Starship Troopers by Robert Heinlein - Audiobook
Read sample
Customer reviews

Starship TroopersAudiobook

by

Robert Heinlein

(Author)

4.5

-

18,598 ratings


In Robert A. Heinlein’s controversial Hugo Award-winning bestseller, a recruit of the future goes through the toughest boot camp in the Universe—and into battle against mankind’s most alarming enemy...

Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids.

Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job...

“A classic…If you want a great military adventure, this one is for you.”—All SciFi

Kindle

$12.99

Available instantly

Audiobook

$0.99

with membership trial

Hardcover

$16.22

Paperback

$12.69

Audio CD from $17.99
Buy Now

Ships from

Amazon.com

Payment

Secure transaction

ISBN-10

0441014100

ISBN-13

978-0441014101

Print length

288 pages

Language

English

Publisher

Ace

Publication date

June 26, 2006

Dimensions

5.5 x 0.63 x 8.2 inches

Item weight

10.4 ounces


Popular Highlights in this book

  • Under our system every voter and officeholder is a man who has demonstrated through voluntary and difficult service that he places the welfare of the group ahead of personal advantage.

    Highlighted by 4,419 Kindle readers

  • The noblest fate that a man can endure is to place his own mortal body between his loved home and the war’s desolation.

    Highlighted by 3,855 Kindle readers

  • Nothing of value is free. Even the breath of life is purchased at birth only through gasping effort and pain.

    Highlighted by 2,158 Kindle readers


Product details

ASIN :

B004EYTK2C

File size :

2243 KB

Text-to-speech :

Enabled

Screen reader :

Supported

Enhanced typesetting :

Enabled

X-Ray :

Enabled

Word wise :

Enabled

Award winners:


Editorial reviews

Review

Praise for Starship Troopers

“Nothing has come along that can match it.”—Science Fiction Weekly

“A book that continues to resonate and influence to this day, and one whose popularity and luster hasn’t been dimmed despite decades of imitations.”—SF Reviews

“Heinlein’s genius is at its height in this timeless classic that is as meaningful today as when it was written...a fast-paced novel that never gets preachy. This is a definite must-have, must-read book.”—SF Site

About the Author

Robert Anson Heinlein was born in Missouri in 1907, and was raised there. He graduated from the U.S. Naval Academy in 1929, but was forced by illness to retire from the Navy in 1934. He settled in California and over the next five years held a variety of jobs while doing post-graduate work in mathematics and physics at the University of California. In 1939 he sold his first science fiction story to Astounding magazine and soon devoted himself to the genre.

He was a four-time winner of the Hugo Award for his novels Stranger in a Strange Land (1961), Starship Troopers (1959), Double Star (1956), and The Moon is a Harsh Mistress (1966). His Future History series, incorporating both short stories and novels, was first mapped out in 1941. The series charts the social, political, and technological changes shaping human society from the present through several centuries into the future.

Robert A. Heinlein’s books were among the first works of science fiction to reach bestseller status in both hardcover and paperback. He continued to work into his eighties, and his work never ceased to amaze, to entertain, and to generate controversy. By the time he died, in 1988, it was evident that he was one of the formative talents of science fiction: a writer whose unique vision, unflagging energy, and persistence, over the course of five decades, made a great impact on the American mind.

Read more


Sample

Excerpt. © Reprinted by permission. All rights reserved.

CH:01

Come on, you apes! You wanta live forever? —Unknown platoon sergeant, 1918

I always get the shakes before a drop. I’ve had the injections, of course, and hypnotic preparation, and it stands to reason that I can’t really be afraid. The ship’s psychiatrist has checked my brain waves and asked me silly questions while I was asleep and he tells me that it isn’t fear, it isn’t anything important—it’s just like the trembling of an eager race horse in the starting gate.

I couldn’t say about that; I’ve never been a race horse. But the fact is: I’m scared silly, every time.

At D-minus-thirty, after we had mustered in the drop room of the Rodger Young, our platoon leader inspected us. He wasn’t our regular platoon leader, because Lieutenant Rasczak had bought it on our last drop; he was really the platoon sergeant, Career Ship’s Sergeant Jelal. Jelly was a Finno-Turk from Iskander around Proxima—a swarthy little man who looked like a clerk, but I’ve seen him tackle two berserk privates so big he had to reach up to grab them, crack their heads together like coconuts, step back out of the way while they fell.

Off duty he wasn’t bad—for a sergeant. You could even call him “Jelly” to his face. Not recruits, of course, but anybody who had made at least one combat drop.

But right now he was on duty. We had all each inspected our combat equipment (look, it’s your own neck—see?), the acting platoon sergeant had gone over us carefully after he mustered us, and now Jelly went over us again, his face mean, his eyes missing nothing. He stopped by the man in front of me, pressed the button on his belt that gave readings on his physicals. “Fall out!”

“But, Sarge, it’s just a cold. The Surgeon said—”

Jelly interrupted. “‘But Sarge!’” he snapped. “The Surgeon ain’t making no drop—and neither are you, with a degree and a half of fever. You think I got time to chat with you, just before a drop? Fall out! ”

Jenkins left us, looking sad and mad—and I felt bad, too. Because of the Lieutenant buying it, last drop, and people moving up, I was assistant section leader, second section, this drop, and now I was going to have a hole in my section and no way to fill it. That’s not good; it means a man can run into something sticky, call for help and have nobody to help him.

Jelly didn’t downcheck anybody else. Presently he stepped out in front of us, looked us over and shook his head sadly. “What a gang of apes!” he growled. “Maybe if you’d all buy it this drop, they could start over and build the kind of outfit the Lieutenant expected you to be. But probably not—with the sort of recruits we get these days.” He suddenly straightened up, shouted, “I just want to remind you apes that each and every one of you has cost the gov’ment, counting weapons, armor, ammo, instrumentation, and training, everything, including the way you overeat—has cost, on the hoof, better’n half a million. Add in the thirty cents you are actually worth and that runs to quite a sum.” He glared at us. “So bring it back! We can spare you, but we can’t spare that fancy suit you’re wearing. I don’t want any heroes in this outfit; the Lieutenant wouldn’t like it. You got a job to do, you go down, you do it, you keep your ears open for recall, you show up for retrieval on the bounce and by the numbers. Get me?”

He glared again. “You’re supposed to know the plan. But some of you ain’t got any minds to hypnotize so I’ll sketch it out. You’ll be dropped in two skirmish lines, calculated two-thousand-yard intervals. Get your bearing on me as soon as you hit, get your bearing and distance on your squad mates, both sides, while you take cover. You’ve wasted ten seconds already, so you smash-and-destroy whatever’s at hand until the flankers hit dirt.” (He was talking about me—as assistant section leader I was going to be left flanker, with nobody at my elbow. I began to tremble.)

“Once they hit—straighten out those lines!—equalize those intervals! Drop what you’re doing and do it! Twelve seconds. Then advance by leapfrog, odd and even, assistant section leaders minding the count and guiding the envelopment.” He looked at me. “If you’ve done this properly—which I doubt—the flanks will make contact as recall sounds . . . at which time, home you go. Any questions?”

There weren’t any; there never were. He went on, “One more word—This is just a raid, not a battle. It’s a demonstration of firepower and frightfulness. Our mission is to let the enemy know that we could have destroyed their city—but didn’t—but that they aren’t safe even though we refrain from total bombing. You’ll take no prisoners. You’ll kill only when you can’t help it. But the entire area we hit is to be smashed. I don’t want to see any of you loafers back aboard here with unexpended bombs. Get me?” He glanced at the time. “Rasczak’s Roughnecks have got a reputation to uphold. The Lieutenant told me before he bought it to tell you that he will always have his eye on you every minute . . . and that he expects your names to shine!”

Jelly glanced over at Sergeant Migliaccio, first section leader. “Five minutes for the Padre,” he stated. Some of the boys dropped out of ranks, went over and knelt in front of Migliaccio, and not necessarily those of his creed, either—Moslems, Christians, Gnostics, Jews, whoever wanted a word with him before a drop, he was there. I’ve heard tell that there used to be military outfits whose chaplains did not fight alongside the others, but I’ve never been able to see how that could work. I mean, how can a chaplain bless anything he’s not willing to do himself? In any case, in the Mobile Infantry, everybody drops and everybody fights—chaplain and cook and the Old Man’s writer. Once we went down the tube there wouldn’t be a Roughneck left aboard—except Jenkins, of course, and that not his fault.

I didn’t go over. I was always afraid somebody would see me shake if I did, and, anyhow, the Padre could bless me just as handily from where he was. But he came over to me as the last stragglers stood up and pressed his helmet against mine to speak privately. “Johnnie,” he said quietly, “this is your first drop as a non-com.”

“Yeah.” I wasn’t really a non-com, any more than Jelly was really an officer.

“Just this, Johnnie. Don’t buy a farm. You know your job; do it. Just do it. Don’t try to win a medal.”

“Uh, thanks, Padre. I shan’t.”

He added something gently in a language I don’t know, patted me on the shoulder, and hurried back to his section. Jelly called out, “Tenn . . . shut!” and we all snapped to.

“Platoon!”

“Section!” Migliaccio and Johnson echoed.

“By sections—port and starboard—prepare for drop!”

“Section! Man your capsules! Move! ”

“Squad!”—I had to wait while squads four and five manned their capsules and moved on down the firing tube before my capsule showed up on the port track and I could climb into it. I wondered if those old-timers got the shakes as they climbed into the Trojan Horse? Or was it just me? Jelly checked each man as he was sealed in and he sealed me in himself. As he did so, he leaned toward me and said, “Don’t goof off, Johnnie. This is just like a drill.”

The top closed on me and I was alone. “Just like a drill,” he says! I began to shake uncontrollably.

Then, in my earphones, I heard Jelly from the center-line tube: “Bridge! Rasczak’s Roughnecks . . . ready for drop!”

“Seventeen seconds, Lieutenant!” I heard the ship captain’s cheerful contralto replying—and resented her calling Jelly “Lieutenant.” To be sure, our lieutenant was dead and maybe Jelly would get his commission . . . but we were still “Rasczak’s Roughnecks.”

She added, “Good luck, boys!”

“Thanks, Captain.”

“Brace yourselves! Five seconds.”

I was strapped all over—belly, forehead, shins. But I shook worse than ever.

It’s better after you unload. Until you do, you sit there in total darkness, wrapped like a mummy against the acceleration, barely able to breathe—and knowing that there is just nitrogen around you in the capsule even if you could get your helmet open, which you can’t—and knowing that the capsule is surrounded by the firing tube anyhow and if the ship gets hit before they fire you, you haven’t got a prayer, you’ll just die there, unable to move, helpless. It’s that endless wait in the dark that causes the shakes—thinking that they’ve forgotten you . . . the ship has been hulled and stayed in orbit, dead, and soon you’ll buy it, too, unable to move, choking. Or it’s a crash orbit and you’ll buy it that way, if you don’t roast on the way down.

Then the ship’s braking program hit us and I stopped shaking. Eight gees, I would say, or maybe ten. When a female pilot handles a ship there is nothing comfortable about it; you’re going to have bruises every place you’re strapped. Yes, yes, I know they make better pilots than men do; their reactions are faster, and they can tolerate more gee. They can get in faster, get out faster, and thereby improve everybody’s chances, yours as well as theirs. But that still doesn’t make it fun to be slammed against your spine at ten times your proper weight.

But I must admit that Captain Deladrier knows her trade. There was no fiddling around once the Rodger Young stopped braking. At once I heard her snap, “Center-line tube ... fire!” and there were two recoil bumps as Jelly and his acting platoon sergeant unloaded—and immediately: “Port and starboard tubes—automatic fire! ” and the rest of us started to unload.

Bump! and your capsule jerks ahead one place—bump! and it jerks again, precisely like cartridges feeding into the chamber of an old-style automatic weapon. Well, that’s just what we were . . . only the barrels of the gun were twin launching tubes built into a spaceship troop carrier and each cartridge was a capsule big enough (just barely) to hold an infantryman with all field equipment.

Bump!—I was used to number three spot, out early; now I was Tail-End Charlie, last out after three squads. It makes a tedious wait, even with a capsule being fired every second; I tried to count the bumps—bump! (twelve) bump! (thirteen) bump! (fourteen—with an odd sound to it, the empty one Jenkins should have been in) bump!—

And clang!—it’s my turn as my capsule slams into the firing chamber—then WHAMBO! the explosion hits with a force that makes the Captain’s braking maneuver feel like a love tap.

Then suddenly nothing.

Nothing at all. No sound, no pressure, no weight. Floating in darkness . . . free fall, maybe thirty miles up, above the effective atmosphere, falling weightlessly toward the surface of a planet you’ve never seen. But I’m not shaking now; it’s the wait beforehand that wears. Once you unload, you can’t get hurt—because if anything goes wrong it will happen so fast that you’ll buy it without noticing that you’re dead, hardly.

Almost at once I felt the capsule twist and sway, then steady down so that my weight was on my back . . . weight that built up quickly until I was at my full weight (0.87 gee, we had been told) for that planet as the capsule reached terminal velocity for the thin upper atmosphere. A pilot who is a real artist (and the Captain was) will approach and brake so that your launching speed as you shoot out of the tube places you just dead in space relative to the rotational speed of the planet at that latitude. The loaded capsules are heavy; they punch through the high, thin winds of the upper atmosphere without being blown too far out of position—but just the same a platoon is bound to disperse on the way down, lose some of the perfect formation in which it unloads. A sloppy pilot can make this still worse, scatter a strike group over so much terrain that it can’t make rendezvous for retrieval, much less carry out its mission. An infantryman can fight only if somebody else delivers him to his zone; in a way I suppose pilots are just as essential as we are.

I could tell from the gentle way my capsule entered the atmosphere that the Captain had laid us down with as near zero lateral vector as you could ask for. I felt happy—not only a tight formation when we hit and no time wasted, but also a pilot who puts you down properly is a pilot who is smart and precise on retrieval.

The outer shell burned away and sloughed off—unevenly, for I tumbled. Then the rest of it went and I straightened out. The turbulence brakes of the second shell bit in and the ride got rough . . . and still rougher as they burned off one at a time and the second shell began to go to pieces. One of the things that helps a capsule trooper to live long enough to draw a pension is that the skins peeling off his capsule not only slow him down, they also fill the sky over the target area with so much junk that radar picks up reflections from dozens of targets for each man in the drop, any one of which could be a man, or a bomb, or anything. It’s enough to give a ballistic computer nervous breakdowns—and does.

To add to the fun your ship lays a series of dummy eggs in the seconds immediately following your drop, dummies that will fall faster because they don’t slough. They get under you, explode, throw out “window,” even operate as transponders, rocket sideways, and do other things to add to the confusion of your reception committee on the ground.

In the meantime your ship is locked firmly on the directional beacon of your platoon leader, ignoring the radar “noise” it has created and following you in, computing your impact for future use.

Read more


About the authors

Robert Heinlein

Robert Heinlein

Robert Heinlein was an American novelist and the grand master of science fiction in the twentieth century. Often called 'the dean of science fiction writers', he is one of the most popular, influential and controversial authors of 'hard science fiction'.

Over the course of his long career he won numerous awards and wrote 32 novels, 59 short stories and 16 collections, many of which have cemented their place in history as science fiction classics, including STARSHIP TROOPERS, THE MOON IS A HARSH MISTRESS and the beloved STRANGER IN A STRANGE LAND.

Read more


Reviews

Customer reviews

4.5 out of 5

18,598 global ratings

The Kekistani

The Kekistani

5

Riveting

Reviewed in the United States on September 26, 2024

Verified Purchase

It was as good as I exoected it would be. Definitely a must read if you loved the movie and play Helldivers and Spacemarine.

Bill

Bill

5

Good read

Reviewed in the United States on September 7, 2024

Verified Purchase

Book is awesome but so far all his books I've read have been

Walt Boyes

Walt Boyes

5

Nobody does it better!

Reviewed in the United States on August 9, 2024

Verified Purchase

Heinlein’s Starship Troopers is not an adventure story even though the protagonist is in the army and fights the Bugs (aliens who are a hive culture).

It is a discussion based in the point of view of Juan Rico, a young Filipino who joins the Mobile Infantry after high school. In his world, you must do service to gain the power to vote. Service consists of anything the government can find for you to do, not simple military service.

Rico learns that authority is paired with responsibility. He learns that he made a check out to the Federation for “anything up to and includng my life.”

Heinlein has been accused of being a fascist after writing this book. The government portrayed in the book is not in the least fascist. The military, in fact, all government service is voluntary and is heavily discouraged.

This is an excellent and thoughtful philosophical treatise masquerading as a novel, just like most of Heinlein’s other novels, especially The Moon is a Harsh Mistress.

Starship Troopers was written in the 1950s and it has held up extremely well.

Read more

LFoD-NH

LFoD-NH

5

Gripping and Thoughtful

Reviewed in the United States on March 4, 2019

Verified Purchase

Starship Troopers is an amazing novel and almost nothing like that abortion of a movie by Verhoeven, who thought Heinlein a Neo-Fascist. That’s his depiction in the movie, but it doesn’t resemble the novel except very superficially. Frankly, it’s a scandal that a man was given the job of directing the adaptation to intentionally smear the novel, its ideas, and the man, himself. But, on to the novel...

It’s vintage Heinlein—imaginative, but with a tangible flavor of realism and an accurate anthropology. The characters are well-developed and the action satisfying. One of the unique things about Heinlein is his strong sense of the moral and an interesting aspect of this novel, in particular, is the political moral philosophy that underpins it—the notion that the only people that should have political power (the voter franchise) are those that have demonstrated the moral commitment of sacrifice for society—indeed, the human race. That is, those unwilling to put society above their own interests are unfit to wield political power, which amounts to the authority to wield force and violence. Philosophers and theologians have observed similar things. For example, Martin Luther’s concept of the Left-Hand Kingdom, asserts similar concepts—the State wields the sword for the benefit of society (and, for Luther, The Church) to create order and protect people from chaos and threats. Heinlein has his own twist on these ideas. They’re intriguing—and, convincing.

It’s also my understanding that this is the first Sci-Fi novel to realistically depict military life. I can’t say for sure, because I have an insufficient understanding of the Sci-Fi cannon and I’ve never served in the military. Heinlein did know military life, as he graduated from the US Naval Academy and served 5 years as a naval officer before being retired because of an illness—tuberculosis, I believe. All I can say is that it is believable. It doesn’t just focus on the actions and action, but the inner life, attitudes, and thought patterns of the military man (and woman). Needless to say, the movie completely misses the mark on this point also.

I first read this novel decades ago and thought it terrific then—well, no surprise there, since it won the Hugo Award before the award was infested by political correctness. I thought it worth a re-read, especially in today’s political climate—the ideas here won’t be popular with people who think that government (really, other people) owes them free stuff. Even after decades, there were certain scenes that had stuck in my mind all that time. If you believe that the mark of a successful novel is its ability to stick in your mind, then this novel delivers in spades. Still, after reading it again I was surprised by how many substantive things I had forgotten, which is a testament to its depth.

Originally marketed as one of Heinlein’s juvenile novels, it really doesn’t fit well in that genre. It’s shorter than many of his novels, but not as short as the juveniles such as “Have Spacesuit, Will Travel” (my favorite Heinlein novel of that genre). This is a serious book that explores serious ideas, so adults will find it satisfying. Nevertheless, I do recommend it for young adults. We’d do well to make it a regular part of the literature cannon taught in late middle school and high school, as it forces one to think about the relationship between responsibilities and rights, as well as economic concepts such as “value” and markets. If people are to be voting citizens, then they should be familiar with the ideas in this novel, even if they ultimately disagree with them. You can’t have a useful opinion on the concepts, though, if you don’t know what they are. Thinking about ideas is never a waste.

Read more

46 people found this helpful

Vance

Vance

5

Brilliant! One of the defining works of sci-fi action

Reviewed in the United States on December 10, 2010

Verified Purchase

What are my favorite books? Well, that is a hard question when you get down to it. There are many books I like, or even love, but naming favorites is hard. I suppose to name a favorite I need to choose ones that inspire my own creative thought. One novel that has always managed to do just that is Robert. A. Heinlein's controversial sci-fi adventure Starship Troopers. Forget the butchery that was the 1997 movie by Paul Verhoeven because the two share nothing in common.

Starship Troopers revolves around an intergalactic war between the Terran Federation of Earth and the Arachnids of Klendathu. The Terran Federation is a limited democracy that revolves around meritocratic beliefs, nationalism (or is it planetism in this case?), and extreme militarism. The only way an individual can earn the right to vote is if they've served in a military branch (which earns the title of "Citizen") while those who haven't do not receive the right to vote and are looked down upon ("civilians"). The Arachnids are a Hive based society where countless worker and warriors meet the needs of the ruling class composed of "Queens" and "Brain Bugs."

The story is told from the perspective of Juan Rico, son of wealthy Filipino businessman Emilio Rico. His father is a civilian but despite his lack of political power has amassed a great fortune and when Juan expresses interest in becoming a Citizen his father scolds him. Eventually however Juan gives into pressure from his friend "Carl" (no full name given) and high school crush Carmen Ibanez.

Military service is dependant upon intelligence and Juan hopes to make it into the Naval Academy, which is where Carmen intends to enlist. Unfortunately, Juan is not the smartest kid on the block. While Carmen happily accepts entry into Naval services and Carl makes it into Research & Development ("Starside Research & Development" located on Pluto, to be precise), Rico only manages to meet the standard for Mobile Infantry; the lowest branch. He joined to be with his friends, but from this day on he never sees them again except for few, brief moments.

Rico is soon shipped to Camp Arthur Currie where under the strict care of 1st Sergeant Charles Zim. Here Rico is trained to become an instrument of war under the harshest conditions. Training consumes most of the days, so much so that Rico along with many other recruits acquires the ability to sleep during the morning jogs without missing a beat. Public floggings of disobedient recruits, or those attempting to escape their duties is a constant event meant to keep the others in line.

Towards the end of his training Rico is shocked to discover that the Arachnids (or "bugs" as the soldiers prefer to call them) have declared war by launching a surprise bombardment that has wiped out his home of Buenos Aires. With the full tide of war pushing him, and outfitted with a fully armored mechanized combat suit Rico is prepared to engage the bugs up close and personal. The rest of the novel follows Rico's exploits throughout the "Bug War."

On its surface Starship Troopers is a basic grunt story with a sci-fi setting, but it still manages to be ahead of its time. It feels a lot like post-Vietnam era war fiction in the fact that it doesn't show glory in battle and focuses on a character who isn't too smart but gets by in a time of war. The simplicity of this story also allows Heinlein to give full attention to his innovative, and at times controversial ideas.

Aside from Heinlein's controversial picture of a militaristic society that many feel supports a fascist society (I would disagree on this...) Heinlein manages to work in military tactics and technology well ahead of his time. You want to know where the idea of strength enhancing combat suits and the ability to deploy troops by dropping capsules from orbit came from? Why, these ideas copied countless times in anime, video games, movies, and other novels all stem from Starship Troopers! But even aside from those awesome concepts Heinlein presents ideas that have taken hold in today's military. Such tactics as smash-and-burn raids, and surgical precision strikes become tactics that for the first time are fully elaborated upon in the written word and are surprisingly accurate to how the tactics are conducted today. Other technology such as night vision goggles, personal radar, and self-contained environmental suits are also laid out in great detail by Heinlein.

As a race the Arachnids set the standard for all future "humanity vs. insect race" scenarios. They have a hive based society. Where there is a central intelligence class (Queens and Brain Bugs in this case) and a lower class which consists of warriors and workers. The Arachnids also exploit their ability of fast reproduction. Aside from being sentient (the Arachnids of Heinlein's book have built spaceships and utilize plasma based weaponry) the Arachnids really exploit the fact that they're insects. Rico speculates at one part that if they kill 10,000 Arachnid warriors in a day and lose a single member of the Mobile Infantry it is a loss for humanity because in the Arachnid hives wait Warrior eggs that will hatch to meet demands. A human Mobile Infantryman takes eighteen years to mature and two years to train. In this way Heinlein really goes in-depth on "What advantages would a sentient insect race have over humans if they were at war?"

Story is probably where Starship Troopers falls short, being a fairly routine military coming of age chronicling the adventures of the protagonist and the horrors of war. In short: The ideas and concepts of the novel overshadow the story. Don't get me wrong, I LOVE this book and its characters, but when comparing its basic plot to some of the novels it inspired, such as Ender's Game, it doesn't hold as much strength...But as an exploration into the mechanics of science-fiction is unmatched. The way Heinlein speculates the future of war is phenomenally well done and having the story told from the perspective of a protagonist who is essentially a common grunt really drives home how extraordinary the events and technology are by with a simple worded narrative.

I highly suggest picking up a copy of this book and throwing aside any knowledge of the 1997 movie. The movie simply uses the names of characters and slaps on the title "Starship Troopers" but never will you see a less accurate interpretation of a book. This is sci-fi warfare at its finest and its ideas are just as impressive now as they were in 1959.

So sit down, read, and enjoy.

Read more

54 people found this helpful

More reviews