4.4
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14,317 ratings
25th Anniversary Edition—with an Introduction by the Author!*
The Owens sisters confront the challenges of life and love in this bewitching novel from the New York Times bestselling author of The Rules of Magic, Magic Lessons, and The Book of Magic.
For more than two hundred years, the Owens women have been blamed for everything that has gone wrong in their Massachusetts town. Gillian and Sally have endured that fate as well: as children, the sisters were forever outsiders, taunted, talked about, pointed at. Their elderly aunts almost seemed to encourage the whispers of witchery, with their musty house and their exotic concoctions and their crowd of black cats. But all Gillian and Sally wanted was to escape. One will do so by marrying, the other by running away. But the bonds they share will bring them back—almost as if by magic...
“Splendid...Practical Magic is one of [Hoffman's] best novels, showing on every page her gift for touching ordinary life as if with a wand, to reveal how extraordinary life really is.”—Newsweek
“[A] delicious fantasy of witchcraft and love in a world where gardens smell of lemon verbena and happy endings are possible.”—Cosmopolitan
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ISBN-10
0425190374
ISBN-13
978-0425190371
Print length
286 pages
Language
English
Publisher
Berkley
Publication date
August 04, 2003
Dimensions
5.1 x 0.6 x 8 inches
Item weight
2.31 pounds
Goodness, in their opinion, was not a virtue but merely spinelessness and fear disguised as humility.
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Sometimes, running away means you’re headed in the exact right direction.
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Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
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ASIN :
B001R11CJO
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5344 KB
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Praise for Practical Magic
“A beautiful, moving book about the power of love and the desires of the heart.”—Denver Post
“Charmingly told, and a good deal of fun.”—The New York Times Book Review
“One of her most lyrical works...Hoffman is at her best.”—San Francisco Chronicle Book Review
“Written with a light hand and rhythm...Practical Magic has the pace of a fairy tale but with the impact of accomplished fiction.”—People
“A sweet, sweet story that like the best fairy tales says more than at first it seems to.”—New York Daily News
“[Hoffman] has proved once again her potency as a storyteller, combining the mundane with the fantastic in a totally engaging way.”—The Orlando Sentinel
“Hoffman's writing has plenty of power. Her best sentences are like incantations—they won't let you get away.”—Kirkus Reviews
“Witches and ghosts, spells and sleight-of-hand weave a fanciful atmosphere in Alice Hoffman's tender comedy about clairvoyance, spells, and family ties.”—The Miami Herald
“A cosmic romance leavened with just the right touch of pragmatism and humor.”—Booklist
**INTRODUCTION **
In the world of Practical Magic, lilacs bloom overnight, the real and the magical overlap, and the Owens women have been witches for generations. This novel is an attempt to unlock the secrets of the human heart. What price are we willing to pay for love? How do we recognize and understand our truest selves? How does our past affect our present? Many of us know what it’s like to try to escape a family legacy of one sort or another, only to discover that in the long run we carry our heritage with us no matter how far we might run. The Owens family is one in which the women will do anything for each other; they may argue, they may disagree, but they are fiercely devoted to one another.
Witches are outsiders, and those among us who have been bullied and ostracized can relate to their plight. Part of our fascination with witches is that they are the only female mythic figures with power. These are women who don’t need to be rescued by a prince or a king but, instead, can save themselves—sometimes with the help of a sister. They are wise and fearless women of courage. In short, they are everything little girls wish to grow up to become. In both Practical Magic and its prequel, The Rules of Magic, girls are always encouraged to choose courage, and Courage Tea is the aunts’ most treasured remedy. Practical Magic is the mythic reconfiguration of the journey most women must make, whether they are sisters, mothers, daughters, or aunts. The Owens women practice magic in the modern world. Sally is the steady older sister who yearns for a “normal” life. Gillian is the wild, unpredictable younger sister who searches out danger. Although they are opposites, each is wary of love, for they have seen lovestruck women come to their aunts for potions and remedies. The original Owens ancestor, Maria Owens, after being abandoned by one of the magistrates at the Salem witch trials, called down a curse upon her family to protect them from the troubles of love. Sally and Gillian know that they carry Maria’s curse. Both must fight for love in a world that is more dangerous when you open your heart, but which is also more meaningful and joyful once you do. The sisters can’t escape magic any more than they can escape love, and in the end they realize this is a blessing rather than a curse.
Twenty-five years after its publication, I am delighted to say that Practical Magic lives on. Just as there are three generations of women in the novel, the book has been embraced by three generations of readers. I’ve met daughters and mothers and grandmothers who have shared the novel, and nothing brings me more joy than to know that Practical Magic is a family affair. This is a book about magic, but more importantly, it’s an ode to sisterhood and family, and to the power of love.
Readers have said that when they return to Practical Magic for a second or third reading, they experience the novel in a completely different way than they did the first time around. The meaning of the book changes for them depending on the stage of their life. The family dynamics are complex; and as often happens in our own lives, how we view the people close to us, even when they are fictional characters, depends on where we stand in the world at that time. Over the years, readers have asked for another novel about the Owens women. My interest in personal history led me to go back in time and write a prequel rather than a sequel. The Rules of Magic tells the story of the aunts from Practical Magic, Franny and Jet, when they are young and first experience their own magical awakenings. I wanted to explore how Franny and Jet became the wise, beloved aunts in Practical Magic. The young Franny is a beautiful red-haired girl, fearless and confident in her powers; the young Jet is wounded in love but still willing to open her heart. The aunts are raised—without any knowledge of their magical family history—in the sixties, a magical and revolutionary time in New York, the time and place I had known as a girl. It was a pleasure to go back to the sixties and discover how the aunts had lived their lives, both magically and practically. It was also a pleasure for me to return to Greenwich Village as a researcher and revisit the landscape of my own youth. The novelist can be the last to know what a novel is about, and I’m often surprised by the turns in my own stories and by the choices my characters make. Franny and Jet’s brother, Vincent, has a story that neither he nor I would have predicted, one that is at the heart of The Rules of Magic.
I start writing a novel with a question I need answered. Practical Magic addresses serious questions about the place of women in our society—questions that are as important, or more so, than they were twenty-five years ago. Unfortunately, over the past quarter century, the place of a woman in society has not moved forward as we had wished, then and now. There are still many of the same issues left to address: equal pay, childcare, healthcare, sexual assault. Magic may not be able to right these wrongs, but sisterhood just might. The years have only intensified the importance of telling women’s stories, and doing our best to ensure that women who have been forced to be silent can speak and tell their own truths.
Fortunately, the Owens women spoke to me. It was as if they had walked through the door and all I had to do was chart their histories. I loved magic from the start, beginning with the stories my Russian grandmother told me. If “magic” was in the title of a book, I was bound to find it. In the world of fairy tales, the amazing is recounted in a matter-of fact tone, with the practical and the magical living side by side. One day there is a knock at the door, or a rose that blooms through the winter, or a spindle that must be avoided at all costs. It was the melding of the magical and the everyday that was most affecting to me as a reader, for the world I lived in seemed much the same. People you loved could disappear, through death or divorce; they could turn into heroes or beasts. My personal experience and my childhood reading left me longing for a world in which anything could happen, magic or not, on an ordinary day.
More and more readers have come to feel that magical literature is the original form of storytelling, including fairy tales, folktales, myth, and modern fiction. If I were to write Practical Magic today, I would begin in exactly the same way as I did twenty-five years ago.
For more than two hundred years, the Owens women have been blamed for everything that has gone wrong in town.
There are those who have come to the book after watching the film version of Practical Magic, which has become a much loved cult movie and boasts one of the most exceptional casts of women ever gathered: Sandra Bullock, Nicole Kidman, Stockard Channing, Dianne Wiest, Evan Rachel Wood, Camilla Belle, Chloe Webb, and Margo Martindale. It’s a rare film that is so chock-full of interesting female characters who argue, form friendships, hurt one another, and support each other. The film is great fun, but it doesn’t avoid the darkness in the story: Gillian’s history of abuse resonates, as does Sally’s emotional journey of love and loss, which leads her to understand that the only chance for happiness is to be true to herself.
At this writing, I am beginning a third magic book about Maria Owens, Magic Lessons, going even further back in time, charting the initial history of the Owens family and their magical abilities. I can’t wait for readers to discover the origins of the family, and I can’t wait to discover it for myself. The story may surprise me, and I expect it will take on a life of its own, but I know that within it I will find that once upon a time, there was a woman or a girl who was different, who was an outcast, who looked for beauty in the world, who was wounded, who fell in love despite the warnings, who would do anything for her sister or her niece or her daughter or her mother, who knew that despite the dangers, we must fall in love whenever we can.
SUPERSTITION
For more than two hundred years, the Owens women have been blamed for everything that has gone wrong in town. If a damp spring arrived, if cows in the pasture gave milk that was runny with blood, if a colt died of colic or a baby was born with a red birthmark stamped onto his cheek, everyone believed that fate must have been twisted, at least a little, by those women over on Magnolia Street. It didn’t matter what the problem was—lightning, or locusts, or a death by drowning. It didn’t matter if the situation could be explained by logic, or science, or plain bad luck. As soon as there was a hint of trouble or the slightest misfortune, people began pointing their fingers and placing blame. Before long they’d convinced themselves that it wasn’t safe to walk past the Owens house after dark, and only the most foolish neighbors would dare to peer over the black wrought-iron fence that circled the yard like a snake.
Inside the house there were no clocks and no mirrors and three locks on each and every door. Mice lived under the floorboards and in the walls and often could be found in the dresser drawers, where they ate the embroidered tablecloths, as well as the lacy edges of the linen placemats. Fifteen different sorts of wood had been used for the window seats and the mantels, including golden oak, silver ash, and a peculiarly fragrant cherrywood that gave off the scent of ripe fruit even in the dead of winter, when every tree outside was nothing more than a leafless black stick. No matter how dusty the rest of the house might be, none of the woodwork ever needed polishing. If you squinted, you could see your reflection right there in the wainscoting in the dining room or the banister you held on to as you ran up the stairs. It was dark in every room, even at noon, and cool all through the heat of July. Anyone who dared to stand on the porch, where the ivy grew wild, could try for hours to look through the windows and never see a thing. It was the same looking out; the green-tinted window glass was so old and so thick that everything on the other side seemed like a dream, including the sky and the trees.
The little girls who lived in the attic were sisters, only thirteen months apart in age. They were never told to go to bed before midnight or reminded to brush their teeth. No one cared if their clothes were wrinkled or if they spit on the street. All the while these little girls were growing up, they were allowed to sleep with their shoes on and draw funny faces on their bedroom walls with black crayons. They could drink cold Dr Peppers for breakfast, if that was what they craved, or eat marshmallow pies for dinner. They could climb onto the roof and sit perched on the slate peak, leaning back as far as possible, in order to spy the first star. There they would stay on windy March nights or humid August evenings, whispering, arguing over whether it was feasible for even the smallest wish to ever come true.
The girls were being raised by the aunts, who, as much as they might have wanted to, simply couldn’t turn their nieces away. The children, after all, were orphans whose careless parents were so much in love they failed to notice smoke emanating from the walls of the bungalow where they’d gone to enjoy a second honeymoon, after leaving the girls home with a babysitter. No wonder the sisters always shared a bed during storms; they were both terrified of thunder and could never speak above a whisper once the sky began to rumble. When they did finally doze off, their arms wrapped around each other, they often had the exact same dreams. There were times when they could complete each other’s sentences; certainly each could close her eyes and guess what the other most desired for dessert on any given day.
But in spite of their closeness, the two sisters were entirely different in appearance and temperament. Aside from the beautiful gray eyes the Owens women were known for, no one would have had reason to guess the sisters were related. Gillian was fair and blond, while Sally’s hair was as black as the pelts of the ill-mannered cats the aunts allowed to skulk through the garden and claw at the draperies in the parlor. Gillian was lazy and liked to sleep past noon. She saved up her allowance money, then paid Sally to do her math homework and iron her party dresses. She drank bottles of Yoo-Hoo and ate goopy Hershey’s bars while sprawled out on the cool basement floor, content to watch as Sally dusted the metal shelves where the aunts kept pickles and preserves. Gillian’s favorite thing in the world to do was to lie on the velvet-cushioned window seat, up on the landing, where the drapes were made of damask and a portrait of Maria Owens, who had built the house so long ago, collected dust in a corner. That’s where she could be found on summer afternoons, so relaxed and languid that moths would land on her, mistaking her for a cushion, and proceed to make tiny holes in her T-shirts and jeans.
Sally, three hundred ninety-seven days older than her sister, was as conscientious as Gillian was idle. She never believed in anything that could not be proven with facts and figures. When Gillian pointed to a shooting star, it was Sally who reminded her that what was falling to earth was only an old rock, heated by its descent through the atmosphere. Sally was a take-charge sort of person from the start; she didn’t like confusion and mess, both of which filled the aunts’ old house on Magnolia Street from attic to cellar.
From the time she was in third grade, and Gillian in second, Sally was the one who cooked healthy dinners of meat loaf and fresh green beans and barley soup, using recipes from a copy of Joy of Cooking she’d managed to smuggle into the house. She fixed their lunchboxes each morning, packing up turkey-and-tomato sandwiches on whole-wheat bread, adding carrot sticks and iced oatmeal cookies, all of which Gillian tossed in the trash the instant after Sally deposited her in her classroom, since she preferred the sloppy joes and brownies sold in the school cafeteria, and she often had swiped enough quarters and dimes from the aunts’ coat pockets to buy herself whatever she liked.
Night and Day, the aunts called them, and although neither girl laughed at this little joke or found it amusing in the least, they recognized the truth in it, and were able to understand, earlier than most sisters, that the moon is always jealous of the heat of the day, just as the sun always longs for something dark and deep. They kept each other’s secrets well; they crossed their hearts and hoped to die if they should ever slip and tell, even if the secret was only a cat’s tail pulled or some foxglove stolen from the aunts’ garden.
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Alice Hoffman
Alice Hoffman is the author of thirty works of fiction, including Practical Magic, The Dovekeepers, Magic Lessons, and, most recently, The Book of Magic. She lives in Boston. Her new novel, The Invisible Hour, is forthcoming in August 2023. Visit her website: www.alicehoffman.com
Customer reviews
4.4 out of 5
14,317 global ratings
P. D. Harris Jr.
5
Better Than the Film
Reviewed in the United States on January 25, 2010
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If you saw the film that this book inspired in 1998 and think you know all about the Owens women who "for more than two hundred years...have been blamed for everything that went wrong in their Massachusetts town," then think again. Like most books that make the jump to the silver screen certain changes were made that affected the story as a whole. Some subplots were abandoned while others were expanded.
After the untimely death of their parents in a fire, two sisters Sally and Gillian are taken in by their eccentric Aunts. Due to their family's reputation for being witches, Sally and Gillian are harassed and ostracized by their peers and so have no one to turn to but each other. The two sisters couldn't be more unlike one another. Sally, the eldest sibling, copes by being the perfect child. She cooks nutritional dinners, washes and hangs the laundry and always goes to bed on time. Gillian, however, dreams of being free from the house, the Aunts, the taunting and teasing of the boys who fear her.
However, the sisters have one thing in common. They spend many nights in the shadows of the landing above the stairs in their house listening to their Aunts ply their trade as witches who specialize in affairs of the heart. They listen to the women who come to their Aunts desperate to gain love. The sisters see the toll that unrequited love takes on a woman and are disgusted at the lengths these desperate women will go to in order to obtain the one they desire. Consequently, both of the girls are afraid to love.
In an expanded subplot from the movie, as the story unfolds we actually get to see the long-term results of the love spell performed on behalf of one of the Aunts clients and the consequences of the magic invoked one night with little forethought and much desperation.
Gillian escapes the house on Magnolia Street by running off with a boy in the middle of the night after having spiked their Aunts soup so she wouldn't be caught. She finds herself unable to settle on any one guy, not for very long. However that doesn't stop her from getting married three times. Sally, on the other hand, stays with the Aunts and fills her days working in the garden, doing household chores, and shopping at the hardware store for cleaning supplies.
Sally finally meets a man named Michael at the hardware store. They fall in love, get married and have two daughters Antonia and Kylie. For a time, she is happy. Nonetheless, the death-watch beetle begins to mark off Michael's time on earth and he is doomed to die. At first Sally doesn't believe her Aunts when they tell her, until she slowly begins to believe their warnings and Sally goes to the Aunts for help. Having already secretly done everything they were able, the Aunts could offer no advice but to accept the inevitable.
After Michael's death, Sally goes into a deep depression which last for exactly one year. During that time the Aunts become Antonia and Kyle's main caregivers. When Sally comes out of her depression, she witnesses that her daughters are now being subjected to the same harassment that she and her sisters suffered through so many years ago. She then decides to do just as her sister had done years before. She uses Michael's insurance money and some of her own savings to move away from the Aunts and start a new life in New York. There she attempts to give her daughters something that she herself felt that she never had...a normal life.
Rather than opening her own business as in the movie, Sally takes a job as a school secretary so that she can be home when her daughters come home from school and the job has the added bonus of allowing her to have summers off. Just when it seems that Sally has achieved her goal of a normal life, Gillian shows up on her doorstep one hot summer night with Jimmy Hawkins, her dead boyfriend, in her car.
Gillian fears that she has murdered Jimmy because she had been slipping him nightshade every night to prevent him from getting drunk and consequently hurting her. It seems that though Jimmy has a long history of hurting, even murdering, the ones around him Gillian is compelled to love him and like many abused women, can't seem to leave her abuser. Not even her magic seems strong enough to take away her love for him. This is in direct contrast with all her previous experiences with men, in that since the time she was a teenager men and boys fell in love with her at first sight. She often had them wrapped around her little finger and just when they thought their love was secure---she left the relationship. The sisters ultimately decide to bury Jimmy in the backyard and forget about the entire incident.
The book then begins to focus on the relationship between Sally's daughters Antonia and Kylie. Being teenagers, the girls have a strained relationship. Like Sally and Gillian, they appear to be more unlike that alike in their outlook and attitudes. Antonia is more like her Aunt Gillian--beautiful, spoiled, wild, and carefree; whereas Kylie is more like her mother--responsible, introverted, and sensitive. It is only when Kylie's beauty threatens to outshine her own that Antonia begins to contemplate her future and what she has to offer the world, rather than what the world has to offer her. As Kylie develops physically, she becomes surer of herself and more aware of her own beauty. It is only after she is almost sexually assaulted that Antonia and Kylie renew their sisterly bond.
Throughout these events, Gillian has formed a relationship with Kylie who looks to her Aunt as a role model for what she believes a woman should be. Thus further strains the relationship between Sally and Gillian as Sally feels that her daughters are still babies, and is not eager to see them grow up just yet. Jimmy's ghostly influence uses their resentment for one another to further destroy Sally and Gillian's sisterly bond and drive them apart forever. Jimmy's spirit seems to take over the back yard where he is buried. The lilacs grow great lengths overnight and their scent draws the attention of the neighborhood women who come to the garden gate to look at them. It seems that the scent of the lilacs stir painful memories in these women, who uncontrollably weep when these memories resurface. Jimmy's influence reaches into the house as well, as food begins to spoil overnight and dead creatures are found in the toilet and sink.
On Kylie's 13th birthday, she develops the ability to see auras and other mystical phenomena. It is her that eventually causes Sally and Gillian to realize that Jimmy's spirit is attacking not only the house, but Sally and Gillian themselves. After Sally cuts down the lilacs, things seem to improve. Antonia's biology teacher, Ben Frye, falls in love with Gillian and begins to peruse a relationship with her, although she is adamant that she will be "single forever." Sally too is challenged by love when Gary Hallet, an investigator from Arizona looking into Jimmy's disappearance, arrives at her doorstep drawn by a letter Sally sent to Gillian some months prior. With no where else to turn, Sally and Gillian call the Aunts for help in ridding themselves of Jimmy's ghostly influence.
On the whole, the beginning and ending of the book is somewhat similar to the movie. Although Jimmy's spiritual death is not as dramatic as it was in the movie and no one becomes possessed, however, this is in keeping with the magical realism genre. The middle part of the book focuses more on Sally's daughters as they grow from teenagers to young adults and draws a parallel between them and the generations of Owens women who have come before.
Thankfully the absolutely absurd scene from the movie where the witches jump off their roof with umbrellas is absent from the book. I loved the inclusion of actual spells that are so descriptive of the Aunt's old-world flavor of witchcraft. Although we do get some background information on the Aunts, I think it would be wonderful for Hoffman to write a prequel featuring these wonderful characters.
Practical Magic is a book that I will return to again and again. The author's descriptive prose and attention to detail brings a greater depth to the story. It is rich in imagination, ripe with characterization, and possessed of a wisdom that will not be lost on the attentive reader.
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LuAnn Collins
5
What took me so long...
Reviewed in the United States on July 5, 2024
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Not quite the storyline of the movie, but engaging and entertaining on its own. I've bought the series and have been enthralled. Lovely characters. This is a story driven book and you won't be disappointed.
Lisa Lamkins
5
FABULOUS book weaving in both fun and serious topics about LIFE
Reviewed in the United States on March 1, 2024
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I listened to this book on audible: AND I HAVE NOT SEEN THE MOVIE AT THE TIME OF WRITING THIS REVIEW.
This book is such a fun story. It weaves together three generations of Owens women and their bloodline gift of “having the sight, as well as true beauty. “ The story shows how close the 3 generations of women become, even after years of differences and fighting amongst each other, brought on by Maria Owens curse back during the Salam witch trials. The curse was “ ANY MAN THAT LOVES AN OWENS WOMAN WILL FACE AN EARLY DEATH.”’ This curse has negatively affected Frannie, Jet, Gillian and Sally. The curse has created times of depression, bitterness and loneliness amongst all four of them, and directly affected the bonds between them. Practical Magic begins with Sally and Gillian going to live with their Aunt frannie and Jet, when their parents die. Frannie And Jet with no children of their own are so cute at the airport, welcoming Sally & Gillian with open arms. Therefore, I was perplexed when pneither Sally or Gillian become very close to their aunts who graciously took the girls in. Gillian, brings a lot of life to the story, as she is portrayed as a “hot mess” in the book. Sally I just want to shake at times and say lighten up, live a little. I was sad when Gillian leaves the aunt’s home. Equally sad when Sally chooses to move away from the aunts too, with her daughters Antonia and Kylie. You see Antonia and Kylie adored their aunts and both girls seemed ready to embrace and learn from their great aunts, all about their bloodline gift, of having “THE SIGHT” and not only did they have the sight, the three generations of women were all beautiful too. I thought how is it Kylie and Antonia adored Frannie and Jet but Sally and Gillian did not. As the book progresses, It really is a blessing when the three generations of women all come together and magically all bond together. The curse, “ that any man who loves an Owens woman will surly die” is the reason behind the sisters, aunts and Sally’s daughters all being in a position to bond together. In Practical magic, Gillian creates havoc to her sister sally and nieces lives, when she shows up at Sally’s house with her dead boyfriend in the car. It turns out, the aunts are the only ones who can help them. The aunts step in to help, proving how much they love their nieces and grand nieces. Sally and Gillian can’t help but develop loving bonds with their aunts at this point in their lives and start to embrace their bloodline gifts of having the sight.
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Selena Thomason
5
a very enjoyable read - full of magic and love
Reviewed in the United States on June 6, 2024
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I’m a fan of the movie “Practical Magic,” so I guess that’s why this book caught my eye. But as is often the case, the book is even better than the movie. Two things I particularly enjoyed about this book: 1) the densely packed narrative style, full of rich detail; and 2) the point of view is third person but isn’t distant, diving naturally into each character to give us the character’s innermost thoughts and feelings. A very enjoyable read - full of magic, love, family, and nature.
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2 people found this helpful
Quentin Graves
5
Classic
Reviewed in the United States on July 18, 2024
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Most of us all know this story. It’s amazing. Great details. Had me enthralled.
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