The God of the Woods: A Novel by Liz Moore - Audiobook
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The God of the Woods: A NovelAudiobook

by

Liz Moore

(Author)

4.5

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8,258 ratings


A NEW YORK TIMES BESTSELLER

“The God of the Woods should be your next summer mystery.” —The Washington Post

“Extraordinary . . . Reminds me of Donna Tartt’s 1992 debut, The Secret History . . . I was so thoroughly submerged in a rich fictional world, that for hours I barely came up for air.” —Maureen Corrigan, Fresh Air, NPR

“Riveting from page one to the last breathless word.” —Rebecca Makkai, New York Times bestselling author of I Have Some Questions For You

When a teenager vanishes from her Adirondack summer camp, two worlds collide

Early morning, August 1975: a camp counselor discovers an empty bunk. Its occupant, Barbara Van Laar, has gone missing. Barbara isn’t just any thirteen-year-old: she’s the daughter of the family that owns the summer camp and employs most of the region’s residents. And this isn’t the first time a Van Laar child has disappeared. Barbara’s older brother similarly vanished fourteen years ago, never to be found.

As a panicked search begins, a thrilling drama unfolds. Chasing down the layered secrets of the Van Laar family and the blue-collar community working in its shadow, Moore’s multi-threaded story invites readers into a rich and gripping dynasty of secrets and second chances. It is Liz Moore’s most ambitious and wide-reaching novel yet.

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ISBN-10

0593915372

ISBN-13

978-0593915370

Print length

704 pages

Language

English

Publisher

Random House Large Print

Publication date

July 01, 2024

Dimensions

6.09 x 1.19 x 9.18 inches

Item weight

2.31 pounds


Product details

ASIN :

B0CL1YQLB5

File size :

4218 KB

Text-to-speech :

Enabled

Screen reader :

Supported

Enhanced typesetting :

Enabled

X-Ray :

Enabled

Word wise :

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Editorial reviews

Praise for The God of the Woods:

“The God of the Woods, like The Secret History, transports readers so deeply into its richly peopled, ominous world that, for hours, everything else falls away. . . . Breaking free of the spell Moore casts is close to impossible.” —Washington Post

“This expertly paced thriller ...has the kineticism of a well-crafted miniseries.” —The New Yorker

“Hugely satisfying . . . . Moore cleverly guides us through that tangle of trails, to a thrilling and unexpected conclusion.” —Boston Globe

“Liz Moore’s extraordinary new literary suspense novelreminds me of Donna Tartt’s 1992 debut, The Secret History. . . . [T]he vital connection for me was a reading experience where I was so thoroughly submerged in a rich fictional world, that for hours I barely came up for air. . . . The precision of Moore’s writing never flags. . . . Unforgettable.” —Maureen Corrigan, Fresh Air, NPR

"Her fictional summer camp felt as vivid to me as my own." — The New York Times

"An unusually gratifying reading experience . . . Three days after you turn the last page, your head is still half in it. It's as if you can smell the pine and wood smoke. . . . Moore has written an atmospheric family drama, a social novel and the best kind of missing persons story, one that's fun to read and think about.” —Marion Winnik, Minneapolis Star Tribune

“Intercutting past and present, Moore keeps the suspense at a fever pitch amid nuanced portraits of the out-of-touch Van Laars, their hangers-on and the locals who both depend on and resent them. A winner.” —People

“Clear your afternoon: This absorbing story, told by a compelling cast of characters, is unputdownable.” —Real Simple

“Part riveting thriller and part family drama, Liz Moore’s novel plays on the uncomfortable truths of favoritism and family dynamics in this nail-biter that will keep you from wandering alone in the woods for quite some time.” —Huffington Post

“An immersive reading experience that will draw audiences. Its explorations of class, crime, and family dynamics, in addition to Moore’s incredible storytelling, will appeal to readers of Lisa Jewell, Tana French, and Lucy Foley.” —Library Journal, STARRED review

“Rich in background detail and secondary mysteries . . . this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.” —Kirkus, STARRED review

“Gripping and revelatory . . . The beautiful and dangerous wilderness setting enhances the suspense as the narrative builds to a dramatic final act. . . . This astonishes.” —Publishers Weekly, STARRED review

“A compulsively readable novel that will appeal to fans of mysteries and historical fiction alike.” —Booklist, STARRED review

“Riveting from page one to the last breathless word, The God of the Woods is about the many ways we find and lose both ourselves and others. This book flew by at lightning speed, but will stick with me for a very long time.” —Rebecca Makkai, New York Times bestselling author of I Have Some Questions For You

“A brilliant, riveting fox trap of a novelan epic mystery, a family saga and a survival guide. Liz Moore shows us how easy it is for any of us to get lost in the woods, and what to do if you want to be found. I loved this book.” —Miranda Cowley Heller, #1 New York Times bestselling author of The Paper Palace

“A riveting tale of a missing child that widens into a vast, acute portrait of youth, friendship, family secrets, and conflicting social circles. Intelligently done, and with a gimlet eye for telling detail, it’s a brilliant trap full of secrets and lies.” —Douglas Stuart, Booker Prize winning author of Shuggie Bain

“A rare gem, an immersive and enthralling literary thriller: a novel about love in the aftermath of tragedy, and about families of the very best—and the worst—kind.” —Paula Hawkins, #1 New York Times bestselling author of The Girl on the Train

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About the authors

Liz Moore

Liz Moore

Liz Moore is the author of five novels: The Words of Every Song, Heft, The Unseen World, the New York Times-bestselling Long Bright River, and The God of the Woods. A winner of the 2014 Rome Prize in Literature, she lives in Philadelphia and teaches in the MFA program in Creative Writing at Temple University.


Reviews

Customer reviews

4.5 out of 5

8,258 global ratings

NZLisaM

NZLisaM

5

The third rule of Camp Emerson is the most important, ‘When lost sit down and yell.’

Reviewed in the United States on July 8, 2024

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Just like the battle cry of Pan: The Greek God of the Woods.

Situated in the Adirondack Mountains is the Van Laar Preserve. Atop its ridge is the Van Laar’s colossal summer home, named Self-Reliance. Far below, is the camp they own, Camp Emerson, which is open to campers eight weeks of the year (June to August).

July 1961: 8-year-old, Peter “Bear” Van Laar the fourth (the only child of Peter the third and his wife Alice) vanishes without a trace while hiking with his grandfather (Peter II) in the Adirondacks near the family home Self-Reliance. Following an extensive search no trace of him is ever found.

August 1975: The girls in Balsam cabin, Camp Emerson, awaken to find 13-year-old Barbara’s bunk bed empty. Barbara’s surname is also Van Laar – she’s Bear’s younger sister, born after his disappearance, to replace the void he left.

Is the Van Laar line cursed? Surely it can’t be a coincidence that they’re two children from the same privileged family! Or are they simply two separate unrelated tragedies? What happened to Bear, and then Barbara?

If I could rate The God of the Woods 14 stars (for the 14 cabins of Camp Emerson) then I absolutely positivity would, but I guess 5 stars is enough to convey just how immersive, momentous, and affecting it was. A flawlessly written epic masterpiece of literary suspense fiction, and deep dive character study. There were twists that left me reeling over how shockingly clever they were, and Liz Moore’s use of misdirection and carefully concealed clues were meticulously placed. Every once and a while there is a book that comes along that is so special that I find myself taking much longer than normal to read it, inhaling every word, and taking frequent breaks to reflect on the plot, and characters, to prolong the experience, and The God of the Woods was one such example.

The story contained many gothic elements which increased my sense of unease and claustrophobia tenfold. A prickling sensation at the back of my neck permeated the novel from the very first page. First up, was the secluded setting, far enough away from the nearest town of Shattuck to be isolating, surrounded by endless wilderness and the looming Hunt Mountain, with Lake Joan cutting them off even further. Then there were the dilapidated log cabins, once used for hunting parties, complete with unused fireplaces, whose chimneys were occasionally inhabited by bats. Not to mention the origins of Self-Reliance – there was something off-putting and out-of-place about it previously being a Chalet in Switzerland, transported by ship to New York piece-by-piece and then reassembled on the Van Laar Preserve. As expected, there were numerous campfire style legends circulating – whispered stories warning of Slitter, of Scary Mary, and Old John. And last but not least, the plot was built around not one, but two disturbing enthralling mysteries.

Those who know me are aware that I love a summer camp setting and this novel contained everything I wanted in one – new friendships, secretive and untrustworthy behaviour, counsellors and campers sneaking around after dark, campfires, sing-a-longs, swimming, hiking, a camper survival trip in the woods, and an end of summer dance. The vivid and intricate descriptions of the campgrounds really brought Camp Emerson to life. There was also a handy map included at the front of the book, showing the layout of the grounds and buildings.

And I was thrilled that the author chose to set the camp story arc in the 70's – I adored the nostalgic trip, the slang, and pop culture references. The 1950’s/1960’s timelines were equally compelling. Instead of Camp Emerson, that plot focused on Self-Reliance and Peter and Alice's marriage within its walls, and of course, Bear's disappearance, and what lead up to it, and the fallout resulting from it.

The majority of the POV’s were pre-teen/teenage girls and twenty-something women (with the exception of Alice in 1975. She was 41 by this stage), and most of them were damaged or broken (and given what they'd been dealt in life I'm not surprised), beaten down and trapped by their circumstances. Back then women were considered inferior – utterly dependent on the men in their lives to make decisions for them regarding how to look, act, and behave. And a lot of the male characters in this book took advantage of this – were dismissive, controlling and abusive. Not only that when female characters were abused by men, they saw it as their failure, and thought it was them who needed to change, who needed to be more compliant. And those who did take a stand were belittled, mocked, and shunned, by both men and women, for not conforming to the norm.

Class, prejudice, injustice, and resentment was another prominent theme. With the Van Laar family and their rich, entitled friends on one side, and the locals from Shattuck (including camp staff, counsellors, household staff, and caretakers) on the other. Self-Reliance, sat high on the hill, on prominent display, lording it over everyone, literally and figuratively, looking down on people. Even its name, Self-Reliance, was an exclusion, a slap in the face for the townspeople, implying that the Van Laar’s had build it themselves with no assistance, when it had been the entire eligible male population of Shattuck who had done so, with no help from the Van Laar’s. And even the fact that the camp staff quarters were situated way down lake from Self-Reliance in the farthest south corner possible, placed in the half of the camp separated by a creek, spoke volumes.

The God of the Woods was in my opinion a smash-hit and I strongly urge everyone to read it and experience the magic for themselves. My top read for 2024 so far. Actually, top read full stop.

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13 people found this helpful

A. Simons

A. Simons

5

A very compelling story

Reviewed in the United States on July 13, 2024

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I couldn’t put this book down. It’s beautifully written, with fully written characters I felt I knew. I understand why this book is so popular.

KC, IHM

KC, IHM

5

A Mystery to be Savored

Reviewed in the United States on July 13, 2024

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A book you can't put down: interesting characters, fully formed to the historical times of the 50's thru 70's. A double mystery that will keep you guessing, and glad for the final ending.

Dori Owen

Dori Owen

5

An Original Read About Generations of the Van Laar Family and What You Can’t Hide

Reviewed in the United States on July 8, 2024

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This is a very well-written book told in present and past style (I love the way the chapters are formed by years) of generations of the Van Laar family and the players that cross their paths. It starts with their missing son Bear who disappeared 14 years ago, and now presently his sister Barbara who now goes missing. The story takes place around the Van Laar owned summer camp in the Adirondack and has many a dynasty of secrets and players in this very readable mystery full of family secrets and introduces a tenacious young investigator who just won’t let go. It’s a great story you will NOT LET GO!

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2 people found this helpful

Eva Borins

Eva Borins

5

Families are difficult

Reviewed in the United States on July 13, 2024

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At t the start of this story it was difficult to see where it was going. Then the clues started emerging but as in any tale it is important not to jump to solutions.

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