4.5
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3,817 ratings
The classic collection of five deeply resonant and disturbing interconnected stories from #1 New York Times bestselling author Stephen King.
Innocence, experience, truth, deceit, loss, and recovery are at the core of these five interconnected, sequential tales—each deeply rooted in the 1960s, and each scarred by the Vietnam War, which continues to cast its shadow over American lives, politics and culture.
In Part One, “Low Men in Yellow Coats,” eleven-year-old Bobby Garfield discovers a world of predatory malice in his own neighborhood. He also discovers that adults are sometimes not rescuers but at the heart of the terror.
In the title story, a bunch of college kids get hooked on a card game, discover the possibility of protest, and confront their own collective heart of darkness, where laughter may be no more than the thinly disguised cry of the beast.
In “Blind Willie” and “Why We’re in Vietnam,” two men who grew up with Bobby in suburban Connecticut try to fill the emptiness of the post-Vietnam era in an America which sometimes seems as hollow—and as haunted—as their own lives.
And in “Heavenly Shades of Night Are Falling,” this remarkable book’s denouement, Bobby returns to his hometown where one final secret, the hope of redemption, and his heart’s desire may await him.
Full of danger and suspense, full of heart, this spellbinding fiction will take some readers to a place they have never been...and others to a place they have never been able to completely forget. Nearly twenty years after its first publication, Hearts in Atlantis is powerful and astonishingly current.
“You will see Stephen King in a new light. Read this moving, heartfelt tragedy and weep—weep for our lost conscience.” —BookPage
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ISBN-10
1501195972
ISBN-13
978-1501195976
Print length
688 pages
Language
English
Publisher
Scribner
Publication date
November 13, 2017
Dimensions
5.5 x 1.6 x 8.38 inches
Item weight
1.34 pounds
ASIN :
B000FC0PNA
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3121 KB
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About the Author
Stephen King is the author of more than sixty books, all of them worldwide bestsellers. His recent work includes the short story collection You Like It Darker, Holly, Fairy Tale, Billy Summers, If It Bleeds, The Institute, Elevation, The Outsider, Sleeping Beauties (cowritten with his son Owen King), and the Bill Hodges trilogy: End of Watch, Finders Keepers, and Mr. Mercedes (an Edgar Award winner for Best Novel and a television series streaming on Peacock). His novel 11/22/63 was named a top ten book of 2011 by The New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller. His epic works The Dark Tower, It, Pet Sematary, Doctor Sleep, and Firestarter are the basis for major motion pictures, with It now the highest-grossing horror film of all time. He is the recipient of the 2020 Audio Publishers Association Lifetime Achievement Award, the 2018 PEN America Literary Service Award, the 2014 National Medal of Arts, and the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King.
From Publishers Weekly
By "Atlantis," King means the 1960s, that otherworldly decade that, like the fabled continent, has sunk into myth. By "hearts," he means not just the seat of love but the card game, which figures prominently in the second of the five scarcely linked narratives in this full-bodied but disjointed omnibus, King's third (after Different Seasons and Four Past Midnight). The stories proceed chronologically, from 1960 to 1999. The first, the novel-length "Low Men in Yellow Coats," is the most traditionally King: an alienated youth, Bobby Garfield, is befriended by a new neighbor, the elderly Ted Brautigan, who introduces him to literature and turns out to be on the run from villainous creatures from another time/dimension. A potent coming-of-age tale, the story connects to King's Dark Tower saga. The novella-length title entry, set in 1966 and distinguished by a bevy of finely etched characters, concerns a college dorm whose inhabitants grow dangerously addicted to hearts. The last three pieces are short stories. "Blind Willie," set in 1983, details the penance paid by a Vietnam vet for a wartime sin, as does "Why We're in Vietnam." The concluding tale, "Heavenly Shades of Night Falling," revives Bobby and provides closure. Sometimes the stories feel like experiments, even exercises, and they can wear their craft on their sleevesAin the way the game of hearts symbolizes the quagmire of Vietnam, for instance, or in how each narrative employs a different prose style, from the loose-limbed third-person of "Low Men" to the tighter first-person of "Hearts," and so on. With about ten million published words and counting, King probably can write a seductive story in his sleep and none of these artful tales are less; but only the title story rivals his best work and, overall, the volume has a patchy feel, and exudes a bittersweet obsession with the past that will please the author's fellow babyboomersAKing nails the '60s and its legacyAbut may make others grind their teeth.
Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Kirkus Reviews
King's fat new work impressively follows his general literary upgrading begun with Bag of Bones (1998) and settles readers onto the seabottom of one of his most satisfying ideas ever. Set in fictional Harwich and semifictional Bridgeport, the story weaves five Vietnam-haunted small-town New England stories into a deeply moving overall vision. The five are: Low Men in Yellow Coats,'' set in 1960 and at about 250 pages the longest;
Hearts in Atlantis,'' set in 1966; Blind Willie,'' set in 1983;
Why We're in Vietnam'' and ``Heavenly Shades of Night Are Failing,'' both set in 1999. The umbrella title fits well, with King showing us the lost, time-sunken continent of the late Eisenhower era, as hearts from the deep sea of that Hopperesque time slowly rise to the tormented surface of the present-day. Whether his characters are stock or not, its impossible not to enjoy Kings gentle ways of fleshing them out, all the old bad habits and mannerisms gone as he draws you into the most richly serious work of his career. Elderly Ted Brautigan, who may seem a bit like Max von Sydow, moves into a house occupied by Bobby Garfield, age 11, and his hard-bitten mother, Liz, a secretary for real-estate agent Don Biderman, with whom shes having an unhappy affair. Brautigan hires Bobby to read the paper aloud, gives him Lord of the Fliesand also strange warnings about low men in yellow coats and posters about lost dogs. Report any sighting of these! Ted also has attacks of parrot pupilitis, the pupils opening and closing as he stares at other worlds. Although some characters wander in from King's inferior occult Western Dark Tower series, their cartoony, computer-graphic effects making them seem in the wrong novel, this minor lapse fades before King's memory-symphony of America during Vietnam. Page after page, a truly mature King does everything right and deserves some kind of literary rosette. His masterpiece.(Book- of-the-Month Club main selection; Quality Paperback Book Club alternate selection) -- Copyright ©1999, Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
Amazon.com Review
Stephen King's collection of five stories about '60s kids reads like a novel. The best is "Low Men in Yellow Coats," about Bobby Garfield of Harwich, Connecticut, who craves a Schwinn for his 11th birthday. But his widowed mom is impoverished, and so bitter that she barely loves him. King is as good as Spielberg or Steven Millhauser at depicting an enchanted kid's-eye view of the world, and his Harwich is realistically luminous to the tiniest detail: kids bashing caps with a smoke-blackened rock, a car grille "like the sneery mouth of a chrome catfish," a Wild Mouse carnival ride that makes kids "simultaneously sure they were going to live forever and die immediately." Bobby's mom takes in a lodger, Ted Brautigan, who turns the boy on to great books like Lord of the Flies. Unfortunately, Ted is being hunted by yellow-jacketed men--monsters from King's Dark Tower novels who take over the shady part of town. They close in on Ted and Bobby, just as a gang of older kids menace Bobby and his girlfriend, Carol. This pointedly echoes the theme of Lord of the Flies (the one book King says he wishes he'd written): war is the human condition. Ted's mind-reading powers rub off a bit on Bobby, granting nightmare glimpses of his mom's assault by her rich, vile, jaunty boss. King packs plenty into 250 pages, using the same trick Bobby discerns in the film Village of the Damned: "The people seemed like real people, which made the make-believe parts scarier."
Vietnam is the otherworldly horror that haunts the remaining four stories. In the title tale, set in 1966, University of Maine college kids play the card game Hearts so obsessively they risk flunking out and getting drafted. The kids discover sex, rock, and politics, become war heroes and victims, and spend the '80s and '90s shell-shocked by change. The characters and stories are crisscrossed with connections that sometimes click and sometimes clunk. The most intense Hearts player, Ronnie Malenfant ("evil infant"), perpetrates a My Lai-like atrocity; a nice Harwich girl becomes a radical bomber. King's metaphor for lost '60s innocence is inspired by Donovan's "sweet and stupid" song about the sunken continent, and his stories hail the vanished Atlantis of his youth with deep sweetness and melancholy intelligence. --Tim Appelo
--This text refers to an out of print or unavailable edition of this title.
From School Library Journal
YA-An intricate and compelling tapestry of the '60s and those who came of age during that turbulent decade. Readers first meet 11-year-old Bobby Garfield in suburban Connecticut in 1960. He and his friends, Sully John and Carol, come to the end of their collective childhood during that summer when violence, rage, guilt, shame, and heroism break up their close-knit relationship. The second story begins six years later on the University of Maine campus. A card game, Hearts, threatens the college future of a group of freshmen. Outside, the Vietnam War and its concurrent rebellion are raging. Pete, the protagonist, offers a firsthand view of the craziness of the time. The link to the first story is Carol, Bobby's childhood friend, with whom Pete falls in love. The next two stories each follow another figure from the summer of 1960: Bobby's friend Sully John and a member of a trio that assaulted Carol. Both young men are Vietnam vets, each one crippled in his own way from his war experience. The final story finds middle-aged Bobby returning to Connecticut, coming full circle with the events of his life. This is a very long book; however, after reading a few pages, most teens will be hard-pressed to put it down. The characters are compelling and well drawn, the action is ingeniously interwoven from story to story, and the feel of the 60s, and the baggage carried into later decades, is vivid, harsh, and absolutely true.
Carol DeAngelo, Kings Park Library, Burke, VA
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Library Journal
How to describe King? He is obviously a devoted genre writer, but lately he's become wildly unpredictable. Hearts in Atlantis isn't anything like his previous work; here, King is covering new territory in terms of both style and content. Composed of five different sequential and interconnected narratives, all involving the Vietnam War, the book unfolds over 40 haunting years. New characters become old friends as the reader struggles with them through each test and trial (some of which are classically Kingian), hoping ultimately to survive in the end. This is a spellbinding piece of literature. Highly recommended.
-AStacey Reasor, ITT Technical Inst. Lib., Tampa, FL
Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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I. A Boy and His Mother. Bobby's Birthday.
The New Roomer. Of Time and Strangers.
Bobby Garfield's father had been one of those fellows who start losing their hair in their twenties and are completely bald by the age of forty-five or so. Randall Garfield was spared this extremity by dying of a heart attack at thirty-six. He was a real-estate agent, and breathed his last on the kitchen floor of someone else's house. The potential buyer was in the living room, trying to call an ambulance on a disconnected phone, when Bobby's dad passed away. At this time Bobby was three. He had vague memories of a man tickling him and then kissing his cheeks and his forehead. He was pretty sure that man had been his dad. Sadly missed, it said on Randall Garfield's gravestone, but his mom never seemed all that sad, and as for Bobby himself...well, how could you miss a guy you could hardly remember?
Eight years after his father's death, Bobby fell violently in love with the twenty-six-inch Schwinn in the window of the Harwich Western Auto. He hinted to his mother about the Schwinn in every way he knew, and finally pointed it out to her one night when they were walking home from the movies (the show had been The Dark at the Top of the Stairs, which Bobby didn't understand but liked anyway, especially the part where Dorothy McGuire flopped back in a chair and showed off her long legs). As they passed the hardware store, Bobby mentioned casually that the bike in the window would sure make a great eleventh-birthday present for some lucky kid.
"Don't even think about it," she said. "I can't afford a bike for your birthday. Your father didn't exactly leave us well off, you know."
Although Randall had been dead ever since Truman was President and now Eisenhower was almost done with his eight-year cruise, Your father didn't exactly leave us well off was still his mother's most common response to anything Bobby suggested which might entail an expenditure of more than a dollar. Usually the comment was accompanied by a reproachful look, as if the man had run off rather than died.
No bike for his birthday. Bobby pondered this glumly on their walk home, his pleasure at the strange, muddled movie they had seen mostly gone. He didn't argue with his mother, or try to coax her -- that would bring on a counterattack, and when Liz Garfield counterattacked she took no prisoners -- but he brooded on the lost bike...and the lost father. Sometimes he almost hated his father. Sometimes all that kept him from doing so was the sense, unanchored but very strong, that his mother wanted him to. As they reached Commonwealth Park and walked along the side of it -- two blocks up they would turn left onto Broad Street, where they lived -- he went against his usual misgivings and asked a question about Randall Garfield.
"Didn't he leave anything, Mom? Anything at all?" A week or two before, he'd read a Nancy Drew mystery where some poor kid's inheritance had been hidden behind an old clock in an abandoned mansion. Bobby didn't really think his father had left gold coins or rare stamps stashed someplace, but if there was something, maybe they could sell it in Bridgeport. Possibly at one of the hockshops. Bobby didn't know exactly how hocking things worked, but he knew what the shops looked like -- they had three gold balls hanging out front. And he was sure the hockshop guys would be happy to help them. Of course it was just a kid's dream, but Carol Gerber up the street had a whole set of dolls her father, who was in the Navy, had sent from overseas. If fathers gave things -- which they did -- it stood to reason that fathers sometimes left things.
When Bobby asked the question, they were passing one of the streetlamps which ran along this side of Commonwealth Park, and Bobby saw his mother's mouth change as it always did when he ventured a question about his late father. The change made him think of a purse she had: when you pulled on the drawstrings, the hole at the top got smaller.
"I'll tell you what he left," she said as they started up Broad Street Hill. Bobby already wished he hadn't asked, but of course it was too late now. Once you got her started, you couldn't get her stopped, that was the thing. "He left a life insurance policy which lapsed the year before he died. Little did I know that until he was gone and everyone -- including the undertaker -- wanted their little piece of what I didn't have. He also left a large stack of unpaid bills, which I have now pretty much taken care of -- people have been very understanding of my situation, Mr. Biderman in particular, and I'll never say they haven't been."
All this was old stuff, as boring as it was bitter, but then she told Bobby something new. "Your father," she said as they approached the apartment house which stood halfway up Broad Street Hill, "never met an inside straight he didn't like."
"What's an inside straight, Mom?"
"Never mind. But I'll tell you one thing, Bobby-O: you don't ever want to let me catch you playing cards for money. I've had enough of that to last me a lifetime."
Bobby wanted to enquire further, but knew better; more questions were apt to set off a tirade. It occurred to him that perhaps the movie, which had been about unhappy husbands and wives, had upset her in some way he could not, as a mere kid, understand. He would ask his friend John Sullivan about inside straights at school on Monday. Bobby thought it was poker, but wasn't completely sure.
"There are places in Bridgeport that take men's money," she said as they neared the apartment house where they lived. "Foolish men go to them. Foolish men make messes, and it's usually the women of the world that have to clean them up later on. Well..."
Bobby knew what was coming next; it was his mother's all-time favorite.
"Life isn't fair," said Liz Garfield as she took out her housekey and prepared to unlock the door of 149 Broad Street in the town of Harwich, Connecticut. It was April of 1960, the night breathed spring perfume, and standing beside her was a skinny boy with his dead father's risky red hair. She hardly ever touched his hair; on the infrequent occasions when she caressed him, it was usually his arm or his cheek which she touched.
"Life isn't fair," she repeated. She opened the door and they went in.
It was true that his mother had not been treated like a princess, and it was certainly too bad that her husband had expired on a linoleum floor in an empty house at the age of thirty-six, but Bobby sometimes thought that things could have been worse. There might have been two kids instead of just one, for instance. Or three. Hell, even four.
Or suppose she had to work some really hard job to support the two of them? Sully's mom worked at the Tip-Top Bakery downtown, and during the weeks when she had to light the ovens, Sully-John and his two older brothers hardly even saw her. Also Bobby had observed the women who came filing out of the Peerless Shoe Company when the three o'clock whistle blew (he himself got out of school at two-thirty), women who all seemed way too skinny or way too fat, women with pale faces and fingers stained a dreadful old-blood color, women with downcast eyes who carried their work shoes and pants in Total Grocery shopping bags. Last fall he'd seen men and women picking apples outside of town when he went to a church fair with Mrs. Gerber and Carol and little Ian (who Carol always called Ian-the-Snot). When he asked about them Mrs. Gerber said they were migrants, just like some kinds of birds -- always on the move, picking whatever crops had just come ripe. Bobby's mother could have been one of those, but she wasn't.
What she was was Mr. Donald Biderman's secretary at Home Town Real Estate, the company Bobby's dad had been working for when he had his heart attack. Bobby guessed she might first have gotten the job because Donald Biderman liked Randall and felt sorry for her -- widowed with a son barely out of diapers -- but she was good at it and worked hard. Quite often she worked late. Bobby had been with his mother and Mr. Biderman together on a couple of occasions -- the company picnic was the one he remembered most clearly, but there had also been the time Mr. Biderman had driven them to the dentist's in Bridgeport when Bobby had gotten a tooth knocked out during a recess game -- and the two grownups had a way of looking at each other. Sometimes Mr. Biderman called her on the phone at night, and during those conversations she called him Don. But "Don" was old and Bobby didn't think about him much.
Bobby wasn't exactly sure what his mom did during her days (and her evenings) at the office, but he bet it beat making shoes or picking apples or lighting the Tip-Top Bakery ovens at four-thirty in the morning. Bobby bet it beat those jobs all to heck and gone. Also, when it came to his mom, if you asked about certain stuff you were asking for trouble. If you asked, for instance, how come she could afford three new dresses from Sears, one of them silk, but not three monthly payments of $11.50 on the Schwinn in the Western Auto window (it was red and silver, and just looking at it made Bobby's gut cramp with longing). Ask about stuff like that and you were asking for real trouble.
Bobby didn't. He simply set out to earn the price of the bike himself. It would take him until the fall, perhaps even until the winter, and that particular model might be gone from the Western Auto's window by then, but he would keep at it. You had to keep your nose to the grindstone and your shoulder to the wheel. Life wasn't easy, and life wasn't fair.
When Bobby's eleventh birthday rolled around on the last Tuesday of April, his mom gave him a small flat package wrapped in silver paper. Inside was an orange library card. An adult library card. Goodbye Nancy Drew, Hardy Boys, and Don Winslow of the Navy. Hello to all the rest of it, stories as full of mysterious muddled passion as The Dark at the Top of the Stairs. Not to mention bloody daggers in tower rooms. (There were mysteries and tower rooms in the stories about Nancy Drew and the Hardy Boys, but precious little blood and never any passion.)
"Just remember that Mrs. Kelton on the desk is a friend of mine," Mom said. She spoke in her accustomed dry tone of warning, but she was pleased by his pleasure -- she could see it. "If you try to borrow anything racy like Peyton Place or Kings Row, I'll find out."
Bobby smiled. He knew she would.
"If it's that other one, Miss Busybody, and she asks what you're doing with an orange card, you tell her to turn it over. I've put written permission over my signature."
"Thanks, Mom. This is swell."
She smiled, bent, and put a quick dry swipe of the lips on his cheek, gone almost before it was there. "I'm glad you're happy. If I get home early enough, we'll go to the Colony for fried clams and ice cream. You'll have to wait for the weekend for your cake; I don't have time to bake until then. Now put on your coat and get moving, sonnyboy. You'll be late for school."
They went down the stairs and out onto the porch together. There was a Town Taxi at the curb. A man in a poplin jacket was leaning in the passenger window, paying the driver. Behind him was a little cluster of luggage and paper bags, the kind with handles.
"That must be the man who just rented the room on the third floor," Liz said. Her mouth had done its shrinking trick again. She stood on the top step of the porch, appraising the man's narrow fanny, which poked toward them as he finished his business with the taxi driver. "I don't trust people who move their things in paper bags. To me a person's things in a paper sack just looks slutty."
"He has suitcases, too," Bobby said, but he didn't need his mother to point out that the new tenant's three little cases weren't such of a much. None matched; all looked as if they had been kicked here from California by someone in a bad mood.
Bobby and his mom walked down the cement path. The Town Taxi pulled away. The man in the poplin jacket turned around. To Bobby, people fell into three broad categories: kids, grownups, and old folks. Old folks were grownups with white hair. The new tenant was of this third sort. His face was thin and tired-looking, not wrinkled (except around his faded blue eyes) but deeply lined. His white hair was baby-fine and receding from a liverspotted brow. He was tall and stooped-over in a way that made Bobby think of Boris Karloff in the Shock Theater movies they showed Friday nights at 11:30 on WPIX. Beneath the poplin jacket were cheap workingman's clothes that looked too big for him. On his feet were scuffed cordovan shoes.
"Hello, folks," he said, and smiled with what looked like an effort. "My name's Theodore Brautigan. I guess I'm going to live here awhile."
He held out his hand to Bobby's mother, who touched it just briefly. "I'm Elizabeth Garfield. This is my son, Robert. You'll have to pardon us, Mr. Brattigan -- "
"It's Brautigan, ma'am, but I'd be happy if you and your boy would just call me Ted."
"Yes, well, Robert's late for school and I'm late for work. Nice to meet you, Mr. Brattigan. Hurry on, Bobby. Tempus fugit."
She began walking downhill toward town; Bobby began walking uphill (and at a slower pace) toward Harwich Elementary, on Asher Avenue. Three or four steps into this journey he stopped and looked back. He felt that his mom had been rude to Mr. Brautigan, that she had acted stuck-up. Being stuck-up was the worst of vices in his little circle of friends. Carol loathed a stuck-up person; so did Sully-John. Mr. Brautigan would probably be halfway up the walk by now, but if he wasn't, Bobby wanted to give him a smile so he'd know at least one member of the Garfield family wasn't stuck-up.
His mother had also stopped and was also looking back. Not because she wanted another look at Mr. Brautigan; that idea never crossed Bobby's mind. No, it was her son she had looked back at. She'd known he was going to turn around before Bobby knew it himself, and at this he felt a sudden darkening in his normally bright nature. She sometimes said it would be a snowy day in Sarasota before Bobby could put one over on her, and he supposed she was right about that. How old did you have to be to put one over on your mother, anyway? Twenty? Thirty? Or did you maybe have to wait until she got old and a little chicken-soupy in the head?
Mr. Brautigan hadn't started up the walk. He stood at its sidewalk end with a suitcase in each hand and the third one under his right arm (the three paper bags he had moved onto the grass of 149 Broad), more bent than ever under this weight. He was right between them, like a tollgate or something.
Liz Garfield's eyes flew past him to her son's. Go, they said. Don't say a word. He's new, a man from anywhere or nowhere, and he's arrived here with half his things in shopping bags. Don't say a word, Bobby, just go.
But he wouldn't. Perhaps because he had gotten a library card instead of a bike for his birthday. "It was nice to meet you, Mr. Brautigan," Bobby said. "Hope you like it here. Bye."
"Have a good day at school, son," Mr. Brautigan said. "Learn a lot. Your mother's right -- tempus fugit."
Bobby looked at his mother to see if his small rebellion might be forgiven in light of this equally small flattery, but Mom's mouth was ungiving. She turned and started down the hill without another word. Bobby went on his own way, glad he had spoken to the stranger even if his mother later made him regret it.
As he approached Carol Gerber's house, he took out the orange library card and looked at it. It wasn't a twenty-six-inch Schwinn, but it was still pretty good. Great, actually. A whole world of books to explore, and so what if it had only cost two or three rocks? Didn't they say it was the thought that counted?
Well...it was what his mom said, anyway.
He turned the card over. Written on the back in her strong hand was this message: "To whom it may concern: This is my son's library card. He has my permission to take out three books a week from the adult section of the Harwich Public Library." It was signed Elizabeth Penrose Garfield.
Beneath her name, like a P.S., she had added this: Robert will be responsible for his own overdue fines.
"Birthday boy!" Carol Gerber cried, startling him, and rushed out from behind a tree where she had been lying in wait. She threw her arms around his neck and smacked him hard on the cheek. Bobby blushed, looking around to see if anyone was watching -- God, it was hard enough to be friends with a girl without surprise kisses -- but it was okay. The usual morning flood of students was moving schoolward along Asher Avenue at the top of the hill, but down here they were alone.
Bobby scrubbed at his cheek.
"Come on, you liked it," she said, laughing.
"Did not," said Bobby, although he had.
"What'd you get for your birthday?"
"A library card," Bobby said, and showed her. "An adult library card."
"Cool!" Was that sympathy he saw in her eyes? Probably not. And so what if it was? "Here. For you." She gave him a Hallmark envelope with his name printed on the front. She had also stuck on some hearts and teddy bears.
Bobby opened the envelope with mild trepidation, reminding himself that he could tuck the card deep into the back pocket of his chinos if it was gushy.
It wasn't, though. Maybe a little bit on the baby side (a kid in a Stetson on a horse, HAPPY BIRTHDAY BUCKAROO in letters that were supposed to look like wood on the inside), but not gushy. Love, Carol was a little gushy, but of course she was a girl, what could you do?
"Thanks."
"It's sort of a baby card, I know, but the others were even worse," Carol said matter-of-factly. A little farther up the hill Sully-John was waiting for them, working his Bo-lo Bouncer for all it was worth, going under his right arm, going under his left arm, going behind his back. He didn't try going between his legs anymore; he'd tried it once in the schoolyard and rapped himself a good one in the nuts. Sully had screamed. Bobby and a couple of other kids had laughed until they cried. Carol and three of her girlfriends had rushed over to ask what was wrong, and the boys all said nothing -- Sully-John said the same, although he'd been pale and almost crying. Boys are boogers, Carol had said on that occasion, but Bobby didn't believe she really thought so. She wouldn't have jumped out and given him that kiss if she did, and it had been a good kiss, a smackeroo. Better than the one his mother had given him, actually.
"It's not a baby card," he said.
"No, but it almost is," she said. "I thought about getting you a grownup card, but man, they are gushy."
"I know," Bobby said.
"Are you going to be a gushy adult, Bobby?"
"I hope not," he said. "Are you?"
"No. I'm going to be like my mom's friend Rionda."
"Rionda's pretty fat," Bobby said doubtfully.
"Yeah, but she's cool. I'm going to go for the cool without the fat."
"There's a new guy moving into our building. The room on the third floor. My mom says it's really hot up there."
"Yeah? What's he like?" She giggled. "Is he ushy-gushy?"
"He's old," Bobby said, then paused to think. "But he had an interesting face. My mom didn't like him on sight because he had some of his stuff in shopping bags."
Sully-John joined them. "Happy birthday, you bastard," he said, and clapped Bobby on the back. Bastard was Sully-John's current favorite word; Carol's was cool; Bobby was currently between favorite words, although he thought ripshit had a certain ring to it.
"If you swear, I won't walk with you," Carol said.
"Okay," Sully-John said companionably. Carol was a fluffy blonde who looked like a Bobbsey Twin after some growing up; John Sullivan was tall, black-haired, and green-eyed. A Joe Hardy kind of boy. Bobby Garfield walked between them, his momentary depression forgotten. It was his birthday and he was with his friends and life was good. He tucked Carol's birthday card into his back pocket and his new library card down deep in his front pocket, where it could not fall out or be stolen. Carol started to skip. Sully-John told her to stop.
"Why?" Carol asked. "I like to skip."
"I like to say bastard, but I don't if you ask me," Sully-John replied reasonably.
Carol looked at Bobby.
"Skipping -- at least without a rope -- is a little on the baby side, Carol," Bobby said apologetically, then shrugged. "But you can if you want. We don't mind, do we, S-J?"
"Nope," Sully-John said, and got going with the Bo-lo Bouncer again. Back to front, up to down, whap-whap-whap.
Carol didn't skip. She walked between them and pretended she was Bobby Garfield's girlfriend, that Bobby had a driver's license and a Buick and they were going to Bridgeport to see the WKBW Rock and Roll Extravaganza. She thought Bobby was extremely cool. The coolest thing about him was that he didn't know it.
Bobby got home from school at three o'clock. He could have been there sooner, but picking up returnable bottles was part of his Get-a-Bike-by-Thanksgiving campaign, and he detoured through the brushy area just off Asher Avenue looking for them. He found three Rheingolds and a Nehi. Not much, but hey, eight cents was eight cents. "It all mounts up" was another of his mom's sayings.
Bobby washed his hands (a couple of those bottles had been pretty scurgy), got a snack out of the icebox, read a couple of old Superman comics, got another snack out of the icebox, then watched American Bandstand. He called Carol to tell her Bobby Darin was going to be on -- she thought Bobby Darin was deeply cool, especially the way he snapped his fingers when he sang "Queen of the Hop" -- but she already knew. She was watching with three or four of her numbskull girlfriends; they all giggled pretty much nonstop in the background. The sound made Bobby think of birds in a petshop. On TV, Dick Clark was currently showing how much pimple-grease just one Stri-Dex Medicated Pad could sop up.
Mom called at four o'clock. Mr. Biderman needed her to work late, she said. She was sorry, but birthday supper at the Colony was off. There was leftover beef stew in the fridge; he could have that and she would be home by eight to tuck him in. And for heaven's sake, Bobby, remember to turn off the gas-ring when you're done with the stove.
Bobby returned to the television feeling disappointed but not really surprised. On Bandstand, Dick was now announcing the Rate-a-Record panel. Bobby thought the guy in the middle looked as if he could use a lifetime supply of Stri-Dex pads.
He reached into his front pocket and drew out the new orange library card. His mood began to brighten again. He didn't need to sit here in front of the TV with a stack of old comic-books if he didn't want to. He could go down to the library and break in his new card -- his new adult card. Miss Busybody would be on the desk, only her real name was Miss Harrington and Bobby thought she was beautiful. She wore perfume. He could always smell it on her skin and in her hair, faint and sweet, like a good memory. And although Sully-John would be at his trombone lesson right now, after the library Bobby could go up his house, maybe play some pass.
Also, he thought, I can take those bottles to Spicer's -- I've got a bike to earn this summer.
All at once, life seemed very full.
Sully's mom invited Bobby to stay for supper, but he told her no thanks, I better get home. He would much have preferred Mrs. Sullivan's pot roast and crispy oven potatoes to what was waiting for him back at the apartment, but he knew that one of the first things his mother would do when she got back from the office was check in the fridge and see if the Tupperware with the leftover stew inside was gone. If it wasn't, she would ask Bobby what he'd had for supper. She would be calm about this question, even offhand. If he told her he'd eaten at Sully-John's she would nod, ask him what they'd had and if there had been dessert, also if he'd thanked Mrs. Sullivan; she might even sit on the couch with him and share a bowl of ice cream while they watched Sugarfoot on TV. Everything would be fine...except it wouldn't be. Eventually there would be a payback. It might not come for a day or two, even a week, but it would come. Bobby knew that almost without knowing he knew it. She undoubtedly did have to work late, but eating leftover stew by himself on his birthday was also punishment for talking to the new tenant when he wasn't supposed to. If he tried to duck that punishment, it would mount up just like money in a savings account.
When Bobby came back from Sully-John's it was quarter past six and getting dark. He had two new books to read, a Perry Mason called The Case of the Velvet Claws and a science-fiction novel by Clifford Simak called Ring Around the Sun. Both looked totally ripshit, and Miss Harrington hadn't given him a hard time at all. On the contrary: she told him he was reading above his level and to keep it up.
Walking home from S-J's, Bobby made up a story where he and Miss Harrington were on a cruise-boat that sank. They were the only two survivors, saved from drowning by finding a life preserver marked S.S. LUSITANIC. They washed up on a little island with palm trees and jungles and a volcano, and as they lay on the beach Miss Harrington was shivering and saying she was cold, so cold, couldn't he please hold her and warm her up, which he of course could and did, my pleasure, Miss Harrington, and then the natives came out of the jungle and at first they seemed friendly but it turned out they were cannibals who lived on the slopes of the volcano and killed their victims in a clearing ringed with skulls, so things looked bad but just as he and Miss Harrington were pulled toward the cooking pot the volcano started to rumble and --
"Hello, Robert."
Bobby looked up, even more startled than he'd been when Carol Gerber raced out from behind the tree to put a birthday smackeroo on his cheek. It was the new man in the house. He was sitting on the top porch step and smoking a cigarette. He had exchanged his old scuffed shoes for a pair of old scuffed slippers and had taken off his poplin jacket -- the evening was warm. He looked at home, Bobby thought.
"Oh, Mr. Brautigan. Hi."
"I didn't mean to startle you."
"You didn't -- "
"I think I did. You were a thousand miles away. And it's Ted. Please."
"Okay." But Bobby didn't know if he could stick to Ted. Calling a grownup (especially an old grownup) by his first name went against not only his mother's teaching but his own inclination.
"Was school good? You learned new things?"
"Yeah, fine." Bobby shifted from foot to foot; swapped his new books from hand to hand.
"Would you sit with me a minute?"
"Sure, but I can't for long. Stuff to do, you know." Supper to do, mostly -- the leftover stew had grown quite attractive in his mind by now.
"Absolutely. Things to do and tempus fugit."
As Bobby sat down next to Mr. Brautigan -- Ted -- on the wide porch step, smelling the aroma of his Chesterfield, he thought he had never seen a man who looked as tired as this one. It couldn't be the moving in, could it? How worn out could you get when all you had to move in were three little suitcases and three carryhandle shopping bags? Bobby supposed there might be men coming later on with stuff in a truck, but he didn't really think so. It was just a room -- a big one, but still just a single room with a kitchen on one side and everything else on the other. He and Sully-John had gone up there and looked around after old Miss Sidley had her stroke and went to live with her daughter.
"Tempus fugit means time flies," Bobby said. "Mom says it a lot. She also says time and tide wait for no man and time heals all wounds."
"Your mother is a woman of many sayings, is she?"
"Yeah," Bobby said, and suddenly the idea of all those sayings made him tired. "Many sayings."
"Ben Jonson called time the old bald cheater," Ted Brautigan said, drawing deeply on his cigarette and then exhaling twin streams through his nose. "And Boris Pasternak said we are time's captives, the hostages of eternity."
Bobby looked at him in fascination, his empty belly temporarily forgotten. He loved the idea of time as an old bald cheater -- it was absolutely and completely right, although he couldn't have said why...and didn't that very inability to say why somehow add to the coolness? It was like a thing inside an egg, or a shadow behind pebbled glass.
"Who's Ben Jonson?"
"An Englishman, dead these many years," Mr. Brautigan said. "Self-centered and foolish about money, by all accounts; prone to flatulence as well. But -- "
"What's that? Flatulence?"
Ted stuck his tongue between his lips and made a brief but very realistic farting sound. Bobby put his hands to his mouth and giggled into his cupped fingers.
"Kids think farts are funny," Ted Brautigan said, nodding. "Yeah. To a man my age, though, they're just part of life's increasingly strange business. Ben Jonson said a good many wise things between farts, by the way. Not so many as Dr. Johnson -- Samuel Johnson, that would be -- but still a good many."
"And Boris..."
"Pasternak. A Russian," Mr. Brautigan said dismissively. "Of no account, I think. May I see your books?"
Bobby handed them over. Mr. Brautigan (Ted, he reminded himself, you're supposed to call him Ted) passed the Perry Mason back after a cursory glance at the title. The Clifford Simak novel he held longer, at first squinting at the cover through the curls of cigarette smoke that rose past his eyes, then paging through it. He nodded as he did so.
"I have read this one," he said. "I had a lot of time to read previous to coming here."
"Yeah?" Bobby kindled. "Is it good?"
"One of his best," Mr. Brautigan -- Ted -- replied. He looked sideways at Bobby, one eye open, the other still squinted shut against the smoke. It gave him a look that was at once wise and mysterious, like a not-quite-trustworthy character in a detective movie. "But are you sure you can read this? You can't be much more than twelve."
"I'm eleven," Bobby said. He was delighted that Ted thought he might be as old as twelve. "Eleven today. I can read it. I won't be able to understand it all, but if it's a good story, I'll like it."
"Your birthday!" Ted said, looking impressed. He took a final drag on his cigarette, then flicked it away. It hit the cement walk and fountained sparks. "Happy birthday dear Robert, happy birthday to you!"
"Thanks. Only I like Bobby a lot better."
"Bobby, then. Are you going out to celebrate?"
"Nah, my mom's got to work late."
"Would you like to come up to my little place? I don't have much, but I know how to open a can. Also, I might have a pastry -- "
"Thanks, but Mom left me some stuff. I should eat that."
"I understand." And, wonder of wonders, he looked as if he actually did. Ted returned Bobby's copy of Ring Around the Sun. "In this book," he said, "Mr. Simak postulates the idea that there are a number of worlds like ours. Not other planets but other Earths, parallel Earths, in a kind of ring around the sun. A fascinating idea."
"Yeah," Bobby said. He knew about parallel worlds from other books. From the comics, as well.
Ted Brautigan was now looking at him in a thoughtful, speculative way.
"What?" Bobby asked, feeling suddenly self-conscious. See something green? his mother might have said.
For a moment he thought Ted wasn't going to answer -- he seemed to have fallen into some deep and dazing train of thought. Then he gave himself a little shake and sat up straighter. "Nothing," he said. "I have a little idea. Perhaps you'd like to earn some extra money? Not that I have much, but -- "
"Yeah! Cripes, yeah!" There's this bike, he almost went on, then stopped himself. Best keep yourself to yourself was yet another of his mom's sayings. "I'd do just about anything you wanted!"
Ted Brautigan looked simultaneously alarmed and amused. It seemed to open a door to a different face, somehow, and Bobby could see that, yeah, the old guy had once been a young guy. One with a little sass to him, maybe. "That's a bad thing to tell a stranger," he said, "and although we've progressed to Bobby and Ted -- a good start -- we're still really strangers to each other."
"Did either of those Johnson guys say anything about strangers?"
"Not that I recall, but here's something on the subject from the Bible: 'For I am a stranger with thee, and a sojourner. Spare me, that I may recover strength, before I go hence...'" Ted trailed off for a moment. The fun had gone out of his face and he looked old again. Then his voice firmed and he finished. "'...before I go hence, and be no more.' Book of Psalms. I can't remember which one."
"Well," Bobby said, "I wouldn't kill or rob anyone, don't worry, but I'd sure like to earn some money."
"Let me think," Ted said. "Let me think a little."
"Sure. But if you've got chores or something, I'm your guy. Tell you that right now."
"Chores? Maybe. Although that's not the word I would have chosen." Ted clasped his bony arms around his even bonier knees and gazed across the lawn at Broad Street. It was growing dark now; Bobby's favorite part of the evening had arrived. The cars that passed had their parking lights on, and from somewhere on Asher Avenue Mrs. Sigsby was calling for her twins to come in and get their supper. At this time of day -- and at dawn, as he stood in the bathroom, urinating into the bowl with sunshine falling through the little window and into his half-open eyes -- Bobby felt like a dream in someone else's head.
"Where did you live before you came here, Mr....Ted?"
"A place that wasn't as nice," he said. "Nowhere near as nice. How long have you lived here, Bobby?"
"Long as I can remember. Since my dad died, when I was three."
"And you know everyone on the street? On this block of the street, anyway?"
"Pretty much, yeah."
"You'd know strangers. Sojourners. Faces of those unknown."
Bobby smiled and nodded. "Uh-huh, I think so."
He waited to see wherround his even bonier knees and gazed across the lawn at Broad Street. It was growing dark now; Bobby's favorite part of the evening had arrived. The cars that passed had their parking lights on, and from somewhere on Asher Avenue Mrs. Sigsby was calling for her twins to come in and get their supper. At this time of day -- and at dawn, as he stood in the bathroom, urinating into the bowl with sunshine falling through the little window and into his half-open eyes -- Bobby felt like a dream in someone else's head.
"Where did you live before you came here, Mr....Ted?"
"A place that wasn't as nice," he said. "Nowhere near as nice. How long have you lived here, Bobby?"
"Long as I can remember. Since my dad died, when I was three."
"And you know everyone on the street? On this block of the street, anyway?"
"Pretty much, yeah."
"You'd know strangers. Sojourners. Faces of those unknown."
Bobby smiled and nodded. "Uh-huh, I think so."
He waited to see where this would lead next -- it was interesting -- but apparently this was as far as it went. Ted stood up, slowly and carefully. Bobby could hear little bones creak in his back when he put his hands around there and stretched, grimacing.
"Come on," he said. "It's getting chilly. I'll go in with you. Your key or mine?"
Bobby smiled. "You better start breaking in your own, don't you think?"
Ted -- it was getting easier to think of him as Ted -- pulled a keyring from his pocket. The only keys on it were the one which opened the big front door and the one to his room. Both were shiny and new, the color of bandit gold. Bobby's own two keys were scratched and dull. How old was Ted? he wondered again. Sixty, at least. A sixty-year-old man with only two keys in his pocket. That was weird.
Ted opened the front door and they went into the big dark foyer with its umbrella stand and its old painting of Lewis and Clark looking out across the American West. Bobby went to the door of the Garfield apartment and Ted went to the stairs. He paused there for a moment with his hand on the bannister. "The Simak book is a great story," he said. "Not such great writing, though. Not bad, I don't mean to say that, but take it from me, there is better."
Bobby waited.
"There are also books full of great writing that don't have very good stories. Read sometimes for the story, Bobby. Don't be like the book-snobs who won't do that. Read sometimes for the words -- the language. Don't be like the play-it-safers that won't do that. But when you find a book that has both a good story and good words, treasure that book."
"Are there many of those, do you think?" Bobby asked.
"More than the book-snobs and play-it-safers think. Many more. Perhaps I'll give you one. A belated birthday present."
"You don't have to do that."
"No, but perhaps I will. And do have a happy birthday."
"Thanks. It's been a great one." Then Bobby went into the apartment, heated up the stew (remembering to turn off the gas-ring after the stew started to bubble, also remembering to put the pan in the sink to soak), and ate supper by himself, reading Ring Around the Sun with the TV on for company. He hardly heard Chet Huntley and David Brinkley gabbling the evening news. Ted was right about the book; it was a corker. The words seemed okay to him, too, although he supposed he didn't have a lot of experience just yet.
I'd like to write a story like this, he thought as he finally closed the book and flopped down on the couch to watch Sugarfoot. I wonder if I ever could.
Maybe. Maybe so. Someone had to write stories, after all, just like someone had to fix the pipes when they froze or change the streetlights in Commonwealth Park when they burned out.
An hour or so later, after Bobby had picked up Ring Around the Sun and begun reading again, his mother came in. Her lipstick was a bit smeared at one corner of her mouth and her slip was hanging a little. Bobby thought of pointing this out to her, then remembered how much she disliked it when someone told her it was "snowing down south." Besides, what did it matter? Her working day was over and, as she sometimes said, there was no one here but us chickens.
She checked the fridge to make sure the leftover stew was gone, checked the stove to make sure the gas-ring was off, checked the sink to make sure the pot and the Tupperware storage container were both soaking in soapy water. Then she kissed him on the temple, just a brush in passing, and went into her bedroom to change out of her office dress and hose. She seemed distant, preoccupied. She didn't ask if he'd had a happy birthday.
Later on he showed her Carol's card. His mom glanced at it, not really seeing it, pronounced it "cute," and handed it back. Then she told him to wash up, brush up, and go to bed. Bobby did so, not mentioning his interesting talk with Ted. In her current mood, that was apt to make her angry. The best thing was to let her be distant, let her keep to herself as long as she needed to, give her time to drift back to him. Yet he felt that sad mood settling over him again as he finished brushing his teeth and climbed into bed. Sometimes he felt almost hungry for her, and she didn't know.
He reached out of bed and closed the door, blocking off the sound of some old movie. He turned off the light. And then, just as he was starting to drift off, she came in, sat on the side of his bed, and said she was sorry she'd been so stand-offy tonight, but there had been a lot going on at the office and she was tired. Sometimes it was a madhouse, she said. She stroked a finger across his forehead and then kissed him there, making him shiver. He sat up and hugged her. She stiffened momentarily at his touch, then gave in to it. She even hugged him back briefly. He thought maybe it would now be all right to tell her about Ted. A little, anyway.
"I talked with Mr. Brautigan when I came home from the library," he said.
"Who?"
"The new man on the third floor. He asked me to call him Ted."
"You won't -- I should say nitzy! You don't know him from Adam."
"He said giving a kid an adult library card was a great present." Ted had said no such thing, but Bobby had lived with his mother long enough to know what worked and what didn't.
She relaxed a little. "Did he say where he came from?"
"A place not as nice as here, I think he said."
"Well, that doesn't tell us much, does it?" Bobby was still hugging her. He could have hugged her for another hour easily, smelling her White Rain shampoo and Aqua Net hold-spray and the pleasant odor of tobacco on her breath, but she disengaged from him and laid him back down. "I guess if he's going to be your friend -- your adult friend -- I'll have to get to know him a little."
"Well -- "
"Maybe I'll like him better when he doesn't have shopping bags scattered all over the lawn." For Liz Garfield this was downright placatory, and Bobby was satisfied. The day had come to a very acceptable ending after all. "Goodnight, birthday boy."
"Goodnight, Mom."
She went out and closed the door. Later that night -- much later -- he thought he heard her crying in her room, but perhaps that was only a dream.
Copyright © 1999 by Stephen King
--This text refers to an out of print or unavailable edition of this title.
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Stephen King
Stephen King is the author of more than fifty books, all of them worldwide bestsellers. His first crime thriller featuring Bill Hodges, MR MERCEDES, won the Edgar Award for best novel and was shortlisted for the CWA Gold Dagger Award. Both MR MERCEDES and END OF WATCH received the Goodreads Choice Award for the Best Mystery and Thriller of 2014 and 2016 respectively.
King co-wrote the bestselling novel Sleeping Beauties with his son Owen King, and many of King's books have been turned into celebrated films and television series including The Shawshank Redemption, Gerald's Game and It.
King was the recipient of America's prestigious 2014 National Medal of Arts and the 2003 National Book Foundation Medal for distinguished contribution to American Letters. In 2007 he also won the Grand Master Award from the Mystery Writers of America. He lives with his wife Tabitha King in Maine.
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Customer reviews
4.5 out of 5
3,817 global ratings
Carlisle Wheeling
5
Simply One of the Most Beautiful Pieces of Contemporary Literature I have Ever Consumed.
Reviewed in the United States on July 25, 2010
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I must admit I began with Carrie, not unlike anyone my age, and realized that movies basically do nothing much for King's style of writing or the images he leaves you open to place in your mind. To say that the audiobook version of this long, five-part story didn't blow me away would me a total understatement.
People have always told me I'm crazy to like Stephen King because "he's so SCAAAAARY!" I've always known what a fabulous technique he has for dealing with human nature given unusual circustances or in general, and his sense of humor is always off the charts in his most dire of literary works. This, however, with my obvious love of all things 60s, has captivated me, and drawn me in like few other books I have enjoyed in the last 10 years.
What a gorgeous and heartfelt ode to such an important decade in our nation's history. King brings it home, surrounding the characters of Bobby Garfield and Carol Gerber, in a way that endears you to each and every character. He takes you to the next best thing of a time machine and trasports you back into a place and era that makes your heart bleed and your soul fill with a profound sense of spiritual longing. They didn't accomplish what they wanted to, but the youth of the 60s' romanticisms sweep you up in a way that only King can provide with his wisdom of human folly. The loss of innocence is what this book is essentially about, and the humor and soulfulness that embellish it make it that much more of a treasure.
I love this book, have rented the audio version 5 times, and would recommend it to anyone who loves the 60s or wants to know that Stephen King is not just the master of horror, but also the master of the heart. He is a walking encyclopedia, and he also understands people better than the "oh-he-scares-me" crowd can relate to, simply because they're scared to read his books. I always recommend this one. Sometimes crude, always entertaining and full of more life than most people experience, Hearts in Atlantis is a winner from cover to cover. Don't let it pass you by. I'm having a love affair with it.
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22 people found this helpful
Jaunita Brock
5
Left me crying
Reviewed in the United States on August 1, 2021
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Contrary to my title, and yes, after finishing the last page, I suddenly began to cry, I loved this book 100%. After part one (which I also loved) the remainder of the book was like a trip back in time for me. A trip back to the 60's, a reminder of all the kids I grew up with, the number of boys from that group, who went to Vietnam and never came back. It also caused me to think of those I knew who did return, and were never the same. Today thinking back, I can't recall any one of those boys who are still alive. My teenage boyfriend was one of a few others who died of alcoholism by 40,50. Others died from drug overdoses: some within ten yrs of returning, others later. I think my tears were for them all. And for my generation, that I call "The last innocent Generation". Anyway, this is a must read for anyone, but particularly for those who were heading for adulthood in the 1960's, that still remember that brief period in history.
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13 people found this helpful
Spencer Williams
5
The title of the first story makes no sense until you read The Dark Tower
Reviewed in the United States on January 20, 2017
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Wow, this was my first purchase with this Amazon account back in high school! Yes, of course you should buy this book. These are some of the most powerful and heartfelt stories you will ever come across. You should read them just for the sake of understanding other people a little better.
So, an interesting fact about this book is that the movie with Anthony Hopkins, which was pretty decent, is based on the first story in this collection of stories. The first story is titled "Low Men in Yellow Coats" which makes absolutely no sense until you read the Dark Tower series, because this book was basically written during a much needed hiatus after he lost his mind in the wild west with that Susan Delgado nonsense that he eventually made the main story. You can imagine they could not have possibly called the movie that because it would have been confusing to most people, and simply not as catchy and dreamy as "Hearts in Atlantis".
Anyway, the first story is about a young boy that the older man kind of mentors while the boy watches out for him as well as he seems to suffering some kind of mental issue where he goes into trances and talks what sounds like gibberish, which again is better understood when you know about the grander story this one takes place in. For instance, he keeps saying "They draw west now..." Certain informed readers know exactly who he's talking about.
At the same time, some unseen threat is closing in on the boy that the older man is protecting him from. Everything that's happening is overtly in the context of the most evil actors in The Dark Tower metauniverse. It is meant to satisfy devourers of the longer series as well as be a set of good short stories on their own, and they more than satisfy.
The second adventure is simply wonderful and is indeed the titular story that actually has to do with the card game of Hearts. As you read it, you can tell that it was probably based on true-ish events that the author experienced in college. All the stories are meant to be period pieces that immerse you in that time so you learn how much things cost and what people were listing to, watching, and talking about in that time, namely the 60s, which this book wants to convince you really happened.
The later stories recount adventures of other characters in the first story. There is a very intriguing one that is a PS on one of the first story's antagonists who seemed to be in a very powerful position in his youth and maintains a similar kind of cliquish power later in life, but at what cost?
Beautiful prose lies within.
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8 people found this helpful
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