The Talisman: A Novel by Stephen King
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The Talisman: A Novel

by

Stephen King

(Author)

4.6

-

8,703 ratings


Soon to be a Netflix series!

The iconic, “extraordinary” (The Washington Post) collaboration between bestselling authors Stephen King and Peter Straub—an epic thriller about a young boy’s quest to save his mother’s life.

Jack Sawyer, twelve years old, is about to begin a most fantastic journey, an exalting, terrifying quest for the mystical Talisman—the only thing that can save Jack’s dying mother. But to reach his goal, Jack must make his way not only across the breadth of the United States but also through the wondrous and menacing parallel world of the Territories.

In the Territories, Jack finds another realm, where the air is so sweet and clear a man can smell a radish being pulled from the ground a mile away—and a life can be snuffed out instantly in the continuing struggle between good and evil. Here Jack discovers “Twinners,” reflections of the people he knows on earth—most notably Queen Laura, the Twinner of Jack’s own imperiled mother. As Jack “flips” between worlds, making his way westward toward the redemptive Talisman, a sequence of heart-stopping encounters challenges him at every step.

An unforgettable epic of adventure and resounding triumph, The Talisman is one of the most influential and highly praised works of fantasy ever written.

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ISBN-10

1501192272

ISBN-13

978-1501192272

Print length

784 pages

Language

English

Publisher

Scribner

Publication date

April 16, 2018

Dimensions

5.31 x 1.9 x 8.25 inches

Item weight

1.25 pounds


Popular highlights in this book

  • They could not be put into ordinary sentences, for ordinary sentences made everything seem rational.

    Highlighted by 260 Kindle readers

  • The man whose life you save is your responsibility for the rest of your life.

    Highlighted by 198 Kindle readers


Product details

ASIN :

B007SNYL66

File size :

3787 KB

Text-to-speech :

Enabled

Screen reader :

Supported

Enhanced typesetting :

Enabled

X-Ray :

Enabled

Word wise :

Enabled


Editorial reviews

Praise for THE TALISMAN:

“Extraordinary…Makes your hair stand on end.” —The Washington Post

“Gripping…immensely satisfying.” —Los Angeles Times

“A classic…rare and dazzling…a journey to rival the greatest adventure stories ever told.” —New York Daily News

“Surpassing the expectations created by their separate past work, The Talisman astounds, mesmerizes, terrifies, and fulfills the reader . . . Seamlessly written…a grand novel.” —Publishers Weekly

Praise for STEPHEN KING:

“An undisputed master of suspense and terror.” —The Washington Post

“Stephen King knows exactly what scares you most. . . .” —Esquire

“King probably knows more about scary goings-on in confined, isolated places than anybody since Edgar Allan Poe.” —Entertainment Weekly

“America’s greatest living novelist.” —Lee Child

Praise for PETER STRAUB:

“You expect the horrifying in the fiction of Peter Straub . . . and you get it.” —The New York Times

“Straub deploys a host of voices that cajole and whisper and talk to you from the darkness.” —Neil Gaiman

“Straub is a master of genre-bending horror and suspense.” —Publishers Weekly

“One of the most successful practitioners ever of the art of scary stories.” —John Crowley


Sample

The Alhambra Inn and Gardens

1

On September 15th, 1981, a boy named Jack Sawyer stood where the water and land come together, hands in the pockets of his jeans, looking out at the steady Atlantic. He was twelve years old and tall for his age. The sea-breeze swept back his brown hair, probably too long, from a fine, clear brow. He stood there, filled with the confused and painful emotions he had lived with for the last three months—since the time when his mother had closed their house on Rodeo Drive in Los Angeles and, in a flurry of furniture, checks, and real-estate agents, rented an apartment on Central Park West. From that apartment they had fled to this quiet resort on New Hampshire’s tiny seacoast. Order and regularity had disappeared from Jack’s world. His life seemed as shifting, as uncontrolled, as the heaving water before him. His mother was moving him through the world, twitching him from place to place; but what moved his mother?

His mother was running, running.

Jack turned around, looking up the empty beach first to the left, then to the right. To the left was Arcadia Funworld, an amusement park that ran all racket and roar from Memorial Day to Labor Day. It stood empty and still now, a heart between beats. The roller coaster was a scaffold against that featureless, overcast sky, the uprights and angled supports like strokes done in charcoal. Down there was his new friend, Speedy Parker, but the boy could not think about Speedy Parker now. To the right was the Alhambra Inn and Gardens, and that was where the boy’s thoughts relentlessly took him. On the day of their arrival Jack had momentarily thought he’d seen a rainbow over its dormered and gambreled roof. A sign of sorts, a promise of better things. But there had been no rainbow. A weathervane spun right-left, left-right, caught in a crosswind. He had got out of their rented car, ignoring his mother’s unspoken desire for him to do something about the luggage, and looked up. Above the spinning brass cock of the weathervane hung only a blank sky.

“Open the trunk and get the bags, sonny boy,” his mother had called to him. “This broken-down old actress wants to check in and hunt down a drink.”

“An elementary martini,” Jack had said.

“‘You’re not so old,’ you were supposed to say.” She was pushing herself effortfully off the carseat.

“You’re not so old.”

She gleamed at him—a glimpse of the old, go-to-hell Lily Cavanaugh (Sawyer), queen of two decades’ worth of B movies. She straightened her back. “It’s going to be okay here, Jacky,” she had said. “Everything’s going to be okay here. This is a good place.”

A seagull drifted over the roof of the hotel, and for a second Jack had the disquieting sensation that the weathervane had taken flight.

“We’ll get away from the phone calls for a while, right?”

“Sure,” Jack had said. She wanted to hide from Uncle Morgan, she wanted no more wrangles with her dead husband’s business partner, she wanted to crawl into bed with an elementary martini and hoist the covers over her head. . . .

Mom, what’s wrong with you?

There was too much death, the world was half-made of death. The gull cried out overhead.

“Andelay, kid, andelay,” his mother had said. “Let’s get into the Great Good Place.”

Then, Jack had thought: At least there’s always Uncle Tommy to help out in case things get really hairy.

But Uncle Tommy was already dead; it was just that the news was still on the other end of a lot of telephone wires.

2

The Alhambra hung out over the water, a great Victorian pile on gigantic granite blocks which seemed to merge almost seamlessly with the low headland—a jutting collarbone of granite here on the few scant miles of New Hampshire seacoast. The formal gardens on its landward side were barely visible from Jack’s beachfront angle—a dark green flip of hedge, that was all. The brass cock stood against the sky, quartering west by northwest. A plaque in the lobby announced that it was here, in 1838, that the Northern Methodist Conference had held the first of the great New England abolition rallies. Daniel Webster had spoken at fiery, inspired length. According to the plaque, Webster had said: “From this day forward, know that slavery as an American institution has begun to sicken and must soon die in all our states and territorial lands.”

3

So they had arrived, on that day last week which had ended the turmoil of their months in New York. In Arcadia Beach there were no lawyers employed by Morgan Sloat popping out of cars and waving papers which had to be signed, had to be filed, Mrs. Sawyer. In Arcadia Beach the telephones did not ring out from noon until three in the morning (Uncle Morgan appeared to forget that residents of Central Park West were not on California time). In fact the telephones in Arcadia Beach rang not at all.

On the way into the little resort town, his mother driving with squinty-eyed concentration, Jack had seen only one person on the streets—a mad old man desultorily pushing an empty shopping cart along a sidewalk. Above them was that blank gray sky, an uncomfortable sky. In total contrast to New York, here there was only the steady sound of the wind, hooting up deserted streets that looked much too wide with no traffic to fill them. Here were empty shops with signs in the windows saying OPEN WEEKENDS ONLY or, even worse, SEE YOU IN JUNE! There were a hundred empty parking places on the street before the Alhambra, empty tables in the Arcadia Tea and Jam Shoppe next door.

And shabby-crazy old men pushed shopping carts along deserted streets.

“I spent the happiest three weeks of my life in this funny little place,” Lily told him, driving past the old man (who turned, Jack saw, to look after them with frightened suspicion—he was mouthing something but Jack could not tell what it was) and then swinging the car up the curved drive through the front gardens of the hotel.

For that was why they had bundled everything they could not live without into suitcases and satchels and plastic shopping bags, turned the key in the lock on the apartment door (ignoring the shrill ringing of the telephone, which seemed to penetrate that same keyhole and pursue them down the hall); that was why they had filled the trunk and back seat of the rented car with all their overflowing boxes and bags and spent hours crawling north along the Henry Hudson Parkway, then many more hours pounding up I-95—because Lily Cavanaugh Sawyer had once been happy here. In 1968, the year before Jack’s birth, Lily had been nominated for an Academy Award for her role in a picture called Blaze. Blaze was a better movie than most of Lily’s, and in it she had been able to demonstrate a much richer talent than her usual bad-girl roles had revealed. Nobody expected Lily to win, least of all Lily; but for Lily the customary clichÉ about the real honor being in the nomination was honest truth—she did feel honored, deeply and genuinely, and to celebrate this one moment of real professional recognition, Phil Sawyer had wisely taken her for three weeks to the Alhambra Inn and Gardens, on the other side of the continent, where they had watched the Oscars while drinking champagne in bed. (If Jack had been older, and had he had an occasion to care, he might have done the necessary subtraction and discovered that the Alhambra had been the place of his essential beginning.)

When the Supporting Actress nominations were read, according to family legend, Lily had growled to Phil, “If I win this thing and I’m not there, I’ll do the Monkey on your chest in my stiletto heels.”

But when Ruth Gordon had won, Lily had said, “Sure, she deserves it, she’s a great kid.” And had immediately poked her husband in the middle of the chest and said, “You’d better get me another part like that, you big-shot agent you.”

There had been no more parts like that. Lily’s last role, two years after Phil’s death, had been that of a cynical ex-prostitute in a film called Motorcycle Maniacs.

• • •

It was that period Lily was commemorating now, Jack knew as he hauled the baggage out of the trunk and the back seat. A D’Agostino bag had torn right down through the big D’AG, and a jumble of rolled-up socks, loose photographs, chessmen and the board, and comic books had dribbled over all else in the trunk. Jack managed to get most of this stuff into other bags. Lily was moving slowly up the hotel steps, pulling herself along on the railing like an old lady. “I’ll find the bellhop,” she said without turning around.

Jack straightened up from the bulging bags and looked again at the sky where he was sure he had seen a rainbow. There was no rainbow, only that uncomfortable, shifting sky.

Then:

“Come to me,” someone said behind him in a small and perfectly audible voice.

“What?” he asked, turning around. The empty gardens and drive stretched out before him.

“Yes?” his mother said. She looked crickle-backed, leaning over the knob of the great wooden door.

“Mistake,” he said. There had been no voice, no rainbow. He forgot both and looked up at his mother, who was struggling with the vast door. “Hold on, I’ll help,” he called, and trotted up the steps, awkwardly carrying a big suitcase and a straining paper bag f...

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About the authors

Stephen King

Stephen King

Stephen King is the author of more than fifty books, all of them worldwide bestsellers. His first crime thriller featuring Bill Hodges, MR MERCEDES, won the Edgar Award for best novel and was shortlisted for the CWA Gold Dagger Award. Both MR MERCEDES and END OF WATCH received the Goodreads Choice Award for the Best Mystery and Thriller of 2014 and 2016 respectively.

King co-wrote the bestselling novel Sleeping Beauties with his son Owen King, and many of King's books have been turned into celebrated films and television series including The Shawshank Redemption, Gerald's Game and It.

King was the recipient of America's prestigious 2014 National Medal of Arts and the 2003 National Book Foundation Medal for distinguished contribution to American Letters. In 2007 he also won the Grand Master Award from the Mystery Writers of America. He lives with his wife Tabitha King in Maine.

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Reviews

Customer reviews

4.6 out of 5

8,703 global ratings

andrew ibell

andrew ibell

5

thrilling awesome read

Reviewed in the United States on August 16, 2024

Verified Purchase

from front to back an amazing tail

K. Dorris

K. Dorris

5

Coming of age

Reviewed in the United States on August 22, 2024

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I first read this book in late high school or early college. It’s interesting how perspective and perception change. I’m 51 now and this coming of age story resonates with me as a mother and educator. A 13 year old living several lives in a short time is an interesting concept. I feel like it took forever for me to finish reading this book but it was worth it.

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Alyson

Alyson

5

Great read

Reviewed in the United States on August 9, 2024

Verified Purchase

This book is so good

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