The Handmaid's Tale
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The Handmaid's Tale

by

Margaret Atwood

(Author)

4.3

-

153,108 ratings


#1 NEW YORK TIMES BESTSELLER • An instant classic and eerily prescient cultural phenomenon, from “the patron saint of feminist dystopian fiction” (The New York Times). Now an award-winning Hulu series starring Elizabeth Moss.

Look for The Testaments, the bestselling, award-winning the sequel to The Handmaid’s Tale

In Margaret Atwood’s dystopian future, environmental disasters and declining birthrates have led to a Second American Civil War. The result is the rise of the Republic of Gilead, a totalitarian regime that enforces rigid social roles and enslaves the few remaining fertile women. Offred is one of these, a Handmaid bound to produce children for one of Gilead’s commanders. Deprived of her husband, her child, her freedom, and even her own name, Offred clings to her memories and her will to survive. At once a scathing satire, an ominous warning, and a tour de force of narrative suspense, The Handmaid’s Tale is a modern classic.

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ISBN-10

038549081X

ISBN-13

978-0385490818

Print length

311 pages

Language

English

Publisher

Vintage

Publication date

March 15, 1998

Dimensions

5.18 x 0.71 x 7.98 inches

Item weight

8.4 ounces


Popular Highlights in this book

  • Better never means better for everyone, he says. It always means worse, for some.

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  • We lived, as usual, by ignoring. Ignoring isn’t the same as ignorance, you have to work at it.

    Highlighted by 29,293 Kindle readers

  • How easy it is to invent a humanity, for anyone at all. What an available temptation.

    Highlighted by 22,464 Kindle readers


Product details

ASIN :

B003JFJHTS

File size :

3032 KB

Text-to-speech :

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Editorial Reviews

"A novel that brilliantly illuminates some of the darker interconnections between politics and sex . . . Just as the world of Orwell's 1984 gripped our imaginations, so will the world of Atwood's handmaid!" —The Washington Post Book World

"The Handmaid's Tale deserves the highest praise." —San Francisco Chronicle

"Atwood takes many trends which exist today and stretches them to their logical and chilling conclusions . . . An excellent novel about the directions our lives are taking . . . Read it while it's still allowed." —Houston Chronicle

"Splendid." —Newsweek


Sample

I Night

We slept in what had once been the gymnasium. The floor was of varnished wood, with stripes and circles painted on it, for the games that were formerly played there; the hoops for the basketball nets were still in place, though the nets were gone. A balcony ran around the room, for the spectators, and I thought I could smell, faintly like an afterimage, the pungent scent of sweat, shot through with the sweet taint of chewing gum and perfume from the watching girls, felt-skirted as I knew from pictures, later in miniskirts, then pants, then in one earring, spiky green-streaked hair. Dances would have been held there; the music lingered, a palimpsest of unheard sound, style upon style, an undercurrent of drums, a forlorn wail, garlands made of tissue-paper flowers, cardboard devils, a revolving ball of mirrors, powdering the dancers with a snow of light.

There was old sex in the room and loneliness, and expectation, of something without a shape or name. I remember that yearning, for something that was always about to happen and was never the same as the hands that were on us there and then, in the small of the back, or out back, in the parking lot, or in the television room with the sound turned down and only the pictures flickering over lifting flesh.

We yearned for the future. How did we learn it, that talent for insatiability? It was in the air; and it was still in the air, an afterthought, as we tried to sleep, in the army cots that had been set up in rows, with spaces between so we could not talk. We had flannelette sheets, like children’s, and army-issue blankets, old ones that still said U.S. We folded our clothes neatly and laid them on the stools at the ends of the beds. The lights were turned down but not out. Aunt Sara and Aunt Elizabeth patrolled; they had electric cattle prods slung on thongs from their leather belts.

No guns though, even they could not be trusted with guns. Guns were for the guards, specially picked from the Angels. The guards weren’t allowed inside the building except when called, and we weren’t allowed out, except for our walks, twice daily, two by two around the football field, which was enclosed now by a chain-link fence topped with barbed wire. The Angels stood outside it with their backs to us. They were objects of fear to us, but of something else as well. If only they would look. If only we could talk to them. Something could be exchanged, we thought, some deal made, some tradeoff, we still had our bodies. That was our fantasy.

We learned to whisper almost without sound. In the semidarkness we could stretch out our arms, when the Aunts weren’t looking, and touch each other’s hands across space. We learned to lip-read, our heads flat on the beds, turned sideways, watching each other’s mouths. In this way we exchanged names, from bed to bed:

Alma. Janine. Dolores. Moira. June.

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About the authors

Margaret Atwood

Margaret Atwood

Margaret Atwood is the author of more than fifty books of fiction, poetry and critical essays. Her novels include Cat's Eye, The Robber Bride, Alias Grace, The Blind Assassin and the MaddAddam trilogy. Her 1985 classic, The Handmaid's Tale, went back into the bestseller charts with the election of Donald Trump, when the Handmaids became a symbol of resistance against the disempowerment of women, and with the 2017 release of the award-winning Channel 4 TV series. ‘Her sequel, The Testaments, was published in 2019. It was an instant international bestseller and won the Booker Prize.’

Atwood has won numerous awards including the Booker Prize, the Arthur C. Clarke Award for Imagination in Service to Society, the Franz Kafka Prize, the Peace Prize of the German Book Trade and the PEN USA Lifetime Achievement Award. In 2019 she was made a member of the Order of the Companions of Honour for services to literature. She has also worked as a cartoonist, illustrator, librettist, playwright and puppeteer. She lives in Toronto, Canada.

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Reviews

Customer reviews

4.3 out of 5

153,108 global ratings

Trick Brown

Trick Brown

5

A thoughful read, if and only if, you think about it.

Reviewed in the United States on August 11, 2013

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The Handmaid's Tale is a relatively "old" book in that it was first published in 1985, but it is still popular/well-known. This is not surprising as Margaret Atwood is one of those author’s whose work will endure as "literature" and she will still be well known in 100 years. That is, unless the Handmaid's Tale is prophetic and all secular literature is burned.

Don't worry, it won't be. However, it does have some elements that could be argued as being a caricature of modern day happenings. There are plenty of reviews out there that give a run down of the plot and how they feel it's all happening right now. No doubt many of these reviews are from women, and justifiably so since this book "speaks to them". So I'm going to discuss the subtext of the novel, and hopefully, I can get a few guys to read this book because there is stuff in it for them.

The background story is that The United States has been taken over by religious fundamentalists. The religion is never mentioned by name, but it is clearly Christian/Jewish/Islamic. When it comes to their respective flavors of fundamentalism, they all bear a striking resemblance to one another whether they want to admit it or not. This is not surprising, since they all worship the same god and use overlapping religious texts. If you're curious about the tale of how this happened, this is not the book for you. After all, this is the Handmaid's Tale. All you get is the story of one woman starting probably about 10 years after an event called "The President's Day Massacre", i.e. the coup where the fundamentalists took over.

Personally, I do not think such a regime could take over in such a simple manner, but what followed after the coup is more plausible. As I said, we don't get much of this story directly, but we hear snippets of how, slowly, over the course of weeks and months, oppressive policies are implemented and they are always implemented for the same reasons that such policies are implemented today. Namely, the safety of the public, the betterment of society, etc. At the same time, women are slowly and unequally stripped of their rights.

If you think that women could never be usurped of their identities in this way, and no one would stand for it, blah, blah, blah. You are wrong. All it takes is the right social pressure. Imagine a scenario where the number of women capable of bearing children is cut to a small percentage. They then become a "national resource". (My words, not the author's.) When it comes to resources, there will always be people (usually men, and this is coming from a man) in power who will want to exploit and seize control of such resources. This is how such things can happen. And this is the scenario used by Atwood in The Handmaid's Tale.

When I was younger, I probably would never have bought that line of reasoning and not terribly enjoyed this story. As I've aged to a venerable 40 years and some of my Platonic idealism has tarnished, I have learned to accept that "the masses" don't get as outraged as individuals do. Most of the time, groups of people are scared when it comes to dramatic change and accept it if fed the line that it is temporary and for the good of all. Most of the time, these changes are never about being for the good of all, they are simply about control.

A past example to show even women are not above this: The Temperance movement to abolish alcohol. Propelled by religious minded women, fresh with their new ability to vote. Despite Jesus being pro-wine they felt it their duty to rid the world of drink. You can argue the details all you want, but at the end of the day, it was about asserting power and control.

A modern example: For the past 12 years, the U. S. citizens have been force fed the line that we are all living under a faceless threat of "Terror" and in this time we have fought two wars, one of which we are still fighting, and most of us don't really know why, other than we are "fighting terror". These wars are not as openly covered as the Vietnam War, because our government has learned that atrocities that are not visited daily are quickly forgotten because people prefer to stick their head in the sand. And so people forget. They don't get outraged. They simply accept the situation because it is supposedly temporary, for the good of us all, for all our safety, blah, blah, blah. What are we looking to control? Some say oil, others say that the area is strategically located real estate. Regardless, it is about control.

So do I think a "fast coup" could take over and make such radical changes? No. But a slow insidious change over the course of a decade or two? Well, I have seen it with my own eyes, so yes, the scenario in The Handmaid's Tale is plausible to me, but I know that such a shift would happen over years, not months. Anyone who thinks otherwise is sticking their fingers in their ears, closing their eyes, and repeating the above blah, blah, blahs.

A possible future example that's been a long time in the making: During the 80's (my youth) religious fundamentalists (in this country) blew up abortion clinics because they were outraged and wanted change. Presumably, they wanted things to return to the way they were when abortions were illegal, in back allies with coat hangers. Just in my lifetime, they have since learned that getting people upset only motivates them to stand with or against you. And if you're the one blowing up teenagers, it's tough to motivate people to stand with you. They have taken their fight political, a realm where everybody's eyes glaze over and become dispassionate, and they have slowly set about making laws against birth control and abortion clinics. As someone who is pro-choice, I can't say all of these laws are bad. Many are simply requiring clinics to uphold standard medical cleanliness practices. The laws that really hurt, are the laws that reduce or eliminate funding preventing the clinics from having the money to be able to upgrade their facilities and are forced to shut down. You can tell this is about the control of others and not about any religious objection because the number one cited religious reason is the belief that life begins at conception. Rather than supporting research for birth control that simply prevents conception, they politically attack all avenues of abortion and birth control. So even if you address their concerns, it does not change the way they behave.

Leaving the examples and subtext behind, back to the story at hand. The Handmaid's Tale is true literature, thus by practical definition, this makes the story a little slow and boring at points. When I was in college, I had to take plenty of slow and boring classes that I thought were of minimal value. However, I quickly learned that it is possible to garner lessons from and learn something from every class and that is what I set out to do. I took it upon myself to walk away with something for my time and money. This book requires that same model of thought. Even after 28 years, there is a wealth of intriguing thought experiments that went into the writing of this story and a similar trove for those willing to consider the next step of reasoning, but you have to be willing to dig for that gold.

And there you have it. The subtext of The Handmaid's tale is a marvellously thought provoking book about the subtleties that go into how societies change, but if you're not interested in thinking, move on to something formulated for entertainment purposes this is not the novel for you.

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102 people found this helpful

Marleen

Marleen

5

A Stark, Important and Thought-Provoking Tale

Reviewed in the United States on October 24, 2018

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Nolite to bastardes carborundorum

I’ve just added this title to my list of ‘extra special’ books, but somehow that label doesn’t fit right for The Handmaid’s Tale. Don’t get me wrong. It is without a doubt a fabulous work of fiction, superbly written, and with an unforgettable storyline. But ‘extra-special’ to me indicates something wonderful, pleasant. And nothing about this book can be described as pleasant. The words stark, horrific, prophetic, terrifying and too-close-for-comfort spring to mind.

I read this book before. I think it may have been fifteen years ago. The story, for the most part, stuck with me. But, I have to admit that it could almost have been two different books—they certainly were two very different reading experiences. All those years ago I read a fascinating piece of speculative, dystopian fiction. Even then it felt all too plausible, but not in an immediate way.

Re-reading the book now, given the political climate we now find ourselves living with, the story feels less speculative, almost less fictional. It doesn’t take a huge stretch of the imagination anymore to visualize a scenario as we encounter in this book, unfolding around us in real time.

“Ordinary is what you are used to. This may not seem ordinary to you now, but after a time it will. It will become ordinary.”

There is so much in this book to scare a person witless. You read this book and you can imagine how it might happen, and worse, how it might swallow you up too. There’s an insidious quality to this story, making the outrageous borderline logical, acceptable even. I found myself reading certain sections several times, knowing that what I’d read was wrong, but having a hard time pinpointing exactly why or where. I’m not sure whether I’m impressed or horrified that this book made me understand how people get drawn in to, and learn to live with, a situation that’s against their personal best interest.

“We lived, as usual, by ignoring. Ignoring isn’t the same as ignorance, you have to work at it. Nothing changes instantaneously.”

But, think about it. In a time when humanity is threatened because fertility is down, doesn’t it make sense to mobalize those women who are still able to give birth? Just as countries have for centuries mobilized men (and more recently women) in times of war?

“Already we were losing the taste for freedom, already we were finding these walls secure.”

And that’s of course another worrying truth. While people may say they value their freedom, far too many seem to find comfort in being told what to do, think, and say. Humanity is supposed to stand out among mammals because of our capacity for independent thought, but all too often and all too many of us prefer to live without thinking too hard, happy to ‘follow orders’ without contemplating the consequences—for ourselves and for others.

There was so very much in this story that horrified me and made me angry. But there was only one section that truly broke my heart: when Offred apologies, near the end of the book. Apologizes for acting on the need to connect with another.

While I’m sad that the story doesn’t reveal what really happened to Offred, or even whether the end of her story is positive or negative, I do appreciate it was the perfect way to conclude the tale. An answer to the ‘what happened next’ question, regardless of what that answer would have been, would have robbed this story of much of its power. It is because the story ends the way it does that I found myself going over what I’d read and what I hoped/feared/imagined followed Offred’s tale.

This is, without a doubt, one of the best books I’ve ever read. It is also among those stories that stay with me forever, because it is too unique, too shocking, and/or too thought-provoking to ever fade.

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484 people found this helpful

Reads4Fun

Reads4Fun

5

Perfect and prescient for these times. READ it.

Reviewed in the United States on September 7, 2019

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I will admit - Over the years, 'Handmaid' was one of those books everyone had told me just HAD to be read - but with the clear discomfort they'd show in saying that, I always thought - Nope; not for me. I'm just not one for the whole dystopian thing; I need to see some light at the end of the tunnel. Fast forward to last week - this book being required for my daughter's Eng Lit class, and sitting available while I was at loose ends in a Starbucks for several hours - I thought, Why not?... and how glad I am, that I had those few hours. Wow. I was gone, hook line and sinker, from the first page on.

Handmaid is set in, yes, a dystopian future in which women's place in the world has been subverted, through various events which resonate awfully closely with current times. The story picks up at the moment when Offred (a concatenation of her "owner's" name and her position in this society) is assigned to a new home in a city in America, for reasons that become all too clear within a few short pages. Her experiences within this new environment, interwoven with her recollection of her past before this societal apocalypse, unveil themselves like the layers of an onion - a never-ending interweaving of recollections and current experiences which, in their close parallels with so much that seems to be happening in our current world, make it not just an uncomfortable read, as so many other reviewers have said; but an eerily prescient one for these times.

I could go on about that aspect of what makes this such a valuable read for any person over the age of 10 years old, but I'm quite sure many of the 1,000 + prior reviewers will have spoken to that far more effectively than I ever could. But for me, what makes this book so great is the Voice that the protagonist gains as she struggles in such a harsh, unforgiving, and shockingly cruel environment - the brutal honesty with which that voice speaks to the horrors and impossible personal choices that any of us would have to make, faced with such a savagely misogynistic society. There is no turning away from those realities in this book; Offred is, clearly, no better than any of us; but, she is, perhaps, more honest about her choices than any of us would ever manage to be. She has no roads but dead ends; no feelings but pain, isolation, and tragic loss; in a society which both reviles her and yet absolutely, completely, stunningly, needs her.

And yet. There is compassion - much compassion - in this book not just for Offred but for each of her persecutors; and a perfectly clear view, of each person in Offred's life, from the patriarchy which dictates every aspect of the lives of the Americans; to the women with whom she is forced to share the household; to the man who runs their lives - and in theory owns Offred, body and soul. Margaret Atwood has managed to capture the complete horror of this situation and yet the complete spectrum of needs and innate humanness - warts and all - of each of the players in this world, speaking with true sight not only about what they each do, but the real WHY of it, like a series of ornate but utterly constrained chess pieces moved about in a deadly game by unseen hands.

Atwood's brilliance with the written word, the layers of meaning she assigns to so many individual words, is a both a challenge and a complete delight, no matter how difficult the topics she makes us consider. Each page is like unwrapping a gift of many layers of brightly colored paper, never knowing what you will ultimately find inside: something to treasure, or something to fear. Offred's voice and her observations of self, other, and society are so clear and beautiful, so bleak, sad and yet hopeful - so compelling - in making us see these people. There are many phrases and visions Atwood has generated that will stay with me, now, for life. I cannot say I am in all cases glad of that - but I know i am richer for it. And in reading many of the current, more negative responses of the Amazon reading community, I cannot help but wonder if their dislike of the book is in many cases driven precisely from Atwood's artistry with words. She holds up not a picture for us to view, but a mirror to reflect realities that in many cases no one in their right mind would want to see - they are far too close, too personal, too true. And yet - we MUST look.

I do not see, as some others do, a depressing endgame in this book; quite the opposite. Offred's determination to survive no matter what the cost and her slow but relentless growth to her own form of power and eventual rebellion, is not so much a story as a roadmap. We could all do well by, like Offred, looking with clear eyes at this dystopian imagining. If, at the end of the day, this book leaves you uncomfortable or depressed or angry - good, if at the same time it also manages to leave you unsettled. Atwood's intent was never to entertain you but to inform you - and that, she does with a master's deft hand.

Three days and counting. What will we learn in Atwood's new book? I look forward, with a perfectly uncomfortable blend of anticipation and anxiety, dread and hope, to the answer to that question.

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25 people found this helpful

Eric K.

Eric K.

4

A Prescient Tale

Reviewed in the United States on September 1, 2017

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If you don't already know, this is a dystopian novel (a la

7 people found this helpful

GracieKat

GracieKat

3

A Reader's Nightmare

Reviewed in the United States on March 10, 2015

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There may be possible light spoilers ahead: Read at your own risk!

As scary as the whole total subjugation of the female species would be I was honestly just as appalled by the fact that women were not allowed to read. I could think of nothing more boring than that.

That out of the way my opinion of the book is mixed. It is written as though in present tense but, as you find out later, it is not. The effect of that is that the memories that she is recalling do not seem immediate or intense at all. Her missing her husband and longing for her child just do not resound with the reader because she barely sounds like she misses them. The narrative skips around a lot, back and forth through time, often from paragraph to paragraph so if that and things like dropped quotation marks bug you then this may not be the book for you. However, it does fit with the way the story is told. One thing that bothered me a lot was her dangling information just out of your reach. Purposely. And to the point it got very irritating. Want to know that happens to Offred? Too bad. How about Luke and their daughter? Nope. Nick? What the women got hung for? Anything that might have raised a spark of curiosity? Nope, nope and nope again. And what is really infuriating is that she wrote an afterword, as though scholars were studying the Gileadean society. She could have used this as an opportunity to answer some of the questions she raises but no, just takes it as an opportunity to rub our noses in the fact that yet again she decides to withhold information. Which would have felt a little cheap but would have been better than nothing. Two things I found very disturbing about the book. The first is the way the women treated each other. Even though the other women had basically been ripped from their lives as well ( The cooks and the housekeepers and so on) they seem to be pretty laid-back as to what has happened to them and to adjust pretty quickly. And everyone looks down on and seems to scorn the Handmaidens. Even though they (the Handmaidens) have been ripped from their lives and families and pretty much forced into a rape contract where if they don't reproduce they will be killed, the other women in the novel show an amazing lack of compassion. For each other, also. It is made clear that the Wives hate the Handmaidens but almost seem to act like they wanted to become breeders. I actually found that the most disturbing of all. Maybe I think to well of the human race but I would hope that in a similar situation the women would at least have an iota of compassion towards each other. The other thing is that the book pretty much sends the message that the men in your life, no matter what, will jump at the chance to disempower you and enjoy your subjection. Even the good ones secretly want it.

There are also some plot holes that since she doesn't seem to want to answer questions about it remain gaping. For instance: The reasoning behind the Handmaids is that there aren't enough children and that everyone desperately wants one. Ok, fine. But then you learn about an unofficial Commander's club called Jezebel's which is basically a brothel. It is stated that all of the women that work there have had an operation to prevent getting pregnant because "think of what kind of problems that would cause" in the words of one character. Um, I don't really get that. Everyone is so desperate for children yet they are cutting off a very large avenue of reproduction. That is one of the questions but there are many more like it. It almost feels like the author couldn't think of workable solutions and so just left it vague.

All of this may sound like I did not like the book but I did. It's a good book, it just has its problems.

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9 people found this helpful

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