4.5
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16,923 ratings
“Small Mercies is thought provoking, engaging, enraging, and can’t-put-it-down entertainment.” — Stephen King
The acclaimed New York Times bestselling writer returns with a masterpiece to rival Mystic River—an all-consuming tale of revenge, family love, festering hate, and insidious power, set against one of the most tumultuous episodes in Boston’s history.
In the summer of 1974 a heatwave blankets Boston and Mary Pat Fennessy is trying to stay one step ahead of the bill collectors. Mary Pat has lived her entire life in the housing projects of “Southie,” the Irish American enclave that stubbornly adheres to old tradition and stands proudly apart.
One night Mary Pat’s teenage daughter Jules stays out late and doesn’t come home. That same evening, a young Black man is found dead, struck by a subway train under mysterious circumstances.
The two events seem unconnected. But Mary Pat, propelled by a desperate search for her missing daughter, begins turning over stones best left untouched—asking questions that bother Marty Butler, chieftain of the Irish mob, and the men who work for him, men who don’t take kindly to any threat to their business.
Set against the hot, tumultuous months when the city’s desegregation of its public schools exploded in violence, Small Mercies is a superb thriller, a brutal depiction of criminality and power, and an unflinching portrait of the dark heart of American racism. It is a mesmerizing and wrenching work that only Dennis Lehane could write.
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ISBN-10
006212949X
ISBN-13
978-0062129499
Print length
320 pages
Language
English
Publisher
Harper Perennial
Publication date
April 22, 2024
Dimensions
5.25 x 0.75 x 8 inches
Item weight
1 pounds
They’re poor because there’s a limited amount of good luck in this world, and they’ve never been given any.
Highlighted by 964 Kindle readers
Change, for those who don’t have a say in it, feels like a pretty word for death. Death to what you want, death to whatever plans you’d been making, death to the life you’ve always known.
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ASIN :
B0B7NDZNDV
File size :
3501 KB
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Enabled
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Supported
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Enabled
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"Excellent and unflinching . . . . [Small Mercies] has all the hallmarks of Lehane at his best: a propulsive plot, a perfectly drawn cast of working-class Boston Irish characters, razor-sharp wit and a pervasive darkness through which occasional glimmers of hope peek out like snowdrops in early spring . . . . Lehane masterfully conveys how the past shapes the present, lingering even after the players are gone." — J. Courtney Sullivan, New York Times Book Review
“[A] ferocious crime novel. . . Land[s] like a fist to the solar plexus. . . Full of booby traps, but the metaphorical kind that blow up futures instead of limbs. . .[As] in the best mysteries, the detective herself is cracked open and remade. . .” — Laura Miller, The New Yorker
“Joltingly fierce . . . Dennis Lehane spares nothing and no one in his crackerjack new novel.” — Janet Maslin, The New York Times
“Small Mercies is thought provoking, engaging, enraging, and can’t-put-it-down entertainment.” — Stephen King
“Small Mercies is a jaw-dropping thriller, set in the fury of Boston's 1974 school-desegregation crisis, and propelled by a hell-bent woman who's impossible to ignore. Thought-provoking and heart-thumping, it's a resonant, unflinching story written by a novelist who is simply one of the best around.” — Gillian Flynn
"Arguably his masterpiece.” — Wall Street Journal Best Book of the Year
“Without flinching, Dennis Lehane shines a lantern on a dark story, one the reader will not forget.” — James Lee Burke
"Dennis Lehane is a supernova and this is a novel that will throw your entire goddamn solar system out of alignment. Lehane has gone from strength to strength but never has he been more truthful, more heartbreaking, more essential. In the midst of our racial nightmare Small Mercies asks some of the only questions that matter: 'What’s gonna change? When’s it gonna change? Where’s it gonna change? How’s it gonna change?' This book is impossible to put down and its dark radiances will stay with you a long, long time.” — Junot Díaz, Pulitzer Prize-winning author of This Is How You Lose Her
"Dennis Lehane peels back the layers of his characters like a sculptor finding the face of an angel in a block of stone. By a true master at the top of his game, Small Mercies is vintage Lehane. Beautiful, brutal, lyrical and blisteringly honest. Not to be missed." — S.A. Cosby, bestselling author of Razorblade Tears and Blacktop Wasteland
“Beautiful. I was blown away by how Dennis Lehane was able to bring such a deeply unfamiliar world into my heart. Small Mercies is hilarious and heartbreaking, infuriating and unforgettable.” — Jacqueline Woodson, National Book Award winning author
“Lehane has built a career as a philosopher of the human animal.” — Noah Hawley
"Gritty . . . Brings readers into the mind of Coyne, a Vietnam vet and recovered heroin user who becomes a partial confidante to Mary Pat. His quest for personal salvation, if you will, is a welcome balance to her grief-driven descent." — Wall Street Journal
“You’ll be lucky if you read a more engaging novel this year.” — The Times (London)
"Masterful . . . . If Lehane’s sociological precision gives Small Mercies a gravitas seldom found in crime novels, Mary Pat Fennessy, a 'mother . . . built for battle,' enhances the effect. She is a 20th-century version of a Fury out of Greek mythology, and her one-woman war against the mob is a fearsome thing to behold." — Washington Post
"Lehane book is a searing depiction of what happens when powerful emotional constructs such as maternal rage, racism, and militant isolationism collide and combust, leaving only the most tentative green shoots to poke through the ashes." — Air Mail
"This taut, gripping mystery is also a novel of soul-searching, for the author and reader alike." — Kirkus Reviews (starred review)
“Powerful, unforgettable…[a] remarkable novel about racism, violence, and parental vengeance.” — Library Journal (starred review)
"A complex, multidimensional tragedy of epic proportions . . . Lehane straddles the line between historical fiction and thriller as dexterously as anyone, and this is his best work so far.” — Booklist (starred review)
"Where a lesser writer might make Coyne into a cliché, Lehane imbues him with an unlikely humanity, a sense of hope that a better world exists, even if he’s not exactly a do-gooder in his own right." — Los Angeles Times
"As always, Lehane is terrific at finely drawn character sketches thrumming with both immediacy and humor." — Boston Globe
"Ambitious and multi-layered." — Financial Times (UK)
"Every page holds a line or a passage to savor and admire. More than a few will have readers cracking up. The lasting impression, though, will be of Mary Pat Fennessey—easily one of Lehane’s most indelible creations—a hard-bitten, foul-mouthed, 'tough Irish broad' from the Southie housing projects . . . . This potent mix of love and hate, racism and tribalism, revenge and reckoning, is Lehane writing at the top of his game, and will surely be one of the best books of the year." — Vannessa Cronin, Amazon Editor
"At the heart of this book is a masterly psychological study of racism. Lehane provides top-notch dialogue, an absorbing mystery, and and evocation of a historical moment foreshadowing America's 21st-century ethnic divide." — The Sunday Times (UK)
“Small Mercies emerges as the ultimate Southie novel, a witness’s wrenching reckoning with a neighborhood that took care of its own, closed its borders, and fell to the enemy inside its walls.” — Chicago Review of Books
"This superior crime drama from bestseller Lehane explores deep-rooted racism in South Boston." — Publishers Weekly
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1
The power goes out sometime before dawn, and everyone at Commonwealth wakes to swelter. In the Fennessy apartment, the window fans have quit in mid-rotation and the fridge is pimpled with sweat. Mary Pat sticks her head in on Jules, finds her daughter on top of her sheets, eyes clenched, mouth half open, huffing thin breaths into a damp pillow. Mary Pat moves on down the hall into the kitchen and lights her first cigarette of the day. She stares out the window over the sink and can smell the heat rising off the brick in the window casing.
She realizes she can’t make coffee only when she tries to make it. She’d brew some on the stovetop—the oven runs on gas—but the gas company grew sick of excuses and killed their service last week. To get the family out of arrears, Mary Pat has picked up two shifts at the shoe warehouse where she has her second job, but she still has three more shifts and a trip to the billing office before she can boil water or roast a chicken again.
She carries the trash can into the living room and sweeps the beer cans into it. Empties the ashtrays from the coffee table and the side table and one she found on top of the TV. It’s there she catches her reflection in the tube and sees a creature she can’t reconcile with the image she’s clung to in her mind, an image that bears little resemblance to the sweaty lump of matted hair and droopy chin dressed in a tank top and shorts. Even in the flat gray of the picture tube, she can make out the blue veins in her outer thighs, which somehow don’t seem possible, not yet. Not yet. She’s only forty-two, which, okay, when she was twelve seemed like one foot over the threshold into God’s waiting room, but now, living it, is an age that makes her feel no different than she always has. She’s twelve, she’s twenty-one, she’s thirty-three, she’s all the ages at the same time. But she isn’t aging. Not in her heart. Not in her mind’s eye.
She’s peering at her face in the TV, wiping at the damp strands of hair on her forehead, when the doorbell rings.
After a series of home invasions two years back, in the summer of ’72, the Housing Authority sprang for peepholes in the doors. Mary Pat looks through hers now to see Brian Shea in the mint green corridor, his arms full of sticks. Like most of the people who work for Marty Butler, Brian dresses neater than a deacon. No long hair or bandit mustaches for the Butler crew. No muttonchop sideburns or flared pants or elevated shoes. Definitely no paisley or tie-dye. Brian Shea dresses like someone from a decade earlier—white T-shirt under a navy blue Baracuta. (The Baracuta jacket—navy blue, tan, or occasionally brown—is a staple of Butler crew guys; they wear it even on days like today, when the mercury approaches 80 at nine a.m. They swap it out in the winter for topcoats or leather car coats with thick wool lining, but come spring they all bring the Baracutas back out of the closet on the same day.) Brian’s cheeks are shaved close, his blond hair cropped tight in a crew cut, and he wears off-white chinos and scuffed black ankle boots with zippers on the sides. Brian has eyes the color of Windex. They sparkle and glint at her with an air of mild presumption, like he knows the things she thinks she keeps hidden. And those things amuse him.
“Mary Pat,” he says. “How are you?”
She can picture her hair splayed sodden on her head like congealed spaghetti. Can feel every splotch on her skin. “Power’s out, Brian. How are you?”
“Marty’s working on the power,” he says. “He’s made some calls.”
She glances at the thin slats of wood in his arms. “Help you with those?”
“That’d be great.” He turns them in his arms and stands the pile upright beside her door. “They’re for the signs.”
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Dennis Lehane
Dennis Lehane (born Aug 4th, 1966) is an American author. He has written several novels, including the New York Times bestseller Mystic River, which was later made into an Academy Award winning film, also called Mystic River, directed by Clint Eastwood and starring Sean Penn, Tim Robbins, and Kevin Bacon (Lehane can be briefly seen waving from a car in the parade scene at the end of the film). The novel was a finalist for the PEN/Winship Award and won the Anthony Award and the Barry Award for Best Novel, the Massachusetts Book Award in Fiction, and France's Prix Mystere de la Critique.
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Customer reviews
4.5 out of 5
16,923 global ratings
Laura Brown
5
Great book
Reviewed in the United States on June 3, 2024
Verified Purchase
Excellent book — characters are well-developed, writing is great — no fluff. Its setting (1974 South Boston at start of school desegregation) made the story even more compelling.
switterbug/Betsey Van Horn
5
Gripping, authentic period piece
Reviewed in the United States on July 29, 2023
Verified Purchase
Nothing prepared me for an antihero like middle-aged mother Mary Pat Fennessy in Lehane’s electrifying and turbulent new novel. Lehane put Southie (the mostly Irish part of South Boston) on the literary map in his early crime novels, and in SMALL MERCIES he achieves the pinnacle of his career. You are about to go on one of the wildest rides of your life (sometimes in a car named Bess)! Mary Pat is “built for battle” and will defend her turf and her family with relentless fury.
It’s 1974. It was a hot, steaming, rainless summer in Boston, and temps were high not only in the skies but on the ground, between the white Southies and the Black citizens of Roxbury, both districts under a busing mandate to bring Black students to the all-white South Boston High School, and white students to mostly Black Roxbury. Forget the PC talk, and don’t expect Mary Pat to be the exceptional white woman who embraces desegregation. In fact, she demonstrates her own roots of being brought up by what we would now call racists. The entire South Boston population was on the verge of violence in these weeks before the first day of school.
Something had to give, but was forced busing the answer? Lehane bravely tells a story of the racial divide, without sentimentality, without fear, and with an unstoppable plot. This is an unputdownable novel, not for the faint of heart. Prepare for graphic violence and plenty of moral ambiguity, as Lehane explores this time in history through the eyes of mostly the Southies, Mary Pat as the primary character. It’s the eve of protests, rallies, and riots, and Lehane flawlessly weaves in true pieces of history with his period piece.
No need to cover the plot—that’s for the reader to enjoy as the pages turn. Mary Pat lost a son to an OD after surviving Vietnam. Her daughter, Jules, is seventeen and will be one of the bused students when school begins. Mary Pat has lived in Southie her entire life, she is a solid citizen of the community. Southie is guarded and run by the Irish mob (think Whitey Bulger)—the Butler crew, known as “Southie’s protector.” They will protect you, but you have to submit to their code, their ethos.
This story gets explosive when Mary Pat collides with the mobster crew, while the busing mandate looms in the backdrop. She needs them to help her find her daughter, who failed to come home on a Saturday night. On the same night, a young Black man is found dead on the train tracks of a subway platform. The mob crew want to control Mary Pat’s actions, have her play by their rules, and let me tell you, you don’t want to get on Mary Pat’s bad side, either.
The detective on the case, Bobbie Coyne, is trying to help Mary Pat. He refers to her as broken, but unbreakable. He knows her kind—the fierce Southie woman--but also recognizes that she is unknowable. She is as gritty as this tale, as raw as this story. Recently divorced from her second husband, she takes no prisoners in her quest to find Jules, and she’s scared of nobody.
Racial conflicts, class clashes, and a gripping crime. Lehane spares no bigoted racial slur for the reader in these pages. There were times I could barely stomach these words, but Lehane is from Dorchester, and he knows the genuine language of the time and place. Mary Pat does recognize that her racism is inherited, that there is no “factual” basis for it, except that her parents passed it down to her, and in Southie, it is generational. The language here is not gratuitous, but it doesn’t go down easy. The story peeks at redemption, and Mary Pat nearly vibrates off the page. Once you start, you’re hooked. It’s heroin for readers.
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59 people found this helpful
Kindle Customer
5
A moving, hard, truthful story of life
Reviewed in the United States on May 20, 2024
Verified Purchase
It describes the contradictions, truths, lies, and myths that form views and beliefs that make life ugly and beautiful. There are no simple things in life but there are some beautiful people and, seemingly, more ugly ones. Worth your time.
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