You Like It Darker

TWO TALENTED BASTIDS

1

My father—my famous father—died in 2023, at the age of ninety. Two years before he passed, he got an email from a freelance writer named Ruth Crawford asking him for an interview. I read it to him, as I did all his personal and business correspondence, because by then he’d given up his electronic devices—first his desktop computer, then his laptop, and finally his beloved phone. His eyesight stayed good right up to the end, but he said that looking at the iPhone’s screen gave him a headache. At the reception following the funeral, Doc Goodwin told me that Pop might have suffered a series of mini-strokes leading up to the big one.

Around the time he gave up his phone—this would have been five or six years before he died—I took early retirement from my position as Castle County School Superintendent, and went to work for my dad full-time. There was plenty to do. He had a housekeeper, but those duties fell to me at night and on the weekends. I helped him dress in the morning and undress at night. I did most of the cooking, and cleaned up the occasional mess when Pop couldn’t make it to the bathroom in the middle of the night.

He had a handyman as well, but by then Jimmy Griggs was pushing eighty himself, and so I found myself doing the chores Jimmy didn’t get around to—everything from mulching Pop’s treasured flowerbeds to plunging out the drains when they got clogged. Assisted living was never discussed, although God knows Pop could have afforded it; a dozen mega-bestselling novels over forty years had left him very well off.

The last of his “engaging doorstoppers” (Donna Tartt, New York Times) was published when Pop was eighty-two. He did the obligatory round of interviews, sat for the obligatory photos, and then announced his retirement. To the press, he did so graciously, with his “trademark humor” (Ron Charles, Washington Post). To me he said, “Thank God the bullshit’s finished.” With the exception of the informal picket-fence interview he gave Ruth Crawford, he never spoke for the record again. He was asked many times and always refused; claimed he’d said all he had to say, including some things he probably should have kept to himself.

“You give enough interviews,” he told me once, “and you are bound to stick your foot in your mouth a time or two. Those are the quotes that last, and the older you are, the more likely it becomes.”

Yet his books continued to sell, so his business affairs continued. I went over the contract renewals, cover concepts, and the occasional movie or TV option with him, and I dutifully read every interview proposal once he was incapable of reading them himself. He always said no, and that included Ruth Crawford’s proposal.

“Give her the standard response, Mark—flattered to be asked, but no thanks.” He hesitated, though, because this one was a little different.

Crawford wanted to write a piece about my father and his long-time friend, David “Butch” LaVerdiere, who died in 2019. Pop and I went to his funeral on the West Coast in a chartered Gulfstream. Pop was always close with his money—not stingy, but close—and the whopping expense of that roundtrip said a lot about his feeling for the man I grew up calling Uncle Butch. That feeling held strong, although the two men hadn’t seen each other face to face in ten years or more.

Pop was asked to speak at the funeral. I didn’t think he would—his rejection of the public spotlight spread in all directions, not just interviews—but he did it. He didn’t go to the podium, only stood up where he was with the help of his cane. He was always a good speaker, and that didn’t change with age.

“Butch and I were kids going to a one-room schoolhouse before the Second World War. We grew up in a no-stoplight dirt-road town fixing cars, patching them up, playing sports and then coaching them. As men we took part in town politics and maintained the town dump—very similar jobs, now that I think about it. We hunted, we fished, we put out grassfires in the summer and plowed the town roads in the winter. Knocked over a right smart of mailboxes doing it, too. I knew him when no one knew his name—or mine—outside of a twenty-mile radius. I should have come to see him these last years, but I was busy with my own affairs. I thought to myself, there’s time. We always think that, I guess. Then time runs out. Butch was a fine artist, but he was also a good man. I think that’s more important. Maybe some here don’t and that’s all right, that’s all right. Thing is, I always had his back and he always had mine.”

He paused, head down, thinking.

“In my little Maine town there’s a saying for friends like that. We kep’ close.”

Yes they did, and that included their secrets.

Ruth Crawford had a solid clip-file—I checked. She had published articles, mostly personality profiles, in a dozen places, many local or regional (Yankee, Downeast, New England Life), but a few national, including a piece on the benighted town of Derry in the New Yorker. When it came to Laird Carmody and Dave LaVerdiere, I thought she had a good hook to hang her proposed story on. Her thesis had come up glancingly in pieces about either Pop or Uncle Butch, but she wanted to drill down on it: two men from the same small town in Maine who had become famous in two different fields of cultural endeavor. Not only that, either; both Carmody and LaVerdiere had achieved fame in their mid-forties, at a time when most men and women have given over the ambitions of their youth. Who have, as Pop once put it, dug themselves a rut and begun furnishing it. Ruth wanted to explore how such an unlikely coincidence had happened… assuming it was coincidence.

“Has to be a reason?” Pop asked when I finished reading him Ms. Crawford’s letter. “Is that what she’s suggesting? I guess she never heard about the twin brothers who won large sums of money in their respective state lotteries on the same day.” “Well, that might not have been a complete coincidence,” I said. “Assuming, that is, that you didn’t just make the story up on the spur of the moment.”

I gave him space to comment, but he only offered a smile that could have meant anything. Or nothing. So I pressed on.

“I mean, those twins might have grown up in a house where gambling was a big thing. Which would make it a little less unlikely, right? Plus, what about all the lottery tickets they bought that were losers?”

“I’m not getting your point, Mark,” Pop said. Still with the little smile. “Do you even have one?”

“Just that I can understand this woman’s interest in exploring the fact of you and Dave both coming from Nowheresville and blossoming in the middle of your lives.” I raised my hands beside my head as if framing a headline. “Could it be… fate?” Pop considered this, rubbing one hand up the white stubble on the side of his deeply lined face. I actually thought he might be about to change his mind and say yes. Then he shook his head. “Just write her one of your nice letters, tell her I’m going to pass, and wish her well on her future endeavors.”

So that was what I did, although something about the way Pop looked just then stuck with me. It was the look of a man who could say quite a lot on the subject of how he and his friend Butch had achieved fame and fortune… but who chose not to. Who chose, in fact, to keep it close.