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A powerful tale of grief, love’s enduring bonds, and secrets of the past from #1 New York Times bestselling author and master storyteller Stephen King.
Four years after the sudden death of his wife, bestselling novelist Mike Noonan is still grieving. Unable to write and plagued by vivid nightmares set at the western Maine summerhouse he calls “Sara Laughs,” Mike reluctantly returns to the lakeside getaway. There, he finds his beloved Yankee town held in the grip of a powerful millionaire, Max Devore, whose vindictive purpose is to take his three-year-old granddaughter, Kyra, away from her widowed young mother, Mattie. As Mike is drawn into Mattie’s and Kyra’s struggle—and as he falls in love with both of them—he is also drawn into the mystery of Sara Laughs…now the site of ghostly visitations and escalating terrors. What are the forces that have been unleashed here—and just what do they want of Mike Noonan?
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ISBN-10
1501198890
ISBN-13
978-1501198892
Print length
544 pages
Language
English
Publisher
Scribner
Publication date
September 03, 2018
Dimensions
5.5 x 1.4 x 8.38 inches
Item weight
1.1 pounds
Grief is like a drunken houseguest, always coming back for one more goodbye hug.
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When an imaginative person gets into mental trouble, the line between seeming and being has a way of disappearing.
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Humor is almost always anger with its makeup on, I think, but in little towns the makeup tends to be thin.
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ASIN :
B000FBJFZA
File size :
6998 KB
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Anne Rivers Siddons I loved Bag of Bones. It's Stephen King for the new millennium, with all the heart and wit showing through the suspense. I always knew he'd do this. Such an evocation of love, grief and healing.
Gloria Naylor For years, I've been saying that Stephen King is much more than just a horror fiction writer. And I believe that he's never been given credit for taking American literature and stretching its boundaries. Bag of Bones proves me right. It is a love story about the dark places within us all, a metaphor for the act of creativity itself.
Amy Tan What I admire most about Bag of Bones is its intelligence of voice, not only the craftsmanship -- the indelible sense of place, the well-fleshed characters, the unstoppable story line -- but the witty and obsessive voice of King's powerful imagination. It places both the ghost story and Stephen King in their proper place on the shelf of literary American fiction.
Chapter 1
On a very hot day in August of 1994, my wife told me she was going down to the Derry Rite Aid to pick up a refill on her sinus medicine prescription -- this is stuff you can buy over the counter these days, I believe. I'd finished my writing for the day and offered to pick it up for her. She said thanks, but she wanted to get a piece of fish at the supermarket next door anyway; two birds with one stone and all of that. She blew a kiss at me off the palm of her hand and went out. The next time I saw her, she was on TV. That's how you identify the dead here in Derry -- no walking down a subterranean corridor with green tiles on the walls and long fluorescent bars overhead, no naked body rolling out of a chilly drawer on casters; you just go into an office marked PRIVATE and look at a TV screen and say yep or nope.
The Rite Aid and the Shopwell are less than a mile from our house, in a little neighborhood strip mall which also supports a video store, a used-book store named Spread It Around (they do a very brisk business in my old paperbacks), a Radio Shack, and a Fast Foto. It's on Up-Mile Hill, at the intersection of Witcham and Jackson.
She parked in front of Blockbuster Video, went into the drugstore, and did business with Mr. Joe Wyzer, who was the druggist in those days; he has since moved on to the Rite Aid in Bangor. At the checkout she picked up one of those little chocolates with marshmallow inside, this one in the shape of a mouse. I found it later, in her purse. I unwrapped it and ate it myself, sitting at the kitchen table with the contents of her red handbag spread out in front of me, and it was like taking Communion. When it was gone except for the taste of chocolate on my tongue and in my throat, I burst into tears. I sat there in the litter of her Kleenex and makeup and keys and half-finished rolls of Certs and cried with my hands over my eyes, the way a kid cries.
The sinus inhaler was in a Rite Aid bag. It had cost twelve dollars and eighteen cents. There was something else in the bag, too -- an item which had cost twenty-two-fifty. I looked at this other item for a long time, seeing it but not understanding it. I was surprised, maybe even stunned, but the idea that Johanna Arlen Noonan might have been leading another life, one I knew nothing about, never crossed my mind. Not then.
Jo left the register, walked out into the bright, hammering sun again, swapping her regular glasses for her prescription sunglasses as she did, and just as she stepped from beneath the drugstore's slight overhang (I am imagining a little here, I suppose, crossing over into the country of the novelist a little, but not by much; only by inches, and you can trust me on that), there was that shrewish howl of locked tires on pavement that means there's going to be either an accident or a very close call.
This time it happened -- the sort of accident which happened at that stupid X-shaped intersection at least once a week, it seemed. A 1989 Toyota was pulling out of the shopping-center parking lot and turning left onto Jackson Street. Behind the wheel was Mrs. Esther Easterling of Barrett's Orchards. She was accompanied by her friend Mrs. Irene Deorsey, also of Barrett's Orchards, who had shopped the video store without finding anything she wanted to rent. Too much violence, Irene said. Both women were cigarette widows.
Esther could hardly have missed the orange Public Works dump truck coming down the hill; although she denied this to the police, to the newspaper, and to me when I talked to her some two months later, I think it likely that she just forgot to look. As my own mother (another cigarette widow) used to say, "The two most common ailments of the elderly are arthritis and forgetfulness. They can be held responsible for neither."
Driving the Public Works truck was William Fraker, of Old Cape. Mr. Fraker was thirty-eight years old on the day of my wife's death, driving with his shirt off and thinking how badly he wanted a cool shower and a cold beer, not necessarily in that order. He and three other men had spent eight hours putting down asphalt patch out on the Harris Avenue Extension near the airport, a hot job on a hot day, and Bill Fraker said yeah, he might have been going a little too fast -- maybe forty in a thirty-mile-an-hour zone. He was eager to get back to the garage, sign off on the truck, and get behind the wheel of his own F-150, which had air conditioning. Also, the dump truck's brakes, while good enough to pass inspection, were a long way from tip-top condition. Fraker hit them as soon as he saw the Toyota pull out in front of him (he hit his horn, as well), but it was too late. He heard screaming tires -- his own, and Esther's as she belatedly realized her danger -- and saw her face for just a moment.
"That was the worst part, somehow," he told me as we sat on his porch, drinking beers -- it was October by then, and although the sun was warm on our faces, we were both wearing sweaters. "You know how high up you sit in one of those dump trucks?"
I nodded.
"Well, she was looking up to see me -- craning up, you'd say -- and the sun was full in her face. I could see how old she was. I remember thinking, 'Holy shit, she's gonna break like glass if I can't stop.' But old people are tough, more often than not. They can surprise you. I mean, look at how it turned out, both those old biddies still alive, and your wife..."
He stopped then, bright red color dashing into his cheeks, making him look like a boy who has been laughed at in the schoolyard by girls who have noticed his fly is unzipped. It was comical, but if I'd smiled, it only would have confused him.
"Mr. Noonan, I'm sorry. My mouth just sort of ran away with me."
"It's all right," I told him. "I'm over the worst of it, anyway." That was a lie, but it put us back on track.
"Anyway," he said, "we hit. There was a loud bang, and a crumping sound when the driver's side of the car caved in. Breaking glass, too. I was thrown against the wheel hard enough so I couldn't draw a breath without it hurting for a week or more, and I had a big bruise right here." He drew an arc on his chest just below the collarbones. "I banged my head on the windshield hard enough to crack the glass, but all I got up there was a little purple knob...no bleeding, not even a headache. My wife says I've just got a naturally thick skull. I saw the woman driving the Toyota, Mrs. Easterling, thrown across the console between the front bucket seats. Then we were finally stopped, all tangled together in the middle of the street, and I got out to see how bad they were. I tell you, I expected to find them both dead."
Neither of them was dead, neither of them was even unconscious, although Mrs. Easterling had three broken ribs and a dislocated hip. Mrs. Deorsey, who had been a seat away from the impact, suffered a concussion when she rapped her head on her window. That was all; she was "treated and released at Home Hospital," as the Derry News always puts it in such cases.
My wife, the former Johanna Arlen of Malden, Massachusetts, saw it all from where she stood outside the drugstore, with her purse slung over her shoulder and her prescription bag in one hand. Like Bill Fraker, she must have thought the occupants of the Toyota were either dead or seriously hurt. The sound of the collision had been a hollow, authoritative bang which rolled through the hot afternoon air like a bowling ball down an alley. The sound of breaking glass edged it like jagged lace. The two vehicles were tangled violently together in the middle of Jackson Street, the dirty orange truck looming over the pale-blue import like a bullying parent over a cowering child.
Johanna began to sprint across the parking lot toward the street. Others were doing the same all around her. One of them, Miss Jill Dunbarry, had been window-shopping at Radio Shack when the accident occurred. She said she thought she remembered running past Johanna -- at least she was pretty sure she remembered someone in yellow slacks -- but she couldn't be sure. By then, Mrs. Easterling was screaming that she was hurt, they were both hurt, wouldn't somebody help her and her friend Irene.
Halfway across the parking lot, near a little cluster of newspaper dispensers, my wife fell down. Her purse-strap stayed over her shoulder, but her prescription bag slipped from her hand, and the sinus inhaler slid halfway out. The other item stayed put.
No one noticed her lying there by the newspaper dispensers; everyone was focused on the tangled vehicles, the screaming women, the spreading puddle of water and antifreeze from the Public Works truck's ruptured radiator. ("That's gas!" the clerk from Fast Foto shouted to anyone who would listen. "That's gas, watch out she don't blow, fellas!") I suppose one or two of the would-be rescuers might have jumped right over her, perhaps thinking she had fainted. To assume such a thing on a day when the temperature was pushing ninety-five degrees would not have been unreasonable.
Roughly two dozen people from the shopping center clustered around the accident; another four dozen or so came running over from Strawford Park, where a baseball game had been going on. I imagine that all the things you would expect to hear in such situations were said, many of them more than once. Milling around. Someone reaching through the misshapen hole which had been the driver's-side window to pat Esther's trembling old hand. People immediately giving way for Joe Wyzer; at such moments anyone in a white coat automatically becomes the belle of the ball. In the distance, the warble of an ambulance siren rising like shaky air over an incinerator.
All during this, lying unnoticed in the parking lot, was my wife with her purse still over her shoulder (inside, still wrapped in foil, her uneaten chocolate-marshmallow mouse) and her white prescription bag near one outstretched hand. It was Joe Wyzer, hurrying back to the pharmacy to get a compress for Irene Deorsey's head, who spotted her. He recognized her even though she was lying face-down. He recognized her by ...
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Stephen King
Stephen King is the author of more than fifty books, all of them worldwide bestsellers. His first crime thriller featuring Bill Hodges, MR MERCEDES, won the Edgar Award for best novel and was shortlisted for the CWA Gold Dagger Award. Both MR MERCEDES and END OF WATCH received the Goodreads Choice Award for the Best Mystery and Thriller of 2014 and 2016 respectively.
King co-wrote the bestselling novel Sleeping Beauties with his son Owen King, and many of King's books have been turned into celebrated films and television series including The Shawshank Redemption, Gerald's Game and It.
King was the recipient of America's prestigious 2014 National Medal of Arts and the 2003 National Book Foundation Medal for distinguished contribution to American Letters. In 2007 he also won the Grand Master Award from the Mystery Writers of America. He lives with his wife Tabitha King in Maine.
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Customer reviews
4.5 out of 5
5,375 global ratings
Sara Ghanadan
5
Must Read!!!
Reviewed in the United States on June 25, 2024
Verified Purchase
This is my second time reading this book. I read it about 15 years ago. It is just as thrilling the second time around
BookandCoffee
5
What an Emotional Thrill Ride!!
Reviewed in the United States on July 20, 2013
Verified Purchase
I am a Stephen King Constant Reader. However, I don't shy from being critical of the authors novels. I like most of them, but there are a few I couldn't finish because of varied disappointments in the story--"Under the Dome" for example. I am slowly making my way through the author's body of work, and I had been meaning to make "Bag of Bones" my next King novel. I am so glad I did so.
I can see a clear contrast in the author's early works, when compared to his latter and most recent novels. His later books are a little more tame and character driven. The ghost and goblin effect is still strong, but the newer books have taken on a deeper, richer story texture, and the character development is significantly greater. I think the effect is that these newer stories tend to stay with you much longer. They develop a more lasting kinship with the reader that his earlier works did not evoke. "Bag of Bones" is a good example of the new King relative to the old. Another good example is "Duma Key". I think the notion that King has "slipped a cog" in his ability to tell a story is baseless. Actually he is as good as ever, maybe better--a few duds notwithstanding--eg..."Under the Dome".
I highly recommend "Bag of Bones". Great story and a dynamic plot--told in a "first person" style. The many characters all have an interesting place in the story. The seven hundred odd pages are filled with suspense, terror, and romance. I found myself sitting for long readings of the prose, and felt tinges of disappointment when I had to put down the book to do other things--eg..sleep. To me, that is high praise from a reader. I knew from the beginning that I was on a good read. Some days you know from the start if the fish are biting or not. Well, the fish were biting good in this lake. It was a good day of fishing--or week, should I say, and knew from the first chapters that the fishing trip would be a successful one.
Don't worry, the book is haunting. It is a very dark story. If you came seeking King's reputation to "scare the livin shit out of ya"...then I think you will be richly rewarded. The author is very long-winded in certain areas of the novel, and these tend to be the darkest and most spooky parts. Again, you won't be disappointed.
I am going to put "Bag of Bones" on my short list of favorite King novels....along with: The Dead Zone, 11/22/63, Duma Key, Misery, Dolores Claiborne, The Shining, Salem's Lot, Lisey's Story, etc.
As you can see, I rated 5 stars. Very deserving! ...and I highly recommend this novel to readers.
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28 people found this helpful
N. Kunka
5
The very best King has to offer
Reviewed in the United States on July 26, 2011
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Where to begin?
This is my favorite King book so far. And that's really saying a lot, because I like a lot of King stuff.
The strength of Bag of Bones (a completely appropriate title on so many levels once you get through it), lies in its completely realistic starting point. King manages to capture the loss and pain of a loved one in such stark terms that I found myself with nightmares of my own. Not supernatural ones, the kind that go away as soon as you push the covers off and brush your teeth, but the potential ones that stick with you and make you feel crummy all day long. Believe it or not, that was actually a compliment...
Anyway, I don't think I've read a better crafted haunted house story. Usually this genre is so full of cliche that it's really lost its power and magic, but King's focus is not the haunting in that particular sense. The haunting he focuses on is how memories haunt and hamstring us every day of our lives, and that's what makes the novel so deep. If you took all the ghost stuff out, it's still powerfully compelling fiction. Most of the supernatural stuff is simply sprinkled in at appropriate junctures to scare the living crap out of you. King waits until you forget this is a ghost story before unleashing the demons from his fertile imagination. He spends a hundred pages elaborating on the pain of losing a wife before he hints at her ghost, he delves into the very human evil of Max Devore before giving you a glimpse at the evil presence that has drawn all of his characters to Sara Laughs. And that's what makes it scary.
The novel is full of suspense, and not the cheap kind either. Usually, the avid reader doesn't have much trouble spotting misdirection or picking up on foreshadowing, but King really does manage to keep the air of mystery sealed pretty tight as he zig-zags towards a very unexpected series of concluding events.
On top of plot and pacing mastery, King also manages to infuse a wealth of literary allusions that enrich the story and its structure, making references from Melville to Bradbury, without making the insertions pretentious or overly academic.
Bag of Bones showcases King's strengths as an author like no other of his works, at least so far. Damn the man, now I have to go on a Dark Tower binge...
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