Verity
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Customer reviews

Verity

by

Colleen Hoover

(Author)

4.6

-

344,962 ratings


Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us.

#1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish.   Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered.   Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.

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ISBN-10

1538724731

ISBN-13

978-1538724736

Print length

336 pages

Language

English

Publisher

Grand Central Publishing

Publication date

October 25, 2021

Dimensions

8.23 x 1.06 x 5.43 inches

Item weight

10.7 ounces


Popular Highlights in this book

  • But when a person finds someone who makes all the negativity in their lives disappear, it’s hard not to feed off that person.

    Highlighted by 8,272 Kindle readers

  • And that’s what love at first sight is. It isn’t really love at first sight until you’ve been with the person long enough for it to become love at first sight.

    Highlighted by 8,214 Kindle readers

  • And that’s why I stay at home and write. I think the idea of me is better than the reality of me.

    Highlighted by 5,568 Kindle readers


Product details

ASIN :

B09H6T8LTR

File size :

1807 KB

Text-to-speech :

Enabled

Screen reader :

Supported

Enhanced typesetting :

Enabled

X-Ray :

Enabled

Word wise :

Enabled


Editorial Reviews

“Sublimely creepy with a true Hoover pulse. I’ve been waiting for a thriller like this for years.”―Tarryn Fisher, New York Times bestselling author

“Riveting and unexpected. Impossible to put down.”―Claire Contreras, New York Times bestselling author

"This isn't a book, it's a visceral experience."―B.B. Easton, bestselling author

“Verity delivers the grand slam of thriller twists—the holy grail of'what the…?!' moments . . . It lit up my brain."―Washington Post

"If you came here to find a mystery romance book that’ll have you on the edge of your seat (and keep you up at night), add Verity by Colleen Hoover to your cart."―Cosmopolitan

"Unravels a picture-perfect couple’s courtship and marriage in truly twisted—and jaw-dropping—fashion."―Elle magazine

“If you've yet to experience the delight that is reading one of Hoover's novels, we suggest starting with this . . . Prepare for your pulse to race and palms to sweat."―E! News

“The energy and pace in this book are like a fun house at a carnival. It's ever-changing, and just when you think you know what to expect next, Hoover hits you with another turn. Up until the very final page, readers are mining for clues. Just when you thought you figured out the who, what, when, where, and why, it completely changes, leaving you gobsmacked.”―BuzzFeed

"The perfect choice if you're after a gripping read but be warned, its twists and turns may very well keep you up at night."―Refinery29

"Colleen Hoover's romances and contemporary fiction novels . . . grip readers with emotionally charged storylines, unique plotlines, and twists that leave us reeling." ―Business Insider

"Talk about a word-of-mouth of page-turner we’re still not over . . . Cue the seductive mystery that has one of our all-time fave twists. Run, don’t walk.”―The Skimm

"An explosive, sexy thriller full of chilling admissions, incredible twists and turns, and some seriously creepy plotlines. I can honestly say that I’ve never read another thriller quite like it."―BookReporter.com

"Seamlessly blends romance and horror."―New York Post

"Full of suspense with steamy scenes and creepy undertones."―Plymouth Magazine

"Hoover always tells her stories so beautifully . . . [An] ideal holiday gift.”―Houstonia magazine

"Emotionally charged, sinister, evocative, fascinating and very addictive. We read Verity with a knot in our stomachs from the first to last page! What a brilliant read!"―TotallyBooked Blog

"Wow I'm speechless, I don't know where to start with this one. Verity was a captivating, fast paced, twisted, and addictive story."―Read More Sleep Less Blog

"If you’ve read any of our recent book round-ups here on The Everygirl, you know how much our editors love this book. It created quite the chain reaction, and now, those who have not yet read it are in the minority. Obviously, this means it is a great book, but the real reason we can’t stop talking about it is because of the story—it is truly the most shocking book I have ever read. It also started a huge internet book debate about what really happened, so you’ll be wrapped up in this world even after you finish reading."―The EveryGirl

"I recommend this book to everyone I come across!"―Her Campus

"Solidified my love for romantic suspense."―She Reads

"There are genuinely spooky moments that had me squirming, and all sorts of twists and turns."―Business Insider

"If you’re a book lover drawn to dark thrillers, start with the stand-alone page-turner Verity."―Reader's Digest

"You'll stay up all night reading this . . . Hoover expertly combines thriller with romance to test the boundaries of who is telling the truth, and who is lying."―Woman's Day

"What makes Verity so good is that it is both a steamy romance novel as well as a deeply twisted and disturbing psychological thriller, flawlessly wrapped into one story . . . steamy, disturbing, and surprising."―The Mary Sue

"Twisted . . . a thrilling deviation from her typical romance books." ―HelloGiggles


Sample

1

I hear the crack of his skull before the spattering of blood reaches me.

I gasp and take a quick step back onto the sidewalk. One of my heels doesn’t clear the curb, so I grip the pole of a No Parking sign to steady myself.

The man was in front of me a matter of seconds ago. We were standing in a crowd of people waiting for the crosswalk light to illuminate when he stepped into the street prematurely, resulting in a run-in with a truck. I lunged forward in an attempt to stop him—grasping at nothing as he went down. I closed my eyes before his head went under the tire, but I heard it pop like the cork of a champagne bottle.

He was in the wrong, looking casually down at his phone, probably a side effect of crossing the same street without incident many times before. Death by routine.

People gasp, but no one screams. The passenger of the offending vehicle jumps out of the truck and is immediately on his knees near the man’s body. I back away from the scene as several people rush forward to help. I don’t have to look at the man under the tire to know he didn’t survive that. I only have to look down at my once-white shirt—at the blood now splattered across it—to know that a hearse would serve him better than an ambulance.

I spin around to move away from the accident—to find a place to take a breath—but the crosswalk sign now says walk and the thick crowd takes heed, making it impossible for me to swim upstream in this Manhattan river. Some don’t even look up from their cell phones as they pass right by the accident. I stop trying to move, and wait for the crowd to thin. I glance back toward the accident, careful not to look directly at the man. The driver of the truck is now at the rear of the vehicle, wide-eyed, on a cell phone. Three, maybe four, people are assisting them. A few are led by their morbid curiosities, filming the gruesome scene with their phones.

If I were still living in Virginia, this would play out in a completely different manner. Everyone around would stop. Panic would ensue, people would be screaming, a news crew would be on scene in a matter of minutes. But here in Manhattan, a pedestrian struck by a vehicle happens so often, it’s not much more than an inconvenience. A delay in traffic for some, a ruined wardrobe for others. This probably happens so often, it won’t even end up in print.

As much as the indifference in some of the people here disturbs me, it’s exactly why I moved to this city ten years ago. People like me belong in overpopulated cities. The state of my life is irrelevant in a place this size. There are far more people here with stories much more pitiful than mine.

Here, I’m invisible. Unimportant. Manhattan is too crowded to give a shit about me, and I love her for it.

“Are you hurt?”

I look up at a man as he touches my arm and scans my shirt. Deep concern is embedded in his expression as he looks me up and down, assessing me for injuries. I can tell by his reaction that he isn’t one of the more hardened New Yorkers. He might live here now, but wherever he’s from, it’s a place that didn’t completely beat the empathy out of him.

“Are you hurt?” the stranger repeats, looking me in the eye this time.

“No. It’s not my blood. I was standing near him when…” I stop speaking. I just saw a man die. I was so close to him, his blood is on me.

I moved to this city to be invisible, but I am certainly not impenetrable. It’s something I’ve been working on—attempting to become as hardened as the concrete beneath my feet. It hasn’t been working out so well. I can feel everything I just witnessed settling in my stomach.

I cover my mouth with my hand, but pull it away quickly when I feel something sticky on my lips. More blood. I look down at my shirt. So much blood, none of it mine. I pinch at my shirt and pull it away from my chest, but it sticks to my skin in spots where the blood splatters are beginning to dry.

I think I need water. I’m starting to feel light-headed, and I want to rub my forehead, pinch my nose, but I’m scared to touch myself. I look up at the man still gripping my arm.

“Is it on my face?” I ask him.

He presses his lips together and then darts his eyes away, scanning the street around us. He gestures toward a coffee shop a few doors down.

“They’ll have a bathroom,” he says, pressing his hand against the small of my back as he leads me in that direction.

I look across the street at the Pantem Press building I was headed to before the accident. I was so close. Fifteen—maybe twenty—feet away from a meeting I desperately need to be in. I wonder how close the man who just died was from his destination?

The stranger holds the door open for me when we reach the coffee shop. A woman carrying a coffee in each hand attempts to squeeze past me through the doorway until she sees my shirt. She scurries backward to get away from me, allowing us both to enter the building. I move toward the women’s restroom, but the door is locked. The man pushes open the door to the men’s restroom and motions for me to follow him.

He doesn’t lock the door behind us as he walks to the sink and turns on the water. I look in the mirror, relieved to see it isn’t as bad as I’d feared. There are a few spatters of blood on my cheeks that are beginning to darken and dry, and a spray above my eyebrows. But luckily, the shirt took the brunt of it.

The man hands me wet paper towels, and I wipe at my face while he wets another handful. I can smell the blood now. The tanginess in the air sends my mind whirling back to when I was ten. The smell of blood was strong enough to remember it all these years later.

I attempt to hold my breath at the onset of more nausea. I don’t want to puke. But I want this shirt off me. Now.

I unbutton it with trembling fingers, then pull it off and place it under the faucet. I let the water do its job while I take the other wet paper towels from the stranger and begin wiping the blood off my chest.

He heads for the door, but instead of giving me privacy while I stand here in my least attractive bra, he locks us inside the bathroom so no one will walk in on me while I’m shirtless. It’s disturbingly chivalrous and leaves me feeling uneasy. I’m tense as I watch him through the reflection in the mirror.

Someone knocks.

“Be right out,” he says.

I relax a little, comforted by the thought that someone outside this door would hear me scream if I needed to.

I focus on the blood until I’m certain I’ve washed it all off my neck and chest. I inspect my hair next, turning left to right in the mirror, but find only an inch of dark roots above fading caramel.

“Here,” the man says, fingering the last button on his crisp white shirt. “Put this on.”

He’s already removed his suit jacket, which is now hanging from the doorknob. He frees himself of his button-up shirt, revealing a white undershirt beneath it. He’s muscular, taller than me. His shirt will swallow me. I can’t wear this into my meeting, but I have no other option. I take the shirt when he hands it to me. I grab a few more dry paper towels and pat at my skin, then pull it on and begin buttoning it. It looks ridiculous, but at least it wasn’t my skull that exploded on someone else’s shirt. Silver lining.

I take my wet shirt out of the sink and accept there’s no saving it. I toss it in the trashcan, and then I grip the sink and stare at my reflection. Two tired, empty eyes stare back at me. The horror of what they’ve just witnessed has darkened the hazel to a murky brown. I rub my cheeks with the heels of my hands to inspire color, to no avail. I look like death.

I lean against the wall, turning away from the mirror. The man is wadding up his tie. He shoves it in the pocket of his suit and assesses me for a moment. “I can’t tell if you’re calm or in a state of shock.”

I’m not in shock, but I don’t know that I’m calm, either. “I’m not sure,” I admit. “Are you okay?”

“I’m fine,” he says. “I’ve seen worse, unfortunately.”

I tilt my head as I attempt to dissect the layers of his cryptic reply. He breaks eye contact, and it only makes me stare even harder, wondering what he’s seen that tops a man’s head being crushed beneath a truck. Maybe he is a native New Yorker. Or maybe he works in a hospital. He has an air of competence that often accompanies people who are in charge of other people.

“Are you a doctor?”

He shakes his head. “I’m in real estate. Used to be, anyway.” He steps forward and reaches for my shoulder, brushing something away from my shirt. His shirt. When he drops his arm, he regards my face for a moment before taking a step back.

His eyes match the tie he just shoved in his pocket. Chartreuse. He’s handsome, but there’s something about him that makes me think he wishes he weren’t. Almost as if his looks might be an inconvenience to him. A part of him he doesn’t want anyone to notice. He wants to be invisible in this city. Just like me.

Most people come to New York to be discovered. The rest of us come here to hide.

“What’s your name?” he asks.

“Lowen.”

There’s a pause in him after I say my name, but it only lasts a couple seconds.

“Jeremy,” he says. He moves to the sink and runs the water again, and begins washing his hands. I continue to stare at him, unable to mute my curiosity. What did he mean when he said he’s seen worse than the accident we just witnessed? He said he used to be in real estate, but even the worst day on the job as a realtor wouldn’t fill someone with the kind of gloom that’s filling this man.

“What happened to you?” I ask.

He looks at me in the mirror. “What do you mean?”

“You said you’ve seen worse. What have you seen?”

He turns off the water and dries his hands, then faces me. “You actually want to know?”

I nod.

He tosses the paper towel into the trashcan and then shoves his hands in his pockets. His demeanor takes an even more sullen dive. He’s looking me in the eye, but there’s a disconnect between him and this moment. “I pulled my eight-year-old daughter’s body out of a lake five months ago.”

I suck in a rush of air and bring my hand to the base of my throat. It wasn’t gloom at all in his expression. It was despair. “I’m so sorry,” I whisper. And I am. Sorry about his daughter. Sorry for being curious.

“What about you?” he asks. He leans against the counter like this is a conversation he’s ready for. A conversation he’s been waiting for. Someone to come along and make his tragedies seem less tragic. It’s what you do when you’ve experienced the worst of the worst. You seek out people like you…people worse off than you…and you use them to make yourself feel better about the terrible things that have happened to you.

I swallow before I speak, because my tragedies are nothing compared to his. I think of the most recent one, embarrassed to speak it out loud because it seems so insignificant compared to his. “My mother died last week.”

He doesn’t react to my tragedy like I reacted to his. He doesn’t react at all, and I wonder if it’s because he was hoping mine was worse. It isn’t. He wins.

“How did she die?”

“Cancer. I’ve been caring for her in my apartment for the past year.” He’s the first person I’ve said that to out loud. I can feel my pulse throbbing in my wrist, so I clasp my other hand around it. “Today is the first time I’ve stepped outside in weeks.”

We stare at each other for a moment longer. I want to say something else, but I’ve never been involved in such a heavy conversation with a complete stranger before. I kind of want it to end, because where does the conversation even go from here?

It doesn’t. It just stops.

He faces the mirror again and looks at himself, pushing a strand of loose dark hair back in place. “I have a meeting I need to get to. You sure you’ll be okay?” He’s looking at my reflection in the mirror now.

“Yes. I’m alright.”

“Alright?” He turns, repeating the word like a question, as if being alright isn’t as reassuring to him as if I’d said I would be okay.

“I’ll be alright,” I repeat. “Thank you for the help.”

I want him to smile, but it doesn’t fit the moment. I’m curious what his smile would look like. Instead, he shrugs a little and says, “Alright, then.” He moves to unlock the door. He holds it open for me, but I don’t exit right away. Instead, I continue to watch him, not quite ready to face the world outside. I appreciate his kindness and want to say more, to thank him in some way, maybe over coffee or by returning his shirt to him. I find myself drawn to his altruism—a rarity these days. But it’s the flash of wedding ring on his left hand that propels me forward, out of the bathroom and coffee shop, onto the streets now buzzing with an even larger crowd.

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About the authors

Colleen Hoover

Colleen Hoover

Colleen Hoover is the #1 New York Times and International bestselling author of multiple novels and novellas. She lives in Texas with her husband and their three boys. She is the founder of The Bookworm Box, a non-profit book subscription service and bookstore in Sulphur Springs, Texas.

For more information and for a schedule of events, please visit colleenhoover.com.

To contact Colleen and her team (Her team's name is Stephanie), please email hooverink@outlook.com

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Reviews

Customer reviews

4.6 out of 5

344,962 global ratings

Beth Wade

Beth Wade

5

Read it!

Reviewed in the United States on May 28, 2024

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You've heard about this book, right? You already know tge Author, don't you? If your answer is no to either way Question, you are being hard on yourself. Not necessary! I loved this book!! Suspenseful, and I really most if it in one sitting, staying up until 6:00 so I could finish it. Once you finish reading it, Google the alternate ending!! Yes. There is a. Alternate ending in the first issue, hardback copies of this book. Chances are, if you buy the book now, you won't get a copy with the alternate ending. It's great!

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Teresa fronek

Teresa fronek

5

Astonishing! Absolutely amazing!

Reviewed in the United States on June 8, 2024

Verified Purchase

I purchased Verity awhile ago and just decided to finally read it and couldn't put it down! I've read one or two of Colleen Hoover's romance novels in the past and enjoyed them; they were okay. But I'm usually drawn to the psychological thrillers, so this Colleen Hoover was more my cup of tea! Verity was a thrill ride from page one and the deeper I got into it, the more thrilled I was! Lowen is an interesting character, especially since we don't even know what she looks like. I went back, attempting to find a description of our main character and couldn't find one, which I've never experienced in a book before now and it makes trying to understand her easier because we're only operating from her thoughts and emotions! I'm excited to see Ms. Hoover has another side to her, other than the extremely sexual romance books she's written in the past! Ahh, she does have depth and incredible thoughts, not just the super sexualized ones we've read in her other works! I'd read many more of her books if they were just a little more like Verity, a book you should definitely read, whether you're a Hoover fan or not!

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Lyla Mae

Lyla Mae

5

A dark but spicy mystery with a good twist!

Reviewed in the United States on April 14, 2024

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I ended up purchasing Verity by Colleen Hoover because it was chosen for my book club (less of a club, more of a bunch of nurses who love to read). This is my honest review of the book after reading it (don't worry, there are NO spoilers).

The genre is like a spicy mystery (it gets naughty, but not in a fun way since the undertones are dark. If you like romance novels, this isn't THAT kind of spicy). The writing is well done and kept me interested, maybe not HOOKED but that's rare for me. It is mainly written from the perspective of the female lead and details her experience with finding love in the midst of another family's mysterious tragedies.

This is one of those books where there are no true heros. You don't fall in love with any specific character, no one is truly "good". If you like a feel-good type of book, this isn't going to be it. It is dark and twisted, with certain details shocking or maybe even scary.

The book twists and surprises you in a way that you won't expect. I usually don't like mysteries because the endings are either too predictable or so unpredictable that it isn't believable and creates plot holes. The ending to this book was something I did NOT expect, but something that I could believe. You are left to decide how you want to interpret it, which makes this GREAT for book club discussions. I finished this book, put it down, and had to take a minute to just think and sort my thoughts/feelings.

If you like a mystery with a little bit of spice, dark undertones, good twists, and thought-provoking open-ended conclusions, I recommend reading this book! I wouldn't say this was my favorite book of all time, but it definitely was a good, worthy read.

Hope this helps!

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40 people found this helpful

Hailee

Hailee

5

Intense, suspenseful, and worth the purchase!

Reviewed in the United States on May 27, 2024

Verified Purchase

I’ve been wanting to read this book for months now after seeing many reviews online. I love a good mystery/crime book. I normally think I don’t have the time to read a book in a quick time frame but I received this yesterday and just finished it before 24 hours after purchasing it. Amazing! It drew me in, made my stomach turn, made me wonder what turn of event was next. Delivery was fast (same day), the book was in very good condition. This is an amazing book, very well written and I look forward to reading another one of her books. This is a must read!

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JHSiess

JHSiess

4

Dark, Twisted, & Shocking -- Lives up to the Hype!

Reviewed in the United States on January 13, 2022

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Verity opens with author Lowen Ashleigh having a very bad morning. Her mother died the previous week after a year-long battle with colon cancer. Lowen had a difficult relationship with her mother -- "a direct result of my own mother being terrified of me," she relates -- but still brought her to Lowen's apartment and cared for her during the last nine months of her life. Lowen is a sleepwalker and her mother kept her fairly secluded as a child, afraid of what Lowen might be capable of doing during one of many sleepwalking episodes. Now she has left her apartment in New York City for the first time in weeks, summoned to a meeting at her publisher's office by her literary agent, Corey, with whom she was previously in an intimate relationship. Just as Lowen is waiting for a crosswalk light to change, a man steps into the street and is struck by a truck. Lowen is understandably shaken, and the man's blood is splattered on her face and white shirt.

A handsome stranger escorts her into a coffee shop bathroom and literally gives her the shirt off his back. They chat briefly, and Loewn concludes that he "wants to be invisible in this city. Just like me." After all, she moved to New York to become part of the city's invisible millions of invisible residents. Her books have not sold well enough for her publisher to offer her another contract unless she agrees to promote them, something she has refused to do in the past. "I'm so awkward I'm afraid once my readers meet me in person, they'll swear off my books forever," Lowen laments. "That's why I stay home and write. I think the idea of me is better than the reality of me." But another contract was her last hope. She took time off from her writing career believing that her mother would leave her some money. Now, having lived off the advance she received after signing her prior contract, she has learned that she will receive nothing from her mother's estate. And be homeless soon, unless she receives a job offer.

When Lowen arrives at her publisher's office, she is shocked to find the man whose shirt she is wearing is attending the same meeting. He is Jeremy Crawford, husband of Verity, a very successful author who is unable to complete the series of books she was writing. Lowen is being offered a flat fee of seventy-five thousand dollars per book to write the last three volumes in the series, with the first installment due in six months. Lowen is determined to turn down the offer until Jeremy informs her that he selected her because Verity read one of Lowen's books and it was among her favorites. She purportedly told Jeremy that they shared a similar writing style and Lowen was destined to be "the next big thing." Verity has been catastrophically injured in a motor vehicle accident, following the deaths of both of her daughters, Chastin and Harper, leaving Jeremy to raise their young son, Crew, alone. Lowen ultimately agrees to take on the project.

Lowen makes the six-hour drive to the Crawford home in Vermont, listening to the audio version of the first book in the series en route. She is to spend time in Verity's office, reviewing the research and notes she left there in order to assess how best to approach writing the next book. Lowen meets Crew and learns that Verity's condition is extremely serious. She is in a virtually catatonic state -- uncommunicative and unable to care for herself. Caregivers spend the day in the home, with Jeremy managing at night. Lowen soon discovers that Verity's office lacks organization -- her expansive desk is strewn with stacks from end to end with papers and files, and boxes containing more documents line the walls. Clearly, the process of sorting through it all will take much longer than Lowen originally anticipated. As she begins reading Verity's second book, she realizes the "books are from the villain's point of view" and she will need "time to work myself into that mindset while writing." Jeremy claims that he has never read Verity's books because he "didn't like being inside her head."

Author Colleen Hoover recounts Lowen's story via a first-person narrative, with the story really taking off as Lowen attempts to settles into the Crawford home. She is keenly observant and inquisitive about Verity's writing, as well as her family, and quickly finds herself attracted to Jeremy, who is still married to the incapacitated woman being cared for in an upstairs bedroom. Searching through Verity's office, Lowen stumbles upon a manuscript entitled "So Be It." Verity hopes it is an outline for the next book, but it is instead an autobiography drafted by Verity. Reading it is not what she has been hired to do, but she justifies her insatiable curiosity by construing her review of the manuscript as research. "I need to see how Verity's mind works to understand her as a writer." Soon she is absorbed in Verity's descriptions of meeting Jeremy, the development of their relationship and the early days of their marriage, as well as her pregnancies and motherhood. The more she reads, the more frightened of Verity Lowen becomes, especially when events she observes appear to be inconsistent with what she has been told about Verity's condition. Nonetheless, Lowen continues returning to the manuscript to better understand the Crawford family's history, and gain insight into Jeremy and Verity's marriage. But Lowen is playing a dangerous game. Verity's purported autobiography is a dark and disturbing confession of Verity's feelings, motivations, and unspeakably vile acts. Lowen believes the manuscript to be an accurate depiction of Verity's life, and concludes that it "was written by a very disturbed woman -- a woman whose house I currently inhabit."

Hoover ramps up the tension as Lowen becomes entangled in a budding relationship with Jeremy, influenced heavily by what she is reading in the manuscript. Verity's revelations are horrifying, and as Lowen and Jeremy grow closer, he increasingly opens up to her, sharing details of his life with Verity about which Lowen feigns ignorance. Lowen's suspicions about the accident in which Verity was injured grow. Is Jeremy being completely honest with Lowen? Why is he willing to embark on a new relationship with Lowen when his wife, although injured, is still alive? He claims that he cannot move Verity to a care facility because Crew cannot sustain another loss. While Verity is cared for in their home, Crew can spend unlimited amounts of time at her bedside. Lowen now possesses detailed information about the deaths of Jeremy's daughters. Were their deaths really tragic accidents? Is Crew safe?

Hoover's characters are both fascinating and infuriating. The story is related solely from Lowen's perspective. Her childhood was difficult because of her sleepwalking and the way it detrimentally impacted her relationship with her mother. She has achieved modest success as a writer, but because of her discomfort in social situations, her career growth has been stymied. She accepts the offer to write Verity's next three books because she desperately needs the money, but also because it is an opportunity too good to pass up. But she is confused not only by her burgeoning attraction to Jeremy, but the incongruity between what she has been told about Verity's accident and what transpires in the house. Of course, Lowen's feelings and experiences are colored by the information set forth in the manuscript. Interestingly, Hoover has said that even when she depicts Lowen reading Verity's manuscript, readers are "still not fully in Verity’s head because we’re always in Lowen’s perspective, reading something she found. When I write a book from one character’s point of view, I rarely think about the story from the other character’s perspectives. Sometimes it’s necessary for certain scenes, but with this book, it was important for me to feel the confusion and fear Lowen felt. So as the author, I had to be completely blind to what was happening from everyone else's perspectives." Still, as the story progresses, Hoover keeps readers guessing as to how gullible and vulnerable Lowen really is. She believes the manuscript is truthful and accurate, and that Jeremy is not the villain -- if, in fact there is a villain in the Crawfords' story. But could Lowen possibly be opportunistic, calculating, and willing to do anything to be with Jeremy?

Jeremy is equally captivating. He is handsome, charming, successful, and by all outward appearances, a family man who has sustained unimaginable losses who has been able to soldier on only because he has a young son to raise. To be fair, although Verity's prognosis is never affirmatively established, his desire to move on with his life is understandable -- Verity sustained a serious head injury which will, in all likelihood, preclude her from resuming a fully normal life. But was his meeting with Lowen on the street just before the meeting at her publisher's office really just coincidental? Did he intend for her to find the manuscript in Verity's office? Has he been fully aware of its contents all along? About that, Hoover says, "I’m not sure because I was never in Jeremy’s head." In other words, readers can draw their own conclusions, based on the evidence Hoover does present.

And what about Verity? Is she selfishly conniving and evil, as the manuscript suggests? Or is she a blameless grieving mother who was tragically injured in a horrific car accident?

The manuscript provides myriad complications. Lowen debates whether she should discuss it with Jeremy. She doesn't believe he is aware of its existence or content. He claimed he never read Verity's books, after all. Lowen learns that Verity was injured when her vehicle hit a tree, but there were no skidmarks on the pavement. She concludes Verity "either fell asleep or she did it on purpose." Does it matter to Lowen which scenario is accurate? What conclusion has Jeremy drawn about the cause of the accident?

Putting aside the perspective from which the story is told, no aspect of the story or the characters can be accepted at face value. Hoover includes plot twists so shocking and unnerving that Verity, originally published in 2018, continues to be one of the most-discussed psychological thrillers ever written. (There is even a Facebook discussion group devoted to the book, boasting nearly twenty-five thousand members!) The book is fast-paced, engrossing, and extremely entertaining. The story's pace gradually accelerates with each surprising development and breath-taking revelations of the truth or, perhaps, a manipulated version of the truth. The tale careens to a jaw-dropping conclusion that will keep readers thinking, discussing, and debating Hoover's extremely clever and nuanced tale, as well as her deliciously intriguing and morally ambiguous characters (who may prove themselves to be not as ambiguous as originally thought) for a very, very long time. Hoover says she "chose the ending because it’s frightening to me. It’s my biggest nightmare For the darkness in the worlds I create as a writer to somehow" intrude into her real life.

Thanks to Grand Central Publishing for a copy of the book.

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