The Brief Wondrous Life of Oscar Wao (Pulitzer Prize Winner) by Junot Díaz
Read sample
Customer reviews

The Brief Wondrous Life of Oscar Wao (Pulitzer Prize Winner)

by

Junot Díaz

(Author)

4.3

-

7,903 ratings


Winner of:

The Pulitzer Prize

The National Book Critics Circle Award

The Anisfield-Wolf Book Award

The Jon Sargent, Sr. First Novel Prize

A Time Magazine #1 Fiction Book of the Year

One of the best books of 2007 according to: The New York Times, San Francisco Chronicle, New York Magazine, Entertainment Weekly, The Boston Globe, Los Angeles Times, The Washington Post, People, The Village Voice, Time Out New York, Salon, Baltimore City Paper, The Christian Science Monitor, Booklist, Library Journal, Publishers Weekly, New York Public Library, and many more...

Nominated as one of America’s best-loved novels by PBS’s The Great American Read and named one of The Atlantic’s Great American Novels of the Past 100 Years

Oscar is a sweet but disastrously overweight ghetto nerd who—from the New Jersey home he shares with his old world mother and rebellious sister—dreams of becoming the Dominican J.R.R. Tolkien and, most of all, finding love. But Oscar may never get what he wants. Blame the fukú—a curse that has haunted Oscar’s family for generations, following them on their epic journey from Santo Domingo to the USA. Encapsulating Dominican-American history, The Brief Wondrous Life of Oscar Wao opens our eyes to an astonishing vision of the contemporary American experience and explores the endless human capacity to persevere—and risk it all—in the name of love.

Kindle

$9.99

Available instantly

Audiobook

$0.00

with membership trial

Hardcover

$14.99

Paperback

$9.46

Audio CD from $5.48
Buy Now

Ships from

Amazon.com

Payment

Secure transaction

ISBN-10

1594483299

ISBN-13

978-1594483295

Print length

339 pages

Language

English

Publisher

Riverhead Books

Publication date

September 01, 2008

Dimensions

5.22 x 0.89 x 7.96 inches

Item weight

10.8 ounces


Product details

ASIN :

B000UZJRGI

File size :

4013 KB

Text-to-speech :

Enabled

Screen reader :

Supported

Enhanced typesetting :

Enabled

X-Ray :

Enabled

Word wise :

Not Enabled

Award winners:


Editorial reviews

"An extraordinarily vibrant book that's fueled by adrenaline-powered prose. . . A book that decisively establishes [Díaz] as one of contemporary fiction's most distinctive and irresistible new voices." —Michiko Kakutani, The New York Times

"Díaz finds a miraculous balance. He cuts his barn-burning comic-book plots (escape, ruin, redemption) with honest, messy realism, and his narrator speaks in a dazzling hash of Spanish, English, slang, literary flourishes, and pure virginal dorkiness." —New York Magazine

"Genius. . . a story of the American experience that is giddily glorious and hauntingly horrific. And what a voice Yunior has. His narration is a triumph of style and wit, moving along Oscar de Leon's story with cracking, down-low humor, and at times expertly stunning us with heart-stabbing sentences. That Díaz's novel is also full of ideas, that [the narrator's] brilliant talking rivals the monologues of Roth's Zuckerman—in short, that what he has produced is a kick-ass (and truly, that is just the word for it) work of modern fiction—all make The Brief Wondrous Life of Oscar Wao something exceedingly rare: a book in which a new America can recognize itself, but so can everyone else." —San Francisco Chronicle

"Astoundingly great. . . Díaz has written. . . a mixture of straight-up English, Dominican Spanish, and hieratic nerdspeak crowded with references to Tolkien, DC Comics, role-playing games, and classic science fiction. . . In lesser hands Oscar Wao would merely have been the saddest book of the year. With Díaz on the mike, it's also the funniest." —Time

"Superb, deliciously casual and vibrant, shot through with wit and insight. The great achievement of The Brief Wondrous Life of Oscar Wao is Díaz's ability to balance an intimate multigenerational story of familial tragedy. . . The past and present remain equally in focus, equally immediate, and Díaz's acrobatic prose toggles artfully between realities, keeping us enthralled with all." —The Boston Globe

"Panoramic and yet achingly personal. It's impossible to categorize, which is a good thing. There's the epic novel, the domestic novel, the social novel, the historical novel, and the 'language' novel. People talk about the Great American Novel and the immigrant novel. Pretty reductive. Díaz's novel is a hell of a book. It doesn't care about categories. It's densely populated; it's obsessed with language. It's Dominican and American, not about immigration but diaspora, in which one family's dramas are entwined with a nation's, not about history as information but as dark-force destroyer. Really, it's a love novel. . . His dazzling wordplay is impressive. But by the end, it is his tenderness and loyalty and melancholy that breaks the heart. That is wondrous in itself." —Los Angeles Times

"Díaz's writing is unruly, manic, seductive. . . In Díaz's landscape we are all the same, victims of a history and a present that doesn't just bleed together but stew. Often in hilarity. Mostly in heartbreak." —Esquire

"The Dominican Republic [Díaz] portrays in The Brief Wondrous Life of Oscar Wao is a wild, beautiful, dangerous, and contradictory place, both hopelessly impoverished and impossibly rich. Not so different, perhaps, from anyone else's ancestral homeland, but Díaz's weirdly wonderful novel illustrates the island's uniquely powerful hold on Dominicans wherever they may wander. Díaz made us wait eleven years for this first novel and boom!—it's over just like that. It's not a bad gambit, to always leave your audience wanting more. So brief and wondrous, this life of Oscar. Wow." —The Washington Post Book World

"Terrific. . . High-energy. . . It is a joy to read, and every bit as exhilarating to reread." —Entertainment Weekly

"Now that Díaz's second book, a novel called The Brief Wondrous Life of Oscar Wao, has finally arrived, younger writers will find that the bar. And some older writers—we know who we are—might want to think about stepping up their game. Oscar Wao shows a novelist engaged with the culture, high and low, and its polyglot language. If Donald Barthelme had lived to read Díaz, he surely would have been delighted to discover an intellectual and linguistic omnivore who could have taught even him a move or two." —Newsweek

"Few books require a 'highly flammable' warning, but The Brief Wondrous Life of Oscar Wao, Junot Díaz's long-awaited first novel, will burn its way into your heart and sizzle your senses. Díaz's novel is drenched in the heated rhythms of the real world as much as it is laced with magical realism and classic fantasy stories." —USA Today

"Dark and exuberant. . . this fierce, funny, tragic book is just what a reader would have hoped for in a novel by Junot Díaz." —Publishers Weekly

Read more


Sample

ONE

GhettoNerd at the End of the World 1974–1987

THE GOLDEN AGE

Our hero was not one of those Dominican cats everybody’s always going on about—he wasn’t no home-run hitter or a fly bachatero, not a playboy with a million hots on his jock.

And except for one period early in his life, dude never had much luck with the females (how very un-Dominican of him).

He was seven then.

In those blessed days of his youth, Oscar was something of a Casanova. One of those preschool loverboys who was always trying to kiss the girls, always coming up behind them during a merengue and giving them the pelvic pump, the first nigger to learn the perrito and the one who danced it any chance he got. Because in those days he was (still) a “normal” Dominican boy raised in a “typical” Dominican family, his nascent pimp-liness was encouraged by blood and friends alike. During parties—and there were many many parties in those long-ago seventies days, before Washington Heights was Washington Heights, before the Bergenline became a straight shot of Spanish for almost a hundred blocks—some drunk relative inevitably pushed Oscar onto some little girl and then everyone would howl as boy and girl approximated the hip-motism of the adults.

You should have seen him, his mother sighed in her Last Days. He was our little Porfirio Rubirosa.

All the other boys his age avoided the girls like they were a bad case of Captain Trips. Not Oscar. The little guy loved himself the females, had “girlfriends” galore. (He was a stout kid, heading straight to fat, but his mother kept him nice in haircuts and clothes, and before the proportions of his head changed he’d had these lovely flashing eyes and these cute-ass cheeks, visible in all his pictures.) The girls—his sister Lola’s friends, his mother’s friends, even their neighbor, Mari Colón, a thirty-something postal employee who wore red on her lips and walked like she had a bell for an ass—all purportedly fell for him. Ese muchacho está bueno! (Did it hurt that he was earnest and clearly attention-deprived? Not at all!) In the DR during summer visits to his family digs in Baní he was the worst, would stand in front of Nena Inca’s house and call out to passing women—Tú eres guapa! Tú eres guapa!—until a Seventh-day Adventist complained to his grandmother and she shut down the hit parade lickety-split. Muchacho del diablo! This is not a cabaret!

It truly was a Golden Age for Oscar, one that reached its apotheosis in the fall of his seventh year, when he had two little girlfriends at the same time, his first and only ménage à trois. With Maritza Chacón and Olga Polanco.

Maritza was Lola’s friend. Long-haired and prissy and so pretty she could have played young Dejah Thoris. Olga, on the other hand, was no friend of the family. She lived in the house at the end of the block that his mother complained about because it was filled with puertoricans who were always hanging out on their porch drinking beer. (What, they couldn’t have done that in Cuamo? Oscar’s mom asked crossly.) Olga had like ninety cousins, all who seemed to be named Hector or Luis or Wanda. And since her mother was una maldita borracha (to quote Oscar’s mom), Olga smelled on some days of ass, which is why the kids took to calling her Mrs. Peabody.

Mrs. Peabody or not, Oscar liked how quiet she was, how she let him throw her to the ground and wrestle with her, the interest she showed in his Star Trek dolls. Maritza was just plain beautiful, no need for motivation there, always around too, and it was just a stroke of pure genius that convinced him to kick it to them both at once. At first he pretended that it was his number-one hero, Shazam, who wanted to date them. But after they agreed he dropped all pretense. It wasn’t Shazam—it was Oscar.

Those were more innocent days, so their relationship amounted to standing close to each other at the bus stop, some undercover hand-holding, and twice kissing on the cheeks very seriously, first Maritza, then Olga, while they were hidden from the street by some bushes. (Look at that little macho, his mother’s friends said. Que hombre.)

Read more


About the authors

Junot Díaz

Junot Díaz

Junot Díaz was born in the Dominican Republic and raised in New Jersey. He is the author of the critically acclaimed Drown; The Brief Wondrous Life of Oscar Wao, which won the 2008 Pulitzer Prize and the National Book Critics Circle Award; and This Is How You Lose Her, a New York Times bestseller and National Book Award finalist. He is the recipient of a MacArthur “Genius” Fellowship, PEN/Malamud Award, Dayton Literary Peace Prize, Guggenheim Fellowship, and PEN/O. Henry Award. A graduate of Rutgers College, Díaz is currently the fiction editor at Boston Review and the Rudge and Nancy Allen Professor of Writing at the Massachusetts Institute of Technology.

Read more


Reviews

Customer reviews

4.3 out of 5

7,903 global ratings

Eliana Yarian

Eliana Yarian

5

Funny and very detailed book

Reviewed in the United States on May 7, 2024

Verified Purchase

Love this book! The description is very funny and it gives a very good insight into. Dominican American culture. I can’t read two pages without laughing out loud! Great book!

Lisa Shea

Lisa Shea

5

Great Story - but requires Multi-Lingual ability

Reviewed in the United States on October 28, 2008

Verified Purchase

The most important thing to know about The Brief Wondrous Life of Oscar Wao by Junot Diaz is that it is a MULTI language book. Large portions of it are written in Spanish. There are also numerous other phrases and situations lifted from a number of sci-fi books, anime, manga, which form a language in and of themselves. You either need to know all of these worlds thoroughly to understand the book, or you need to have a "cliff notes" guide next to you and go back and forth between the book you're reading and the explanation of what the chapter actually meant.

The book is told from a number of points of view - Oscar, his sister Lola, his mother, even his grandmother and more. Each person tells a portion of the story from their own point of view and fills in more of the storyline. Oscar is an obese man of Dominican descent who takes refuge in a world of sci-fi and fantasy. He is picked on for his size and his depression and retreat make up the majority of this story. What makes up the other part is the history of the Dominican Republic. With many books you read the story and at the end all you've learned is about those fake characters and their lives. With this book, you really learn a lot about the Dominican Republic - something that most of us probably know nothing at all about. I give the book a lot of credit for all of the research and information it presents in a fun, enjoyable way. The use of footnotes to do it is a bit stilting at time, but it still is enriching to learn the history.

I really did enjoy the book greatly - but I also took six years of Spanish. I could understand what it was saying. I think the average non-Spanish speaker who is reading along about Beli working in a restaurant and hitting the phrase, "Oye, paraguayo, y que paso con esa esposa tuya? Gordo, no me digas que tu todavia tienes hambre?" are going to be sort of lost. I could see if they tossed in one-word in context words such as "Adios, see you later my friend!" However, the book goes FAR beyond that and often you need to know what the words mean to understand what is going on. There really should have been footnotes with translations - there are certainly enough footnotes with less important things story-wise.

In the same way, you miss a lot of the storyline if you haven't read certain books. For example, Oscar often speaks in Dune-language. He says at one point his grandmother "tried to use the Voice" on him. This is a power of the Bene Gesserit in Dune, where they could subtly control someone's actions by speaking in a certain way to them. In another part he is afraid, and starts quoting "Fear is the mind killer" which is the Bene Gesserit "Litany Against Fear". The whole litany gives a mental environment for handling fear, which the reader is expected to know and understand.

More people might get the Lord of the Rings references which are scattered around quite a lot, given the recent popularity of those movies. One woman is "ageless, the family's very own Galadriel," i.e. the Elven beauty from Lothlorien. Speaking of Lothlorien, another section of the book talks about how a woman "who with the elvish ring of her will had forged within Bani her own personal Lothlorien, knew that she could not protect the girl against a direct assault from the Eye." There's a lot of Lord of the Rings mythology wrapped up in that sentence that a non-LOTR reader would miss. Even more meaningful, when Oscar first read Lord of the Rings he choked at the line "and out of Far Harad black men like half-trolls" which represents an entire area of sociological discussion about how Tolkien handled dark skinned people.

This type of situation is everywhere. There are lines from Akira. Commentary from Star Wars. Lots of quick one-line references that bring with them a wealth of meaning, but if you don't have that background of literature in your history, you will miss what he's trying to say. I was lucky in that I am a huge sci-fi buff and also love anime, so I got a lot of those references, but it really makes me wonder 1) what I still might have missed and 2) how much others who have not read all these things are going to miss. Again, the book really needs a CliffNotes to go with it, so you can see what all the references meant in the chapter you just finished.

I didn't find any websites that do this type of breakdown, so maybe I should start one up! It really is needed, to get the full understanding of the plot and subtle meaning in what is being said.

Well recommended if you have that Spanish language background and sci-fi fantasy understanding. If you go into this without understanding Spanish and not having read any sci-fi, you're going to run into a lot you are confused by. You can either just accept that is going to happen or have a web browser nearby to help you translate.

Read more

77 people found this helpful

Brenda H.

Brenda H.

5

Junot Diaz's broader vision of the American experience

Reviewed in the United States on May 23, 2013

Verified Purchase

Junot Diaz stretches our understanding of what it is to be an American. He helps us view our heritage through the lives of his characters and their ancestors, fully realized figures who experience the governmental and social turmoil of the Dominican Republic's past. The Revolutionary War is not the entire story of America's violent beginnings. The destructive history of the Dominican Republic born in the days when Christopher Columbus first stepped onto its shores impacts the current lives of Oscar Wao and his family.

Another major force working in this book is the quest of Oscar Wao simply to love and be loved for and as himself, intimately and completely. Why is this so hard for someone so sweet of temperament with such intelligence and depths of perception? Oscar is, after all, a gifted and talented writer. What is it to be a man, especially as defined by Hispanic culture? What does it take to get someone to overcome a lifetime of inertia and help himself to experience all that each and every human being has a basic human need, desire, and a right to enjoy?

These are just a few of the many and varied themes that Diaz explores in depth in this outstanding novel. The writing is fresh, original, and thoroughly enjoyable. Nicely paced.

This novel was a book group selection here at our local library. Some members of our group gave up reading the novel part way through mostly, I think, because of their reading experiences being limited to particular genres. After hearing the group's lively discussion, one person expressed the wish that she had seen it through.

One can be daunted by the Spanish phrases (and occasional references to literary, movie, or TV heroes) used by the characters and narrator to varying degrees throughout the text. They occur naturally and it would have been a great injustice to the work not to have employed them.

There are two easy solutions to this. One is to just go on reading and simply gain meaning through context. I found this functioned well with very little lost in overall plot and meaning.

Secondly, there are also some great online resources for the reading of this book which will conveniently translate, define, and otherwise explain references to Tolkien's works, etc. chapter by chapter. The meanings of individual sentences are thereby enhanced, but if one stops for each and every unknown Spanish term or literary reference, the enjoyment of the very act of reading and "listening" to the narrator as he shares his story becomes somewhat burdensome. For this reason, I suggest finding a middle ground between the two methods of reading. Use mostly context, and refer to a guide only when feeling really stumped.

Do not let that little caveat to reading keep you from enjoying this wonderful book.

Junot Diaz has so much to offer us In "The Brief Wondrous Life of Oscar Wao" that it may well change for the better the way you view your family, your neighbors, and the little daily interactions that become the sum total of our lives.

Read more

5 people found this helpful

More reviews