The Liars' Club: A Memoir
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The Liars' Club: A Memoir

by

Mary Karr

(Author)

4.2

-

3,847 ratings


#4 on The New York Times’ list of The 50 Best Memoirs of the Past 50 Years

The New York Times bestselling, hilarious tale of a hardscrabble Texas childhood that Oprah.com calls the best memoir of a generation

“Wickedly funny and always movingly illuminating, thanks to kick-ass storytelling and a poet’s ear.” —Oprah.com

The Liars’ Club took the world by storm and raised the art of the memoir to an entirely new level, bringing about a dramatic revival of the form. Karr’s comic childhood in an east Texas oil town brings us characters as darkly hilarious as any of J. D. Salinger’s—a hard-drinking daddy, a sister who can talk down the sheriff at age twelve, and an oft-married mother whose accumulated secrets threaten to destroy them all. This unsentimental and profoundly moving account of an apocalyptic childhood is as “funny, lively, and un-put-downable” (USA Today) today as it ever was.

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ISBN-10

0143035746

ISBN-13

978-0143035749

Print length

352 pages

Language

English

Publisher

Penguin Books

Publication date

May 30, 2005

Dimensions

7.76 x 5.08 x 0.83 inches

Item weight

8.8 ounces


Product details

ASIN :

B008LY24II

File size :

1928 KB

Text-to-speech :

Enabled

Screen reader :

Supported

Enhanced typesetting :

Enabled

X-Ray :

Enabled

Word wise :

Enabled


Editorial Reviews

"The essential American story ... a beauty." —Jonathan Yardley, The Washington Post Book World "Astonishing ... one of the most dazzling and moving memoirs to come along in years." —Michiko Kakutani, The New York Times

"This book is so good I thought about sending it out for a backup opinion...it's like finding Beethoven in Hoboken. To have a poet's precision of language and a poet's insight into people applied to one of the roughest, toughest, ugliest places in America is an astonishing event." —Molly Ivins, The Nation

"9mm humor, gothic wit, and a stunning clarity of memory within a poet's vision.... Karr's unerring scrutiny of her childhood delivers a story confoundingly real." —The Boston Sunday Globe

"Overflows with sparkling wit and humor.... Truth beats powerfully at the heart of this dazzling memoir." —San Francisco Chronicle


Sample

CHAPTER 1

My sharpest memory is of a single instant surrounded by dark. I was seven, and our family doctor knelt before me where I sat on a mattress on the bare floor. He wore a yellow golf shirt unbuttoned so that sprouts of hair showed in a V shape on his chest. I had never seen him in anything but a white starched shirt and a gray tie. The change unnerved me. He was pulling at the hem of my favorite nightgown—a pattern of Texas bluebonnets bunched into nosegays tied with ribbon against a field of nappy white cotton. I had tucked my knees under it to make a tent. He could easily have yanked the thing over my head with one motion, but something made him gentle. “Show me the marks,” he said. “Come on, now. I won’t hurt you.” He had watery blue eyes behind thick glasses, and a mustache that looked like a caterpillar. “Please? Just pull this up and show me where it hurts,” he said. He held a piece of hem between thumb and forefinger. I wasn’t crying and don’t remember any pain, but he talked to me in that begging voice he used when he had a long needle hidden behind his back. I liked him but didn’t much trust him. The room I shared with my sister was dark, but I didn’t fancy hiking my gown up with strangers milling around in the living room.

It took three decades for that instant to unfreeze. Neighbors and family helped me turn that one bright slide into a panorama. The bed frame tilted against the wall behind the doctor had a scary, spidery look in the dark. In one corner, the tallboy was tipped over on its back like a stranded turtle, its drawers flung around. There were heaps of spilled clothes, puzzles, comics, and the Golden Books I could count on my mom to buy in the supermarket line if I’d stayed in the carriage. The doorway framed the enormous backlit form of Sheriff Watson, who held my sister, then nine, with one stout arm. She had her pink pajamas on and her legs wrapped around his waist. She fiddled with his badge with a concentration too intense for the actual interest such a thing might hold for her. Even at that age she was cynical about authority in any form. She was known for mocking nuns in public and sassing teachers. But I could see that she had painted a deferential look on her face. The sheriff’s cowboy hat kept the details of his expression in deep shadow, but I made out a sort of soft half-smile I’d never seen on him.

I had a knee-jerk fear of the sheriff based on my father’s tendency to get in fights. He’d pull open the back screen with knuckles scraped and bleeding, then squat down to give instructions to me and Lecia (pronounced, she would have me tell you, “Lisa”). “If the sheriff comes by here, you just tell him you ain’t seen me in a few days.” In fact, the sheriff never came by, so my ability to straight-faced lie to the law was never tested. But just his presence that night flooded me with an odd sense: I done something wrong and here’s the sheriff. If I had, that night, possessed a voice, or if anyone nearby felt like listening, that’s what I might have said. But when you’re a kid and something big is going on, you might as well be furniture for all anybody says to you.

It was only over time that the panorama became animate, like a scene in some movie crystal ball that whirls from a foggy blur into focus. People developed little distinct motions; then the whole scene jerked to smooth and sudden life. Sheriff Watson’s jaw dipped into the light and returned to shadow with some regularity as he said things that I couldn’t hear to my blond, suddenly cherubic-acting sister. Some firemen wearing canarycolored slickers started to move through the next room, and Dr. Boudreaux’s thick fingers came again to rub the edge of my speckled nightgown the way old ladies at the five-and-dime tested yard goods. There must have been an ambulance outside, because at intervals big triangles of red light slashed across the room. I could almost feel them moving over my face, and in the window, through a web of honeysuckle, I saw in my own backyard flames like those of a football bonfire.

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About the authors

Mary Karr

Mary Karr

Mary Karr's first memoir, The Liar's Club, kick-started a memoir revolution and won nonfiction prizes from PEN and the Texas Institute of Letters. Also a finalist for the National Book Critics Circle Award, it rode high on the New York Times bestseller list for over a year, becoming an annual "best book" there and for The New Yorker, People, and Time. Recently Entertainment Weekly rated it number four in the top one hundred books of the past twenty-five years. Her second memoir, Cherry, which was excerpted in The New Yorker, also hit bestseller and "notable book" lists at the New York Times and dozens of other papers nationwide. Her most recent book in this autobiographical series, Lit: A Memoir, is the story of her alcoholism, recovery, and conversion to Catholicism. A Guggenheim Fellow in poetry, Karr has won Pushcart Prizes for both verse and essays. Other grants include the Whiting Award and Radcliffe's Bunting Fellowship. She is the Peck Professor of Literature at Syracuse University.

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Reviews

Customer reviews

4.2 out of 5

3,847 global ratings

D. Gordon-Brown

D. Gordon-Brown

5

Brilliant!

Reviewed in the United States on February 12, 2024

Verified Purchase

A beautiful, wonderfully told memoir of a painful childhood written wit tenderness and humor. Couldn’t put it down. Have now read it twice.

Ken Gullette

Ken Gullette

5

Best Memoir I Have Ever Read

Reviewed in the United States on May 12, 2021

Verified Purchase

I didn't just read this book. I recognized how good it is immediately. I was completely taken by surprise by the poetic and funny writing, outlining Mary's childhood in a dysfunctional family; so captivated that I found myself underlining passages and the wonderful way she describes everything, such as when her father came home. She didn't have to write that he was drunk. Instead, she writes, "Every now and then he'd come home lurching around like a train conductor." The image made me stop, laugh, and marvel, and it happened throughout the book. It is a true pleasure, such as when she said something to a neighbor after he got after her for shooting his son with a b-b gun. She writes, "And I came back with a reply that the aging mothers in that town still click their tongues about." This is the best memoir I have ever read, and I have ordered her sequels. I recommended this to my friends and the ones who bought it are raving about it.

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4 people found this helpful

Pam

Pam

5

Enjoyable Read

Reviewed in the United States on March 12, 2024

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I thoroughly enjoyed reading The Liars’ Club and will be moving to her next memoir of her series right away. I especially loved Karr’s detailed description of her own character as a child. She was authentic and brutally honest throughout. Her prose was at times a bit over the top, almost like too much spice in a recipe, but that’s just individual taste.

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Bette Hayward

Bette Hayward

4

Classic Memoir that Other Memoirs Reference

Reviewed in the United States on June 12, 2014

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If you're into reading personal memoirs (we used to call them auto-biography, but that designation seems to be passé today), you already know that The Liars' Club is often mentioned in the reviews (by way of comparison). It is gritty, down-to-earth and I could tell the author put her heart and soul into its telling. Some of the telling seemed redundant at points and the detail about Southeast Texas & Louisiana life was overlong. However, I can't deny that the story itself was compelling (if not maddening in many places); also the same character that infuriated me throughout the telling, in the end, made me cry. It was sometimes also difficult to comprehend that so many awful incidents could happen to one child (does the title have an ironic relation to the telling of the story itself?); however, if there were no embellishments, then this truly is a story of grit, survival and sharing--so that anyone who had similar growing-up experiences could feel the freedom of not going through hell alone.

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14 people found this helpful

Juliet Blake

Juliet Blake

3

Does the title give a valuable clue?

Reviewed in the United States on August 6, 2001

Verified Purchase

The majority of this memoir recounts a period in the author's childhood where she was around 5 years old, or thereabouts. As I was reading this book, I kept going around and around about how much of this is downright fabricated and in fact the work of a very skillful writer? Yet all the loose ends tie up at the end. Hmm, don't know what to think. It's not a pretty story and not for the faint of heart. I can be a pretty tough old bird, and some of her descriptions were downright shocking. This book was recommended to me by an author, and I was told it had one funny one-liner after the next, flat out great writing--read it immediately! I didn't want to tell this person, that I didn't laugh but once (the humor is dark) and I thought, Geez, this writer should be put in the corner with Salinger and Henry Miller (w/o all the four-letter obscenities) as far as salty prose goes. If that is your cup of tea, then give this book a try. After all is said and done, it is a page-turner, it keeps your interest, and even has a sort of moving twist at the end. It's a well-written book; the style will not be for everyone.

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71 people found this helpful

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