4.5
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14,209 ratings
2023 Barnes & Noble Discover Prize Winner
Carnegie Medal for Excellence in Fiction Finalist
A four-year-old Mi’kmaq girl goes missing from the blueberry fields of Maine, sparking a mystery that will haunt the survivors, unravel a family, and remain unsolved for nearly fifty years
"A stunning debut about love, race, brutality, and the balm of forgiveness." —People, A Best New Book
July 1962. A Mi’kmaq family from Nova Scotia arrives in Maine to pick blueberries for the summer. Weeks later, four-year-old Ruthie, the family’s youngest child, vanishes. She is last seen by her six-year-old brother, Joe, sitting on a favorite rock at the edge of a berry field. Joe will remain distraught by his sister’s disappearance for years to come.
In Maine, a young girl named Norma grows up as the only child of an affluent family. Her father is emotionally distant, her mother frustratingly overprotective. Norma is often troubled by recurring dreams and visions that seem more like memories than imagination. As she grows older, Norma slowly comes to realize there is something her parents aren’t telling her. Unwilling to abandon her intuition, she will spend decades trying to uncover this family secret.
For readers of The Vanishing Half and Woman of Light, this showstopping debut by a vibrant new voice in fiction is a riveting novel about the search for truth, the shadow of trauma, and the persistence of love across time.
"A harrowing tale of Indigenous family separation . . . [Peters] excels in writing characters for whom we can’t help rooting . . . With The Berry Pickers, Peters takes on the monumental task of giving witness to people who suffered through racist attempts of erasure like her Mi’kmaw ancestors." —The New York Times Book Review
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ISBN-10
1646222385
ISBN-13
978-1646222384
Print length
320 pages
Language
English
Publisher
Catapult
Publication date
October 28, 2024
Dimensions
6.6 x 1.1 x 9.3 inches
Item weight
13 ounces
Time quickens the older you get, as if the universe is trying to push you toward the finish line, to make room for the younger, the stronger, to mark your brief place in history and move on.
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ASIN :
B0BTSC3TN6
File size :
2995 KB
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Supported
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"A harrowing tale of Indigenous family separation . . . [Peters] excels in writing characters for whom we can’t help rooting . . . With The Berry Pickers, Peters takes on the monumental task of giving witness to people who suffered through racist attempts of erasure like her Mi’kmaw ancestors. 'White folks been trying to take the Indian out of us for centuries,' a character tells Norma. 'But now that you know, you gotta let people know.' Peters is letting people know." —Eric Nguyen, The New York Times Book Review
"The strength of Amanda Peters’s novel lies in its understanding of how trauma spreads through a life and a family, and its depiction of the challenges facing Indigenous people . . . [A] powerful message about truth, forgiveness and healing." —Marion Winik, The Washington Post
"The Berry Pickers offers an unforgettable exploration of grief, love, and kin." —Jenny Bartoy, The Boston Globe
"The Berry Pickers displays a perceptive understanding of the lives of migrant workers in midcoast Maine . . . Although not marketed as a crime novel, The Berry Pickers generates its own brand of suspense. The alternating points of view propel the story forward in ways not easily allowed by a single perspective. Norma’s and Joe’s family members are seen from a distance, but the juxtapositions between the families—outsiders or insiders—are haunting. Readers will find Joe’s and Norma’s searches for the truth by turns heartbreaking, brave and often very funny, the humor off-setting the harrowing subject." —Michael Berry, Portland Herald Press
“A gripping read, a mystery and a moving narrative all in one book.” —A New York Post Best Book of the Year
"A lucid and assured debut." —The New Yorker
"A stunning debut about love, race, brutality and the balm of forgiveness." —People, A Best New Book
"Debut novelist Peters explores the lengths we go to for love, the cancerous impact of lies, and the unbreakable bonds of family. For fans of Celeste Ng and Ann Patchett, this quietly beautiful book will break, then mend, your heart." —Sarah Gelman, Amazon
"This book is a heartbreaking tale of family and loss, deathbed regrets and revelations. It's a force as powerful as any of those." —Good Housekeeping
"An un-put-down-able novel of identity, forgiveness, and insistent hope." —The Christian Science Monitor
"This book will appeal to readers who like character-driven stories, family sagas, and/or tales steeped in other cultures or locales. I highly recommend it." —Cindy Burnett, The Buzz Magazines
"Peters skillfully manages to hold the reader’s attention from the first page to the last . . . The Berry Pickers isn’t a mystery, it’s a truth telling by characters you can reach out and touch—characters whose misfortunes, regrets, feelings, and redemption most readers will relate to." —Diane Lechleitner, New York Journal of Books
"A touching and thoughtful novel about an Indigenous family broken apart and a young woman trying to find the truth about her ancestors. Peters’ poignant narration deftly brings readers into a layered story filled with heart. If you only have time for one book to finish before the holidays consume your life, read this book." —Adam Vitcavage, Debutiful
"This powerful debut novel examines the search for truth in the face of trauma and the enduring nature of family love." —Eliza Browning, Electric Literature
"A sensitive and devastating saga of families broken, children stolen, and fierce reckonings with the traumas of history . . . [Its] emotional climax will leave most readers with at least a tear in the eye." —Molly Odintz, CrimeReads
"Peters beautifully explores loss, grief, hope, and the invisible tether that keeps families intact even when they are ripped apart. A poignant debut from a writer to watch." —Kirkus Reviews (starred review)
"Peters' debut combines narrative skill and a poignant story for a wonderful novel to which many readers will gravitate . . . Indigenous stories like this matter." —Booklist
"Enthralling . . . Powerfully rendered . . . [A] cogent and heartfelt look at the ineffable pull of family ties." —Publishers Weekly
"One family’s secret is the source of another family’s pain in this poignant debut that reads like a modern literary classic. Moving, heartbreaking, and hopeful, The Berry Pickers is a powerful tale of haunting regret, bonds that will never be broken, and unrelenting love. Amanda Peters’s skilled storytelling evokes all the sensations of summer in Maine, singing around a fire, and the horror that takes hold when a child goes missing." —Nick Medina, author of Sisters of the Lost Nation
"With every sense engaged, and in a lyrical tribute to her father's stories, Amanda Peters manages to take you home to the east coast in the very best ways—through family love and personal grief and the precious accounting of minutes and memories. You cannot help but love these characters from the first chapter, they stay with you long after the last page.” —Cherie Dimaline, author of The Marrow Thieves
“A marvelous debut. The Berry Pickers has all the passion of a first book but also the finely developed skill of a well-practiced storyteller. I can’t believe Amanda Peters is just getting started. She writes like someone who has been doing this a long time, and no doubt she has, only now we get to share in the creativity of her amazing mind. She’s going to be the next big thing. I am placing my bets now. The Berry Pickers is a triumph.” —Katherena Vermette, author of The Strangers
“The thing about picking a handful of berries is that each one is different—some are sweet, some sour, some extra juicy. The Berry Pickers is just like a handful of berries. It’s an unassuming novel filled with so much sweet, so much sour, so much juice. Reading this book, I was only ever hungry when it ended.” —Morgan Talty, author of Night of the Living Rez
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ONE
JOE
THE DAY RUTHIE WENT MISSING, THE BLACKFLIES seemed to be especially hungry. The white folks at the store where we got our supplies said that Indians made such good berry pickers because something sour in our blood kept the blackflies away. But even then, as a boy of six, I knew that wasn’t true. Blackflies don’t discriminate. But now, lying here almost fifty years to the day and getting eaten from the inside out by a disease I can’t even see, I’m not sure what’s true and what’s not anymore. Maybe we are sour.
Regardless of the taste of our blood, we still got bit. But Mom knew how to make the itching stop at night, so we could get some sleep. She peeled the bark of an alder branch and chewed it to a pulp before putting it on the bites.
“Hold still, Joe. Stop squirming,” Mom said as she applied the thick paste. The alders grew all along the thin line of trees that bordered the back of the fields. Those fields stretched on forever, or so it seemed then. Mr. Ellis, the landowner, had sectioned the land with big rocks, making it easier to keep track of where we’d been and where we needed to go. But eventually, and always, you’d reach the trees again. Either the trees or Route 9, a crumbling road littered with holes the size of watermelons and as deep as the lake, a dark line of asphalt slithering its way through the fields that brought us there year after year.
Even then, in 1962, there weren’t many houses along Route 9, and those that were there were already old, the grey and white paint peeling away, the porches tilted and rotting, the tall grass growing green and yellow between abandoned cars and refrigerators, their rust flaking off and flying away with a strong wind. When we arrived from Nova Scotia, midsummer, a caravan of dark-skinned workers, laughing and singing, travelling through their overgrown and rusting world, the local folks turned their backs, our presence a testament to their failure to prosper. The only time that place showed any joy at all was in the fall when the setting sun shone gold and the fields glowed under a glorious September sky.
Among all that rust and decay stood Mr. Ellis’s house. It was on the corner where Route 9 met the dirt road that led to the other side of the lake, the side without Indians, where the white people swam and picnicked on Sundays, their skin blistering under the weak Maine sun. At home, years later and before I left again, I remembered that house like it was a picture from a book or a magazine that you looked at when waiting at the bus station or the doctor’s office. The tall maples hung over the driveway, and someone had planted a long, straight line of pine trees between the house and the dirt road that led to the camps, so we couldn’t peek at it, not that we didn’t try.
“Ben, why do they bother having a house at all if it’s just gonna be all windows?” I asked my brother.
“People need a roof over their heads. It gets cold here just like home.”
“But all those windows.” I gaped.
“Windows are expensive. That’s how they show the world they’re rich.”
I nodded in agreement, even if I didn’t understand exactly.
The whiteness of that house, painted every second summer, with the red trim and two columns framing the front door, was enough for me, who lived in a tiny three-bedroom with a leaky roof, to declare it “the mansion.” Years later, when I returned, Mr. Ellis long dead of a heart attack, I had fresh eyes and realized it was nothing more than a two-storey with a bay window.
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Amanda Peters
Amanda Peters is a writer of Mi’kmaw and settler ancestry. Her work has appeared in the Antigonish Review, Grain Magazine, The Alaska Quarterly Review, the Dalhousie Review, and filling station magazine. She is the winner of the 2021 Indigenous Voices Award (IVA) for unpublished prose and a participant in the 2021 Writers Trust Rising Stars program. Amanda has a certificate in creative writing from the University of Toronto and she is a graduate of the Master of Fine Arts program at the Institute of American Indian Arts in Santa Fe New Mexico. Amanda is an Associate Professor in the Department of English and Theatre at Acadia University. She lives and writes in the Annapolis valley Nova Scotia with her fur babies Holly and Pook.
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Customer reviews
4.5 out of 5
14,209 global ratings
dra nadine
5
Captivating Multigenerational Story - and much more in a debut novel
Reviewed in the United States on May 21, 2024
Verified Purchase
Setting, characters, history, relevance, writing style - so much to enjoy when reading this novel!
D. Ray
5
Heartbreaking and heartwarming all at the same time.
Reviewed in the United States on May 27, 2024
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I couldn’t put this book down! I was rooting for some characters and angry at others. What a vivid depiction of life, loss and love.
KLBoehm
5
Heartfelt family drama
Reviewed in the United States on May 20, 2024
Verified Purchase
This heartfelt, beautifully written family drama revolves around the disappearance of four-year-old Ruthie, the youngest in a family of indiginous berry pickers based in Maine. She was kidnapped by an off-kilter woman who had been grieving the loss of several pregnancies, and her complicit husband, a local judge who prepared a false birth certificate for Ruthie under the name of Norma. She navigates a sheltered life punctuated with disturbing dreams of an apparent other mother and a brother who seem real but are beyond her understanding.
The other narrator is Joe, her brother, now 56 and seriously ill, reminiscing about his shortcomings and the ever-present scar that Ruthie’s disappearance has left on his family. As a direct result of anger issues and alcohol abuse, he has missed a lot in life, including a relationship with his daughter. Ruthie/Norma and Joe undergo transformative changes in the aftermath of her kidnapping and his diagnosis of a terminal illness.
Their siblings Ben and Mae play pivotal roles and serve to bridge key story timelines. Other characters are her mother’s sister, her aunt June, with whom Norma shares a deep love, and the family friend Alice, who becomes her therapist and confidant. The book spans fifty years during which time the reader gains insight and empathy with the characters such that the outcomes of their stories are deeply felt. Watching how they move forward toward some semblance of peace in the face of adversity is a riveting experience, not to be missed.
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