors of the dead and the dying. I devoured every new sight, every new smell, every pair of mismatched pajamas that passed me.

I suppose you could say that my relationship with God is complicated. As far as I understand it, he’s like a cosmic wishing well. I’ve asked for stuff a couple of times, and some of those times he’s come up with the goods. Other times there’s been silence. Or, as I have begun to think lately, maybe all the times I thought God was being silent, he was quietly depositing more nonsense into my body, a kind of secret “F-you” for daring to challenge him, only to be discovered many years later. Buried treasure for me to find.

When we reached the chapel doors, I was unimpressed. I’d expected an elegant Gothic archway, but instead I came up against a pair of heavy gray doors with square frosted windows. I wondered why God would need his windows frosted. What’s he up to in there?

Into the silence behind the doors the new nurse and I stumbled.


“Well,” he said, “hello!”

He must have been about sixty, wearing a black shirt and trousers and a white dog collar. And he looked like he couldn’t have been happier than he was at that moment.

I saluted. “Your honor.”

“This is Lenni . . . Peters?” The new nurse turned to me for clarification.

“Pettersson.”

She let go of my arm and added gently, “She’s from the May Ward.”

It was the kindest way for her to say it. I suppose she felt she ought to warn him, because he looked as excited as a child on Christmas morning receiving a train set wrapped in a big bow, when in reality, the gift she was presenting him with was broken. He could get attached if he wanted, but the wheels were already coming off and the whole thing wasn’t likely to see another Christmas.

I took my drip tube, which was attached to my drip wheelie thing, and walked toward him.

“I’ll be back in an hour,” the new nurse told me, and then she said something else, but I wasn’t listening. Instead, I was staring up, where the light shone in and the glow of every shade of pink and purple imaginable was striking my irises.

“Do you like the window?” he asked.

A cross of brown glass behind the altar was illuminating the whole chapel. Radiating from around the cross were jagged pieces of glass in violet, plum, fuchsia, and rose.

The whole window seemed like it was on fire. The light scattered over the carpet and the pews and across our bodies.

He waited patiently beside me, until I was ready to turn to him.

“It’s nice to meet you, Lenni,” he said. “I’m Arthur.” He shook my hand, and to his credit he didn’t wince when his fingers touched the part where the drip burrows into my skin.

“Would you like to sit?” he asked, gesturing to the rows of empty pews. “It’s very nice to meet you.”

“You said.”

“Did I? Sorry.”

I wheeled my drip behind me and as I reached the pew, I tied my dressing gown more tightly around my waist. “Can you tell God I’m sorry about my pajamas?” I asked as I sat.

“You just told him. He’s always listening,” Father Arthur said as he sat beside me. I looked up at the cross.

“So tell me, Lenni, what brings you to the chapel today?”

“I’m thinking about buying a secondhand BMW.”

He didn’t know what to do with that, so he picked up the Bible from the pew beside him, thumbed through it without looking at the pages, and put it down again.

“I see you . . . er, you like the window.”

I nodded.

There was a pause.

“Do you get a lunch break?”

“Sorry?”

“It’s just, I was wondering whether you have to lock up the chapel and go to the canteen with everyone else, or if you can have your break in here?”

“I, um—”

“Only, it seems a bit cheeky to clock out for lunch if your whole day is basically clocked out.”

“Clocked out?”

“Well, sitting in an empty church is hardly a nose-to-the-grindstone job, is it?”

“It’s not always this quiet, Lenni.”

I looked at him to check I hadn’t hurt his feelings, but I couldn’t tell.

“We have Mass on Saturdays and Sundays, we have Bible readings for the children on Wednesday afternoons, and I get more visitors than you might imagine. Hospitals are scary places; it’s nice to be in a space where there are no doctors or nurses.”

I went back to studying the stained-glass window.

“So, Lenni, is there a reason for your visit today?”

“Hospitals are scary places,” I said. “It’s nice to be in a space where there aren’t any doctors or nurses.”

I thought I heard him laugh.

“Would you like to be left alone?” he asked, but he didn’t sound hurt.

“Not particularly.”

“Would you like to talk about anything specific?”

“Not particularly.”

Father Arthur sighed. “Would you like to know about my lunch break?”

“Yes, please.”

“I take it at one until twenty past. I have egg and cress on white bread cut into small triangles, made for me by my housekeeper. I have a study through that door”—he pointed—“and I take fifteen minutes to eat my sandwich and five to drink my tea. Then I come back out. But the chapel is always open, even when I’m in my study.”

“Do they pay you for that?”

“Nobody pays me.”

“Then how do you afford all the egg and cress sandwiches?”

Father Arthur laughed.

We sat in silence for a while and then he started talking again. For a priest, he wasn’t that comfortable with silence. I’d have thought the quiet would give God an opportunity to make himself known. But Father Arthur didn’t seem to like it, so he and I talked about his housekeeper, Mrs. Hill, and how she always sends him a postcard whenever she goes on holiday and then, when she returns, how she fishes them out of his “in-tray” and sticks them on the fridge. We talked about how the bulbs are changed for the light behind the stained-glass window (there’s a secret passageway around the back). We talked about pajamas. And despite how tired he looked, when the new nurse came to collect me, he told me that he hoped I would come back.

I think, however, he was surprised when I arrived the next afternoon in a fresh pair of pajamas and now free of my IV. The head nurse, Jacky, wasn’t thrilled about the idea of me going back a second day in a row, but I held her gaze and said in a small voice, “It would mean a lot to me.” And who can say no to a dying child?

When Jacky called for a nurse to walk me down the corridors, it was the new nurse who turned up. The one with the cherry red hair, which clashed with her blue uniform like there was no tomorrow. She’d only been on the May Ward a matter of days and she was nervous, especially around the airport children, and desperate for someone to assure her she was doing a good job. As we made our way along the corridor toward the chapel, I commented on how excellent her chaperoning skills were. I think she liked that.

The chapel was empty again except for Father Arthur, who was sitting in a pew, wearing long white robes over his black suit and reading. Not the Bible, but a large book with a cheap binding and a glossy laminated cover. When New Nurse opened the door and I followed gratefully through, Father Arthur didn’t turn around right away. New Nurse let the door close behind us, and at the sound of the heavy thud he turned, put his glasses on, and smiled.

“Pastor, um . . . Reverend?” New Nurse stumbled. “She, um, Lenni asked if she could spend an hour here. Is that okay?”

Father Arthur closed the book in his lap.

“Certainly,” he said.

“Thank you, um, Vicar . . . ?” New Nurse said.

“Father,” I whispered. She grimaced, her face reddening—which clashed with her hair—and then she left without another word.

Father Arthur and I settled into the same pew. The colors in the stained glass were just as lovely as the day before.

“It’s empty again today,” I said. It echoed.

Father Arthur said nothing.

“Did it used to be busy? You know, back when people were more religious?”

“It is busy,” he said.

I turned to him. “We’re the only ones here.”

Clearly, he was in denial.

“It’s okay if you don’t want to talk about it,” I said. “It must be embarrassing. I mean, it’s like you’re throwing a party and nobody’s turned up.”

“It is?”

“Yes. I mean, here you are, in your best white party dress with lovely grapes and things sewn onto it, and—”

“These are vestments. It’s not a dress.”

“Vestments, then. Here you are, in your party vestments, you’ve got the table laid ready for lunch . . .”

“That’s an altar, Lenni. And it’s not lunch, it’s the Eucharist. The bread of Christ.”

“What, he won’t share?”

Father Arthur gave me a look.

“It’s for the Sunday service. I don’t eat the holy bread for lunch, and I don’t eat my lunch at the altar.”

“Of course, because you have egg and cress in your office.”

“I do,” he said, glowing a little because I had remembered something about him.

“So, you’ve got everything ready for the party. There’s music”—I pointed to the sad CD/cassette tape combo in the corner beside which some CDs were neatly piled—“and there’s plenty of seating for everyone.” I pointed to the rows of empty pews. “But nobody comes.”

“To my party?”

“Exactly. All day, every day, you are throwing a Jesus party and nobody’s coming. It must feel horrible.”

“That’s . . . um . . . Well, that’s one way of thinking about it.”

“Sorry if I’m making it worse.”

“You’re not making anything worse, but really, this isn’t a party, Lenni. This is a place of worship.”

“Yes. No, I know that, but what I mean is that I get where you’re coming from. I had a party once, when I was eight and I’d just moved to Glasgow from Sweden. My mum invited all the kids in my class, but hardly anyone came. Although, at that point my mum’s English was patchy, so there’s every chance they all went to the wrong place, holding presents and balloons and waiting for the party to start. At least that’s what I told myself at the time.”

I paused.

“Go on,” he offered.

“So, when I was sitting there on the dining room chairs that my mum had arranged into a circle, waiting for someone to turn up, I felt horrible.”

“I’m sorry to hear that,” he said.

“So, that’s what I’m saying to you. I know how much it hurts when nobody comes to your party. I just wanted to say I’m sorry. I just don’t think you should deny it. You can’t fix a problem until you’ve faced it head-on.”

“But it is busy, Lenni. It’s busy because you are here. It is busy with the spirit of the Lord.”

I gave him a look.

He shuffled in the pew. “And besides, a little solitude isn’t to be laughed at. This may be a place of worship, but it’s also a place of peace.” He glanced up at the stained glass. “I like to be able to talk to patients one to one; it means I can pay them my full attention and, don’t take this the wrong way, Lenni, but I think you might be a person the Lord would like me to pay my full attention to.”

I laughed at that.

“I thought about you at lunchtime,” I said. “Did you have egg and cress again today?”

“I did.”

“And?”

“Lovely, as always.”

“And Mrs. . . . ?”

“Hill, Mrs. Hill.”

“Did you tell Mrs. Hill about our conversation?”

“I didn’t. Everything you say here is confidential. That’s why people like coming so much. They can speak their minds and not worry who will find out later.”

“So this is confession, then?”

“No, although if you wish to go to confession, I would gladly help you arrange it.”

“If it isn’t confession, then what is it?”

“It’s whatever you want it to be. This chapel is here to be whatever you need it to be.”

I took in the empty rows of pews, the electronic piano draped in a beige dustcover, the noticeboard with a picture of Jesus pinned to it. What would I want this place to be if it could be anything?

“I would like it to be a place of answers.”

“It can be.”

“Can it? Can religion ever really answer a question?”

“Lenni, the Bible teaches us that Christ can guide you to the answer to every question.”

“But can it answer an actual question? Honestly? Can you answer me a question without telling me that life is a mystery, or that everything is God’s plan, or that the answers I seek will come with time?”

“Why don’t you tell me your question, and we will work together to see how God can help us find an answer?”

I leaned back in the pew and it creaked. The echo reverberated around the room.

“Why am I dying?”

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About the authors

Marianne Cronin

Marianne Cronin

Hello, I’m Marianne Cronin, author of 'The One Hundred Years of Lenni and Margot'. Welcome to my Amazon Author page!

My second novel, 'Eddie Winston is Looking for Love' will be released in 2024 and I can't wait to share Eddie's story with you.

When I’m not writing, I can be found trying to be funny in various improv groups and taking way too many photos of my cat, Puffin.

You can find me and Puffin on Instagram at: @itsmariannecronin

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Reviews

Customer reviews

4.5 out of 5

16,323 global ratings

Humor Me

Humor Me

5

Touching, funny and sad

Reviewed in the United States on July 30, 2024

Verified Purchase

This is one of the best books I have read in a long time. The story of Lenni & Margot is filled with touching experiences that made me laugh and cry. Lenni as the primary character sees and lives life through a unique perspective. Margot is the unlikely but perfect companion to Lenni. I wish I could meet both Lenni & Margot in real life. I don’t want to give away any of the plot and ruin it for future readers. All I can say is read it!

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Jenna B

Jenna B

5

A heartfelt story about life, friendship, love and mortality

Reviewed in the United States on July 20, 2024

Verified Purchase

Seventeen year old Lenni and 83 year old Margot, both terminally ill, develop the sweetest friendship filled with tenderness, life stories, laughter and love.

Lennie also develops a close friendship with Father Arthur and some of their conversations regarding religion and the ‘dresses’ Father Arthur wears and eating lunch on the alter had me chuckling out loud!

Even though the theme of the book revolves around illness and mortality, it is filled with moments of joy, star gazing, and the many types of love interspersed with light hearted conversations and laughter.

This book and it’s wonderful characters and all the emotions will stay with me a long time. I highly recommended it!

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JS mugsy

JS mugsy

5

great read

Reviewed in the United States on July 26, 2024

Verified Purchase

Really makes me think. Certainly changes my perspective on dying and what it truly means to never give up. Thank you.

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