The Hunger Games (Hunger Games Trilogy, Book 1) by Suzanne Collins - Audiobook
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The Hunger Games (Hunger Games Trilogy, Book 1)Audiobook

by

Suzanne Collins

(Author)

4.7

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89,376 ratings


In the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. Long ago the districts waged war on the Capitol and were defeated. As part of the surrender terms, each district agreed to send one boy and one girl to appear in an annual televised event called, "The Hunger Games," a fight to the death on live TV. Sixteen-year-old Katniss Everdeen, who lives alone with her mother and younger sister, regards it as a death sentence when she is forced to represent her district in the Games. The terrain, rules, and level of audience participation may change but one thing is constant: kill or be killed.

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ISBN-10

9780439023528

ISBN-13

978-0439023528

Print length

384 pages

Language

English

Publisher

Scholastic Press

Publication date

July 02, 2010

Dimensions

5.5 x 1 x 8.5 inches

Item weight

11.2 ounces



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Product details

ASIN :

0439023521

File size :

11319 KB

Text-to-speech :

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Screen reader :

Supported

Enhanced typesetting :

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Editorial reviews

Praise for The Hunger Games"A violent, jarring, speed-rap of a novel that generates nearly constant suspense. . . . I couldn't stop reading." --Stephen King, Entertainment Weekly"I was so obsessed with this book. . . . The Hunger Games is amazing."--Stephenie Meyer, author of the Twilight saga"Brilliantly plotted and perfectly paced."--John Green, The New York Times Book Review


Sample

1

When I wake up, the other side of the bed is cold. My fingers stretch out, seeking Prim’s warmth but finding only the rough canvas cover of the mattress. She must have had bad dreams and climbed in with our mother. Of course, she did. This is the day of the reaping.

I prop myself up on one elbow. There’s enough light in the bedroom to see them. My little sister, Prim, curled up on her side, cocooned in my mother’s body, their cheeks pressed together. In sleep, my mother looks younger, still worn but not so beaten-down. Prim’s face is as fresh as a raindrop, as lovely as the primrose for which she was named. My mother was very beautiful once, too. Or so they tell me.

Sitting at Prim’s knees, guarding her, is the world’s ugliest cat. Mashed-in nose, half of one ear missing, eyes the color of rotting squash. Prim named him Buttercup, insisting that his muddy yellow coat matched the bright flower. He hates me. Or at least distrusts me. Even though it was years ago, I think he still remembers how I tried to drown him in a bucket when Prim brought him home. Scrawny kitten, belly swollen with worms, crawling with fleas. The last thing I needed was another mouth to feed. But Prim begged so hard, cried even, I had to let him stay. It turned out okay. My mother got rid of the vermin and he’s a born mouser. Even catches the occasional rat. Sometimes, when I clean a kill, I feed Buttercup the entrails. He has stopped hissing at me.

Entrails. No hissing. This is the closest we will ever come to love.

I swing my legs off the bed and slide into my hunting boots. Supple leather that has molded to my feet. I pull on trousers, a shirt, tuck my long dark braid up into a cap, and grab my forage bag. On the table, under a wooden bowl to protect it from hungry rats and cats alike, sits a perfect little goat cheese wrapped in basil leaves. Prim’s gift to me on reaping day. I put the cheese carefully in my pocket as I slip outside.

Our part of District 12, nicknamed the Seam, is usually crawling with coal miners heading out to the morning shift at this hour. Men and women with hunched shoulders, swollen knuckles, many who have long since stopped trying to scrub the coal dust out of their broken nails, the lines of their sunken faces. But today the black cinder streets are empty. Shutters on the squat gray houses are closed. The reaping isn’t until two. May as well sleep in. If you can.

Our house is almost at the edge of the Seam. I only have to pass a few gates to reach the scruffy field called the Meadow. Separating the Meadow from the woods, in fact enclosing all of District 12, is a high chain-link fence topped with barbed-wire loops. In theory, it’s supposed to be electrified twenty-four hours a day as a deterrent to the predators that live in the woods — packs of wild dogs, lone cougars, bears — that used to threaten our streets. But since we’re lucky to get two or three hours of electricity in the evenings, it’s usually safe to touch. Even so, I always take a moment to listen carefully for the hum that means the fence is live. Right now, it’s silent as a stone. Concealed by a clump of bushes, I flatten out on my belly and slide under a two-foot stretch that’s been loose for years. There are several other weak spots in the fence, but this one is so close to home I almost always enter the woods here.

As soon as I’m in the trees, I retrieve a bow and sheath of arrows from a hollow log. Electrified or not, the fence has been successful at keeping the flesh-eaters out of District 12. Inside the woods they roam freely, and there are added concerns like venomous snakes, rabid animals, and no real paths to follow. But there’s also food if you know how to find it. My father knew and he taught me some before he was blown to bits in a mine explosion. There was nothing even to bury. I was eleven then. Five years later, I still wake up screaming for him to run.

Even though trespassing in the woods is illegal and poaching carries the severest of penalties, more people would risk it if they had weapons. But most are not bold enough to venture out with just a knife. My bow is a rarity, crafted by my father along with a few others that I keep well hidden in the woods, carefully wrapped in waterproof covers. My father could have made good money selling them, but if the officials found out he would have been publicly executed for inciting a rebellion. Most of the Peacekeepers turn a blind eye to the few of us who hunt because they’re as hungry for fresh meat as anybody is. In fact, they’re among our best customers. But the idea that someone might be arming the Seam would never have been allowed.

In the fall, a few brave souls sneak into the woods to harvest apples. But always in sight of the Meadow. Always close enough to run back to the safety of District 12 if trouble arises. “District Twelve. Where you can starve to death in safety,” I mutter. Then I glance quickly over my shoulder. Even here, even in the middle of nowhere, you worry someone might overhear you.

When I was younger, I scared my mother to death, the things I would blurt out about District 12, about the people who rule our country, Panem, from the far-off city called the Capitol. Eventually I understood this would only lead us to more trouble. So I learned to hold my tongue and to turn my features into an indifferent mask so that no one could ever read my thoughts. Do my work quietly in school. Make only polite small talk in the public market. Discuss little more than trades in the Hob, which is the black market where I make most of my money. Even at home, where I am less pleasant, I avoid discussing tricky topics. Like the reaping, or food shortages, or the Hunger Games. Prim might begin to repeat my words and then where would we be?

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About the authors

Suzanne Collins

Suzanne Collins

Suzanne Collins has had a successful and prolific career writing for children's television. She has worked on the staffs of several Nickelodeon shows, including the Emmy-nominated hit Clarissa Explains It All and The Mystery Files of Shelby Woo. Collins made her mark in children's literature with the New York Times bestselling five-book series for middle-grade readers The Underland Chronicles, which has received numerous accolades in both the United States and abroad. In the award-winning The Hunger Games trilogy, Collins continues to explore the effects of war and violence on those coming of age. Collins lives with her family in Connecticut.

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Reviews

Customer reviews

4.7 out of 5

89,376 global ratings

Seirra Poirier

Seirra Poirier

5

If Ever There Was A Trilogy Worth Reading, It Would Be This One!

Reviewed in the United States on July 8, 2013

Verified Purchase

Firstly I'm probably the only person to never read The Hunger Games as soon as I heard it was amazing. I took my time getting to this book and I should have listened to everyone else and raced to it, but I'm stubborn! Pushing that aside the Hunger Games is uniquely constructed, and has an extraordinarily built world that's vividly detailed. The characters are remarkable, each with a surprising amount of depth, and easy-to-like or easy-to-hate personalities. From the beginning you'll have your mind made up on whose good and whose bad--that will change. The heroine Katniss Everdeen is flawed yet has a lot of strength and courage. Right off the bat I really admired her for stepping up to protect her little sister Prim from the Games by taking her place. Her bravery is impressive but aside from that she's also a wood's warrior; she can climb trees, has deadly accuracy with a bow, and can hunt like nobody's business. Then there's Peeta - the bread making boy from her district whose also chosen for the arena. He's the epitome of all that is good, kind-hearted, self-sacrificing, and loyal to no end. His stability and confidence is unbelievably charming. His relationship with Katniss is complicated and beautiful--you'll be rooting for them throughout the entire story!

I loved almost everything about The Hunger Games the only disappointment I had was that we rarely got to see much of Peeta as he and Katniss are often separated. Gale whom is Katniss' bestfriend from the district is mentioned frequently but we never really get to know him except through what we hear about him. Excluding those facts I enjoyed the camaraderie between the formed alliances, but was seriously devastated at the hopelessness of the situations all the characters find themselves in. Haymitch--Katniss and Peeta's mentor--is perhaps underrated but astronomically important in trying to help them succeed and stay alive. I feel that more credit is due to him as a past survivor of the Hunger Games, I loved that even though he's strange and irreparably damaged he gives them the tools necessary to have a good chance at beating the odds. He has such a darkly humorous outlook and it was refreshing of his character not to sugarcoat the very likelihood of death. I don't think many YA authors take such matters seriously enough and portrays important issues appropriately, but Suzanne Collins gets it and does it right. Those expecting romance will be satisfied and yet still want more. The Hunger Games is conceptually clever and extremely gripping. I was near tears during some of the scenes as they struck a chord inside that appeals to everyone's humanity. The world built and weaved into words is dark, seemingly despaired, and unjust but riveting nevertheless. The realness of it will chill your blood because the situations are pretty believable. Children and teens fight for their survival and are pitted against each other for the entertainment of the Capitol and the last one standing wins. It's beyond twisted, crosses many moral lines, but you won't be able to stop reading once you start. I'd strongly recommend for teens over the age of 14 due to violence, and human cruelty.

Located in the ruins of North America lies 12 districts in a nation called Panem with a government-like society dead center named, The Capitol. You have to follow each and every rule because if you don't punishment is swift and deadly. Every year The Capitol holds and celebrates the biggest event--the Hunger Games. Children and teens are randomly selected and forced to participate in a life or death battle arena where only one can emerge as the victor. Sixteen-year-old Katniss Everdeen isn't looking forward to the reaping process this year particularly since she's got numerous chances of being selected. She's both horrified and shocked when her younger, and only sister Prim is chosen as the contender. She does the only thing that can save her--she offers to take her place. With this almost guaranteed death sentence Katniss must make some of the most difficult decisions that goes against her morals to make it out alive--and may the odds be ever in her favor--or not.

The Hunger Games is wildly engaging and shockingly amusing. It's easy to lose track of time, minutes will turn into hours so beware of the addicting nature of this novel. It's a blend of science fiction, dystopia, with realistic conditions and futuristic-like advancements. If ever there was a trilogy worth reading it would be this one. It has a universal appeal, it can most definitely be enjoyed by both teens and adults. The Hunger Games is suspenseful, emotional, and a must-read. Collins has written a powerful story with authentic characters, and creates an unbelievably astonishing, and gritty world.

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D. Blankenship

D. Blankenship

5

THE STORY IS NOT A NEW IDEA BUT THIS AUTHOR DOES A BETTER JOB WITH IT THAN MOST. I Do Like This Book!

Reviewed in the United States on February 3, 2011

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As I write this review there are now 1,756 reviews already posted; which is a lot of reviews when you think about it. I seriously doubt if I will be able to add one thing in my little effusion here that has not already been said but since it will soon be buried and will probably never be read by another human I suppose that will not matter much. Anyway....

I have to tell you that like many folks here I was absolutely hooked on the first page and went through torment when I had to put the thing down in order to eat several times and to sleep once. I cannot remember when a book captivated me so.

The plot has been given a pretty well going over here so I will not dwell on that much. The story, as told through the words of a young girl, takes place in a future totalitarian society; America, after things have gone horribly wrong. There is a place called the Capitol which pretty well runs everything and the country has been broken up into twelve districts (There is a thirteenth district but in this book it has been supposedly completely obliterated.) Because these districts had, 75 years ago rebelled against the Capital, they are required to give up two of the children each year, a boy and a girl. These kids are taken to an arena and forced to fight to the death until only one is left. The people in each of these districts are treated like slaves and for the most part are simply starved or worked to death in the end.

That in brief, is the essence of the story.

Is this somewhat brutal? You bet it is. Is this somewhat horrifying? Most certainly. Is the story plot realistic? Unfortunately, yes it is...quite believable. And this is why so many are reading this work and the two books that follow in this series. The author has done her job. Most of us are horrified and most of us do see the brutality in the situation and most of us deplore it. To be quite frank, I would quite worry about someone who was not horrified and a bit disturbed.

I have some random thoughts about this book:

The writing is good. We are not talking high literature here, and thank goodness for that. We are talking about a well written story that, after reading the many reviews here and on other sites, holds the readers interest page after page. Excellent plot, excellent dialog, lots of action, very fine character development...it is all here. Maybe it is not to everyone's taste, but it most certainly satisfies the reading needs of a lot of folks...both young and old.

The premise of this story is certainly not new. Right off the top of my head I think of the old story "The Lottery," and a more recent novel by Stephen King, "The Long Walk." Both are similar but this idea is no worse the wear for being used again and I really think this author got it better than King did with his shot at it.

Designating this work as a YA book is really a bit inaccurate as the age group who will enjoy this thing has a very wide range and in many ways the book is more suited for the adult reader than the pre-teen. I personally would have no problem with a younger child reading this thing, but each child is so different that this would be a hard call to make. I do have a great problem with those folks who seem to want to ban this work from school libraries...that is one of the silliest things I have ever heard of. Folks who want this have no clue as to what their children are reading right now. I recently read three YA books by different authors. In those three books there were vivid descriptions of vampires sucking the blood out of the necks of virgins, (and a goodly number of non-virgins), blatant and casual recreational drug use, sex, group sex (a cool thing to do, by the way), gang rape (no big deal), infidelity, murder, robbery....oh where to stop? I can assure you that none of these subjects were addressed in this book. No folks, our libraries are no longer filled with Little House in the Big Woods' books...it is more like Little Meth House in the Big Woods'...truth be told.

The concept of having a drawing to decide which child (ages 12 through 18) be sent off to fight to the death is upsetting to be sure. On the other hand, does anyone here remember a thing called The Draft? We have been sending children, and make no mistake, an 18 year old is still something of a child, off to fight and die in wars since the beginning of so called civilization. This concept of not putting children in harms way has never held much water. During most of our previous wars we had children, young men, as young as 15 fighting and dying in them.

The author has done a very nice job with the violent scenes. They are well done, not gratuitous in the least bit, are an important part of the story and not overly graphic when compared to a lot of books that are on our shelves today.

Taste in books is wide ranging. This book will not be for everyone. I personally found in one of the better reads I have had over the past ten years are so and am already on the third volume of this series and dread that it will soon be over.

Don Blankenship The Ozarks

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10 people found this helpful

Kenneth Mugi

Kenneth Mugi

5

Young Adult Fiction that would make George Orwell Proud

Reviewed in the United States on June 6, 2012

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REASON FOR BOOK CHOICE

I am an aggressive reader now, for sure, but I didn't used to be. As such I found out about Hunger Games via a trailer on Apple.com. It looked intriguing and the main character had a lean and angry feel to her that I hadn't seen in a while. I like kick ass female heroines and the story seemed to tick all my desirability boxes.

Then a few reviewers said the movie wasn't as great as it could be, so I passed and decided to wait for the DVD release. However, a couple of weeks ago I was trawling for a good book and I thought: Hunger Games, why not? I'm currently writing my own YA book and I thought that I should be pragmatic and check out the competition. I didn't expect it to be good, I certainly expect it to be great. It was just the new Twilight that I had to read because the world demanded it.

COVER

The cover for the Kindle version I purchased is the movie tie-in edition. I'm not sure what to think of that. I know that keeping your marketing material the same is a good idea, but would it be such an ask to have a unique Kindle cover that really takes advantage of its grey scale processing? We're not talking a single independent writer here, this is a professional squad. Surely they could design something that grabs you straight off from the get go.

The cover itself is fine. It's Katniss' mockingbird on fire and I already knew it looked great in print at the local bookshop. In greyscale, however, not so much. All the vividness and contrast has been drained out of the picture; therefore, even though it's in super high definition, it doesn't grab me on the Kindle.

It's also strange that the cover suffers from the 'blank space' issue a lot of books have around its left and right sides. I went off at Alan Parr last week about and I haven't changed my opinion. This is really lazy work and whoever put the book together for the Kindle should be spoken to about it. Yes, they would have to modify the file but it would be worth it.

BOOK LAYOUT

Even though the book still starts right into the novel (please, can we not do that?), I found it had all the essentials: TOC, chapter headings, acknowledgments and a really great way of promoting the next book. Unfortunately, I'm not a huge fan of the way the TOC had been laid out and although I understand it's not the Kindle version creator's fault (because he / she was staying true to the source material) it really reeks of sloppiness.

I can comprehend that fans of the novel would want it changed as little as possible from one version to another, but I'm not sure they would complain about aesthetic changes like chapter headings. I say this because the TOC chapter listings are 1, 2, 3 and so on. It works when you create a printed book because you can make those numbers really large but as TOC headings, it looks like an eighth grader put the table of contents together. Surely they could have changed them to One, Two, Three and kept the spirit of the book.

One thing I love about the layout is their marketing. At the very end of the novel is a picture promoting the new novel: Catching Fire, and it's great. It let's you know that the other book is available, what it's called and it's not trying to force you to read anymore. I'm already thinking for picking it up in the Christmas period (or when I have holidays) to add to my list of reading material.

STORY

The story is pretty well known by now: Katniss has voluntarily put herself forward to compete in the Hunger Games so that she can save her sister from a likely death. This games are a survival tournament between the 12 different districts that is held in the Capitol and features participants from the ages of 13 (?) to 18.

The main story: survival, is added to with the possibility of romance, audience manipulation and defiance against an oppressive regime. I loved it. I really loved it. The story arc is tightly wound and just goes up and up in its tension as the book progresses.

I found Suzanne Collins totally ruthless as an author (for this kind of book she needs to be) and that was overwhelmingly refreshing for me as a reader. No-one is spared. Friendships are made because of the need to survive and then characters are dispatched as if the Hunger Games was happening in reality right now. There's no sentimentality in this book or inauthentic moments and that's what makes the story work because it feels as if you're right there every step of the way with Katniss and the other competitors.

Also, the book ends. The Hunger Games end and that makes it a compelling (and fulfilling) read.

CHARACTERS

It's been a long time since I've read characters who I've cared about so deeply. I love Katniss and her strength, her confusion, her struggle with humanity versus survival. It's powerful, it's evocative and it made my heart jump more than once. She's a character that hasn't just turned up with a bow because that's what the author wants, she's a character who grew to use a bow because of her fierce determination to survive. I feel that things are going to go badly for her in the next two novels but you can't help but hope she makes it somehow.

There's a great mentor in Haymitch who I hope will be fleshed out more in the second book, a complex and volatile love interest in Peeta, an uncertain ally in Cinna and a fascinating interviewer in Caesar. I think what I loved about all these characters was the fact that they arrive as real people. They have histories, secrets and their own goals Suzanne hasn't told us about yet. Nothing feels deliberately hidden in the book but you can feel it lurking beneath the surface and just waiting to explode.

I think Cinna was probably my favourite outside of Katniss and I'm looking forward to seeing if he gets more space in the next novel.

WRITING

Wow. This is incredibly written. The end of the book says that Suzanne Collins explores the effects of war in her novels and you can feel that. She writes with a purpose and drive that I did not feel in Twilight or Switched. Everything feels stripped back, every word feels as if it should belong on the page and there's no fancy literary games to be played with the author. I felt as if Katniss was speaking to me directly all the way through.

It's written in the first person perspective and in the present tense. I think the narrator is a little unreliable (she's only 18) but has a unique and strong voice that you can hear in each sentence on the page. After reading the big ones: Switched and Twilight, I'm pretty comfortable saying this is in a whole different league. There was nothing wrong with Stephanie Meyer or Amanda Hocking's writing ability in those books, but they were not at this level. Not this gripping, not with this strength of tone and force behind each word. It was like being kicked in the teeth and then pulled behind a chariot for three thousand metres.

CONCLUSION

Is it worth five dollars? Yes. Hell yes.

I can't tell you how much of a relief it was for me to read Hunger Games. I really struggled through the last two books and thought that maybe I had lost my ability to enjoy well written novels because I was writing more myself. I wasn't. The last two books just weren't that good.

Hunger Games grabbed me from the first page and held me until its bittersweet end. I started it at ten o'clock at night and finished the novel the next morning. It's about 80,000 words but it didn't feel like it. It felt so much smaller than the other two novels I had just read. I loved Hunger Games and it made me believe that there was some more Young Adult fiction out there for me.

You don't need to like YA to enjoy Hunger Games, you don't need to like vampires, love torn women or any of the tropes of the genre. This is fiction at its finest with an immediacy that would have made George Orwell proud.


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