These Girls: A Novel by Sarah Pekkanen
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These Girls: A Novel

by

Sarah Pekkanen

(Author)

4

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914 ratings


Internationally bestselling author Sarah Pekkanen examines the lives of three women working and living together in New York City and shows that family secrets may shape us all, but it’s the rich, complicated layers of friendship that can save us.

Family secrets may shape us all, but it’s the rich, complicated layers of friendship that can save us.

Cate, Renee, and Abby have come to New York for very different reasons, and in a bustling city of millions, they are linked together through circumstance and chance.

Cate has just been named the features editor of Gloss, a high-end lifestyle magazine. It’s a professional coup, but her new job comes with more complications than Cate ever anticipated.

Her roommate Renee will do anything to nab the plum job of beauty editor at Gloss. But snide comments about Renee’s weight send her into an emotional tailspin. Soon she is taking black market diet pills—despite the racing heartbeat and trembling hands that signal she’s heading for real danger.

Then there’s Abby, whom they take in as a third roommate. Once a joyful graduate student working as a nanny part time, she abruptly fled a seemingly happy life in the D.C. suburbs. No one knows what shattered Abby—or why she left everything she once loved behind.

Pekkanen’s most compelling, true-to-life novel yet tells the story of three very different women as they navigate the complications of careers and love—and find the lifeline they need in each other.

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ISBN-10

1451612540

ISBN-13

978-1451612547

Print length

336 pages

Language

English

Publisher

Atria Books

Publication date

April 09, 2012

Dimensions

5.44 x 0.9 x 8.25 inches

Item weight

9.6 ounces


Product details

ASIN :

B005GG0JI6

File size :

5523 KB

Text-to-speech :

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Editorial reviews

"Sarah Pekkanen's latest celebrates the healing power of female friendship for three very different young women sharing a New York City apartment. At turns bittersweet, laugh-out-loud funny, and painfully real, you'll wish you could move in with these girls." —Jodi Picoult, New York Times bestselling author of Lone Wolf and Sing You Home

“The honesty and complexity that Sarah Pekkanen brings to her three main characters in These Girls is impressive and rare. You can't help but root for each one of them as they struggle to strike that elusive balance between professional success and personal happiness. The bonds among Pekkamen's female heroines will have you reaching for the phone to hold your own best girlfriends a little closer.” –Nicolle Wallace, New York Times bestselling author of Eighteen Acres

"In These Girls, Sarah Pekkanen again proves her innate understanding of women's relationships. With a style that's both wry and heartfelt, readers will absolutely recognize themselves and their friendships on the pages. These Girls is lively and engaging and ultimately satisfying, so get comfortable because you won't be able to put it down!" –Jen Lancaster, author of Bitter Is the New Black

"A fun and engaging romp...Pekkanen's authorial voice is sweetly snappy, the plot is character-driven, and the book ends satisfactorily without tying up every loose end. Fans of Sophie Kinsella and Jennifer Close will enjoy this refreshingly introspective, sharply realistic, and tenderly humorous novel." —Booklist

"Pekkanen’s characters are sympathetic and familiar, and readers are likely to identify with aspects of each protagonist. Fans of Jennifer Weiner, Sarah Dessen, Liza Palmer, and Emily Giffin will strongly appreciate this smart novel by a rising star in women’s fiction." —Library Journal

"At turns btitersweet, laugh-out-loud funny, and painfully real..." —Jodi Picoult, #1 New York Times bestselling author

"Pekkanen's latest celebrates the healing power of female friendship for three very different young women sharing a New York City apartment. You'll wish you could move in with these girls." —Jodi Picoult, #1 New York Times bestselling author

"The honesty and complexity in These Girls is impressive and rare. You can't help but root for each character as they struggle to strike that elusive balance between professional success and personal happiness." —Nicolle Wallace, bestselling author of Eighteen Acres

"Pekkanen again proves her innate understanding of women's relationships. With a style that's both wry and heartfelt, readers will absolutely recognize themselves and their friendships on these pages." —Jen Lancaster, bestselling author of Bitter Is the New Black

"Fresh and funny and satisfying. A terrific book about sisters that made me laugh out loud." —Jennifer Weiner, #1 New York Times bestselling author

"With her smart, soulful noivel, author Pekkanen explores the place where self and sisterhood intersect." —Redbook

"Sharp-tongued...a spot-on portrayal of the existential dilemmas of young adulthood." —The Washington Post

"Original, engaging and soulful, Skipping a Beat explorse the complexity of marriage and what it really means to share a life." —Emily Giffin, New York Times bestselling author of Something Borrowed

"In this compelling and satisfying read, Pekkanen offers relateable characters that move you and an ending that surprises and pleases. Highly recommended." —Library Journal starred review

"This portrait of a couple forced to take responsibility for the breakkdown of their relationship is at once heartbreaking and familiar." —People

Praise for Skipping A Beat

“An insightful examination of a marriage. The moving story and bittersweet ending will draw in readers. –Booklist”

“A two-hanky weepy…A tragic turn of events redirects what could have been a predictable romance into a drama on the fragility of love and marriage.” –Kirkus

“Original, engaging and soulful, Skipping a Beat explores the complexity of marriage and what it really means to share a life.” —Emily Giffin, New York Times bestselling author of Something Borrowed

“Tender and funny in turn, Sarah Pekkanen has made modern marriage exciting in this imaginative and heartfelt tale of love and healing.” —Emma McLaughlin and Nicola Kraus, #1 bestselling authors of The Nanny Diaries

“A provocative, poignant look at marriage, money and the things that matter most.” —Beth Kendrick, author of The Prenup

“Sarah Pekkanen explores the impossible choice between true love and the trappings of success. She is masterful at creating nuanced, complex characters deadlocked with emotional conflict, and the story culminates in an ending that will leave readers breathless” —Jen Lancaster, author of Bitter is the New Black

"In this compelling and satisfying read, Pekkanen offers relatable characters that move you and an ending that surprises and pleases. Highly recommended." —Library Journal, starred review

"This portrait of a couple forced to take responsibility for the breakdown of their relationship is at once heartbreaking and familiar." ~People

“Intelligent and entertaining.” ~The Washington Post

Praise for The Opposite of Me

“Pekkanen's involving debut is an honest examination of the limits we place on ourselves, with well-drawn female characters” — Kirkus

"Sweet, smart, and funny" — Cosmopolitan.com

“Fresh, appealing…the story is at turns funny and poignant.” — Booklist

"Pekkanen's wry voice and engaging characters—the bumbling parents are especially lovable—keep things fresh" —People (3.5 out of 4 stars)

"This story hits the ground running and keeps going...an engaging read that delivers" --The Free Lance-Star

"With her smart, soulful novel, author Pekkanen explores the place where self and sisterhood intersect." - Redbook

"It's warm, it's whimsical, and it's a winner." --The Courier Mail (Australia)

"Sharp-tongued...a spot-on portrayal of the existential dilemmas of young adulthood" --Washington Post

"The writing is clever and the characters well-drawn. This debut novel will likely remind many readers of Jennifer Weiner’s In Her Shoes and is recommended for Weiner’s fans as well as those chick-lit devotees who enjoy Megan Crane” -- Library Journal

“Fresh and funny and satisfying. A terrific book about sisters that actually made me laugh out loud. I was completely drawn into Lindsey’s world and rooted for her from beginning to end.” -- Jennifer Weiner, New York Times bestselling author of Best Friends Forever and In Her Shoes

“Pekkanen's debut is heartfelt and richly drawn. With a delicate touch, she had me believing and sharing every laugh and every tear - it was a completely satisfying read. I look forward to more from this talented writer.” -- Beth Harbison, author of Hope in a Jar

"With warmth and charm, Sarah Pekkanen brings us an endearing portrait of a young woman struggling to define herself in the looming shadow of a dazzling twin. Move over, Anna Maxted and Sophie Kinsella: With this energetic debut, America now has its own bright, comic voice." -- Susan Coll, author of Acceptance

"Simultaneously both light and satisfying, Sarah Pekkanen's debut, The Opposite of Me, hits the delicious sweet spot in the portrait of a woman who needs to lose everything to find herself." --Allison Winn Scotch, New York Times bestselling author of Time of My Life

"If a book makes you think and be introspective, well that's magic, and The Opposite of Me has done just that. Pekkanen has hit the nail on the head with her unique premise and original observation on what makes us who we are…an absolute must read" ~New York Journal of Books

"Good fun....an entertaining take on modern love and life in the Big Apple." —Kirkus

"Chick lit with grit." —Ladies Home Journal

"The power of friends and family carries this fast-paced novel through to a satisfying, although somewhat surprising conclusion. If you like chick lit with substance, Pekkanen delivers another winner." —Philly Examiner

“Sarah Pekkanen deftly weaves together the lives of roommates and friends…each battling demons, professional and otherwise, and within a few pages you’ll find yourself emotionally invested in all of them. The surprisingly good news is that this author knows that ‘happily ever after’ doesn’t necessarily involve a cute guy.” —Entertainment Weekly

"A pleasure." —People

“Pekkanen offers a conversational writing style and a knack for making readers care about her characters… a refreshing look at the importance of female friendship.” —Washington Post

"I loved Sarah Pekkanen’s These Girls. Just when you think the single-girls-trying-to-make-it-in-media-in-NYC trope was totally played out, along comes a fresh, charming, moving take on what it’s like to be in your twenties, desperate for the guy to like you, for your secrets to stay secret, for this diet to be the one that works." —Jennifer Weiner, EW.com

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Sample

One

“HOLD IT!” A VOICE commanded.

The elevator was already crowded—at a few minutes before 10:00 A.M., everyone was heading for the upper floors of the Manhattan skyscraper that housed office space for a half dozen glossy magazines—but Cate Sommers instinctively reached out and prevented the doors from closing.

“Thanks.”

The air crackled with energy as Trey Watkins stepped inside, and Cate saw one young woman nudge another. Trey wore faded jeans, hiking boots, a green henley shirt, and his cheeks were slightly windburned, as if he’d just finished scaling a mountain. Which he probably had, right before he’d started a fire by rubbing two sticks together, and, Cate thought as she managed to avoid rolling her eyes, possibly shimmied up a tree to save a stranded bear cub.

“Excuse me.” Trey was standing to Cate’s right, and he reached an arm around her, enveloping her in a half hug. She blinked up at him in surprise.

“Nineteenth floor,” he said, grinning as he pushed the button. She leaned away from him, irritated with herself for being unoriginal enough to fall, even momentarily, under his spell. Trey was a legend around this building, and not just because a six-foot-three, single, straight, employed man was more coveted and rare in New York City than a rent-controlled one-bedroom.

Sure, he was gorgeous, but Cate couldn’t get distracted by his presence, even if they were pressed together as close as it was possible to be without touching at the moment. This was her first month as features editor of Gloss, the magazine battling InStyle to nab a shrinking audience of consumers in their twenties through forties who liked a spirited mix of articles about celebrity, home, and style. She had photos of Will and Jada Smith’s new swimming pool to consider, headlines to tweak, and a profile of a young wife who’d left a polygamous marriage to shepherd through the editing process (the wife, surprisingly sexy with a new short haircut and a wardrobe with even shorter hemlines, had just won a bit part in a Quentin Tarantino film; otherwise the magazine never would’ve been interested). Plus she needed to weed through a stack of submissions for the first-person back-page column. All before noon.

The doors opened and Trey held them, politely gesturing for two other men to get out first, then they all headed toward the double glass doors etched with the words THE GREAT BEYOND. Cate could’ve predicted this would be their stop: The guys all wore sneakers, and one even sported a backpack instead of a briefcase.

Gender and dress identified who belonged to which floor long before the elevator doors opened: The young women in miniskirts and bright tights with sassy streaks of pink or blue in their hair all left for Sweet! on the twenty-fifth floor; the women in sensible gray or black suits picked up their equally sensible briefcases and headed into Home & Garden on floor twenty-two; and all the guys were disgorged on floor nineteen, which churned out manly features yet spotlighted a gorgeous girl—or, more accurately, her cleavage—on every cover.

“Mmm.” The girl who’d nudged her friend rolled the sound around in her mouth as the doors slid shut, and the other four women in the elevator all laughed. Except for Cate, who flinched.

The sound was nearly identical to the one made by Gloss’s editor in chief, a Brit named Nigel Campbell, who—apparently following the trend set by the cover models for The Great Beyond—always left one too many buttons undone on his shirt. The troubling thing was, he’d made the intimate, yucky noise two days before he promoted Cate. She didn’t react, and now she couldn’t stop beating herself up about it. Later that night, in bed, she’d formulated the perfect response: an arched eyebrow and a pointed “Excuse me?”

But she’d frozen, and he’d walked on by, and it was as though the moment had never existed. She kept trying to convince herself that she’d misheard him, that he was clearing his throat instead of admiring her as she leaned over her desk to reach a file folder.

Except she still heard that sound whenever she met with him—she was always on the lookout, ready to put him in his place—but he’d never repeated it.

The elevator lurched upward and Cate glanced at her BlackBerry, tapping out a message to Sam, the writer responsible for the polygamist wife story.

Can we meet in my office at 10:30?

Cate had worked until nearly midnight making notes on the piece, which wasn’t quite right. She needed to coax a rewrite from Sam, who’d worked for the magazine for a decade, without alienating him. She wanted her first issue on the job to be special, to sparkle with wit and depth and perfectly packaged information. This issue had to shine brightly enough to quiet the voices of the colleagues who’d wanted her job, those who resented the fact that, at the tender age of thirty, Cate had nabbed one of the plum positions at the magazine.

But, most important, to quell the whispers in her own head that told her she wasn’t good enough.

At least she dressed the part, in a black-and-red color-block dress and black slingbacks. Her long auburn hair was blown out straight, and mascara highlighted her wide-spaced, gray-green eyes, her best feature. Cate thought of clothes and makeup as her armor some days, a glossy veneer that protected and hid her true center. Since fleeing Ohio to start over in New York, she’d rebuilt her image. No one—not even her roommates, Renee and Naomi—knew about what had happened there.

Cate wasn’t close to Naomi, a photographic model who was always traveling or at her boyfriend’s place, but she’d hoped by now, after six months of living together, that she and Renee would have moved beyond a casual friendship. It certainly wasn’t Renee’s fault that they hadn’t. She was outgoing and kind, always flopping on the couch and offering Cate some of her cheap Chinese take-out dinner, saying, “Save me from my thighs!”

A few times they’d rented movies together, and Cate had tagged along with Renee on her girls’ nights out a couple of times—the woman was friends with everyone in New York; even doormen greeted her by name as she passed by—but so far, the kinds of confidences Cate yearned for eluded her. She was private, always had been, and couldn’t slip into the sorts of confessions other girls seemed to share as easily as trading a lip gloss back and forth.

The elevator stopped at the twenty-seventh floor, and Cate stepped out into the airy, lush space. Sunlight streamed in through the oversize windows of the private offices rimming the perimeter, while dozens of cubicles with desks for the editorial assistants and copy editors filled the center of the room. Past covers of the magazine lent splashes of bright color to the walls, and the blond wood floors gleamed.

“Morning!” the receptionist called.

Two women were clustered around the receptionist’s desk, and Cate paused, wondering if she should join them. But one of the women was gesturing animatedly, and the others were hanging on her words and laughing. Cate waved and kept walking toward her new office, her shoes clicking briskly against the floor.

Just as she opened her door, Sam’s response pinged back: No can do. At a press conference all morning.

“And thanks for suggesting a different time,” Cate muttered as she dropped her briefcase onto her desk with a thud.

She sighed and forced herself to focus on all she needed to accomplish today, on the words and meetings and phone calls filling her to-do list. But she couldn’t erase the sound of illicit admiration—that half moan, half growl—that relentlessly wormed its way into her brain.


Half a banana. It was an outrage.

Who, other than a premature baby monkey, could nibble a few bites of banana and call it breakfast? Renee Robinson reached past the remaining half, which Cate had enclosed in Saran Wrap like a gift-wrapped package, and grabbed the sugar bowl, rationing a teaspoon into her travel mug of coffee. She rinsed out the coffeepot, then bent to pick up the shoes she’d kicked off the previous night and tossed them through her open bedroom door. Renee wasn’t naturally neat, but their Upper West Side apartment was so tiny that if the shared living space wasn’t kept completely clutter-free, it would quickly turn into a candidate for the Hoarders TV show.

Other than three minuscule bedrooms (the apartment originally held two, but a flimsy partition halved the bigger one), there was a bathroom with a shower that was more temperamental than the fashionistas Renee worked with, and an optimistically named kitchen-living area that barely managed to contain two stools and a love seat. It was filled to bursting—kind of the way Renee felt right now in her boot-leg black pants and lavender silk shirt. She sighed, wishing elastic waists would suddenly roar into vogue. Or mumus. The mumu was highly underrated in the fashion world, in Renee’s humble opinion.

Renee picked up her purse and headed out into the crisp fall morning, sipping coffee and trying not to stare enviously at the Starbucks cups every third person she passed seemed to be carrying. What she wouldn’t give for a caramel latte right now—sticky sweet and foamy and rich—but it wasn’t only the fat grams she couldn’t afford. Her thirty-eight-thousand-dollar salary as an associate editor at Gloss would go so much further in her hometown of Kansas City, but here in New York . . . well, the thick stack of bills she was carrying right now said it all.

Renee stopped at the corner mailbox and reached into her purse for the envelopes. Her Visa balance—she flinched as her check was greedily gulped by the mailbox—was even worse than she’d expected this month. Her goal had been to keep it under four figures, since at least that way she had a chance of cutting it down to zero someday, but working at Gloss meant looking the part. She shopped sample sales, swapped clothes with friends, and purchased cosmetics at Rite Aid, but even a jar of peanut butter in New York was shockingly expensive.

Renee fed the rest of the envelopes through the slot, then reached into her purse, digging through the mess of receipts and makeup and spare change, to make sure she hadn’t missed one. Her fingers closed around a piece of paper, and she pulled it out.

She stared at the words on the robin’s egg blue sheet of stationery for the dozenth time, trying to discern clues about the author from the graceful sweeps of the g’s, the l’s that tilted slightly to the right. Renee had been carrying the letter around ever since she’d received it, a week ago, and already the edges were soft from handling.

. . . You must be shocked to learn about me. I’m reeling from it all, too. But maybe we could correspond, sort of like pen pals? And I was hoping to come to New York so we can meet in person . . .

Warmly,

Becca

Warmly. That was the word that threw Renee. She hadn’t responded to the letter yet because she had no idea how to respond. She didn’t feel warmly toward Becca yet, even though she wished she could. Learning she had a half sister who was just a year older was strange enough. The fact that her father had had a one-night stand right after marrying Renee’s mother? Her sandals-with-socks-wearing, History Channel–loving, henpecked father, engaging in a tawdry fling? It defied the imagination. Which was a fortuitous thing; Renee didn’t want those images renting space in her brain.

Her parents were such a couple, two halves of a matching pair, which made it even stranger. Their names were Maria and Marvin, and everyone referred to them as M&M. They had dark curls that were rapidly graying, were the same height when her mother wore her one-inch Naturalizer heels, squabbled almost constantly, and finished each other’s sentences. Actually, Renee’s mother finished most of them—her father had a habit of getting distracted by the television or sports page and letting his half-finished sentences dangle in midair, like fishing lures for her mother to snap on to.

Renee had thought her dad’s idea of high excitement was buying a new wrench at Home Depot; their conversation about his decades-old indiscretion had been searingly uncomfortable. He hadn’t known about his other daughter’s existence until recently, either. Since then, Renee knew, her father had gone out for lunch with Becca. He was figuring out how to navigate this new relationship, too, while trying to repair the damage to his marriage.

Renee had phoned her mother, who’d informed her that her father was sleeping in the guest room.

“Are you going to . . .” Renee had let the sentence trail off; she couldn’t bear to hear the words aloud. But her mother had decades of experience of leaping into the conversational breach, and she’d deftly completed Renee’s thought.

“Leave him? Of course not,” her mother had said. “But I’m angry.”

“Do you want me to come home?” Renee had asked.

“Oh, honey, there’s no need for that. Thank you, but what would you do? Watch your father tiptoe around and do things like take out the trash without being reminded to win me back? No, it’s going to take a while, but we’ll work through this. We’ve been through worse.”

You have? Renee’s mind had shrieked, before she realized she really didn’t want to know.

“Okay,” Renee had finally said. “But if you change your mind, let me know and I’ll be on the next plane.”

Renee slowly refolded the letter and tucked it back into her purse as she continued down the street. She was seized by a sudden thought: Did Becca look like her? What would it feel like to look into her own round blue eyes with thick lashes, to see her snip of a nose and the lips she always thought were just a bit too full on another face that was framed by a familiar mass of dirty blond hair?

She’d have to get past this unsettling feeling. She’d e-mail Becca tonight, she promised herself, just as her cell phone rang.

“Aren’t you coming in?” It was Bonnie, the beauty editor for Gloss and one of Renee’s closest friends at the office.

“Just running a bit late. I swear I need a louder alarm clock,” Renee said. “Or maybe one with a built-in cattle prod.”

“I’ve got news,” Bonnie said.

“What is it?”

“Big news, actually.”

“Really? Oops, hang on a sec. There’s a miniature chain gang heading my way.” Renee dodged left to avoid a gaggle of toddlers who were all holding on to a long rope. Two preschool teachers walked alongside the kids, calling out encouragement to keep them on pace. Renee bent down to pick up a teddy bear one of the kids dropped and was rewarded with a shy smile.

“I think it might fall into the category of huge news,” Bonnie was saying. “Maybe even gigantic.”

“Do you want to call me back after you’ve selected a category?” Renee asked. “Or you could just string it out for another half hour. You know I love it when you do that.”

Bonnie laughed, then dropped her voice to a whisper. “I’m leaving.”

Renee stopped walking. “New York?”

“I’m leaving Gloss,” Bonnie said. “I just got an offer from Vogue.”

Renee’s emotions wrestled with one another, and envy strong-armed its way to the top. First Cate had leapfrogged to the features editor job and now Bonnie. Why them and not me?

But Renee quickly pushed the petty thought down where it belonged, beneath happiness for her friend. “Congrats! Drinks tonight, okay? On me.”

“Yes, but I’m leaving,” Bonnie repeated. “My job is opening up. You need to apply for it.”

“Oh,” Renee breathed. “God, Bonnie, do you think . . . ?”

“Why not you?” Bonnie asked.

“I love you,” Renee blurted, feeling a flush of shame.

“That’s what you say, but you never call in the morning.”

“Hey, I leave a good tip on the nightstand,” Renee said, hearing Bonnie’s laugh as she hung up. Renee surveyed her outfit with new eyes. She had to look spectacular today. Winning the beauty editor job would mean a nice boost in salary but, better yet, the perks! She’d go on junkets to spas, be flooded with packages of all the latest cosmetics and skin care lines, and nab invitations galore—which meant she’d get to eat out at cocktail parties whenever she wanted. She’d save loads of money.

She turned and ran back to the apartment, huffing as she climbed the four flights of stairs. She burst into her bedroom and stood in front of her closet, scanning the contents. She needed something chic and, above all, slimming, she thought, already regretting the spoonful of sugar in her coffee. If only she could be more like Naomi, who seemed to live on protein bars and air—or even Cate, who was a naturally lean size 4. Cate treated food the way some guys treated women—she took exactly what she needed and never gave it a lingering thought afterward. She was the type of woman who could eat a single potato chip (type? There was no type; Cate was the lone woman in that bizarre demographic). It would be intolerable, except that Cate wasn’t the slightest bit smug about it.

Twenty minutes later, her closet was more of a shambles than usual, and Renee was no closer to finding the perfect outfit. All of her cheap lunches consisting of a slice or two of pizza from Ray’s, the half-priced happy hour drinks, and the illicit handfuls of chocolate meant her size 12 clothes were getting tight. Now she was sweating and late for work.

She reluctantly shrugged back into her original outfit, despising the roll of flesh that protruded over her waistband. Anyone working for Gloss needed to look good, but the beauty editor was held to an elite standard. Back in Kansas—heck, in most of the world—Renee would be considered a healthy size. Here in the epicenter of New York’s magazine world? She was the fat girl.

Starting today, though, that was going to change. She was going to give careful consideration to every crumb that passed through her lips. She’d be more selective than an Ivy League admissions officer. And in two months—voilà!—she’d be fifteen pounds slimmer.

It would take weeks for the Gloss editors to settle on Bonnie’s replacement. By the time they were ready, they’d look up and see Renee, slim and chic, standing in front of them. They’d recognize her years of hard work at the magazine, and she’d land the job. She had to. But first she had to get to the office and ask for it.

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About the authors

Sarah Pekkanen

Sarah Pekkanen

Sarah Pekkanen is the #1 New York Times bestselling co-author of four novels of suspense including THE GOLDEN COUPLE and THE WIFE BETWEEN US, and the solo author of the thriller GONE TONIGHT, will be published Aug. 1, 2023. Colleen Hoover says it is "Riveting, original and powerful. I'm a huge fan of Sarah Pekkanen's books, and GONE TONIGHT is her best yet!"

Sarah is also the author of eight USA Today and internationally-bestselling solo novels: THE OPPOSITE OF ME, SKIPPING A BEAT, THESE GIRLS, THE BEST OF US, CATCHING AIR, THINGS YOU DON'T SAY, THE PERFECT NEIGHBORS and THE EVER AFTER. Her books have been translated into dozens of languages.

In her free time, Sarah is a dedicated volunteer for rescue animals and serves as Ambassador for RRSA India, working hands-on to vaccinate and heal street dogs in Anand, India. She also volunteers weekly for a horse rescue group in Maryland, mucking stalls and helping mistreated horses heal.

Sarah lives just outside of Washington, D.C. with her family. Please follow Sarah on Facebook and Instagram @sarahpekkanen and visit www.sarahpekkanen.com

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Reviews

Customer reviews

4 out of 5

914 global ratings

B. Warren

B. Warren

5

Great story, Great writing.

Reviewed in the United States on January 25, 2015

Verified Purchase

This was such a great book. I couldn't put it down. I liked each of the three main characters and thought they all held their own. Each time we went to another story I was just as invested because I wanted to know more about what happened in their pasts, as well as what was going to happen moving forward. I thought these were all things that any young woman could go through in the right set of circumstances and it made the plot ring that much more true to me. Spoilers: I didn't love that Abby was responsible for her brothers death, I'm not sure what that really added to the story, and the fact that they just never spoke about him, but obviously never healed. I just don't know if that was a normal reaction to a crisis like that. Perhaps missing her love from her parents is what drove her to another woman's husband. Joanna was weird, she didn't seem to care for her family at all, even her daughter. I can't imagine her doing something as selfless as being pregnant and having a child, if that's not where she was in her life. Maybe she had baby blues? But Bob never seemed to hint that things were that different before Bella came along. I wish we had gotten to see Renee meet her half sister. I wanted a bit more to be resolved for Cate. She didn't get love, she was holding her mother together by a thread and her job seemed to always have a certain threat because she didn't feel respected by the staff or her editor. But that can ring true in a way, life can look good on the outside but have so many flaws underneath.

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2 people found this helpful

Nele

Nele

5

Sarah Pekannen DOES IT AGAIN!

Reviewed in the United States on April 12, 2012

Verified Purchase

I've loved Sarah Pekkanen since she came onto the writer's scene with The Opposite of Me and she once again sealed it for me with her sophomore book Skipping A Beat. So when her third book, These Girls, came out, of course, I had to get my hands on it. I zipped through it with a frenzy and fell in love with these girls like you wouldn't believe.

There are three main characters in These Girls and it's such a great book because they're all equals - not one character takes the stage. You've got Cate, who has just been promoted to features editor at Gloss magazine, a girl who doesn't have to try to maintain her size 4 figure, but who feels like she has to prove her spot at her job. She's also keeping a secret that might very much jeopardize her new position.

Then there's beloved Renee, who is everybody's friend, a size 12 curvy girl, my type of girlfriend, the girl at the party everyone knows, everyone wants to be friends with. She's trying awfully hard to win the job of beauty editor, but has doubts because of her weight, and falls into some serious trouble when she discovers a quick weight-loss tactic. But will the fact that she's losing weight be the end-all to her woes, or will it just cause further problems? She's also dealing with the fact that her parents are having problems of their own, and a mysterious new family member reveals herself to Renee to stir up even more doubts about herself and her family.

Abby - what can I say about Abby - Abby just wants to be loved and have a family. She's escaping from something terrible, but even she's not exactly sure what she's running from - a secret from her past? The fact that she had infiltrated herself into the family she was nannying for just a little too much? She runs to NY to her brother, Trey, for help.

Of course, there's Trey, hottie Trey. Renee dated him briefly, but things didn't quite work out the way she had hoped, and now there's a teeny spark brewing between him and another character. I love how Sarah brings in just enough romance to keep the pages turning, but not too much to take away from the story. The way Sarah Pekkanen brings these three women together is a perfect story of friendship. All three are in need of something they each don't know how to get. I think they're all looking for acceptance of themselves, and acceptance in their jobs, in other women, in the men they choose to be with.

As Sarah herself has said in interviews, her stories always have surprises in the end, and These Girls' ending did surprise me a bit. I may at first have wanted a little bit of a different ending, but after I closed the book, I thought for a few minutes. I thought about what the story was about. I thought about WHO the story was about. I realized the title of the book is THESE GIRLS. And then I knew that it was the most perfect ending for another wonderful book by Sarah Pekkanen!

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Christina (Ensconced in Lit)

Christina (Ensconced in Lit)

5

Beautifully written, moving, and wonderful characters

Reviewed in the United States on June 1, 2012

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I've had this book on my to read list for quite some time now, and it's certainly lived up to its hype.

These Girls by Sarah Pekkanen follows the lives of three very different women: Abby, Cate, and Renee as they navigate life, love, and work. At first, I thought it was the typical "fluff" read and while a fun novel, one that wouldn't stay with me long. I couldn't have been more wrong.

This book does tread familiar ground-- dealing with broken marriages, infidelity, friends who both like the same guy, eating disorders. But the way Pekkanen handles her characters and her prose transcend this book into a totally different category.

I loved the development of all of these women, particularly Cate and Abby. There is a very poignant encounter with Abby and another character that I will not divulge-- but it was powerful, meaningful, and surprising. A two dimensional character became very three dimensional and human.

The turn of phrase is often beautiful and unexpected. And I thought this was a four star book until the very end where I was surprised and moved to tears by how Pekkanen deals with ending her story. It was done in a way that was perfect and ultimately satisfying without pandering to the stereotypical chick flick ending.

Overall, I was impressed with this novel-- beautifully written, wonderful characterization, and a must read.

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