Tom Lake: A Reese's Book Club Pick

I read the reviews on this book before I bought it and found them quite mixed. I guess our unique differences is what makes the world go around. So many seemed to find the book “boring” and lacking in a plot. I very much enjoyed it. My love of genealogy found it so wonderful that a mother would put her young life into words for her daughters to carry with them and pass along through the years. It helps, also, that I live in the Traverse City, Michigan area and am very aware of the beauty of this area. I love the way the author writes and describes things with a bit of humor around the edges. I believe the plot is - remember the trials and tribulations of your youth for they are what makes you the person you are today. The decisions Lara made in her youth were not always the best but, ultimately, she realized what was really important to her and went on to live a happy, fulfilling life.

Appreciating the little things in life, the joy of day-to-day existence, and the love for your family and your work is what Tom Lake meant to me. Tom Lake refers to a (fictional) summer stock theater in northern Michigan in the 1980s, close to the locale of the current 2020 timeline--- a cherry farm (and pears, and apples). The late eighties marked a luminous period for protagonist/narrator Lara, a time that she walked the fine line between adulting and adulthood, coming of age amid a torrent of drama that swept her up in its fury. And then there was Our Town, the play within the novel that portrayed Lara’s life on the stage (and backstage).

Lara is telling her three twenty-something daughters about her short stint as an actress in her twenties, and the brief romantic affair with Peter Duke, a famous movie star before he was a famous movie star. The gorgeous cherry farm backdrop is like a staid but vivid character, with Lara, husband Joe, and the three girls all together for the first time in a while. Due to the pandemic, they don’t have the usual crew to help pick the fruit, so the storytelling unfolds as the family works the orchard during harvest time. Like the cherries, some parts are sweet, some tart, and all of it is juicy.

I felt the air, inhaled the scents, the cherries, the land and the whole layout of the farm while reading. And there is the kindness, too, of this family, whose flaws are also part of their strengths. The chaos of Lara’s life as a young woman is juxtaposed with the serenity of her life now, and the two timelines fluidly alternate, sometimes gently, at other times with piercing intensity. And every storyline has at least two. So, when you read about Lara in the past, or present, you just can’t help sniffing around to see the connections, of what surprise is crouched in the corner or hidden behind the door. I verily slipped into Lara’s character and imagined what decisions I would make as her, given so many pressing options and dilemmas.

Ann Patchett nails it every time, her characters are complex and her graceful pace is measured even when events are brutal. Lara is a radiant work-in-progress during her young years, many readers will see themselves in her. I was a local stage actor in Austin during my twenties, so I immersed myself in Tom Lake, pretending to be Lara acting as Emily Gibbs and then back to Lara again. The two timelines showed the difference between the fiery summer love of youth and the deep, tender, and mature love of family that you helped to create. The high points were explosive, even when they were pin-drop quiet. Lara’s low points stirred me almost to tears; I could feel her pulse against mine.

If you’ve never seen a production or haven’t read Our Town, you’re about to get a spoiler’s worth in the novel. But I think Ms. Patchett has surmised that most of her readers are already familiar with Thornton Wilder’s play. She coalesced Our Town and Tom Lake together in a way that reveals her refined skill of integration. Tom Lake and Our Town were separate but conjoined. I know that doesn’t make sense, but it will when you read the book. She also quotes Chekhov at pique (and even peak) intervals; she shares the Russian writer’s work with spare but specific devotion.

I recently learned that Patchett has never owned a smart phone, and doesn’t herself do social media (she talks to the camera and her staff completes the rest). She has never used Google, or researched on Wiki—she does it the old-fashioned way. And perhaps she’s that slightly eccentric but lovely gentlewoman you see carrying paper road maps!

Tom Lake is thoughtful, deft, and life-affirming. (It isn’t a pandemic novel, even though it takes place during that time). There’s comedy, tragedy, drama—a look-back-at-your- own-life kind of book. It’s classic Ann Patchett.

There’s this passage that really tickled me from the book. It’s toward the end but not a spoiler, it’s thematic with the rest of the narrative. Lara was so busy recounting the past for her daughters that she forgot to make lunch, which she said she should have been working on while talking. “The past need not be so all-encompassing that it renders us incapable of making egg salad.” Priorities!

I admit this started off slow for me and the switching back and forth did confuse me but once it clicked boy could I not put this book down. The characters were so rich I could see them in my head and the story was like I was there watching it unfold. It made me want to visit Michigan and,see the Nelson farm for myself. I don't want to give away any spoilers but in this book duke will also be your first love Sebastian the one the got away and Joe the person you end up marrying, somehow your life will be La(u)ras too.

Tom Lake is one of those books that I enjoyed while reading but pondered more for weeks after I finished it. This is not an action-based book, but rather a character-based narrative which unfolds slowly, so it may not appeal to all readers. Lara, a former actress, now a cherry-farming mom of adult daughters, is prompted to tell the story of her acting career and romantic involvement with a huge movie star. The novel takes place during the Covid pandemic, and the daughters have returned home to isolate with their parents. This setup reminded me of classics like Bocaccio's Decameron (where a group of people isolate at a country estate to escape the plague, and they pass the time telling stories). This novel is very much a story about telling stories, about the interaction between the narrator and the audience (who may or may not know parts of the story already), what the narrator chooses to disclose (or not) to the audience, and the power of storytelling to influence the listener. Even Thornton Wilder's play Our Town, which runs like a thread throughout the novel, underscores the storytelling motif and how the play influences and teaches Lara life lessons. There is a deft contrast between the glamorous and superficial world of the actors and the very earthy, tenuous and sensual world of the farmers as the novel moves between these two worlds through Lara's eyes. Throughout, there is a deep appreciation for the love and bond of family and the strength in finding a life where you truly belong. This is a subtle novel, with many layers to explore, but it requires the reader to be willing to sit and savor the experience of the storytelling process. A note about the audiobook: 5 stars. Meryl Streep is the perfect narrator for this novel. Her tone is the right balance of emotion and wry commentary, and her own life experience parallels Lara's life enough to lend an authenticity and warmth which made the listening experience very enjoyable.

There’s not much to like in this book. It’s a tolerable story, but not terribly engaging. The author seems to want to recreate “Our Town” in a different story — the cemetery, the small town feel, so many Emilys, and the otherworldly ending— that it’s a tedious journey to the end of the book. I only read it because I’m a book club member, and that’s the book we’re reading this month.